I'm the author of short stories and novels including my young adult debut, Pandemic, which continues to be a timely read about surviving a widespread deadly virus. After the H1N1 pandemic of 2009 (commonly called Swine Flu), I was fascinated with the idea of a global illness that could be much, much worse. I researched historical diseases, interviewed public health officials, and the idea for my novel was born. Written and published before COVID-19, some of the details are eerily predictive of coronavirus. Pandemic won SCBWI’s Crystal Kite Award the year after its publication, and a June 2022 reissue of the original novel includes updated resources and backmatter.
During the flu pandemic of 1918,
the author, Katherine Anne Porter, became deathly ill but recovered. Published
over twenty years later, Pale Horse, Pale Rideris her fictionalized
account about falling in love with a soldier during the war, then fighting to
survive the influenza outbreak. I love that Porter drew from her own experience
to write this short novel. (She disliked the term novella.) Pale Horse, Pale Rideris a beautifully written story about a devastating disease.
The classic 1939 collection of three short novels, including the famous title story set during the flu epidemic of 1918.
From the gothic Old South to revolutionary Mexico, few writers evoke such a multitude of worlds, both exterior and interior, as powerfully as Katherine Anne Porter. This sharp collection of three short novels includes “Pale Horse, Pale Rider,” Porter's most celebrated story, where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her boyfriend on his way to war. Also included is “Noon Wine,” a haunting story of tragedy and scandal…
I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
I became fascinated with the lives of women around the period of World War Two when I discovered the female aviators of the Air Transport Auxiliary based in England. It wasn’t until I researched the history of reproductive rights after attending the Women’s March in 2017 in Toronto, Canada that I realized the period of the 1930s was a particularly progressive time for women, a time of early feminism. As a novelist I am drawn to the social history and the impact of wars. My first novel explored PTSD, and in this one I’m exploring the lives of women who fought against the gender norms at the time.
This novel of Aganetha, a 104-year-old woman who looks back on her years as a runner in the 1928 Olympics is as much a story about aging and the examination of one’s life, as it is about the glory days of her feat. I loved the idea of this woman at such an advanced age reflecting on her past, on what she has seen and experienced, and all the details of the events are beautifully rendered. This is an intimate yet propulsive novel that takes us through issues of gender equality, abortion, and all the obstacles that Aganetha would have faced as a female athlete.
'original and moving... with the quirky charm of The Unlikely Pilgrimage of Harold Fry' Daily Mail 'a joy to read' Independent on Sunday Girl Runner, Carrie Snyder's debut novel, is the story of Aganetha Smart, a former Olympic athlete who was famous in the 1920s, but now, at age 104, lives in a nursing home, alone and forgotten by history. For Aganetha, a competitive and ambitious woman, her life remains present and unfinished in her mind. When her quiet life is disturbed by the unexpected arrival of two young strangers, Aganetha begins to reflect on her childhood in rural Ontario…
I founded Critical Metaphor Analysis, an approach that has become well known in English language studies. My books Corpus Approaches to Critical Metaphor Analysis, Politicians and Rhetoric: The persuasive power of metaphor, and Analysing Political Speeches have over 5,000 citations. I am also ranked first on Google Scholar on political rhetoric. I have always tried (though not always successfully) to write in an accessible style to reach out to audiences beyond academia. As well as lecturing, I assist in the training of Westminster speechwriters. I love languages and speak French, Spanish, Moroccan Arabic, and Malay with varying degrees of incompetence; I have rediscovered the pleasure of watercolour painting.
This highly informative book offers a well-written overview of most of the pandemics occurring from the “Spanish flu” of 1918 until Covid-19 of 2020. By giving a detailed historical account of everything from AIDS to SARS and Zika this book reassured me by showing how pandemics in the past had been overcome and so by implication how the Covid-19 pandemic could also be overcome. The author conducts detailed research into the exact chronology of each pandemic so that by helping to understand its epidemiology, he also creates an interesting and exciting detective story.
