Here are 100 books that Anne of the Island fans have personally recommended if you like
Anne of the Island.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve always loved dark stories. There is something especially human about being lured by that part of us we bury. How secret desires and thoughts get teased out in ways we don’t really experience in real life. Which is why I write suspense novels. Sometimes you just want to go there! Here are some books that I find hit that fix.
I’m going even further back with this one. Unusual pick certainly, a YA novel from 1989 that I stole off my sister’s shelf circa 1994.
I was ten and ready for something darker than The Baby-Sitters Club. This was one of those early reads that made me want to write in the first place. The first real suspense book that had me staying up late, wondering how does one create a story like this? I still have that book, tattered and sitting on my shelf as a reminder of that first spark.
Christopher Pike is able to write stories to young readers in a timeless way. The nostalgia and sheer thrill from this story about a young woman who finds herself dead after falling four stories will bring you back to nights with covers over your head. Did she jump or was something more sinister behind her death? Only her…
In this harrowing thriller from bestselling author Christopher Pike, a teen girl must solve the mystery of her own murder before the killer strikes again.
After a night spent out with friends, Shari Cooper wakes up in her bed not sure how she got home. And things only get stranger when her family acts like she’s not even there. Nothing Shari says gets a response and nothing she does can get someone to even glance at her. Then the hospital calls.
Shari’s mom starts to cry. The blood drains from her dad’s face. And still no one will tell her…
When I was a teen, I had zero aspirations to become a writer. I didn’t discover my passion for writing until I was thirty! But once I started writing, it was these books and the way they made me feel that I drew on. I wanted strong heroines that I wanted to be—and be friends with. I wanted a slow burn, skin-tingling romance with a lot of push and pull. I wanted to be part of something bigger than myself. To go on a quest. To feel victorious. And it is my hope that I can give my readers all the feels these books gave me.
I have loved many a Sunfire historical Romance. Danielle (pirates!), Caroline (Gold Rush!), Amanda (Oregon Trail!), Nicole (Titanic—way before there was a movie). There’s always a kick-ass heroine and a love triangle and fun outfits (also a must for me—I was a fashion designer before becoming a writer and styling the wardrobe and “sets” is very important to me when crafting a story. I keep a Pinterest board for all my books and unlock it once a book/series is fully published). Anyway, I especially loved Roxanne because I’ve always loved Old Hollywood and old movies (much like Elisha in Keystone). I moved to Orange County, California from Pittsburgh when I was a kid, and on day trips to Los Angeles, I preferred seeing Hollywood through Roxanne’s eyes. It was her story that connected me to my new home.
When I was a teen, I had zero aspirations to become a writer. I didn’t discover my passion for writing until I was thirty! But once I started writing, it was these books and the way they made me feel that I drew on. I wanted strong heroines that I wanted to be—and be friends with. I wanted a slow burn, skin-tingling romance with a lot of push and pull. I wanted to be part of something bigger than myself. To go on a quest. To feel victorious. And it is my hope that I can give my readers all the feels these books gave me.
I devoured everything in the Sweet Valley world as a teen, though I was more into Sweet Valley Twins than Sweet Valley High for some reason. Maybe it’s because I liked the twins’ innocence, and the high school drama was too much (or too relatable!) to me. I like to escape to a happy ending! And in complete seriousness, I debated naming my daughter Lila because I didn’t want her to be associated with mean girl Lila Flower. In the end, I named her Delilah (Lilah—with an h!—for short) and that eased my worries.
At any rate, I’ll read a family saga any day. And we’ve established that I love historical romance and costumes, so give me all the Wakefield history.
When Elliot finds herself dead for the third time, she can't remember her past, is getting the cold shoulder from her best friend, and has no idea why she keeps repeating the same mistakes across her previous lives. Elliot just wants to move on, but first, she'll be forced to…
When I was a teen, I had zero aspirations to become a writer. I didn’t discover my passion for writing until I was thirty! But once I started writing, it was these books and the way they made me feel that I drew on. I wanted strong heroines that I wanted to be—and be friends with. I wanted a slow burn, skin-tingling romance with a lot of push and pull. I wanted to be part of something bigger than myself. To go on a quest. To feel victorious. And it is my hope that I can give my readers all the feels these books gave me.
