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A Death-Struck Year.
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I have long been drawn to everyday experiences in courts. Since Hurricane Katrina struck in 2005, I’ve been writing and teaching about courts, social welfare, and disasters in a changing climate. Following the disasters requires noticing the routine cases filed, not only the notable constitutional claims the United States Supreme Court hears. That can be hard to do, because all the cases filed are not listed in any one place. In the pandemic, my interest in the more ordinary met the databases that people assembled, gathering as best possible the many cases filed about the pandemic.
The 1918 flu killed millions, including 675,000 in the United States. It rapidly killed young people. The president of the United States never spoke of it.
The United States was at war, and officials claimed speaking of the flu would undermine the war effort. Not speaking of the flu fit well with widespread suppression of speech, which officials also justified by pointing to the war. Civil rights and liberties claims linked to that pandemic as it did in COVID-19.
Mr. Barry’s sprawling story includes many actors. Mr. Barry argues that managing a pandemic requires trust. In the COVID-19 pandemic, trust could still be hard to come by, even as medical care, labor, insurance, schooling, and the place of courts had changed over the intervening one hundred years.
At the height of WWI, history's most lethal influenza virus erupted in an army camp in Kansas, moved east with American troops, then exploded, killing as many as 100 million people worldwide. It killed more people in twenty-four months than AIDS killed in twenty-four years, more in a year than the Black Death killed in a century. But this was not the Middle Ages, and 1918 marked the first collision of science and epidemic disease. Magisterial in its breadth of perspective and depth of research and now revised to reflect the growing danger of the avian flu, "The Great Influenza"…
I'm the author of short stories and novels including my young adult debut, Pandemic, which continues to be a timely read about surviving a widespread deadly virus. After the H1N1 pandemic of 2009 (commonly called Swine Flu), I was fascinated with the idea of a global illness that could be much, much worse. I researched historical diseases, interviewed public health officials, and the idea for my novel was born. Written and published before COVID-19, some of the details are eerily predictive of coronavirus. Pandemic won SCBWI’s Crystal Kite Award the year after its publication, and a June 2022 reissue of the original novel includes updated resources and backmatter.
Before the coronavirus pandemic,
Quammen investigated the science behind “spillover”—the way that animal
illnesses can mutate and infect humans. Given the grim subject matter, I found this
nonfiction account of various diseases to be surprisingly engrossing and highly
readable. Spillover was one of my inspirational resources when I created
my fictional illness for my novel. Quammen shares information about Ebola,
SARS, Lyme disease, AIDS, bird flu, and others in this well-researched book.
In 2020, the novel coronavirus gripped the world in a global pandemic and led to the death of hundreds of thousands. The source of the previously unknown virus? Bats. This phenomenon-in which a new pathogen comes to humans from wildlife-is known as spillover, and it may not be long before it happens again.
Prior to the emergence of our latest health crisis, renowned science writer David Quammen was traveling the globe to better understand spillover's devastating potential. For five years he followed scientists to a rooftop in Bangladesh, a forest in the Congo, a Chinese rat farm, and a suburban…
I'm the author of short stories and novels including my young adult debut, Pandemic, which continues to be a timely read about surviving a widespread deadly virus. After the H1N1 pandemic of 2009 (commonly called Swine Flu), I was fascinated with the idea of a global illness that could be much, much worse. I researched historical diseases, interviewed public health officials, and the idea for my novel was born. Written and published before COVID-19, some of the details are eerily predictive of coronavirus. Pandemic won SCBWI’s Crystal Kite Award the year after its publication, and a June 2022 reissue of the original novel includes updated resources and backmatter.
During the flu pandemic of 1918,
the author, Katherine Anne Porter, became deathly ill but recovered. Published
over twenty years later, Pale Horse, Pale Rideris her fictionalized
account about falling in love with a soldier during the war, then fighting to
survive the influenza outbreak. I love that Porter drew from her own experience
to write this short novel. (She disliked the term novella.) Pale Horse, Pale Rideris a beautifully written story about a devastating disease.
The classic 1939 collection of three short novels, including the famous title story set during the flu epidemic of 1918.
From the gothic Old South to revolutionary Mexico, few writers evoke such a multitude of worlds, both exterior and interior, as powerfully as Katherine Anne Porter. This sharp collection of three short novels includes “Pale Horse, Pale Rider,” Porter's most celebrated story, where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her boyfriend on his way to war. Also included is “Noon Wine,” a haunting story of tragedy and scandal…
I'm the author of short stories and novels including my young adult debut, Pandemic, which continues to be a timely read about surviving a widespread deadly virus. After the H1N1 pandemic of 2009 (commonly called Swine Flu), I was fascinated with the idea of a global illness that could be much, much worse. I researched historical diseases, interviewed public health officials, and the idea for my novel was born. Written and published before COVID-19, some of the details are eerily predictive of coronavirus. Pandemic won SCBWI’s Crystal Kite Award the year after its publication, and a June 2022 reissue of the original novel includes updated resources and backmatter.
