Sixty-one years ago I, a young white woman, married a Black man and together we had two children. Raising them (and then watching my biracial children grow to maturity) started my career, professionally and personally, as an anti-racism activist and scholar. They also caused me to question “race”: how did this myth come to be accepted as reality? How could people who were segregated as Negro, as my children were called in the 1960s, have come out of my body, called “white”? As a writer and avid reader, I am fascinated by every aspect of “racial identity.”
Scholars Lewis and Ardizzone write a deeply researched but popularly written non-fiction account of a major 1924 scandal: the marriage of a wealthy white scion of a prominent New York Family to a “colored” woman, who works as a servant.
The trial of the title is one in which the new husband, prodded by his father, sues his wife for annulment, charging that she deceived him about her racial identity.
It is clear she didn’t, but will his money and position dictate the trial’s results? The book probes deeply into racial identity, how it’s defined, and what it means to be Black, white—or ambiguously both.
Upon marrying Leonard Rhinelander in 1924, Alice Jones, a former nanny, became the first black woman to be listed in the Social Register as a member of one of New York's wealthiest families. When their marriage became a national scandal, Alice and Leonard found themselves thrust into the glare of public scrutiny-and into a Westchester courtroom. Earl Lewis and Heidi Ardizzone tell the story of the marriage and the annulment trial that opened the lives of two vastly different families to the media. Tracking the public obsession withthe case, they unfold a story with a dramatic cast of characters. Would…
I can’t guess how many great poems I have committed to memory. In waiting rooms, or in the checkout line, I recite them to myself. In this way, poetry helps me not only understand the world we live in, but live in it without going crazy. And while I love all poetry, I’ve always found that poetry in traditional forms—with meter and rhyme—is easier to remember. That’s one reason why I’ve always been drawn to formal verse. In my own poetry, I strive to uphold that tradition, while inventing new forms that spring organically from the subject at hand. I trust these books will demonstrate I’m not alone.
This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.
Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.
Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then…
Winner of the 2007 Pulitzer Prize for poetry and former U.S. Poet Laureate, Natasha Trethewey's elegiac Native Guard is a deeply personal volume that brings together two legacies of the Deep South. The title of the collection refers to the Mississippi Native Guards, a black regiment whose role in the Civil War has been largely overlooked by history. As a child in Gulfport, Mississippi, in the 1960s, Trethewey could gaze across the water to the fort on Ship Island where Confederate captives once were guarded by black soldiers serving the Union cause.? The racial legacy of the South touched Trethewey's…
I married Indian born Atam Vetta when mixed relationships were rare and viewed with hostility not just in the UK. In 1966, they were illegal in South Africa and in most Southern States of the USA (until Loving v Virginia). In India they are not illegal but many upper-caste Indians do not approve of marriage outside of caste.
In the UK attitudes have revolutionised. Mixed relationships are no longer rare and it is predicted that by 2075 the majority of the population will be of mixed ancestry. There are mixed relationships in all three of my novels. My aim was to explore what we have in common whilst being honest about the challenges. The ultimate prize is an enhanced understanding and the creativity that comes with crossing cultures.
London 1945: the heir to the largest tribe of Bechuanaland (Botswana) arrives in Britain. Seretse Khama, an urbane 24-year-old was welcomed into the elite world of Oxford. But when he fell in love with Englishwoman Ruth Williams, the full force of colonial power was brought to bear to prevent their marriage.
It has personal resonance for me because when I met Atam, in 1964, Smethwick was in the grip of a racist campaign. Atam and I volunteered to help the sitting Labour MP, Patrick Gordon Walker combat the Conservative Peter Griffiths’ campaign. The slogan was, ‘If you want a nigger for a neighbour vote Labour’. Atam was welcomed because he spoke Punjabi, Hindi, and Urdu and we accompanied Patrick Gordon Walker canvassing. When I watched A United Kingdom, the film about Seretse Khama and Ruth Williams, I knew that they had portrayed it well when the government representatives treat…
The true story of a love which defied family, Apartheid, and empire - the inspiration for the major new feature film A United Kingdom, starring David Oyelowo and Rosamund Pike
London, 1947. He was the heir to an African kingdom. She was a white English insurance clerk. When they met and fell in love, it would change the world.
This is the inspiring true story of Seretse Khama and Ruth Williams, whose marriage sent shockwaves through the establishment, defied an empire - and, finally, triumphed over the prejudices of their age.
