Here are 100 books that The Kitchen God's Wife fans have personally recommended if you like
The Kitchen God's Wife.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
I read this powerful graphic novel series when the first collections came out in the 1980s.
It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Art’s troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.
Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.
The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read”
A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the author’s account of his…
I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
A stone-cold classic in war writing, I studied this short novel at university and loved it. Crane never actually went to war and yet his depiction of men fighting in the American Civil War felt so real, that it gave me the confidence to write historical fiction, knowing I’d never experienced these things but my research and imagination could be brought to bear and hopefully transport the reader in the same way Crane did. It also began a lifelong obsession for me with the American Civil War. When I first started writing historical novels I knew I wanted to write about other combat arenas than the two C20th world wars, choosing the Boer War and The Seven Years’ War respectively.
Here is Stephen Crane's masterpiece, The Red Badge of Courage, together with four of his most famous short stories. Outstanding in their portrayal of violent emotion and quiet tension, these texts led the way for great American writers such as Ernest Hemingway.
I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
These are five books about one English family over the course of World War Two and beyond. I read the whole series over the course of one glorious summer! There is a large cast of characters, yet each one is perfectly drawn by Howard, so much so that I still feel that all of them are people I once knew well, rather than imaginary constructs. It was fascinating to see how different each family member’s experience of war could be, mostly focusing on the home front and their emotional lives, rather than the war itself. It was the perfect inspiration when I began writing my own wartime series under my pen name Mollie Walton.
The Light Years is a modern classic of twentieth-century English life in the countryside, and is the first novel in Elizabeth Jane Howard's extraordinary, bestselling family saga The Cazalet Chronicles.
Every summer, the Cazalet brothers - Hugh, Edward and Rupert - return to the family home in the heart of the Sussex countryside with their wives and children. There, they are joined by their parents and unmarried sister Rachel to enjoy two blissful months of picnics, games, and excursions to the coast. But despite the idyllic setting, nothing can be done to soothe the siblings' heartache: Hugh is haunted by…
I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
This novel absolutely blew me away. There are many books set during World War One and I’m fascinated by this war, particularly after studying WW1 poetry at school. The central image of the trench has stayed with me forever since. However, this novel is set on the home front in 1916 and shows the effects of war at a distance from the fighting. But don’t be lulled into any sense of comfort – this novel is heart-breaking, with a stunning twist. Merciless writing in the very best way, an excellent piece of war writing by West. When I wrote my own book I was determined to make the home front just as dramatic as any combat scene, just as West does so brilliantly.
A compelling, moving tale of a love affair, set in the East End during World War 1 and inspired by an unforgettable true story.
A great war. A powerful love. An impossible choice.
I think the war is everywhere: in the rain, in the river, in the grey air that we breathe. It is a current that runs through all of us. You can't escape the current; either you swim with it, or you go under.
1916. Across the channel, the Great War rages; in London's East End, with her husband away fighting, Hannah Loxwood struggles to hold everything together.…
I’ve always loved “big books,” novels that are described as sagas and chronicles yet whose primary focus is on singular, nuanced characters. I like seeing the ways that lives intersect and reflect each other across decades, and I enjoy being immersed in one world and then dropped, with the turn of a page, into another equally engrossing one. I am the author of the novel Rebellion as well as numerous short stories and essays. Raised in St. Louis, Missouri, I spent several years living in China and a year as the Writer-in-Residence at St. Albans School in Washington, D.C. I now live in Wisconsin, where I write and teach creative writing.
I first read Maxine Hong Kingston in college, but I can’t remember if I was assigned China Men or The Woman Warrior (the more famous counterpoint to China Men).All I know is that whichever one I read, I loved it so much that I immediately sought out the companion piece, which I also loved. In China Men, Kingston weaves together fiction and nonfiction, history and myth, story and memory. Is it a novel? A tapestry? I’m not quite sure what to call it, and that’s part of what I love about the book. Brief interludes of two or three pages present a single scene; longer stories narrate entire sagas. I love that this volume covers so much literal ground but ultimately feels incredibly personal.
The author chronicles the lives of three generations of Chinese men in America, woven from memory, myth and fact. Here's a storyteller's tale of what they endured in a strange new land.
I have always been a history lover, but often find myself thinking about the untold stories. The people who were not writing the history books or commanding armies or ruling countries. I’ve always been more inspired by everyday people, especially women, who fought daily battles we know very little about. I find myself seeking out their stories. I love to imagine these women’s lives. What motivated them, what frightened them, what angered them. That’s what I’m most passionate about. Finding and telling their stories.
Amy Tan is a master at telling stories that explore the complex dynamics of family relationships.