This collection of short stories by
twenty different authors explores how a fictional deadly disease affects a
range of people, from scientists to government officials to everyday teens. (My
contribution is chapter 13, “Escape to Orange Blossom.”) What I especially
enjoyed about this anthology is the way that the characters from one story
might appear in another. Using a single incident to drive the plot, the
collaborative nature sets this collection apart.
From the imaginations of twenty authors of dystopian and post-apocalyptic fiction comes PREP FOR DOOM - an integrated collection of short stories that tell the tale of a single catastrophe as experienced by many characters, some of whom will cross paths.
What begins with a seemingly innocuous traffic accident soon spirals into a global pandemic. The release of Airborne Viral Hemorrhagic Fever upon New York City’s unsuspecting populace brings bloody suffering within hours, death within a day, and spreads worldwide within a month.
An online community called Prep For Doom has risen to the top of a recent doomsday preparation…
I’m an Irish writer and historian. I always enjoyed history, even in school, and I went on to study it at Maynooth University, receiving a BA. I became a history teacher and eventually head of the history department in Méanscoil Iognáid Rís. I began writing local history articles for the Dunlavin arts festival and the parish magazine. I went back to university and got a first-class honours MA from Maynooth, before being awarded a PhD from DCU. I’ve won the Lord Walter Fitzgerald prize and the Irish Chiefs’ Prize, and my students were winners in the Decade of Centenaries competition. Now retired, I continue to write and lecture about history!
The ‘decade of centenaries’ from 2013-2023 has seen a plethora of books published about events during the Irish Revolution of a hundred years ago or so. Most of them have a glaring omission in that they do not mention, or only barely mention, the great influenza pandemic (the Spanish Flu) of 1918-1919, despite the fact that infection rates and mortality rates were extremely high. Milne’s book tackles the subject head-on, and fills a gap in the narrative of the pivotal decade 1913-23 in Irish history. The high quality of the research is evident in the enormous level of detail throughout the book, and Milne has given a human voice to many of the victims’ families by including survivor memories passed down through the generations. A sombre, thought-provoking read!
The 1918-19 influenza epidemic killed more than 50 million people, and infected between one fifth and half of the world's population. It is the world's greatest killing influenza pandemic, and is used as a worst case scenario for emerging infectious disease epidemics like the corona virus COVID-19. It decimated families, silenced cities and towns as it passed through, stilled commerce, closed schools and public buildings and put normal life on hold. Sometimes it killed several members of the same family. Like COVID-19 there was no preventative vaccine for the virus, and many died from secondary bacterial pneumonia in this pre-antibiotic…
In my day job working for a charity, I work with emergency planners, examining how we can minimise the harm caused by disasters, including outbreaks of disease. I’m fascinated by the measures in place to deal with catastrophes, and how contingency planners respond on a practical and a human level. When writing my novel about a killer virus, I devoured both fiction and non-fiction books tackling pandemics ranging from the Black Death to Aids. I am confident I know the skills needed to survive when a pandemic reduces the world’s population to a small, doughty band of survivors. I am not confident I possess these skills.
I read this book as background reading for writing my own virus-based novel, and it was an absolutely fascinating study of the response to a pandemic that took place almost exactly a century ago. It covers everything from the role of the First World War troops’ demobilisation on spreading the virus, to the impact of poverty on infection rates, to why young, fit people were the most likely to die of the illness. And, of course, why it was called Spanish Flu in the first place (spoiler alert: not because it came from Spain!)
Read the devastating story of the Spanish flu - the twentieth century's greatest killer - and discover what it can teach us about the current Covid-19 pandemic.
'Both a saga of tragedies and a detective story... Pale Rider is not just an excavation but a reimagining of the past' Guardian
With a death toll of between 50 and 100 million people and a global reach, the Spanish flu of 1918-1920 was the greatest human disaster, not only of the twentieth century, but possibly in all of recorded history. And yet, in our popular conception it exists largely as a footnote…
My usual answer, when someone asks me where I live in Philadelphia, is: “Have you seen the Rocky movies, where he’s running through that open fruit/vegetable market? I’m three blocks from there.”I’ve called Philadelphia home for more than 20 years. I’m clearly a big fan, having now written four books about the city. I include a reference to the city’s most famous fictional character in my children’s alphabet book Philadelphia A to Z. In More Philadelphia Murals and the Stories They Tell, I got to tell stories about the country’s largest public art program. In This Used To Be Philadelphia, I told the then and now stories of dozens of city locations.
