Here are 100 books that The Wakefields of Sweet Valley (Sweet Valley High) fans have personally recommended if you like
The Wakefields of Sweet Valley (Sweet Valley High).
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I’ve always loved dark stories. There is something especially human about being lured by that part of us we bury. How secret desires and thoughts get teased out in ways we don’t really experience in real life. Which is why I write suspense novels. Sometimes you just want to go there! Here are some books that I find hit that fix.
I’m going even further back with this one. Unusual pick certainly, a YA novel from 1989 that I stole off my sister’s shelf circa 1994.
I was ten and ready for something darker than The Baby-Sitters Club. This was one of those early reads that made me want to write in the first place. The first real suspense book that had me staying up late, wondering how does one create a story like this? I still have that book, tattered and sitting on my shelf as a reminder of that first spark.
Christopher Pike is able to write stories to young readers in a timeless way. The nostalgia and sheer thrill from this story about a young woman who finds herself dead after falling four stories will bring you back to nights with covers over your head. Did she jump or was something more sinister behind her death? Only her…
In this harrowing thriller from bestselling author Christopher Pike, a teen girl must solve the mystery of her own murder before the killer strikes again.
After a night spent out with friends, Shari Cooper wakes up in her bed not sure how she got home. And things only get stranger when her family acts like she’s not even there. Nothing Shari says gets a response and nothing she does can get someone to even glance at her. Then the hospital calls.
Shari’s mom starts to cry. The blood drains from her dad’s face. And still no one will tell her…
When I was a teen, I had zero aspirations to become a writer. I didn’t discover my passion for writing until I was thirty! But once I started writing, it was these books and the way they made me feel that I drew on. I wanted strong heroines that I wanted to be—and be friends with. I wanted a slow burn, skin-tingling romance with a lot of push and pull. I wanted to be part of something bigger than myself. To go on a quest. To feel victorious. And it is my hope that I can give my readers all the feels these books gave me.
I have loved many a Sunfire historical Romance. Danielle (pirates!), Caroline (Gold Rush!), Amanda (Oregon Trail!), Nicole (Titanic—way before there was a movie). There’s always a kick-ass heroine and a love triangle and fun outfits (also a must for me—I was a fashion designer before becoming a writer and styling the wardrobe and “sets” is very important to me when crafting a story. I keep a Pinterest board for all my books and unlock it once a book/series is fully published). Anyway, I especially loved Roxanne because I’ve always loved Old Hollywood and old movies (much like Elisha in Keystone). I moved to Orange County, California from Pittsburgh when I was a kid, and on day trips to Los Angeles, I preferred seeing Hollywood through Roxanne’s eyes. It was her story that connected me to my new home.
When I was a teen, I had zero aspirations to become a writer. I didn’t discover my passion for writing until I was thirty! But once I started writing, it was these books and the way they made me feel that I drew on. I wanted strong heroines that I wanted to be—and be friends with. I wanted a slow burn, skin-tingling romance with a lot of push and pull. I wanted to be part of something bigger than myself. To go on a quest. To feel victorious. And it is my hope that I can give my readers all the feels these books gave me.
The best kind of books are books that are your friends, aren’t they? As a reader, I usually feel connected to characters and don’t think much about authors (and I feel this is how it should be. I think once they leave an author’s hands, books belong to the reader!) but in this case, I also feel like Lucy Maude and I are kindred spirits. We both had two imaginary friends growing up, after all. That’s enough to make us BFF’s, right? 😉 Anyway, I have visited with all my Anne book friends many times, but the one I always come back to is Anne of the Island. This is probably because I love a slow-burn romance, and this is the book where Anne and Gilbert finally get together. After three books of will-they-won’t-they banter the payoff is totally worth it! (And on a side note, would this book…
In the third installment of the Anne of Green Gables series, Anne enrolls in college and must face new challenges inside and outside the classroom. The young student attempts to balance a vibrant social life with an intense course load that will push her to her limits.
