I am a Canadian who enjoys travelling and reading historical fiction from around the world. Having had the privilege of living in a variety of areas in Canada from coast to coast since childhood, I can recall listening to the stories of past generations and exploring the locations where some of these events took place. With a passion for Canada’s beauty and the history of its people, I like to research, explore, and incorporate these passions into my own stories.
After the American Civil War, the British promised freedom and land to the slaves in the British Colonies in exchange for their loyalty. Sadly, their new home turned out to be anything but a place of refuge when they found just as much hate and cruelty on this side of the border. Can Sarah and her family persevere and truly find freedom against the odds? The book is an easy read and an interesting lesson on this part of Canadian history.
A story of the struggle of Black Loyalists and their arrival in Nova Scotia.
NEW: Teaching Guide Available Here
Shortlisted for The Ann Connor Brimer Award for Children’s Literature.
The American Revolutionary War is being waged, and the fate of slaves in the colonies is on the line. Sarah Redmond, a slave on a South Carolina plantation, watches with a heavy heart as her father steals away in the dead of the night to join the British army, enticed by promises of freedom, land and provisions for his whole family. But before her father can return,…
I live in England but grew up in Canada, where my Grade 5 Social Studies teacher filled my head with stories of people and places, including the Vikings. In the early 1960s, I learned about the excavations at L’Anse aux Meadows in Newfoundland featured in Canadian newspapers. My first job was in Denmark, and I subsequently travelled in the Nordic homelands and settlement areas, including the Faeroes, Iceland, and Greenland, visiting museums and archaeological sites at every opportunity. Norse America is my 26th book, but it is both the one with the deepest roots in my own past and the one most engaged with contemporary concerns about race.
This book is an eye-opening account of how the history of Nova Scotia became distorted in the interest of attracting tourists. This manufactured history exalts whiteness and masculinity, and quietly excludes ethnic minorities and women. The Yarmouth runestone, which is adduced as evidence that the Norse landed in Yarmouth, is an important artefact in this ideological history, and the authors give an excellent account of its history and its place in tourist history.
Using archival sources, novels, government reports, and works on tourism and heritage, Ian McKay and Robin Bates look at how state planners, key politicians, and cultural figures such as Henry Wadsworth Longfellow, long-time premier Angus L. Macdonald, and novelist Thomas Raddall were all instrumental in forming "tourism/history." The authors argue that Longfellow's 1847 poem Evangeline - on the brutal British expulsion of Acadians from Nova Scotia - became a template a new kind of profit-making history that exalted whiteness and excluded ethnic minorities, women, and working class movements. A remarkable look at the intersection of politics, leisure, and the presentation…
I developed a love for James A. Michener’s sweeping novels as a young man, which coincided with an early stage of my career as a travel journalist. I was fortunate to find myself in places all over the globe that he had written about, and these countries were somehow made more vivid to me because of his words. It wasn’t until the onset of Covid-19 in 2020 that I switched from writing non-fiction to fiction. In doing so, I realized that the small part of the world in which I had been born and raised – Nova Scotia, Canada – was as fascinating and interesting as any place I had visited.
This was my go-to resource on several occasions when I was researching for my book.
While it concentrates on the work of 19th-century photographers based in southwestern Nova Scotia, the wealth of information gleaned from the captions and the photos themselves made this paperback invaluable to me. Indeed, anyone interested in streetscapes, domestic and public architecture, shipping, transportation, and so much more in Yarmouth town and county, will certainly appreciate this compendium.
I’m fascinated by the relationship of humanity to nature. When I was young, we moved all the time – my dad was in the military and we moved to a new base every 18 months. All those military bases were located in the British countryside and, in the absence of other forms of continuity, nature became like a best friend. I still walk every day. Reconnecting with trees, grass, the sounds of birds, centres and energizes me. I get my best ideas when walking. But, of course, nature is also threatening – Covid and cancer are natural. I’m fascinated by that juxtaposition and always trying to reflect it in my work.
This book is based on a real-life tragedy – the deaths of five young Nova Scotia fishermen aboard the Miss Ally, a fishing vessel that was lost with all hands during a storm in 2013. Casey, a journalist and writer, has produced a moving synthesis in this work. He explores the lives, families, and characters of the young men who were lost, and recreates the community they lived in, effectively evoking the fishing culture, the profession’s unique dangers, and the economic imperatives and opportunities. Some may feel he judges the official emergency responders harshly but he is writing from the position of the community, which is always apparent to the reader. He explores the youthful over-confidence and bravado that likely played a role in the tragedy without pointing the cold finger of judgment.
