Here are 100 books that One Thousand White Women fans have personally recommended if you like
One Thousand White Women.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I grew up in Boston and New York and currently live in Montreal. I have worked primarily in writing performance texts and plays. I founded the performance company Bluemouth Inc., with whom I have written and staged over a dozen works. In 2018, I completed an MFA in Creative Writing at Concordia University, where I was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing. As for my expertise in compiling this list, I am the daughter of a strong force-of-nature woman who fought for what she had and taught her kids they can get through anything as long as they have humor, music, and books.
This book was recommended to me by my firefighter brother, who often reads what I call “he-man” books. The titles always have words like mutiny, bullets, gangsters, firestorm, etc. So, when he suggested I read this book, I had my reservations. (In fairness, the books he recommends consistently end up on my list of all-time favorites–I guess that’s what I get for pre-judging!) In any case, over the years, I have learned the one thing we both love in a protagonist–and now I have a name for it–is grit. I can’t recommend this book highly enough.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
I’ve always been drawn to stories about wrongful convictions. I can think of nothing worse than losing your freedom for something you did not do. More importantly, I think it’s important to hold those responsible accountable. I believe in the sentiment that it is better to let ten guilty men go free than to have one innocent man convicted.
This book deals with the death penalty. The author covers several cases involving people who were on death row and were subsequently found to be innocent.
The book also covers related topics, such as mass incarceration, mandatory sentencing, racial bias, prison overcrowding, cruel and unusual sentences for minors, the psychological impact of long-term solitary confinement, and a host of other crime and punishment issues.
NOW A MAJOR MOTION PICTURE, STARRING MICHAEL B. JORDAN, JAMIE FOXX, AND BRIE LARSON.
A NEW YORK TIMES, WASHINGTON POST, BOSTON GLOBE, ESQUIRE, AND TIME BOOK OF THE YEAR.
A #1 New York Times bestseller, this is a powerful, true story about the potential for mercy to redeem us, and a clarion call to fix America's broken justice system, as seen in the HBO documentary True Justice.
The US has the highest rate of incarceration in the world. One in every 15 people born there today is expected to go
to prison. For black men this figure rises to one…
Growing up in West Texas, westerns were just as good as bedtime stories to me. I grew up with all the greats… and the not as greats. The quality didn’t always matter because the spirit was the same. Freedom, opportunity, and possible lawlessness. Survival of the quickest draw. An untamed place where anything could happen. Someone once said that the western genre was America’s genre. It was invented here and our frontier spirit inspired the world. When I decided to write Hour Glass, I channeled the independent spirit of those westerns I grew up with. I wrote the first draft in sixteen days out of pure passion for the subject matter.
This book is probably the closest title to my own. Doc is centered around everyone’s favorite dandy gunslinger, Doc Holliday. It is a truly entertaining and informative tale of the real Doc’s life before his legendary stand at the O.K. Corral in Tombstone. While Wyatt and Morgan Earp play important roles in the story, Doc Holliday is definitely your Huckleberry.
If you love it like I do, the author wrote a continuation called Epitaph: An O.K. Corral Story. You won’t be sorry.
The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House. Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given…
Growing up in West Texas, westerns were just as good as bedtime stories to me. I grew up with all the greats… and the not as greats. The quality didn’t always matter because the spirit was the same. Freedom, opportunity, and possible lawlessness. Survival of the quickest draw. An untamed place where anything could happen. Someone once said that the western genre was America’s genre. It was invented here and our frontier spirit inspired the world. When I decided to write Hour Glass, I channeled the independent spirit of those westerns I grew up with. I wrote the first draft in sixteen days out of pure passion for the subject matter.
I should preface this with some bit of transparency. One reason I love Tinsmith is because I personally know the author. Not only is she a great writer, but she’s one of the only female tinsmiths working in the United States. She makes her own cookware, and it is amazing.
The main character, Marie Kotlarczyk, moves to the Dakota territories with her tinsmith family. When the family encounters disaster, Marie has to learn the family trade in order to survive. It’s not an easy task when women were not meant to do such things.
Sarah puts so much of herself in this book, it’s enchanting. Since she’s a professional tinsmith, every scene is tangible. I can’t recommend it enough.
When her tinsmith father and brothers head West, Polish immigrant Marie Kotlarczyk has no choice but to go along. Family, after all, is family. The Dakota Territories are anything but welcoming to the Kotlarczyks, and as the months trip by, Marie must pick up the hammers she’s secretly desired but also feared. When she faces the skeptical people of Flats Town, the demands of the local Army commander, and her public failures, her inner voice grows destructively, forcing Marie to decide exactly who she is and what it means to be a woman smith.