Anne has left the comforts of Green Gables to embark on her college career. While attending Redmond College in Nova Scotia, she meets a new friend, Philippa Gordon and a potential beau, Roy Gardner. As her social circle grows, Anne maintains her connection with childhood cohort, Gilbert Blythe. When his undeniable affection becomes…
When I was a teen, I had zero aspirations to become a writer. I didn’t discover my passion for writing until I was thirty! But once I started writing, it was these books and the way they made me feel that I drew on. I wanted strong heroines that I wanted to be—and be friends with. I wanted a slow burn, skin-tingling romance with a lot of push and pull. I wanted to be part of something bigger than myself. To go on a quest. To feel victorious. And it is my hope that I can give my readers all the feels these books gave me.
I love an underdog. I love a fish out of water. I love a character who discovers a secret power they didn’t know they possessed (be it other-worldly or grounded in reality). I love being on the inside of a secret society (especially a teenage one). The Secret Circle series is all these things and demanded many a re-read!
Cassie is initiated into the coveted Secret Circle, a coven of young witches whose power has ruled New Salem for three hundred years, but when Cassie realizes her love for the leader's boyfriend, she risks falling prey to the dark powers that surround her. Reprint.
I heard a Jordan Peterson interview in which he boiled down my entire life’s struggle in a single phrase. The interviewer was pushing Jordon on the subject of male toxicity. Jordon said something like, “If a man is entirely unwilling to fight under any circumstance, he is merely a weakling. Ask in martial arts trainer and they will tell you they teach two things – the ability to fight and self-control. A man who knows how and also knows how to control himself is a man.”
James Jones's brilliant debut novel must have had a great effect on me because I admit, in many ways, my book covers the same ground – how does a man maintain honor and dignity when constrained to live his life by the choices of other, and much more powerful men? I suppose the difference between our two themes is that the question in my book is about those same choices but wrapped in the question of race. Jones’s characters, while in the military, were dealing with personal issues. My Corporal Buck is dealing with an issue about which all of America is on fire.
From Here to Eternity is 70 years old. I read it in 1969, an eternity ago and it has lasted with me from there to here. When I was in the Marine Corps I knew everything that was happening to me. But I didn’t know what…
Prew won't conform. He could have been the best boxer and the best bugler in his division, but he chooses the life of a straight soldier in Hawaii under the fierce tutelage of Sergeant Milt Warden. When he refuses to box for his company for mysterious reasons, he is given 'The Treatment', a relentless campaign of physical and mental abuse. Meanwhile, Warden wages his own campaign against authority by seducing the Captain's wife Karen - just because he can. Both men are bound to the Army, even though it may destroy them.
I was 13 years a soldier and saw combat in Vietnam. There I met some of the finest men this country has ever produced and became hooked on the exploits of brave men. I have written many books about men—and women—in peril, and strive always for accurate accounts.
The author recreated as a novel the adventures of a handful of Navy officers whose tiny Patrol Torpedo Boats more than held their own against the full might of the Japanese Navy during the fall of the Philippines. Told in the first person by three of the principal characters, we meet Douglas MacArthur, seasick and soaking wet, as he flees Manila in an overloaded PT Boat, and eventually reaches a smaller island from which he is flown to safety in Australia. And we see and are in awe, of these young naval officers. In 1951, when I was ten and perched on my father's shoulders, I saw MacArthur from just a few feet away as he passed during a Chicago parade. I became fascinated with the man and his legend, and here he is presented as a very human creature.
A national bestseller when it was originally published in 1942 and the subject of a 1945 John Ford film featuring John Wayne, this book offers a thrilling account of the role of the U.S. Navy's Motor Torpedo Boat Squadron Three during the disastrous Philippine campaign early in World War II. The author uses an unusual, but thorough, spellbinding format to tell the story: an interview with four heroic young participants. Ranked "with the great tales of war" by the Saturday Review of Literature, it is a deeply moving book that describes the four officers' extraordinary exploits from the first appearance…
I am not a historian. I am a retired entomologist with a love for history. My first real experience with history was as a child, reading about Ernest Shackleton's Antarctic adventure on the Endurance—a story I must have re-read 50 times. I have come to recognize that much of the history I learned growing up was either incomplete or was just plain wrong. I am drawn to the arcane aspects of historical events, or that illustrate history from a different angle—which is shown in my list of books. The Silken Thread tells about the history that occurred because of, or was impacted by, just five insects.
