Here are 98 books that Meet Me Tonight in Atlantic City fans have personally recommended if you like
Meet Me Tonight in Atlantic City.
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I am a writer who loves writing about women. All sorts of women. Strong, witty, complicated, unlikeable, and intelligent. It is important for me to understand the lived experience of women both inside and outside my own time and cultural context. So many women live with intersecting social characteristics, norms, expectations, nearly all of which hinder or harm. Yet so many women resist and rebel to change life for others. It is this sense of solidarity through history, one group of women paving the way for others, that I find especially fascinating and hopeful. And it is why rebellious women are so crucial. They cannot, and will not, be ignored.
The protagonist of this novel, Mia Fredricksen, experiences love, loss, and emotional breakdown. But what I love about this book is when Mia starts to rebuild herself and her sense of identity (her doctor tells her “tolerating cracks is part of being alive”) we move into a joyful narrative of female strength, power, and the solidarity of female friendship. And, as the title suggests, a summer without men. What I love about this novel is the message that even if you are badly betrayed, healing is possible.
Out of the blue, your husband of thirty years asks you for a pause in your marriage to indulge his infatuation with a young Frenchwoman. Do you:
a) assume it's a passing affair and play along b) angrily declare the marriage over c) crack up d) retreat to a safe haven and regroup? Mia Fredricksen cracks up first, then decamps for the summer to the prairie town of her childhood, where she rages, fumes, and bemoans her sorry fate as abandoned spouse. But little by little, she is drawn into the lives of those around her: her mother and her…
I’ve always loved reading memoirs, especially about a hero’s journey—whether it’s a teacher figuring out a tough group of students or a kid figuring out how to change the story they’ve been written into. I love nothing more than the triumphant ending that makes me cheer and cry happy tears. As an English teacher and debut author of my own memoir, I’ve found that honest storytelling opens a door for others to walk through and tell their own stories. I love seeing my students connect with stories like theirs because it shows them they’re not alone in their struggles and that living happily ever after is possible.
This book had me from the opening line of the prologue: ”We make chapels of our scars.” Her descriptions read like poetry, and I highlighted and underlined page after page.
Alice writes about using the chaos of Hurricane Katrina to “fly away” from her home in New Orleans, where she and her children lived with her abusive husband. I loved this book because of the way Alice fought for her children—something I desperately wished my mom had done for me when I was young.
This is a story you won’t put down—no eating, no sleeping—until you know for sure that Alice has defeated all the monsters and her children are living happily ever after.
The incredible true story of one woman's journey to relocate the place inside herself where strength, hope, and personal truth reside.
After Hurricane Katrina, Alice Anderson has returned home to assess the damage to her beloved Mississippi coastline and the once-immaculate home she’d carefully cultivated for her husband, Dr. Liam Rivers, one of the community's highly respected doctors.
But in the wake of this natural disaster, a more terrifying challenge emerges as Liam’s mental health spirals out of control, culminating in a violent attack at knifepoint, from which Alice is saved by their three-year-old son. Afraid for her life, she…
Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
Besides the fact that I love a messy, sexy love story, Rosewater captures the very real feeling of being in your mid-20s in a beautiful but harsh city and trying to work your ish out.
Elsie, the main character, is a poet, which I feel leads a song-like quality to the narrative. This is for dreamers and lovers and those who kind of know what they want but are scared of throwing themselves at it fully.
A TODAY and LGBTQ Reads Most Anticipated Book of 2023 * A Goodreads Buzziest Debut Novel of the New Year * An Electric Lit Most Anticipated LGBTQ+ Book of Spring 2023 * A Bustle Most Anticipated Book of Spring & Summer 2023 * A Nylon April 2023 Must-Read Book * An Ebony Required Reading Pick for April
For fans of Bolu Babalola and Tia Williams comes a "tender, soulful, and sexy" (Phoebe Robinson) debut novel about finding love in an unexpected place.
Elsie is a sexy, funny, and fiercely independent woman in south London. But several things in her life…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
There are places one feels at home, even though not from there. The South does that to me. I'm drawn to its exotic beauty—the magnolias and moss. It's deep porches and melodic accents. There is a degree of tranquility that hangs over it, veiling the repulsive scars of years of master-slave culture. The South is the perfect backdrop for the themes that appeal to me—coming-of-age, political unrest, and social activism. These excellent Southern novels below all place the reader deep in the culture.
