I first went as a student to Beijing in 1984 with a camera and a suitcase of film but not much of a plan. I found myself in a country whose young people were suddenly empowered to put their skills to use rather than let state planning order every aspect of their lives. My academic studies rapidly evolved into a vocation to photograph the changes around me. There was a demand for this: one of my first assignments being for Life magazine and then a slew of US and European publications eager to expand their coverage of all that was reshaping China and in turn the world. I chose street-level life as the most relatable to an international audience and in recent years also for Chinese eager to see how this era began.
After the gradual normalisation of relations between China and the US and the end of the Cultural Revolution in 1976, a small number of western journalists were allowed to open bureaus in Beijing. Access was limited and travel difficult but one talented Chinese American photojournalist really pushed the boundaries in showing the rest of the world what the long inaccessible country was like. His tenacity and eye for the telling detail were an inspiration for me to take up the challenge to devote my career to covering the historic era of change in due course. Such was Liu’s ability to cover more than his hosts were quite ready to show ethnic Chinese foreign journalists found it near impossible to gain accreditation for many years afterwards.
An entire country captures unposed and authentic in a unique collection of photographs. China is seen emerging from a frightening period of political terror into an era where its true nature can be expressed once again. In decades to come, we and those who follow us will need to look back on post-Maoist China and try to understand what was the experience then of the nearly one-quarter of humanity that is Chinese. It will, I predict, be the images in this collection by Lin Heung Shing that, more than any other single source, will most deeply touch our understanding
I have always been a history lover, but often find myself thinking about the untold stories. The people who were not writing the history books or commanding armies or ruling countries. I’ve always been more inspired by everyday people, especially women, who fought daily battles we know very little about. I find myself seeking out their stories. I love to imagine these women’s lives. What motivated them, what frightened them, what angered them. That’s what I’m most passionate about. Finding and telling their stories.
Amy Tan is a master at telling stories that explore the complex dynamics of family relationships.
I’ve read a lot of her books, but The Hundred Secret Senses is my favorite because I adore Kwan, the main character’s half-sister from China. Kwan has a special secret that she can see and speak to ghosts, but Olivia always dismisses her as a little crazy and only pretends to believe her stories.
I love this book because it made me laugh out loud on multiple occasions and because it was so relatable.
We all have family members that we both love and can’t stand at the same time. This book goes back and forth between the 1990s and the 1800s.
If you love books about sisters, you need to read this one!
Stunning reissue of an international bestseller, from the author of 'The Joy Luck Club' and 'The Bonesetter's Daughter'.
Olivia Yee is only five years old when Kwan, her older sister from China, comes to live with the family and turns her life upside down, bombarding her day and night with ghostly stories of strange ancestors from the world of Yin. Olivia just wants to lead a normal American life.
For the next thirty years, Olivia endures visits from Kwan and her ghosts, who appear in the living world to offer advice on everything from restaurants to Olivia's failed marriage. But…
Growing up, my family was a meat and potatoes family. The food was good but it was never really about the food. It was about eating together. When I got older, I ventured beyond the world of meat and potatoes, made more friends to eat with, and learned more and more to enjoy the little things in life. My two books are about food but also not really. They're community books. Family books. Adventure books. Same thing with the 5 books on my list. I hope you enjoy them as much as I did!
My Love For You Is Always feels like a hug. I love how it explains a parent's love toward their child using food. It's smart, simple, and satisfying.
I can imagine reading it to my daughter for bedtime. Sometimes I just want to express to my daughter Lucie how much I love her, and I feel like this book would be a fun way of doing that. Using the food theme was a good choice by the author. I think it's a great little book.
Warm like tea? Sweeter than red dates? A mother shares her love for her child as the two prepare a delicious meal together--perfect for fans of Guess How Much I Love You, Wherever You Are My Love Will Find You, and Mama, Do You Love Me?
What is love? a child wonders. What does it feel like, smell like, taste like? How does it move? How long does it last?
And as she prepares a traditional Chinese meal for her family, the child's mother replies: her love for him is rosy as wolfberries, warm like tea, sweeter than the red…
I grew up in the South where stories float off front porches like fireflies. My family was made up of storytellers! As an adult and especially as a librarian and a writer of middle-grade novels, I love rooting out history readers might not know: how swimming pools closed rather than integrate, that the Vietnam War scarred many returning vets, and why so many Chinese families settled in the Deep South. My favorite books to read and to share are novels and picture books about more than what they seem— especially those that weave history into a compelling story. And I have great memories of watching and listening to baseball games with my dad. Historical fiction and baseball—a perfect combination, very close to a grand slam, no?