I started reading mysteries in elementary school: Nancy Drew, Agatha Christie, and Stephen King fed my thirst for story, puzzles, and the “super-psychological.” There’s so much about the mind we don’t understand—including our relationships with animals (like an octopus detective)—or the bond between twins (like the one in my Cici series). When I worked with Irene Webb as an associate literary agent in the 2000s, my fascination with the written word and “super-psychological” blossomed. I enjoy connecting motivations, secrets, and passions into a tapestry of humanity. At their core, stories teach us how to be more human, and I want to be part of that lesson. Please enjoy this book list I’ve curated for you.
I almost chose the Sookie Stackhouse series because those are a rollicking treat! C’mon, a vampire detective is pretty fantastic!
But Lizbeth’s story starts with a bang—literally. The novel (and Lizbeth) is grittier than the sweet-as-pie Sookie, which we learn in the first chapter. This dystopian world of the failed United States in the mid to late twentieth century incorporates Russian magicians called grigoris, and a complex gotta-catch-‘em plot with shootouts a la the Old West.
Yup, Charlaine Harris produced another page-turner that’s quite a departure from her Sookie days.
From the beloved #1 New York Times bestselling author of the Sookie Stackhouse series, the inspiration for HBO’s True Blood, comes “a gripping, twisty-turny, thrill ride of a read” (Karin Slaughter, New York Times bestselling author) following a young gunslinging mercenary on deadly mission through the American Southwest.
In a fractured United States, a new world where magic is acknowledged but mistrusted, a young gunslinger named Lizbeth Rose takes a job offer from a pair of Russian wizards. Lizbeth Rose has a wildly fearsome reputation but these wizards are desperate. Searching the small border towns near Mexico, they’re trying to…
I’ve always liked narrative history and how we can take research and turn it into a story. More importantly, I love books that can recover the histories of marginalized people—people who don’t make it into the history textbooks. Historical true crime gives me access to realities we don’t often see. Court transcripts, detective reports, news accounts, and oral histories all combine to illuminate a world beyond the famous and known. I’m drawn to those books (and book projects) that ask the question: what can we know about the past if we look at it through the lens of a crime? Whose realities do we witness through such a lens?
Few writers can compare to Grann in his storytelling skills and his ability to bring historical lives to contemporary realities. I admire the way Grann turns his research into a compelling narrative, bringing me into the 1920s Southwest—a world that often is not part of our idea of the Roaring Twenties.
In focusing on the tragedies the Osage suffered, the book opens up a new understanding of the Roaring Twenties that has little to do with speakeasies and lavish parties. And this, for me, is the power of Grann’s book to expand our understanding of this iconic era through this long-ignored story of the Osage people. While I liked the movie version of the book, nothing compares to Grann’s compelling storytelling voice.
In the 1920s, the richest people per capita in the world were members of the Osage Indian nation in Oklahoma. After oil was discovered beneath their land, they rode in chauffeured automobiles, built mansions and sent their children to study in Europe.
Then, one by one, the Osage began to be killed off. As the death toll climbed, the FBI took up the case. But the bureau badly bungled the investigation. In desperation, its young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to unravel the mystery. Together with the Osage he and his undercover…
I have always been drawn to the ocean. When I decided to start writing novels, I knew that I wanted to set them in coastal locations. I live in the Boston suburbs and spend time whenever I can at the beach. I have written books centered in Cape Elizabeth, Maine, Portsmouth, New Hampshire, and Cape Cod. I am working on a story set on the north shore of Massachusetts. I am a high school social studies teacher of twenty-four years and a parent of two teenagers. All of my writing includes cooking and the enjoyment of good food as a major focus. I hope my books make you hungry!
Although not coastal, this book’s Palm Springs setting is full of swimming pools and a feeling of escape to somewhere new. I laughed, I cried, and I adored the dynamic between Patrick and his adorable niece and nephew.
Secondary characters, such as the three neighbors and other family members, added depth and emotion to the story. I seriously read this book in 24 hours!
National Bestseller • Wall Street Journal Bestseller • USA Today Bestseller An NPR Book of the Year Semi-finalist for the Thurber Prize for American Humor Finalist for the 2021 Goodreads Choice Awards
From the bestselling author of Lily and the Octopus and The Editor comes a warm and deeply funny novel about a once-famous gay sitcom star whose unexpected family tragedy leaves him with his niece and nephew for the summer.
Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out…
I read voraciously and have been fortunate to interact with people and situations such as those on my list. I also grew up in New York City, the melting pot displayed in Humans of New York. There I lived, jumped double-dutch, studied, and worked in a multicultural community. After moving to St Louis, I discovered it was a place that did not always embrace “others.” That inspired me to write my first book,Sugar Hill. Living in St Louis also strengthened my appreciation for diversity in race, religion, and to appreciate people whose sexual identity, or mental and physical ability might differ from mine.
I love photography books but, my hands-down favorite is Humans of New York.New York City is truly America’s melting pot, a gourmet stew of nationalities, personalities, fragile seniors, young billionaires, paupers, and everything in between. The city has much of what’s right with the world and its burst of humanity can all be seen in this book.
Unlike many photo books, this one has no excess verbiage. Stanton lets the pictures or their subjects tell the stories. There are hairstylists, hipsters, mommies, cute kids, teens with tattoos and purple hair, and a guy busking in the park with his viola while wearing a pink gorilla suit. The caption reads: “Damn liberal arts degree.” The author created this as a summer project and ended with 300 pages of delight.
An instant Number One New York Times bestseller, Humans of New York began in the summer of 2010, when photographer Brandon Stanton set out on an ambitious project: to single-handedly create a photographic census of New York City. Armed with his camera, he began crisscrossing the city, covering thousands of miles on foot, all in his attempt to capture ordinary New Yorkers in the most extraordinary of moments. The result of these efforts was "Humans of New York," a vibrant blog in which he featured his photos alongside quotes and anecdotes. The blog has steadily grown, now boasting nearly a…
I’ve always been interested in personal, character-driven stories set in huge speculative worlds. Not every story should be about saving the world/galaxy/multiverse. Sometimes, the best story is just about surviving growing up or navigating a rocky relationship. If that happens on a spaceship or in the Wild West, great. And if that spaceship happens to be in the Wild West, all the better! Making the fantastic ordinary through a personal POV lets us see the otherworldly as plainly as we see the mailman or grumpy alien cowboy. Fortunately, my dueling careers as a UX designer, historian, and writer give me a lot of material and appetite for cross-genre storytelling.
While published as an Image comic series, Saga is best approached in its collected graphic novels. I particularly love taking in the ebook version’s artwork on my iPad. This space opera vs. fantasy epic is beautifully scaled down by both its illustrated panels and its close focus on a family of characters through which we encounter a surreal and hostile universe. Hazel, the unlikely daughter of the series’ leading couple, steps in to provide memoir-esque insights from time to time and serves as something of an (adorable) cipher for her parents’ cross-genre Romeo and Juliet arc. Conceived “to do absolutely everything [the author] couldn't do in a movie or a TV show,” Saga pushes both genre envelopes.
Winner of the 2013 Hugo award for Best Graphic Story!
When two soldiers from opposite sides of a never-ending galactic war fall in
love, they risk everything to bring a fragile new life into a dangerous old
universe. From New York Times bestselling writer Brian K. Vaughan (Y:
The Last Man, Ex Machina) and critically acclaimed artist Fiona
Staples (Mystery Society, North 40), Saga is the sweeping
tale of one young family fighting to find their place in the worlds. Fantasy and
science fiction are wed like never before in this sexy, subversive drama for
adults.
This specially priced volume…
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
We love this memoir that reads like a mystery story.
E. Dolores Johnson is the daughter of a Black father and white mother who fell in love in Indianapolis in the 1940s, when Indiana still enforced anti-miscegenation laws. Her mother “disappeared” so that she could flee to NY with the African American man she loved and marry there. Dolores’s birth certificate listed her as Black (the “one drop” of Black blood rule); she grew up in a Black family and lived in a Black neighborhood. Her mother never spoke of her white family.
The book resonated with us for both its graphic details about the racism Dolores and her African husband endured as highly educated corporate executives, including a cross-burning on their front lawn, and poignant description of her journey to find her white family and understand her biracial identity. Her mother’s response when Dolores says she is going to…
"With unflinching honesty, E. Dolores Johnson shares an enthralling story of identity, independence, family, and love. This timely and beautifully written memoir ends on a complicated yet hopeful note, something we need in this time of racial strife." -De'Shawn Charles Winslow, author of In West Mills
Say I'm Dead is the true story of family secrets, separation, courage, and transformation through five generations of interracial relationships. Fearful of prison time-or lynching-for violating Indiana's antimiscegenation laws in the 1940s, E. Dolores Johnson's Black father and White mother fled Indianapolis to secretly marry in Buffalo, New York.