It was a frigid night in February 2013 when the five young fishermen vanished. The crew of the Miss Ally―a 12-metre Cape Islander from Woods Harbour, Nova Scotia―was fishing for halibut far off the Nova Scotia coast when their boat's spotlight malfunctioned. A vicious winter storm was approaching from her south, and all other boats at the fishing grounds were steaming for shore. Unable to locate his longlining gear, the Miss Ally's young captain decided to stay an extra day to retrieve the gear and, hopefully, a big catch.
Their retreat delayed, the Miss Ally crew ended up pounded by…
I am a care aide (aka personal support worker) who has happily worked at an extended care facility for more than twenty years, and as such, I have been a compassionate listener to many a family member suffering from the tsunami of feelings involved when coping with aging parents or spouses, so I thought I would be well-positioned and emotionally prepared to cope when it was my turn to face my own mother's deterioration. How wrong I was! Thank goodness for the generous souls who write memoirs. Each of the books that I have chosen was an education and an affirmation to me as I tried to maintain my equilibrium while supporting my mother and my mother-in-law through their final years.
When I read memoirs about aging parents, loss is usually an important theme; Ilsley's memoir stands out because his regret is for a closeness that never was. "Only now, as my father enters his nineties . . . and my aspirations of eldercare become more interventionist, has our relationship had a chance to deepen.
"And by deepen, I mean really begin to annoy each other."
Ilsley's relationship with his father is challenging. There are good reasons why Ilsley chooses to live in Vancouver rather than "home" in Nova Scotia. But his father is still is his father, and Ilsley commits. His writing is clear, candid, thoughtful, and so warm and funny. I loved this book.
George K. Ilsley explores his complex relationship with his aging father in this candid memoir full of sharp emotion and disarming humor. George’s father is ninety-one years old, a widower, and fiercely independent; an avid gardener, he’s sweet and more than a little eccentric. But he’s also a hoarder who makes embarrassing comments and invitations to women, and he has made no plans whatsoever for what is inevitably coming over the horizon.
Decades after George has moved four time zones away, he begins to make regular trips home to help care for his cranky and uncooperative father, and to sift…
I’ve always enjoyed books that introduce me to faraway places, cultural narratives, and the writers behind the stories. After retiring from college teaching, I decided to write one myself. I’m a Mark Twain scholar, so I followed Twain’s lecture tour through Australasia, India, and South Africa. One of my goals was to expose my research methods to my readers, and writing in the first person made that easy. What I hadn’t foreseen was how much the process would force me to confront my own past—exposing the radical differences between Mark Twain and Me.
I love what Young is doing—breaking out of her “college prof” shell and talking directly to us about her life with animals—dead and alive. She starts with her dog Frankie’s cancer diagnosis and wraps her own reactions to his treatments into her study of 19th-century fiction that focuses on animals—like the famous horse narrative Black Beautyand the equally-famous-but-now-forgotten dog narrative Beautiful Joe.Her travels take her through both physical and imaginative time and place—from Beautiful Joe’s origins in Nova Scotia to her meditations on the art of animal taxidermy. I learned a lot about the history of animal/human relations from this book, and I really enjoyed Young’s voice and puns. It’s a great addition to our goal to bring academic knowledge out into the public sphere.
In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young's own experience of a beloved animal's illness, this study highlights the personal and intellectual stakes of a "pet project" of cultural criticism.
Young assembles a broad archive of materials, beginning with Saunders's novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term "first-dog voice" to describe the…
I’m a Canadian author and I set my novels here. When I first attempted to write a book, I chose historical fiction because I thought it would be easier to get my characters into trouble—without cell phones and other modern conveniences to bail them out. I wasn’t wrong. However, the research involved with writing good historical fiction soon gave me a whole new appreciation for the genre and I was hooked. I find the WWII era far enough in the past to provide historical insight into humanity’s many weaknesses and strengths, yet near enough to make it relatable. I’ve been thrilled with the feedback on my faith-based stories.
Obviously, I love that this book is set in Canada, like all my own novels. A little-known story coming out of Nova Scotia involves Nazi sailors leaving their U-Boat one evening, on a bet, to attend a small-town dance without their identity being discovered. Graham has artfully taken this possibility on its ultimate “what-if?” journey. What if one of those sailors didn’t make it back to his submarine before it blew up, killing everyone aboard? What if he found a deserted trapper’s cabin to hole up in? What if he met a young Canadian woman whose three brothers were serving overseas? Isn’t it a tantalizing setup? Graham totally delivers in this page-turner.