Ever since the 1918 Spanish influenza pandemic, scientists have dreamed of preventing such catastrophic outbreaks of infectious disease. Yet, despite a century of medical progress, viral and bacterial disasters continue to take us by surprise, inciting panic and dominating news cycles. In The Pandemic Century, a lively account of scares both infamous and less known, medical historian Mark Honigsbaum combines reportage with the history of science and medical sociology to artfully reconstruct epidemiological mysteries and the ecology of infectious diseases. We meet dedicated disease detectives, obstructive or incompetent public health officials and brilliant…
Fiction has a way of capturing people, places, and phenomena that often elude source-bound historians. As I say in my book, you feel the weight of all the terrible things Colonel Kurtz has done in central Africa far more by his whispering “the horror, the horror” than I, as a historian, could possibly convey by listing them out and analyzing them. That feel–especially what contingency feels like–is something historians should seek out and try to pull into their craft of writing. Getting used to and using fiction to help historians see and feel the past is a worthwhile endeavor.
Another Melville and another unusual one. Melville died broke and mostly forgotten. Lewis Mumford, a now mostly forgotten literary critic, is largely responsible for resuscitating Melville’s reputation in the early 20th century.
Sachs, an environmental historian who can really write, has penned a very unconventional, twinned biography of Melville and Mumford–the chapters go from one to the other, a style that takes some getting used to–that explores what it was about Melville’s dark vision of human nature, climate change, and capitalism that spoke to Mumford, and what it has to say to us.
Finalist for the National Book Critics Circle Award in Biography
A double portrait of two of America's most influential writers that reveals the surprising connections between them-and their uncanny relevance to our age of crisis
Up from the Depths tells the interconnected stories of two of the most important writers in American history-the novelist and poet Herman Melville (1819-1891) and one of his earliest biographers, the literary critic and historian Lewis Mumford (1895-1990). Deftly cutting back and forth between the writers, Aaron Sachs reveals the surprising resonances between their lives, work, and troubled times-and their uncanny relevance in our own…
This book is an old favorite of mine, and I picked up
again after decades of not having read it because it deals with a child’s
experience of his mother’s death during the 1918 influenza pandemic.
As a
historian of childhood, I was thinking about the experiences of children during
the onset of the COVID-19 pandemic and of this past one. I recalled that this was the best book I had
read that captured the feeling of losing a mother and the family transformation
that followed.
It is a beautifully written, melancholy book. So much is left unsaid by the characters that
the author has to guide us to their emotions and to the repercussions of the
death by conveying in a few unforgettable words, how they are experiencing this
profound change.
Discover William Maxwell's classic, heart-breaking portrait of an ordinary American family struck by the 1918 Spanish Flu pandemic
'A story of such engaging warmth that it would thaw the heart of any critic... Will melt many a reader to tears' TIME
Elizabeth Morison is an ordinary woman.
Yet, to eight-year-old Bunny, his mother is the centre of his universe. To Robert, her elder son, she is someone he must protect against the dangers of the outside world. And to her husband, James, she is the foundation on which his family rests and life without her is unimaginable.
Having
just gone through the pandemic, I thought I was prepared to read a fictional
account of the 1918 Spanish influenza epidemic.
The author made this so much
more real and terrifying than what we went through this century. This is a
story that made me shudder, cry, hope, and go through myriad emotions. Well
worth the read!
In the fall of 1918, thirteen-year-old German immigrant Pia Lange longs to be far from Philadelphia's overcrowded slums and the anti-immigrant sentiment that compelled her father to enlist in the U.S. Army. But as her city celebrates the end of war, an even more urgent threat arrives: the Spanish flu. Funeral crepe and quarantine signs appear on doors as victims drop dead in the streets and desperate survivors wear white masks to ward off illness. When food runs out in the cramped tenement she calls home, Pia must venture alone into the quarantined city in search of supplies, leaving her…
All of my recommended books feature female protagonists with complex lives. They are layered with friends, families, work, and romantic challenges. They are not superheroes. Yet they are. They all find a way to do the hard thing in difficult circumstances and at great personal peril. And that’s what bravery is. It’s not Captain Marvel coming in to save the world. It’s a woman with responsibilities and problems who digs deep to act with integrity. And she may not get accolades. Her act may be unseen. But she does it. And I love reading about these everyday women with grit.
