I’m the author of children’s books about Asian history and culture. My two kids are the main reason I started writing books. When they were little, I had to delve into my Chinese roots for a family reunion. That’s when I stumbled on the most amazing stories about the emperors, warriors, artists, and inventors that make up the long and colorful culture and history of China. I decided to bring these stories to life so that my kids could learn more about their heritage. No dates, no dry details – just interesting stories that they could enjoy and learn in the process. Luckily, they liked them so much that they encouraged me to share my stories with the world.
I love all of Grace Lin’s books – we share the same surname after all! Bringing in the New Year is another great one of hers. This board book is meant for the very young (0-3 years), but older kids will learn from it too. It describes how a Chinese family prepares for the Chinese New Year - decorating the house, making dumplings, and wearing new clothes. Celebrations follow with fireworks and lion dancers to scare away the previous year’s bad luck. The fun color illustrations will be a hit with the little ones, especially the fold-out dragon at the end of the book.
This exuberant story follows a Chinese American family as they prepare for the Lunar New Year. Each member of the family lends a hand as they sweep out the dust of the old year, hang decorations, and make dumplings. Then it’s time to put on new clothes and celebrate with family and friends. There will be fireworks and lion dancers, shining lanterns, and a great, long dragon parade to help bring in the Lunar New Year. And the dragon parade in our book is extra long–on a surprise fold-out page at the end of the story. Grace Lin’s artwork is…
Life is pretty dull without passion. Since early childhood I was attracted to Chinese philosophy, then to all the cultural aspects that reflect it. At the same time, I felt the blood in my veins drawing me to ancestral roots. Learning about other cultures helps us learn about our own. I’ve been driven by sympathy for the immigrant experience, the suffering, and sacrifices made for a better, peaceful life. What prepared me to write Wuxia America includes my academic studies, living and working in Asia, and involvement in martial arts. My inspiration for writing stems from a wish to encourage ways to improve human relations.
The Chinese American presence in the USA started with the gold rush and the building of the transcontinental railroad.
It was a blessing to find Chang’s non-fiction work because he utilized a tremendous about of research to accurately cover the book’s topic. I’m also grateful that his writing style is not dull.
Building a railroad trestle through the High Sierra mountains in winter implies work conditions that affect laborers as well as investors. Chang strings the human sentiments throughout the history of those who participated in noble fashion, Chinese and non-Chinese alike.
In portraying the Chinese experience, Chang’s book as underscores how vital the transcontinental railroad was to the development of America.
“Gripping . . . Chang has accomplished the seemingly impossible . . . He has written a remarkably rich, human, and compelling story of the railroad Chinese.” — Peter Cozzens, Wall Street Journal
WINNER OF THE ASIAN/PACIFIC AMERICAN AWARD FOR LITERATURE WINNER OF THE CHINESE AMERICAN LIBRARIANS ASSOCIATION BEST BOOK AWARD
A groundbreaking, breathtaking history of the Chinese workers who built the Transcontinental Railroad, helping to forge modern America only to disappear into the shadows of history until now
From across the sea, they came by the thousands, escaping war and poverty in southern China to seek their fortunes in…
I’ve been a part of the LGBTQ+ community my whole life and have always been passionate about advocating for the people who identify as such. Furthermore, I have always had a fascination with emotional stories and the combination of a lack of many LGBTQ+ books with an abundance of romance and emotional thrillers out there makes it a ripe topic for stories. As a lesbian myself, it is very hard to write stories that don’t have those kinds of couples, so I tend to stick to that genre and I’m absolutely addicted to lesbian books.
By inserting the book into a time when the very essence of the story is dangerous, the people are made to be in a situation where I was turning one page after the next to find out what would happen to them.
Each question that arose in my mind made me urgently attempt to find answers and the smile that came to my face at each happy moment felt amazing. The emotions that echoed through the book found their way into me and made me feel as if I was along for the ride as well right beside the characters.
"That book. It was about two women, and they fell in love with each other." And then Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: "Have you ever heard of such a thing?"
Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club.
America in 1954 is not a safe place for two girls to fall…
Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
Taking a transnational frame and drawing on English- and Chinese-language sources by and about Eurasians, this book uses juxtaposition to bring different perspectives to bear on each other. People’s lives, the choices they make amid various external limitations, are at the heart. The book takes a unique structural approach, with a prologue before each main chapter that describes a central story and helps ground and guide the larger narrative. In exploring interracial marriages and the lives of couples and children, the work shows how Eurasians have been producers of knowledge. Through highly diverse sources from the era, the author demonstrates that Eurasians have engaged in self-representation in complex ways and a broad range of voices and experiences comprise the category “Eurasian.”
In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and "Eurasian" often a derisive term? In Eurasian, Emma Jinhua Teng compares Chinese-Western mixed-race families in the United States, China, and Hong Kong, examining both the range of ideas that shaped the formation of Eurasian identities in these diverse contexts and…
I was a painfully awkward teenager, two years younger than the rest of my class and a little too “extra” to fit in anywhere. I spent all of high school desperately seeking my weirdos—people who would accept me the way I was, rabid-puppy enthusiasm and all. One night I met a colorfully-dressed trio on the street who invited me to a loft party that changed my life. That night I fell in love with NYC’s underground party scene: the high-energy music, grimy locations, and most of all the people. I had found my weirdos. When the Beat Drops is my love letter to discovering your people and finding your scene.