I was the type of kid who tossed a coin in a fountain and wished that every day could be Valentine’s Day. So, it’s no surprise that my younger years were dominated by dating, love, and heartbreak. I learned enough about the matter to even have my own dating advice column for a few years. Mostly what I’ve learned is how important it is to have compassion for yourself and to know you’re not the only one having a hard time finding your forever love. I hope these book picks bring you some comfort.
I contributed an essay to this collection and there’s quite a few writers I admire in this book, as well.
It’s refreshing to see other people’s perspective on what can feel like an albatross around your neck. Some of the essays are humorous, others are more poignant, but they all work together to show that a single life can look and feel a bazillion different ways—yours will be what you make it.
A feminist anthology inspired by legendary Cosmopolitan editor Helen Gurley Brown's Sex and the Single Girl, featuring twenty-four new essays on the triumphs and heartbreaks of modern singlehood from acclaimed and bestselling authors, including Kristen Arnett, Morgan Parker, Evette Dionne, and Melissa Febos.
Sixty years ago, Helen Gurley Brown's Sex and the Single Girl sent shockwaves through the United States, selling more than two million copies in three weeks. Helen's message was radical for its time: marriage wasn't essential for women to lead rich, fulfilling lives.
I read voraciously and have been fortunate to interact with people and situations such as those on my list. I also grew up in New York City, the melting pot displayed in Humans of New York. There I lived, jumped double-dutch, studied, and worked in a multicultural community. After moving to St Louis, I discovered it was a place that did not always embrace “others.” That inspired me to write my first book,Sugar Hill. Living in St Louis also strengthened my appreciation for diversity in race, religion, and to appreciate people whose sexual identity, or mental and physical ability might differ from mine.
I’ve always been fascinated by American Indian culture. Girls wore intricately beaded dresses and headbands with feathers. Moms carried elaborately decorated baby backpacks. Also, I didn’t understand why the cowboys couldn’t get along with the Indians. In this novel, based on a historical event, the government strikes a deal with the Cheyenne, trading 1000 white women for 1000 horses.
The women are culled from poorhouses, prisons, and asylums, like May whose father committed her for living in sin. May jumps at the opportunity to escape the asylum. Once on the reservation, the newcomers bond and slowly adapt to their new lives and families. Readers too get an intimate portrait of Indian life, and compared to actions of the US Army, it begs the question, who should be labeled savages?
Based on an actual historical event but told through fictional diaries, this is the story of May Dodd―a remarkable woman who, in 1875, travels through the American West to marry the chief of the Cheyenne Nation.
One Thousand White Women begins with May Dodd’s journey into an unknown world. Having been committed to an insane asylum by her blue-blood family for the crime of loving a man beneath her station, May finds that her only hope for freedom and redemption is to participate in a secret government program whereby women from “civilized” society become the brides of Cheyenne warriors. What…
As a gay father of two transracially adopted daughters, I am constantly searching for books that feature families like mine. It is important for children to see families that look like theirs represented in their storybooks. Unfortunately, there is a limited number of children’s books spotlighting adoption and even less featuring LGBTQ+ families. I am happy to share this list of some of my favorites that represent diverse/LGBTQ+ families.
This book gets triple points in my opinion, as it specifically addresses adoption by two dads who are an interracial couple. There are very few children’s books that cover all of these topics and even fewer that do it as simplistic and easy as this one. We have this one in our personal library and it has been one of our go-to books for helping our own daughter who my husband and I adopted.
Having Two Dads is double the fun! Many families are different, this family has Two Dads. A beautifully illustrated, affirming story of life with Two Dads, written from the perspective of their adopted child.
Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
Taking a transnational frame and drawing on English- and Chinese-language sources by and about Eurasians, this book uses juxtaposition to bring different perspectives to bear on each other. People’s lives, the choices they make amid various external limitations, are at the heart. The book takes a unique structural approach, with a prologue before each main chapter that describes a central story and helps ground and guide the larger narrative. In exploring interracial marriages and the lives of couples and children, the work shows how Eurasians have been producers of knowledge. Through highly diverse sources from the era, the author demonstrates that Eurasians have engaged in self-representation in complex ways and a broad range of voices and experiences comprise the category “Eurasian.”