This book sticks the reader in the middle of a maternity ward in poverty and flu-stricken Dublin circa 1918. I was totally rooting for nurse Julia Powers, an experienced maternity nurse who works long, thankless shifts trying to keep women and their babies alive.
The lack of medicine, staffing, and money is appalling as women enter the hospital to give birth. Yet through empathy, determinism, and quick thinking, Julia, her trainee, and her patients find ways to help each other. It’s a tour de force in female friendship, intelligence, and problem-solving and an indictment of the medical incompetency of male physicians.
It illuminates a cross-section of Dublin citizens struggling with poverty, the Great Flu, and the aftermath of a horrendous war. I found the story moving, gripping, and somehow hopeful.
In Dublin, 1918, a maternity ward at the height of the Great Flu is a small world of work, risk, death, and unlooked-for love, in "Donoghue's best novel since Room" (Kirkus Reviews).
In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia's regimented world step two outsiders—Doctor Kathleen Lynn, a rumoured Rebel on the run from the police, and a young volunteer helper, Bridie Sweeney.
I’m an Irish writer and historian. I always enjoyed history, even in school, and I went on to study it at Maynooth University, receiving a BA. I became a history teacher and eventually head of the history department in Méanscoil Iognáid Rís. I began writing local history articles for the Dunlavin arts festival and the parish magazine. I went back to university and got a first-class honours MA from Maynooth, before being awarded a PhD from DCU. I’ve won the Lord Walter Fitzgerald prize and the Irish Chiefs’ Prize, and my students were winners in the Decade of Centenaries competition. Now retired, I continue to write and lecture about history!
The ‘decade of centenaries’ from 2013-2023 has seen a plethora of books published about events during the Irish Revolution of a hundred years ago or so. Most of them have a glaring omission in that they do not mention, or only barely mention, the great influenza pandemic (the Spanish Flu) of 1918-1919, despite the fact that infection rates and mortality rates were extremely high. Milne’s book tackles the subject head-on, and fills a gap in the narrative of the pivotal decade 1913-23 in Irish history. The high quality of the research is evident in the enormous level of detail throughout the book, and Milne has given a human voice to many of the victims’ families by including survivor memories passed down through the generations. A sombre, thought-provoking read!
The 1918-19 influenza epidemic killed more than 50 million people, and infected between one fifth and half of the world's population. It is the world's greatest killing influenza pandemic, and is used as a worst case scenario for emerging infectious disease epidemics like the corona virus COVID-19. It decimated families, silenced cities and towns as it passed through, stilled commerce, closed schools and public buildings and put normal life on hold. Sometimes it killed several members of the same family. Like COVID-19 there was no preventative vaccine for the virus, and many died from secondary bacterial pneumonia in this pre-antibiotic…
In my day job working for a charity, I work with emergency planners, examining how we can minimise the harm caused by disasters, including outbreaks of disease. I’m fascinated by the measures in place to deal with catastrophes, and how contingency planners respond on a practical and a human level. When writing my novel about a killer virus, I devoured both fiction and non-fiction books tackling pandemics ranging from the Black Death to Aids. I am confident I know the skills needed to survive when a pandemic reduces the world’s population to a small, doughty band of survivors. I am not confident I possess these skills.
I read this book as background reading for writing my own virus-based novel, and it was an absolutely fascinating study of the response to a pandemic that took place almost exactly a century ago. It covers everything from the role of the First World War troops’ demobilisation on spreading the virus, to the impact of poverty on infection rates, to why young, fit people were the most likely to die of the illness. And, of course, why it was called Spanish Flu in the first place (spoiler alert: not because it came from Spain!)
Read the devastating story of the Spanish flu - the twentieth century's greatest killer - and discover what it can teach us about the current Covid-19 pandemic.
'Both a saga of tragedies and a detective story... Pale Rider is not just an excavation but a reimagining of the past' Guardian
With a death toll of between 50 and 100 million people and a global reach, the Spanish flu of 1918-1920 was the greatest human disaster, not only of the twentieth century, but possibly in all of recorded history. And yet, in our popular conception it exists largely as a footnote…
