Fans pick 100 books like These Old Lies

Edith de Belleville is a native Parisian woman who was an attorney for many years. Her passion for Paris led her back to university to get her official tour guide license. Deeply inspired by great Parisian women of the past, Edith decided to write a book, in French, entitled The Beautiful Rebels of Paris (Belles et Rebelles Editions du 81). She just published her memoirs in English to share her literary & dreamy adventures in Paris, Parisian Life, adventures in the City of Light. When she's not at Versailles or the Louvre Museum to do her 'Beautiful Rebels of Paris Tour' Edith is sitting on a café terrace in Paris watching the world go by.

Writing this biography was an extraordinary experience for me. I have been writing about the arts for more than forty years. Over the decades I was Associate Editor of Ballet Review and dance critic for The New York Sun. Talking to Alla Osipenko provided singular insight into the culture and politics of the Soviet Union, as well as the individual artistry and psychology of this great ballerina. I left every interview with her feeling elated. By the time my biography was published in 2015, I also knew/met/had interviewed many of the people she described and could write from some degree of first-hand knowledge.  

I lived in Paris for six months when I researched and wrote my first Paris book, One Thousand Buildings of Paris, walking every quarter of Paris including some rather dicey areas. I discovered most Parisians don’t wander very far from their own neighborhoods, and casual tourists tend to stay in the center. The first time my boyfriend and I went to Paris together, I planned daily excursions to all the neighborhoods where he had never been. We became flaneurs (wanderers) at outdoor markets, small museums, parks, and we ventured into unknown spaces. There is always something fascinating to discover in Paris and new ways to gain a sense of history. 

Both of my grandfathers served in WWI. Growing up on their stories, I had a keen interest in WWI. A lover of history, I attended an exhibit at the Smithsonian called The Faces of War that focused on prosthetic masks made by artists during WWI for men whose faces had been mutilated by war. Having always wanted to write a historical novel, I merged my interest in WWI with a newfound passion for these faces of war and wrote Day Lights the Bone (not yet published). The novel is set in a military hospital in Wandsworth, England, during the final months of WWI. I am a professor at Hamline University in St. Paul, MN, where for many years I taught and served as Director of The Creative Writing Programs.

I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century.  I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time.  It is with this in mind that I’ve chosen the books on my list.

I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…

Originally from Punta Gorda, Florida, I am an exiled Florida Man, living in Texas, and specialize in creative nonfiction. I love the absurd, the unusual, and enjoy finding ways to examine and teach history through unexpected topics and sometimes maligned or ridiculed things. My first book, for example, was on the infamous Yugo car. I then wrote a history of the ill-starred Sarajevo Olympics and the oh-for-twenty-six 1976-1977 Tampa Bay Bucs, and most recently a book on the wild heydays of Florida land development in the 1950s, 60s, and 70s. I have a PhD in history from Indiana University Bloomington and have appeared on NPR’s "Weekend Edition," APM’s "Marketplace," and C-SPAN’S "Book TV."

One of the great job benefits of being a newspaper reporter is the wide array of interesting people I get to meet. Not only get to meet but in fact, get paid to meet and to tell their stories. Some of them are famous, and that’s fine. Much more interesting, I think, are the ordinary folk nobody knows who are doing something extraordinary. And then there is a third category that I find most interesting of all: The people who have something to hide. They are mysteries who don’t want to be cracked, and I find them irresistible.

I made up Faythe of North Hinkapee by being a jerk! I was ranting about how bad a "best seller" book I had read was. My wife looked at me and said, "So, could you write a bestseller?" I was challenged, and then, somehow, this book just tumbled out. It was about a girl in Colonial Times—her family burned as witches—vowing vengeance and how she gets it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I planned to write it, and after a ton of work, I finally finished.

When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.