Noteworthy is a pitch-perfect novel set in the elite a capella group of a selective performing arts boarding school. Undistinguished Alto 2 Jordan Sun disguises herself as a guy to land a spot in the all-male Sharpshooters a capella group, only to realize she has to keep up the act for the remainder of her Junior and Senior years. Hijinks ensue as Jordan finds herself questioning her identity, her sexuality, and her place in the world. The writing in this book is crisp and funny, and I enjoyed learning a bit about how a capella works. Most of all, I enjoyed watching Jordan become more sure of herself even as her ruse starts to wear thin. This is a light-hearted read with some heavier discussions of race, class, gender, and sexuality deftly woven throughout. If you like voice-driven music books as much as I do, add Noteworthy to your list.
It's the start of Jordan Sun's junior year at the Kensington-Blaine Boarding School for the Performing Arts. Unfortunately, she's an Alto 2, which-in the musical theatre world-is sort of like being a vulture in the wild: She has a spot in the ecosystem, but nobody's falling over themselves to express their appreciation. So it's no surprise when she gets shut out of the fall musical for the third year straight. But then the school gets a mass email: A spot has opened up in the Sharpshooters, Kensington's elite a cappella octet. Worshiped . . . revered . . . all…
I love books that deal with justice and make you feel
strong emotions. This book did that and more.
The story included discrimination
against Chinese and Black Americans in the South in the early 1900s. The plot was
moving, riveting and the writing was impeccable.
I'd often stop and be amazed
at the wonderful way the author strung her words together. Stacey Lee is a
talented and unique writer. It was filled with love, hope, and surprises.
A Reese's Book Club YA Pick and New York Times Bestseller
From the critically acclaimed author of Luck of the Titanic, Under a Painted Sky, and Outrun the Moon comes a powerful novel about identity, betrayal, and the meaning of family.
By day, seventeen-year-old Jo Kuan works as a lady's maid for the cruel daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, "Dear Miss Sweetie." When her column becomes wildly popular, she uses the power of the pen to address…
I’ve always loved “big books,” novels that are described as sagas and chronicles yet whose primary focus is on singular, nuanced characters. I like seeing the ways that lives intersect and reflect each other across decades, and I enjoy being immersed in one world and then dropped, with the turn of a page, into another equally engrossing one. I am the author of the novel Rebellion as well as numerous short stories and essays. Raised in St. Louis, Missouri, I spent several years living in China and a year as the Writer-in-Residence at St. Albans School in Washington, D.C. I now live in Wisconsin, where I write and teach creative writing.
I first read Maxine Hong Kingston in college, but I can’t remember if I was assigned China Men or The Woman Warrior (the more famous counterpoint to China Men).All I know is that whichever one I read, I loved it so much that I immediately sought out the companion piece, which I also loved. In China Men, Kingston weaves together fiction and nonfiction, history and myth, story and memory. Is it a novel? A tapestry? I’m not quite sure what to call it, and that’s part of what I love about the book. Brief interludes of two or three pages present a single scene; longer stories narrate entire sagas. I love that this volume covers so much literal ground but ultimately feels incredibly personal.
The author chronicles the lives of three generations of Chinese men in America, woven from memory, myth and fact. Here's a storyteller's tale of what they endured in a strange new land.
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called “an art beyond art. It is life itself.”
Beginning with a cheery letter penned by a Chinese girl in heaven to “poor Mr. Nixon” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink…
I am an award-winning children’s book author who writes stories about ordinary people, like you and me, that discovered their unique gifts and used those gifts, plus perseverance, to make the world a better place. All my books come with free teacher guides, resources, and projects on my website where kids can share photos of the great things they do.
Many kids love the Disney animated film Bambi, but how many know they have a Chinese American immigrant to thank for its lush and lovely look? Author Julie Leung tells the moving story of a boy named Wong Geng Yeo who traveled across an ocean from China to America with little more than the immigration papers he needed to start his new life. Chris Sasaki’s delicate illustrations detail how Wong dreamed of making art even as he worked as a janitor at night to pay the bills. The love and care that Tyrus Wong poured into what would become one of the great movies of love, friendship, and, years before The Lion King, of the circle of life, Paper Son is an exquisite reminder of the great gifts that immigrants have brought to America.
Winner of the American Library Association's 2021 Asian/Pacific American Award for Best Picture Book!
An inspiring picture-book biography of animator Tyrus Wong, the Chinese American immigrant responsible for bringing Disney's Bambi to life.
Before he became an artist named Tyrus Wong, he was a boy named Wong Geng Yeo. He traveled across a vast ocean from China to America with only a suitcase and a few papers. Not papers for drawing--which he loved to do--but immigration papers to start a new life. Once in America, Tyrus seized every opportunity to make art, eventually enrolling at an art institute in Los…
