Here are 98 books that Before the Fall fans have personally recommended if you like
Before the Fall.
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I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
My interests lie in the personal experiences of war and revolution and their aftermaths. Radicalism and the Origins of the Vietnamese Revolution is a tribute to my parents' generation of young Vietnamese who sought to combine their attempts to free themselves of the shackles of oppressive tradition with the struggle to win independence from French colonial rule before the introduction of competing ideologies.
I discovered Pat Barker's Regeneration (followed by An Eye Through the Door and the River Road) after reading Wilfred Owen's war poetry. His "Anthem for a Doomed Youth" spoke to me as I thought of Vietnamese youths fighting and dying in the Cold War. Owen and his mentor, Siegfried Sassoon, describe the war not as a noble cause but as a series of horrifying experiences.
"Calls to mind such early moderns as Hemingway and Fitzgerald...Some of the most powerful antiwar literature in modern English fiction."-The Boston Globe
The first book of the Regeneration Trilogy-a Booker Prize nominee and one of Entertainment Weekly's 100 All-Time Greatest Novels.
In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon's "sanity" and sending him back…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
I read this powerful graphic novel series when the first collections came out in the 1980s.
It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Art’s troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.
Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.
The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read”
A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the author’s account of his…
A breathtaking journey across Iran where war and superstition, jealousy and betrayal, and passion and loyalty rage behind the impenetrable walls of mansions and the crumbling houses of the Jewish Quarter.
Against the tumultuous background of World War II, Dr. Yaran will find himself caught in the thrall of the…
I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
A stone-cold classic in war writing, I studied this short novel at university and loved it. Crane never actually went to war and yet his depiction of men fighting in the American Civil War felt so real, that it gave me the confidence to write historical fiction, knowing I’d never experienced these things but my research and imagination could be brought to bear and hopefully transport the reader in the same way Crane did. It also began a lifelong obsession for me with the American Civil War. When I first started writing historical novels I knew I wanted to write about other combat arenas than the two C20th world wars, choosing the Boer War and The Seven Years’ War respectively.
Here is Stephen Crane's masterpiece, The Red Badge of Courage, together with four of his most famous short stories. Outstanding in their portrayal of violent emotion and quiet tension, these texts led the way for great American writers such as Ernest Hemingway.
If there's such a thing as reincarnation, I've definitely done the 1930s! For some reason, I just love the time period–its fashion, its soundtrack, its bravery, and its optimism, even despite the looming specter of WW2. The 1940s intrigue me just as much. I have nothing but awe for the women who lived through such a time and the fierce, determined way they fought for peace and love. I can only hope I might be so strong. This list is full of sapphic characters I heartily admire and I hope you find a great sapphic read here.
As most fans of Sarah Waters will already know, this book has a clever plot device that doubles the magic–it's told backward. It has a wide cast of characters which slowly narrows down to a doomed sapphic love affair that struggled to blossom amid the terror of the London Blitz.
From both a reader's and a writer's perspective, this story has lodged itself firmly in my heart. It examines the why and how–what events brought these two lovers to this point when everything had otherwise seemed perfect? It's not necessarily happy, but it's intricate and untidy, and in that way, it is a realistic reflection of life and love in a time of war and its aftermath.
I thought everything would change, after the war. And now, no one even mentions it. It is as if we all got together in private and said whatever you do don't mention that, like it never happened.
It's the late 1940s. Calm has returned to London and five people are recovering from the chaos of war.
In scenes set in a quiet dating agency, a bombed-out church and a prison cell, the stories of these five lives begin to intertwine and we uncover the desire and regret that has bound them together.
Sarah Waters's story of illicit love and everyday…
I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
These are five books about one English family over the course of World War Two and beyond. I read the whole series over the course of one glorious summer! There is a large cast of characters, yet each one is perfectly drawn by Howard, so much so that I still feel that all of them are people I once knew well, rather than imaginary constructs. It was fascinating to see how different each family member’s experience of war could be, mostly focusing on the home front and their emotional lives, rather than the war itself. It was the perfect inspiration when I began writing my own wartime series under my pen name Mollie Walton.
The Light Years is a modern classic of twentieth-century English life in the countryside, and is the first novel in Elizabeth Jane Howard's extraordinary, bestselling family saga The Cazalet Chronicles.
Every summer, the Cazalet brothers - Hugh, Edward and Rupert - return to the family home in the heart of the Sussex countryside with their wives and children. There, they are joined by their parents and unmarried sister Rachel to enjoy two blissful months of picnics, games, and excursions to the coast. But despite the idyllic setting, nothing can be done to soothe the siblings' heartache: Hugh is haunted by…
In May 1941, Bartlesville, Oklahoma, hums with talk of spring flowers, fishing derbies, and the growing war in Europe. And for the residents of a quiet neighborhood boarding house, the winds of change are blowing.
Self-proclaimed spinster, Bessie Blackwell, is the reluctant owner of a new pair of glasses. The…
When I was given a First World War soldier’s wallet containing family souvenirs—a handwritten letter, a wedding photograph—I realised that it represented the story of my grandmother’s first marriage to a young man who died in the battle of the Somme in 1916. Brought up with my mother’s version of the story, I set out to find what truths I could. What I discovered is that there's no such thing as truth, only versions of what happened, and I wove these into a fictional narrative that tries to capture the experiences of families traumatized by war and explores how they made their peace despite the conflicts and tragedies they experienced.