I love an underdog. I love a fish out of water. I love a character who discovers a secret power they didn’t know they possessed (be it other-worldly or grounded in reality). I love being on the inside of a secret society (especially a teenage one). The Secret Circle series is all these things and demanded many a re-read!
Cassie is initiated into the coveted Secret Circle, a coven of young witches whose power has ruled New Salem for three hundred years, but when Cassie realizes her love for the leader's boyfriend, she risks falling prey to the dark powers that surround her. Reprint.
When I was little, I would draw for hours, captivated by the female experience. Art, film, and literature focused on women’s lives have always felt the most compelling to me. Whether it’s gazing at a woman painted centuries ago, watching a film about a woman navigating her time, or reading a book that delves into her inner world, I’m drawn to their stories. Their complexities and imperfections are often what I love most. This lifelong fascination has shaped my career. Whether illustrating fashion, designing book covers, or authoring my own books, the emotions and experiences of female characters inspire me, fuel my creativity, and remind me of the power and importance of their stories.
Anne Shirley is the most optimistic character in literature, and I have an unwavering love for her. Despite her circumstances, her boundless imagination and deep gratitude for the beauty in the world and people inspire both those around her and me.
When I read Anne of Green Gables, the world seemed brighter and more hopeful. I was overjoyed when my children were old enough for me to share this book with them. Her character's transformative power is undeniable, and her poetic view of life stays with me long after the last page.
I love that it was written by a woman. I always appreciate it when female authors write female characters. Every time I read Anne of Green Gables, I feel a pang of grief when it ends.
Anne of Green Gables is the classic children's book by L M Montgomery, the inspiration for the Netflix Original series Anne with an E. Watch it now!
Marilla and Matthew Cuthbert are in for a big surprise. They are waiting for an orphan boy to help with the work at Green Gables - but a skinny, red-haired girl turns up instead. Feisty and full of spirit, Anne Shirley charms her way into the Cuthberts' affection with her vivid imagination and constant chatter. It's not long before Anne finds herself in trouble, but soon it becomes impossible for the Cuthberts to…
I’m a graphic novelist and designer based in beautiful Minneapolis. I tend to be varied in my artistic style and medium, moving between comics, illustration, design, and occasionally animation. Having created a graphic novel adaptation of The Great Gatsby, I feel very passionate about the subject of graphic novel adaptations. One of the most important things is that there should be a compelling reason for it to be a graphic novel in the first place; the graphic novel should do something that a prose book cannot. For my adaptation, that was the visual depiction of metaphors, the ethereal character designs, and the lush jewel-colored watercolor. The books I recommended add to the original story in unique and compelling ways.
I’m always a fan of graphic novels that capture the mood of the book, rather than trying to make everything perfectly accurate to the original. Mariah Marsden’s adaptation of Anne of Green Gables perfectly captures the magic and beauty of one of my favorite childhood books.
I mentioned how much I enjoyed this adaptation to a friend who’s also a fan of L.M. Montgomery. However, my friend hated this adaptation (especially how Anne’s nose is drawn!) which I actually found very liberating as I considered adapting The Great Gatsby. I’d been concerned about how people who loved Gatsby would view my adaptation, but this made me realize that some people would love my book and some people wouldn’t—and that was okay!
The spirit of Anne is alive and well in Mariah Marsden's crisp adaptation, and it's a thrill to watch as the beloved orphan rushes headlong through Brenna Thummler's heavenly landscapes. Together Marsden and Thummler conjure all the magic and beauty of Green Gables. Like Anne herself, you won't want to leave. - Brian Selznick, author/illustrator of "The Invention of Hugo Cabret" and "The Marvels"
The magic of L.M. Montgomery's treasured classic is reimagined in a whimsically-illustrated graphic novel adaptation perfect for newcomers and kindred spirits alike.
When Matthew and Marilla Cuthbert decide to adopt an orphan who can help manage…
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
This book made me fall in love with the mystery genre.
It’s set on an unnamed Canadian island after WWII, and features two children, Barnaby and Christie, who at first hate each other, and then become pals and schemers in the murder of Barnaby’s uncle before the uncle can kill Barnaby in order to gain Barnaby’s inheritance.