I thought I knew a thing or two about the history of World War II. Somehow, the battle for New Guinea escaped me, despite the role played by the American General, Douglas MacArthur. Significant as a turning point in the war and enabling MacArthur's return to the Philippines, the fight in New Guinea deserves mention in the same breath as the stepping-stone battles of the Pacific islands. The fighting was brutal and the conditions for both Japanese and Allied troops were horrid—trails ascending rugged mountains, supply-chain difficulties, diseases that diminished the abilities of troops to fight. I have been to New Guinea twice. Duffy captured the ruggedness of the land and his telling of the stories made me feel the place, the people, and their challenges.
A harrowing account of an epic, yet nearly forgotten, battle of World War II—General Douglas MacArthur's four-year assault on the Pacific War's most hostile battleground: the mountainous, jungle-cloaked island of New Guinea.
“A meaty, engrossing narrative history… This will likely stand as the definitive account of the New Guinea campaign.”—The Christian Science Monitor
One American soldier called it “a green hell on earth.” Monsoon-soaked wilderness, debilitating heat, impassable mountains, torrential rivers, and disease-infested swamps—New Guinea was a battleground far more deadly than the most fanatical of enemy troops. Japanese forces numbering some 600,000 men began landing in January 1942, determined…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.
The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.
Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.
It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.
After graduating with a BA in English, I moved to England to pursue a master’s in Literature and Visual Culture. My focus was on women artists working in London during the Blitz and I wrote my dissertation on Lee Miller, who went on to photograph (and doggedly publish) the liberation of German concentration camps. Later I worked in arts administration and marketing, and didn’t start writing my debut noveluntil I was thirty-five. My work is inspired by my favorite authors from the 1940s:Elizabeth Bowen, Patrick Hamilton, and Penelope Fitzgerald.I’m also drawn to historical fiction about ordinary people in difficult social conditions, especially when there’s a love story involved.
I’d recommend this book to fans of The Notebook and serious history buffs alike.
Molly and Max are childhood friends who grew up across the street from one other in Toronto. They know and trust each other implicitly, so when an attraction develops between them as young adults, Molly and Max quickly tumble into love. What’s the issue? She’s Protestant, he’s Jewish, and Depression-era Canada is boiling with antisemitism.
Structurally, Letters Across the Sea is a classic World War II novel; Graham makes it stand out with loads of fascinating Canadian history and an unflinching look at the brutal conditions of the Pacific Front.
Inspired by a little-known chapter of World War II history, a young Protestant girl and her Jewish neighbour are caught up in the terrible wave of hate sweeping the globe on the eve of war in this powerful love story that’s perfect for fans of The Guernsey Literary and Potato Peel Pie Society.
If you’re reading this letter, that means I’m dead. I had obviously hoped to see you again, to explain in person, but fate had other plans.
1933
At eighteen years old, Molly Ryan dreams of becoming a journalist, but instead she spends her days working any job…
Stewart Binns is a former academic, soldier, and documentary filmmaker, who became a writer quite late in life. He has since written a wide range of books in both fiction and non-fiction. His passions are history and sport. He has completed a medieval quartet called the Making of England Series, two books about the Great War and a novel set during Northern Ireland’s Troubles. His latest work of non-fiction, Barbarossa, tells the story of the Eastern Front (1945 to 1944) from the perspective of the peoples of Eastern Europe. He is now working on a history of modern Japan.
Taylor’s book was controversial in many ways. He contradicted many of the conventional wisdoms about the war, but more importantly, he annoyed the stuffy world of historical academia by writing popular history which was accessible to a wide readership. He certainly led me to realise that history can be immediate and compelling rather than distant and dry.
A.J.P. Taylor's bestselling The Origins of the Second World War overturns popular myths about the outbreak of war.
One of the most popular and controversial historians of the twentieth century, who made his subject accessible to millions, A.J.P. Taylor caused a storm of outrage with this scandalous bestseller. Debunking what were accepted truths about the Second World War, he argued provocatively that Hitler did not set out to cause the war as part of an evil master plan, but blundered into it partly by accident, aided by the shortcomings of others. Fiercely attacked for vindicating Hitler, A.J.P. Taylor's stringent re-examination…