Pat Conroy once said, "Great words arranged with cunning and artistry could change the perceived world of some readers." This book did that for me. Throughout the read, I felt wrapped in a velvet cloak of beauty and struggle woven by a master.
Throughout the book, Conroy sets me in the narrator's struggle with how much someone can love their family despite the pain and anger they've caused. Especially with his mother, Lila, because he loves her as much as he hates her. It's a family epic of the highest order. I found it beautiful, brilliant, and brutal.
Pat Conroy's inspired masterpiece relates the dark and violent chronicle of an astounding family: the Wingos of Colleton, South Carolina. No reader will forget them. And no reader can remain untouched by their story.
All Wingos share one heritage ... shrimp fishing, poverty and the searing memory of a single terrifying event - the source of Tom Wingo's self-hatred and of his sister Savannah's suicidal despair.
To save himself and Savannah, Tom confronts the past with the help of New York psychologist Susan Lowenstein.
As Tom and Susan unravel the bitter history of his troubled childhood, in episodes of grotesque…
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
I loved this book because Patti Smith paints a true portrait of a young woman burning with passion to become a poet and artist. The book shows the struggles of committing to a life with no assurances in a city teeming with aspiring artists and writers.
What I love the most is showing the years it took, the alliances she made, the risks she took, the hunger she felt, and the desperate circumstances she faced and overcame. When her lucky break came, I was rooting for her! She had paid her dues, and she rose to the occasion when a band put her poetry to music, and she broke out to become a sensation.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
When writing fantasy and science fiction, I enjoy writing about strong female characters and strong female leads. I also like exploring fundamental questions such as what it means to be human. I grew up reading all the science fiction and fantasy I could get my hands on, and that vast landscape of stories has influenced my writing in many ways. I love to explore the limits of consciousness and darkness. I hope the books on this list inspire you and make you think. They have all influenced me in one way or another and made me a better writer.
From the strong female protagonist—who is telepathic and a poet—to the use of language as a kind of mind weapon, to the non-traditional exploration of sexuality, I found this novel to be original and interesting. It also explores the nature of perception, which is something I have always been interested in. Samuel is a genius, and I very much enjoy the way he writes.
The Nebula Award Winner: “By looking at a typical space opera adventure from a different angle, Delany . . . give[s] us a weird, welcoming book” (Tor.com).
At twenty-six, Rydra Wong is the most popular poet in the five settled galaxies. Almost telepathically perceptive, she has written poems that capture the mood of mankind after two decades of savage war. Since the invasion, Earth has endured famine, plague, and cannibalism—but its greatest catastrophe will be Babel-17.
Sabotage threatens to undermine the war effort, and the military calls in Rydra. Random attacks lay waste to warships, weapons factories, and munitions dumps,…
When Jennifer Shea married Russel Redmond, they made a decision to spend their honeymoon at sea, sailing in Mexico. The voyage tested their new relationship, not just through rocky waters and unexpected weather, but in all the ways that living on a twenty-six-foot sailboat make one reconsider what's truly important.…
Heather Clark is the author of Red Comet: The Short Life and Blazing Art of Sylvia Plath which was a finalist for the 2021 Pulitzer Prize and the National Book Critics Circle Award in Biography, and a Book of the Year at The Guardian, O the Oprah Magazine, Entertainment Weekly, The Times (London), Lit Hub, Good Morning America Book Club, and elsewhere. She is currently working on a new group biography about the Boston years of Sylvia Plath, Anne Sexton, Adrienne Rich, and Maxine Kumin, under contract with Knopf. She is a professor of Contemporary Poetry at the University of Huddersfield in Yorkshire, England.
Maggie Doherty tells the story of five women artists—Anne Sexton, Maxine Kumin, Barbara Swan, Tillie Olsen, and Marianna Pineda—who were among the first fellows at Radcliffe’s new Institute for Independent Study. The fellowship was originally designed for women who needed a room (and a paycheck) of their own to resume work interrupted by marriage and motherhood. Doherty weaves a history of Radcliffe’s pioneering venture with moving stories of the first fellows, whose friendships strengthened their resolve to pursue art in the face of male skepticism.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD
In 1960, Harvard’s sister college, Radcliffe, announced the founding of an Institute for Independent Study, a “messy experiment” in women’s education that offered paid fellowships to those with a PhD or “the equivalent” in artistic achievement. Five of the women who received fellowships—poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Marianna Pineda, and writer Tillie Olsen—quickly formed deep bonds with one another that would inspire and sustain their most ambitious work. They called themselves “the Equivalents.” Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving…
I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
The railroad worker and the interpreter; The Hong Kong beauty/midwife and the fishmonger’s daughter; the Kung fu master’s family turned tong bosses and the civic leaders and charity organizers; the merchants and the opium dealers; the church ladies and the rice wine hooch brewers; the lofan (white) Aunt Elva with a painful secret….