From the bestselling author of Tides of Honour and Promises to Keep comes a poignant novel about a young couple caught on opposite sides of the Second World War.
In the fall of 1939, Grace Baker’s three brothers, sharp and proud in their uniforms, board Canadian ships headed for a faraway war. Grace stays behind, tending to the homefront and the general store that helps keep her small Nova Scotian community running. The war, everyone says, will be over before it starts. But three years later, the fighting rages on and rumours swirl about “wolf packs” of German U-Boats lurking…
Most motorcycle travellers spend months planning their trips but I took off on a whim having been lured by romance and tales of the open road. When my conventional life fell apart, I surprised even myself by flying to India and buying a brand new 500cc Enfield Bullet motorcycle and began my haphazard global wanderings learning to trust that the world I had been told was a dangerous place, wasn't at all (except for a couple of occasions at sea!) I liked the meandering life so much, it became a way of life.
What I like about this book is that Peggy writes as if riding a 125cc BSA Bantam through Canada, North America, and Mexico with an Airedale dog as pillion is quite the normal thing to do! In 1951, she left Liverpool for Nova Scotia. Arriving with only $60, she took various jobs to fund the two years she spent on the trip. I identified with this as I worked as a nurse in New Zealand during my own motorcycle travels. Her matter-of-fact attitude is smile-worthy, as she describes her wonderful experiences. “Oppy” the BSA proves perfect for the job. Matelot, the dog who travels on a metal box behind her, adjusts to his life on the road with similar alacrity.
This is a tale about an incredible trio: Oppy, the indomitable motorcycle, its 125-pound frame swaying under three times its weight; Matelot, the automotive Airedale, perched on his box, ears flying in the breeze; and the gasoline gypsy, Peggy Iris Thomas, who bumped her way over 14,000 miles of the United States, Mexico and Canada. There is a touch of the vagabond in all of us. But few have the determination and courage that started Peggy off from Liverpool in the spring of 1951 with 60 dollars in her pocket and the gleam of adventure in her eye. Her new…
I have no French or Acadian ancestors—as far as I know—yet the majority of my 21 books (history and fiction) explore different aspects of French colonial or Acadian history. Childhood visits to historic sites like the Port-Royal Habitation, Grand-Pré, Louisbourg and Fort Anne must have planted the seeds for the historian and writer I would become. Then again, working for years as an historian at the Fortress of Louisbourg definitely helped. France made me a chevalier of its Ordre des Palmes académiques for my body of work.
This book offers a personalized, non-academic look at what it means for one Acadian to be part of the collective Acadian community. The author traces his family history all the way back to the time of the Acadian Expulsion and beyond. That ancestor was Joseph LeBlanc (Tyler's great-great-great-great-great-great-great-great grandfather). With descendants scattered across modern-day Nova Scotia and Prince Edward Island, the LeBlancs provide a window into the diverse fates that awaited the Acadians when they were expelled from their Acadian homeland. Some escaped the deportation; others were deported and later returned to the region, but not to same areas as those had been taken over by new settlers. In sum, the book is biographical approach to the history of the Expulsion.
Winner, 2021 Evelyn Richardson Award for Non-Fiction, 2021 Democracy 250 Atlantic Book Award for Historical WritingShortlisted, 2021 Dartmouth Book Award for Non-Fiction, and the 2021 Margaret and John Savage Award for Best First Book (Non-fiction)A Hill Times' 100 Best Books in 2020 SelectionOn Canada's History Bestseller ListGrowing up on the south shore of Nova Scotia, Tyler LeBlanc wasn't fully aware of his family's Acadian roots -- until a chance encounter with an Acadian historian prompted him to delve into his family history. LeBlanc's discovery that he could trace his family all the way to the time of the Acadian Expulsion…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I was very much taken with this novel’s blend of romance, mystery, and exploration of whether you can ever go home again. Raddall doesn’t get much mention and is largely remembered for his other novels when he does. That’s a shame.
This 1956 work stands up very well against more recent works. It features unadorned yet persuasive prose that many modern writers can only wish for. Raddall quite evidently intended it as a loving, almost lyrical, description of rural Nova Scotia. He succeeded.
It was spring in Nova Scotia when Neil Jamieson returned to Oak Falls. Wild and resentful, he had run away fourteen years before. Now, still blustering and belligerent, educated but not subdued, he took a fresh look at the citizens of Oak Falls and particularly at the timber town's decaying sawdust aristocracy.