In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and "Eurasian" often a derisive term? In Eurasian, Emma Jinhua Teng compares Chinese-Western mixed-race families in the United States, China, and Hong Kong, examining both the range of ideas that shaped the formation of Eurasian identities in these diverse contexts and…
As a former lawyer, I want young readers to understand the judicial system and to appreciate how the structure of our government, with its three branches, buttresses our freedoms. That's why I wrote The Supreme Court and Us. My book surveys the court, its function, and some of its important cases. Reading it together with the other recommended titles will offer a multi-dimensional picture of the Court, its Justices, and its work. Each Supreme Court case is a fascinating story. I want to share these stories with kids. We need a knowledgeable new generation to be engaged in civic life – and these books are a good place to start.
First of all, isn't that an awesome title? This narrative is a child-appropriate and compelling description of Mildred and Richard Loving and their path to the Supreme Court. The two got married in D.C. in 1958, when interracial marriage was illegal in their home state of Virginia. Returning home after the wedding, they were arrested, jailed, and told to leave the state. They took their case to court arguing that Virginia's ban on interracial marriage violated the Constitution, and the U.S. Supreme Court agreed. As described in the back matter, the creators of this book themselves have an interracial marriage. An author's note reflects on their lives and their perspective on the Lovings' story.
"I support the freedom to marry for all. That's what Loving, and loving, are all about." -- Mildred Loving, June 12, 2007
For most children these days it would come as a great shock to know that before 1967, they could not marry a person of a race different from their own. That was the year that the Supreme Court issued its decision in Loving v. Virginia.This is the story of one brave family: Mildred Loving, Richard Perry Loving, and their three children. It is the story of how Mildred and Richard fell in love, and got married in Washington,…
I’ve been passionate about personally and professionally lifting women up throughout my career. Today, it is how I spend my time and energy – in a way that makes a difference to those individuals and the greater world. Books have always filled my insatiable desire to continuously learn and explore mysterious, unknown worlds. As a writer, I read books to expand my understanding and push my comfort zones. I also read them so that I can share with others what I have learned in the hopes they will have a positive impact on them – a pay-it-forward of sorts. I hope you enjoy the books on this list as much as I have!
Highly-acclaimed and inspirational, Elaine tells her personal story and her personal struggles and self-reflection as a Black woman.
She goes into great detail about what she could have done differently – and she’s only in her 30s. She is the first Black person to be named Editor-in-Chief at Teen Vogue at the tender age of 29.
This one will make you think, better understand the Black point of view and lift you up.
WINNER OF THE 2020 NAACP IMAGE AWARD FOR OUTSTANDING LITERARY WORK — BIOGRAPHY/AUTOBIOGRAPHY
NOW OPTIONED FOR DEVELOPMENT AS A TV SERIES BY PARAMOUNT TELEVISION STUDIOS AND ANONYMOUS CONTENT
“The millennial Becoming . . . Inspiring and empowering.” —Entertainment Weekly
“An essential read for women in the workplace today.” —Refinery29
Part-manifesto, part-memoir, from the revolutionary editor who infused social consciousness into the pages of Teen Vogue, an exploration of what it means to come into your own—on your own terms
Throughout her life, Elaine Welteroth has climbed the ranks of media and fashion, shattering ceilings along…
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
We love this memoir that reads like a mystery story.
E. Dolores Johnson is the daughter of a Black father and white mother who fell in love in Indianapolis in the 1940s, when Indiana still enforced anti-miscegenation laws. Her mother “disappeared” so that she could flee to NY with the African American man she loved and marry there. Dolores’s birth certificate listed her as Black (the “one drop” of Black blood rule); she grew up in a Black family and lived in a Black neighborhood. Her mother never spoke of her white family.
The book resonated with us for both its graphic details about the racism Dolores and her African husband endured as highly educated corporate executives, including a cross-burning on their front lawn, and poignant description of her journey to find her white family and understand her biracial identity. Her mother’s response when Dolores says she is going to…
"With unflinching honesty, E. Dolores Johnson shares an enthralling story of identity, independence, family, and love. This timely and beautifully written memoir ends on a complicated yet hopeful note, something we need in this time of racial strife." -De'Shawn Charles Winslow, author of In West Mills
Say I'm Dead is the true story of family secrets, separation, courage, and transformation through five generations of interracial relationships. Fearful of prison time-or lynching-for violating Indiana's antimiscegenation laws in the 1940s, E. Dolores Johnson's Black father and White mother fled Indianapolis to secretly marry in Buffalo, New York.