This novel holds a special place in my book-loving heart. When the third-grade teachers at the school where I was a librarian read it aloud and used it for Literature Circles, it was one of the first books that taught me to listen carefully to what young readers shared about theme and characters and the “heart of the story.” It’s still a gold mine for topics that are relevant today.
A timeless classic that will enchant readers who love Jennifer L. Holm and Thanhhà Lại, about an immigrant girl inspired by the sport she loves to find her own home team—and to break down any barriers that stand in her way.
Shirley Temple Wong sails from China to America with a heart full of dreams. Her new home is Brooklyn, New York. America is indeed a land full of wonders, but Shirley doesn't know any English, so it's hard to make friends.
Then a miracle happens: baseball! It's 1947, and Jackie Robinson, star of the Brooklyn Dodgers, is a superstar.…
When I was five, my family moved from Morocco to France. We were Jewish in a very homogeneously Catholic world. My French upbringing didn’t include much exposure to other cultures and I often felt uncomfortably different. I would have liked to know more about various lifestyles, cultures, and traditions than those I observed around me. I now love to learn about other cultures through personal accounts, stories, and memoirs. I feel engaged and interested in a way I never experienced with textbooks. Reading about people who live a different life from our own can be an eye-opening experience.
This book seems to be three different stories until one realizes they are the same story told in different ways: the most realistic one is the story of young Jin Wang who suffers intensely from the racist mockery of his peers. Then there is the wondrous tale of the Monkey King who wanted to join the other gods and refused to be a monkey. And finally the parable of Danny who hates his caricature of a Chinese cousin. The three strands converge to reveal one truth: the way to save our soul is to accept who we are.
I particularly loved the character of Wei-Chen who is Jin’s best friend: he is kind, smart, and accepts his origins.
Gene Luen Yang was the fifth the National Ambassador for Young People's Literature and is a MacArthur Fellow, a recipient of what's popularly known as the MacArthur "Genius" Grant.
A tour-de-force by New York Times bestselling graphic novelist Gene Yang, American Born Chinese tells the story of three apparently unrelated characters: Jin Wang, who moves to a new neighborhood with his family only to discover that he's the only Chinese-American student at his new school; the powerful Monkey King, subject of one of the oldest and greatest Chinese fables; and Chin-Kee, a personification of the ultimate negative Chinese stereotype, who…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute of documentary value, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
The experience of being a teenage exchange student living with a Beijing family whose mother is dying of cancer and whose father makes an aborted sexual pass on her marked Solimine deeply enough to inspire this novel. The author wisely shifts the focus away from herself and adopts the role of frame narrator as she reconstructs the family’s history and events leading up to her arrival, where she inserts herself into the story. The narrative unfolds in flashbacks, impressionistic vignettes, and haunting poetic imagery to capture fleeting moments which build in intensity. It’s the kind of novel readers may not find easygoing on first acquaintance – the cracked-glass cover design nicely conveys the initial impression – but promises to improve on rereading.
Short-listed for the Center for Fiction's 2017 First Novel Prize, Empire of Glass is a grand, experimental epic chronicling the seismic changes in China over the last half century. In the mid-1990s, an American teenager, named Lao K in Chinese, stands on Coal Hill, a park in Beijing, a loop of rope in her hand. Will she assist her Chinese homestay mother, Li-Ming, who is dying of cancer, in ending her life, or will she choose another path? Twenty years later, Lao K receives a book written by Li-Ming called "Empire of Glass," a narrative that chronicles the lives of…
As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
Reading this graphic novel just feels good. It’s so positive and full of all kinds of sweet relationships—romantic, friends, and family.
It’s also a fantastic portrayal of numerous people with something that makes them different from most others, including wearing hearing aids, lesbian grandmas, large bodies, and last but not least, being nonbinary. None of these things is an issue in the book, and instead they’re presented as being as normal as breathing.
I just love the normalization of human differences. Add to that the fun urban fantasy elements of magic and werewolves, and it’s a perfect mix.