Enhanced by wonderful characters, including an RCMP sergeant (the only survivor of all the islanders’ sons who fought in WWII and feels guilty about it), a one-eared cougar, a vicious bull, and a village idiot, I fell in love with everything about this book.
It was published in 1963, and still holds up today in all its eccentricity, wit, and a little (or a lot of) darkness.
When recently-orphaned Barnaby Gaunt is sent to stay with his uncle on a beautiful remote island off the coast of Canada, he is all set to have the perfect summer holiday. Except for one small problem: his uncle is trying to kill him. Heir to a ten-million-dollar fortune, Barnaby tries to tell everyone and anyone that his uncle is after his inheritance, but no one will believe him. That is, until he tells the only other child on the island, Christie, who concludes that there is only one way to stop his demonic uncle: Barnaby will just have to kill…
A former special assistant to Maryland’s attorney general, I reluctantly gave up my three-decade legal career to tell two remarkable stories I was uniquely qualified to tell. Orphaned at age 11, I grew up in New Orleans as a foster care client of the Jewish Children’s Regional Service, the agency that formerly ran the orphanage in which my mentor, legal trailblazer Bessie Margolin, was raised. It was also the orphanage in which I would've been raised had it not closed in 1946. During the time I spent with Bessie Margolin she inspired me to both become her future biographerand go on to write the first comprehensive history of the nation’s earliest purpose-built Jewish orphanage.
The author of nearly three dozen nonfiction books for young people, Catherine Reef reveals through her clear writing, first-hand accounts, and photographs what it was really like for a child to grow up in an orphanage in America from the mid-1850s to the early 20th century when nearly all of these congregate dependent childcare institutions closed.
Reef also includes a satisfying Afterword that lets us know “where life led some of the children” who appeared in her book. Although intended for a young reader, Alone in the World also proved a strong resource to me in writing my book and will interest anyone who wants a thoughtful and deeply-researched overview of this topic.
Uncovers the true history of American orphanages, revealing what it was like to eat, sleep, study, and play in such institutions, why children were sent to live there in the first place, what happened to them after they left, and more.
I developed a love for James A. Michener’s sweeping novels as a young man, which coincided with an early stage of my career as a travel journalist. I was fortunate to find myself in places all over the globe that he had written about, and these countries were somehow made more vivid to me because of his words. It wasn’t until the onset of Covid-19 in 2020 that I switched from writing non-fiction to fiction. In doing so, I realized that the small part of the world in which I had been born and raised – Nova Scotia, Canada – was as fascinating and interesting as any place I had visited.
This was my go-to resource on several occasions when I was researching for my book.
While it concentrates on the work of 19th-century photographers based in southwestern Nova Scotia, the wealth of information gleaned from the captions and the photos themselves made this paperback invaluable to me. Indeed, anyone interested in streetscapes, domestic and public architecture, shipping, transportation, and so much more in Yarmouth town and county, will certainly appreciate this compendium.
Taking only what they can quickly pack, 11-year-old Mardella and her mom secretly move away from their abusive home to start a fresh life in Haven, MN. But Mardella’s sure she's to blame—if only she hadn’t dialed 911, her dad wouldn’t be in jail, her mom wouldn't have been fired,…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
This book is an eye-opening account of how the history of Nova Scotia became distorted in the interest of attracting tourists. This manufactured history exalts whiteness and masculinity, and quietly excludes ethnic minorities and women. The Yarmouth runestone, which is adduced as evidence that the Norse landed in Yarmouth, is an important artefact in this ideological history, and the authors give an excellent account of its history and its place in tourist history.
Using archival sources, novels, government reports, and works on tourism and heritage, Ian McKay and Robin Bates look at how state planners, key politicians, and cultural figures such as Henry Wadsworth Longfellow, long-time premier Angus L. Macdonald, and novelist Thomas Raddall were all instrumental in forming "tourism/history." The authors argue that Longfellow's 1847 poem Evangeline - on the brutal British expulsion of Acadians from Nova Scotia - became a template a new kind of profit-making history that exalted whiteness and excluded ethnic minorities, women, and working class movements. A remarkable look at the intersection of politics, leisure, and the presentation…