I’ve read a lot of her books, but The Hundred Secret Senses is my favorite because I adore Kwan, the main character’s half-sister from China. Kwan has a special secret that she can see and speak to ghosts, but Olivia always dismisses her as a little crazy and only pretends to believe her stories.
I love this book because it made me laugh out loud on multiple occasions and because it was so relatable.
We all have family members that we both love and can’t stand at the same time. This book goes back and forth between the 1990s and the 1800s.
If you love books about sisters, you need to read this one!
Stunning reissue of an international bestseller, from the author of 'The Joy Luck Club' and 'The Bonesetter's Daughter'.
Olivia Yee is only five years old when Kwan, her older sister from China, comes to live with the family and turns her life upside down, bombarding her day and night with ghostly stories of strange ancestors from the world of Yin. Olivia just wants to lead a normal American life.
For the next thirty years, Olivia endures visits from Kwan and her ghosts, who appear in the living world to offer advice on everything from restaurants to Olivia's failed marriage. But…
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called “an art beyond art. It is life itself.”
Beginning with a cheery letter penned by a Chinese girl in heaven to “poor Mr. Nixon” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute of documentary value, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
The experience of being a teenage exchange student living with a Beijing family whose mother is dying of cancer and whose father makes an aborted sexual pass on her marked Solimine deeply enough to inspire this novel. The author wisely shifts the focus away from herself and adopts the role of frame narrator as she reconstructs the family’s history and events leading up to her arrival, where she inserts herself into the story. The narrative unfolds in flashbacks, impressionistic vignettes, and haunting poetic imagery to capture fleeting moments which build in intensity. It’s the kind of novel readers may not find easygoing on first acquaintance – the cracked-glass cover design nicely conveys the initial impression – but promises to improve on rereading.
Short-listed for the Center for Fiction's 2017 First Novel Prize, Empire of Glass is a grand, experimental epic chronicling the seismic changes in China over the last half century. In the mid-1990s, an American teenager, named Lao K in Chinese, stands on Coal Hill, a park in Beijing, a loop of rope in her hand. Will she assist her Chinese homestay mother, Li-Ming, who is dying of cancer, in ending her life, or will she choose another path? Twenty years later, Lao K receives a book written by Li-Ming called "Empire of Glass," a narrative that chronicles the lives of…
I’m a Swedish American journalist, blogger, and author whose writings about Scandinavian parenting culture have appeared in newspapers, magazines, and online publications across the world, including Time.com, Parents.com, and Green Child Magazine. I’m particularly interested in the role of nature in childhood and believe the best memories are created outside, while jumping in puddles, digging in dirt, catching bugs and climbing trees. In 2013, I started the blog Rain or Shine Mamma to inspire other parents and caregivers to get outside with their children every day, regardless of the weather. I’m currently working on my second book, about the Nordic outdoor tradition friluftsliv, which will be published by Tarcher Perigee in 2022.
Chua set off an international firestorm with her memoir, a frank account of the trials and tribulations of raising her two daughters the Chinese way in the U.S. Her strict, achievement-oriented parenting tactics often run counter to mainstream Western ideals about raising children and have drawn harsh criticism from many readers. Whether you agree with her methods or not, it’s impossible not to be touched by Chua’s book.
A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER: the most talked-about book of the year
'Blissfully funny' India Knight, Sunday Times
'Entertaining, bracingly honest and, yes, thought-provoking' New York Times
'A treat from first to last: ruefully funny, endlessly self-deprecating, riven with ironies .. I relished this memoir' I
Updated with a new postscript by Amy Chua and a letter from her eldest daughter, Sophia
Battle Hymn of the Tiger Mother is a story about a mother, two daughters, and two dogs. It was supposed to be a story of how Chinese parents are better at raising kids than Western…
Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
Taking a transnational frame and drawing on English- and Chinese-language sources by and about Eurasians, this book uses juxtaposition to bring different perspectives to bear on each other. People’s lives, the choices they make amid various external limitations, are at the heart. The book takes a unique structural approach, with a prologue before each main chapter that describes a central story and helps ground and guide the larger narrative. In exploring interracial marriages and the lives of couples and children, the work shows how Eurasians have been producers of knowledge. Through highly diverse sources from the era, the author demonstrates that Eurasians have engaged in self-representation in complex ways and a broad range of voices and experiences comprise the category “Eurasian.”
In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and "Eurasian" often a derisive term? In Eurasian, Emma Jinhua Teng compares Chinese-Western mixed-race families in the United States, China, and Hong Kong, examining both the range of ideas that shaped the formation of Eurasian identities in these diverse contexts and…