Daniel is a survivor of the First World War who mourns the death of his best friend Frederic and is haunted by disturbing visions of him and flashes of battle. Returning to Cornwall, Daniel’s mother has died so he moves in with Mary, an old woman. He also reconnects with Felicia, Frederic’s sister who is still living in the large family house Daniel visited as a child. The atmosphere of the book is vivid, oppressive, and conveys the horrors of war in a human, sympathetic context. Passages from the book remain vivid in my mind several years after reading it and the whole story has a filmic quality and beautiful Cornish landscapes
A British World War I veteran returns to Cornwall in this “enthralling novel of love and devastating loss” from an Orange Prize winner (Good Housekeeping).
Cornwall, 1920: Infantry officer Daniel Branwell has returned to his coastal hometown after the war. Unmoored and alone, Daniel spends his days in solitude, quietly working the land. However, all is not as it seems in the peaceful idylls of the countryside; and although he has left the trenches, Daniel cannot escape his dreadful past.
As former friendships reignite, Daniel is drawn deeper and deeper into the tangled traumas of his youth and the memories…
I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
An absolute tour de force from the author of The Joy Luck Club. This novel is not as famous, but it’s actually my favourite Tan book. It has that epic sweep across history that I adore, whereby the movement of history catches people in its wake and hurls them hither and thither, uncaring of the consequences of its wreckage. The novel follows the experiences of a Chinese woman before and after Japan’s invasion of China in the 1930s and 40s and on to her move to America after the war. Reading this novel was truly immersive and fueled my interest in writing about war and showing how my own characters are caught up in its inexorable flow. A brutal and beautiful novel.
A stunning reissue of the international bestseller, from the much-loved author of The Joy Luck Club and The Bonesetter's Daughter.
Pearl Louie Brandt has a terrible secret which she tries desperately to keep from her mother, Winne Louie. And Winnie has long kept her own secrets - about her past and the confusing circumstances of Pearl's birth. Fate intervenes in the form of Helen Kwong, Winnie's so-called sister-in-law, who believes she is dying and must unburden herself of all falsehoods before she flies off to heaven. But, unfortunately, the truth comes in many guises, depending on who is telling the…
As a history buff I am also fascinated by folklore and magic, and how it has influenced society during various time periods. I love discovering writers who seamlessly manage to present a parallel magical universe grounded in actual history or who manage to incorporate fantastical or magical elements into a historical novel. Over the last few years I’ve been increasingly drawn to exploring the philosophical, magical, and spiritual underpinnings of society as part of my historical research. Although my own published works to date have been straight historical fiction, my current work in progress is definitely veering into the speculative, alternative history realm.
Set in 1917, during an era that I have always been particularly drawn to, The Toymakers is one of those rare books that manages to capture magic in a way that feels both whimsical as well as deeply poignant – it truly reads like a fairy tale for adults set against the tragic backdrop of the First World War. Reading this book was like reading the first Harry Potter book – I was totally captivated and transported back in time to London and the Emporium (a wonderful magical toy shop). This book had me spellbound – both in terms of the enchanting forms of magic employed by the toy-makers as well as the darker aspects of their lives and the secrets uncovered.
An enchanting, magical novel set in a mysterious toyshop - perfect for fans of Erin Morgenstern's The Night Circus and Stephanie Garber's Caraval by way of Jessie Burton's The Miniaturist
It is 1917, and while war wages across Europe, in the heart of London, there is a place of hope and enchantment.
The Emporium sells toys that capture the imagination of children and adults alike: patchwork dogs that seem alive, toy boxes that are bigger on the inside, soldiers that can fight battles of their own. Into this family business comes young…
A spy school for girls amidst Jane Austen’s high society.
Daughters of the Beau Monde who don’t fit London society’s strict mold are banished to Stranje House, where the headmistress trains these unusually gifted girls to enter the dangerous world of spies in the Napoleonic wars. #1 NYT bestselling author…
My debut novel, Where Ivy Dares to Grow, inherently explores many kinds of grief through the lens of a gothic novel; the grief of losing one’s sense of self to mental illness, of family estrangement, of relationships that have run their course, of illness in loved ones, of beloved places no longer being the beautiful things we remember them as. While this was not something I did consciously while writing, the gothic genre simply seemed to be a natural fit to investigate mourning in so many untraditional senses, using a sentient home and timeslips as metaphors for the way that grief can seem to shift the world and swallow one whole.
This modern gothic follows Ivy Radcliffe as she suddenly inherits an estate house in England, during the tail end of World War I.
Throughout this story grief is explored very intimately through Ivy mourning the loss of her brother to the war, but also the way that the communal grief of the war affects individuals and shapes English society and how it functions.
Without giving away too many spoilers, memory places a huge, multilayered role in the story, and of course we see the way that grief and memory are connected, both through the way Ivy remembers her lost brother and characters mourning the way life once was before the war and, ultimately, will never be again.
"Weaves a spell of darkness that’s mysterious and magical, and binds it with a knot of deathless love." —New York Times bestselling author Susanna Kearsley on A Lullaby for Witches
In post–World War I England, a young woman inherits a mysterious library and must untangle its powerful secrets…
With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War,…