More than 12,000 Philadelphia residents died when the Spanish Flu began global deaths in 1918. Although the virus had already wreaked havoc in New England, Philadelphia officials went ahead with plans for a scheduled parade designed to raise public funding for the Great War across the ocean. An estimated 200,000 people watched and cheered as soldiers, veterans, and workers involved in the war effort marched down Broad Street on Sept. 28, 1918. An article about the spectacle published that afternoon inThe Evening Bulletin, began “This is a great day in Philadelphia.”
But another article in the same edition noted that a police officer had died from the flu and more than 100 people had recently tested positive for the virus. The parade was what we now would call a “super spreader event.” Within weeks, “the grippe,” as many called the disease had killed thousands and shut down the…
From the acclaimed author of The Last Year of the War comes a novel set during the Spanish flu pandemic of 1918, telling the story of a family reborn through loss and love.
In 1918, Philadelphia was a city teeming with promise. Even as its young men went off to fight in the Great War, there were opportunities for a fresh start on its cobblestone streets. Into this bustling town, came Pauline Bright and her husband, filled with hope that they could now give their three daughters—Evelyn, Maggie, and Willa—a chance at a better life.
I’m a historical fiction author and librarian from Hampshire, and I’m passionate about women’s history. I write stories inspired by the lives of real women in the past, who achieved extraordinary things, but whom history has forgotten. My debut novel, Operation Moonlight, won the Penguin Random House First Novel competition in 2019.
This incredibly moving novel, set in Dublin in 1918, tells the story of a nurse, Julia, who works in the maternity ward of a hospital.
During the height of the terrible flu epidemic, Julia must risk her own life in order to save the lives of the women under her care. I love learning about the medical world, and the history of women as healers. The story features a real doctor – Dr. Kathleen Lynn – a pioneering medical woman who, along with brave women like Julia, saved lives against all odds.
In Dublin, 1918, a maternity ward at the height of the Great Flu is a small world of work, risk, death, and unlooked-for love, in "Donoghue's best novel since Room" (Kirkus Reviews).
In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia's regimented world step two outsiders—Doctor Kathleen Lynn, a rumoured Rebel on the run from the police, and a young volunteer helper, Bridie Sweeney.
Growing up gay in Missouri in the 1970s, it was LGBTQ novels that opened the door to the unraveling and discovery of my best self, my true queer identity. Initially potboilers with side gay characters (I hid my copy of Valley of the Dolls from the nuns in grade school) I soon discovered writers that unlocked worlds I did not know existed representing choices, loves, and adventures I would later make my own. As a writer, it was risk-taking, gorgeous LGBTQ novels that urged me along in my literary journey and helped me find and define my voice.
I confess to a huge writer crush on Sjon. I immediately fell head over heels for his vibrant, visceral prose in this magical moving story set in Reykjavik in 1918 (the same year I set my novella Lightning). There is nothing comparable to this author’s dreamy style (after discovering him I read his entire catalogue) and the journey of young queer Manni Steinn is unforgettable. I have to admit: I went so far as to reach out to the author on social media the year we were both nominated for a Lambda Literary Award and ask him to coffee. I did not expect an answer, but he wrote me saying he was not attending the NYC event but thanked me for the offer! Brilliant and approachable!
The mind-bending miniature historical epic is Sjón's specialty, and Moonstone: The Boy Who Never Was is no exception. But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment.
Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already…
My mother went back to school for her PhD in Anatomy when I was a pre-teen. During the summers of my high school years I worked with her in her lab, and let me tell you, you see your mother in a new light when you see her dissect a rat. Though I didn’t go into medicine, anyone raised in our household learned an impressive amount of biology just sitting around the dinner table. Consequently, I’ve always loved fiction with a medical bent. My mother was also the one to introduce me to historical fiction, so perhaps I was fated to write a historical novel with a nurse protagonist.
Based on a real-life WWI nurse, this novel is about Julia Stimson who supervised dozens of British nurses in Rouen, France. Horrific battle injuries and a deadly influenza that infiltrates their camp put Julia to the test, all while she tries to advocate for her nursing staff and navigate the egos of some of the male doctors. But when one doctor falls for her, she must decide how this relationship squares with her career aspirations. This book is a wonderful way to learn about this amazing woman who wants to put her career first.
"Any readers who enjoyed the mix of romance, intrigue, and medical accuracy of Call the Midwife will love The War Nurse."-New York Journal of Books "[An] impeccably researched, well-drawn, based-on-a-true-story tale, written by a former RN...The War Nurse shines an important light on a woman whose story was, until now, lost to time."-Kristin Harmel, New York Times bestselling author of The Book of Lost Names Based on a true story, The War Nurse is a sweeping historical novel by USA Today bestselling author Tracey Enerson Wood that takes readers on an unforgettable journey through WWI France. She asked dozens of…
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