"Mooncakes is spellbinding. It had everything I love in a story-magic that felt inventive, characters that became my friends, and a romance that felt truly authentic. It was one of those books that I was sad to see end. Luckily, I can always reread." -Tillie Walden, creator of Spinning and On a Sunbeam
"Mooncakes transported me to a gorgeous magical realm that I never want to leave, and introduced me to lovable characters who stuck with me long after I finished reading. This graphic novel is the joyful fantasy romance we all need right now, and it might just restore…
Jonathan Clements is a historian specialising in East Asia, and the author of A Brief History of China, The Art of War: A New Translation, and Confucius: A Biography. Several of his books have been translated and published in Chinese. He has presented three seasons of Route Awakening (National Geographic), an award-winning TV series about icons of Chinese culture. From 2013-2019, he was a visiting professor at Xi’an Jiaotong University, China.
It was hard finding just one book out of the many that have been written about Chinese food’s fortune’s abroad, but Liu ably chronicles a love-affair that is as old as the United States themselves, which begins with would-be rebels throwing chests of Fujian tea into Boston harbor. Liu points to the long history of Chinese in America, and the impact they have had as laborers, miners and cooks, particularly for low-income groups who welcomed the rarity of the warm hash dishes that came to be known as chop suey. This is a book that allows the reader the chance to appreciate the degree to which “Chinese” food in America is in a world, and a class, all of its own.
From Canton Restaurant to Panda Express takes readers on a compelling journey from the California Gold Rush to the present, letting readers witness both the profusion of Chinese restaurants across the United States and the evolution of many distinct American-Chinese iconic dishes from chop suey to General Tso's chicken. Along the way, historian Haiming Liu explains how the immigrants adapted their traditional food to suit local palates, and gives readers a taste of Chinese cuisine embedded in the bittersweet story of Chinese Americans.
Treating food as a social history, Liu explores why Chinese food changed and how it has influenced…
I am an award-winning children’s book author who writes stories about ordinary people, like you and me, that discovered their unique gifts and used those gifts, plus perseverance, to make the world a better place. All my books come with free teacher guides, resources, and projects on my website where kids can share photos of the great things they do.
Many kids love the Disney animated film Bambi, but how many know they have a Chinese American immigrant to thank for its lush and lovely look? Author Julie Leung tells the moving story of a boy named Wong Geng Yeo who traveled across an ocean from China to America with little more than the immigration papers he needed to start his new life. Chris Sasaki’s delicate illustrations detail how Wong dreamed of making art even as he worked as a janitor at night to pay the bills. The love and care that Tyrus Wong poured into what would become one of the great movies of love, friendship, and, years before The Lion King, of the circle of life, Paper Son is an exquisite reminder of the great gifts that immigrants have brought to America.
Winner of the American Library Association's 2021 Asian/Pacific American Award for Best Picture Book!
An inspiring picture-book biography of animator Tyrus Wong, the Chinese American immigrant responsible for bringing Disney's Bambi to life.
Before he became an artist named Tyrus Wong, he was a boy named Wong Geng Yeo. He traveled across a vast ocean from China to America with only a suitcase and a few papers. Not papers for drawing--which he loved to do--but immigration papers to start a new life. Once in America, Tyrus seized every opportunity to make art, eventually enrolling at an art institute in Los…
I dig into family dramas of the past. But these dramas interest me most when I understand how personal stories intersected with the legal and policy structures that shaped what was possible for families. Overall, I am interested in the many ways that inequality—between races, genders, and classes—began at home. I am now working on a project on sex across class lines in the 20th century United States. I am an associate professor in the Federated History Department at the New Jersey Institute of Technology and Rutgers-Newark.
Mary Lui’s fascinating book hinges on a hook that nearly always works—a murder mystery. In this case, the victim was Elsie Siegel, a young white woman from a good family who did missionary work with the Chinese American community in New York City. She was the picture of innocence until her body was found bound up in a trunk in a Chinese American man’s apartment. Further investigations uncovered a set of love letters not only to this man but also to another Americanized Chinese immigrant. Seemingly one of her lovers had killed her out of jealousy. What followed was not only a manhunt for her killer but also a backlash against the Chinese American community including the many hand laundries scattered throughout New York City. Elsie Siegel’s death prompted rumors that these laundries allowed widespread assaults against white women and girls. Lui paints us a heartbreaking account of the suffering…
In the summer of 1909, the gruesome murder of nineteen-year-old Elsie Sigel sent shock waves through New York City and the nation at large. The young woman's strangled corpse was discovered inside a trunk in the midtown Manhattan apartment of her reputed former Sunday school student and lover, a Chinese man named Leon Ling. Through the lens of this unsolved murder, Mary Ting Yi Lui offers a fascinating snapshot of social and sexual relations between Chinese and non-Chinese populations in turn-of-the-century New York City. Sigel's murder was more than a notorious crime, Lui contends. It was a clear signal that…