These are some of the unforgettable characters from Chin’s sprawling family. I loved this glimpse into the Chinese American experience in New York City during the same time my family was muddling through in Georgia. I also have reason to believe my grandfather knew some of these characters personally through his correspondence and Chinese liberation work. Chin did honor to all of the ancestors with this skillful weaving of history, memory, anecdote, and a daughter/granddaughter’s loving intuition.
“Essential reading for understanding not just Chinese American history but American history—and the American present.” —Celeste Ng, #1 bestselling author of Little Fires Everywhere
* TIME 100 Must-Read Books of 2023 * San Francisco Chronicle's Favorite Nonfiction * Kirkus Best Nonfiction of 2023 * Winner of the Chinese American Librarians Association Best Non-Fiction Book Prize * Library Journal Best Memoir and Biography of 2023 * One of Elle's Best Memoirs of 2023 (So Far) * An ALA Notable Book *
“The Angela’s Ashes for Chinese Americans.” —Miwa Messer, Poured Over podcast
As a kid, I read constantly. After my beloved mother left my abusive father and came out as a lesbian, a homophobic judge took me and my siblings--one of whom has Down syndrome--away from her. Reading was an escape. I loved weekends when I could leave my father’s house near Los Angeles and visit my mother who had a backyard full of trees and gardens. My parents argued constantly but as long as I could grow plants and observe birds, I was okay. Eventually, I moved to Oregon and volunteered to care for owls. I wrote Avenging the Owl to show that in the middle of family meltdowns, kids can turn to the natural world for comfort and inspiration.
Wow, I love this book. I read it out loud with my daughter when she was in seventh grade. It’s the story of a 10-year-old girl, Sugar, who works on a plantation with other Black laborers post-Civil War. She’s an orphan, witnessing first-hand the white plantation owner and his family in the midst of a total meltdown brought on by fear and greed. It’s an effective juxtaposition set against Sugar’s supportive and loving community which widens to include Chinese immigrants who arrive to help in the fields. At first, the Black and Chinese laborers regard each other with skepticism, but because of Sugar’s hope and optimism and kindness, they join forces. It’s a powerful historical novel that has stayed with me for years.
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What is this book about?
Ten-year-old Sugar lives on the River Road sugar plantation along the banks of the Mississippi. Slavery is over, but laboring in the fields all day doesn't make her feel very free. Thankfully, Sugar has a knack for finding her own fun, especially when she joins forces with forbidden friend Billy, the white plantation owner's son.
Sugar has always yearned to learn more about the world, and she sees her chance when Chinese workers are brought in to help harvest the cane. The older River Road folks feel threatened, but Sugar is fascinated. As she befriends young Beau and elder Master…
This memoir chronicles the lives of three generations of women with a passion for reading, writing, and travel. The story begins in 1992 in an unfinished attic in Brooklyn as the author reads a notebook written by her grandmother nearly 100 years earlier. This sets her on a 30-year search…
Author Greil Marcus’ phrase “the old, weird America” gave me exactly the right words for something I’ve always felt: that there is a specific weirdness to the American landscape, an uncontrollable current of strange that runs beneath the carefully cultivated surface of heroes and neighbors and shared, stable dreams. Of course, as William Faulkner observed, the past isn’t past, and America is as weird as it’s ever been. Maybe weirder. Look at the news. Look out your window. No surprise, then, that I’m drawn to such a perspective when I read other people’s stories, and seldom get completely away from it when I write my own.
When talking with younger writers, sooner or later I ask them to name a writer or a book they can point to and say, “That’s the goal. That’s what I care about. That’s what I want to do.” If I asked myself this question, one of my answers would be Karen Joy Fowler’s first novel, a pitch-perfect account of 19th-century America and the mysterious title character, a weird woman whose weirdness confirms how weird everything else already is.
In the Old West in 1873, a woman of indeterminate age and great ugliness appears without warning in the camp of Chinese railway workers, babbling incomprehensibly. Chin Ah Kin thinks she may be an immortal sent to enchant him - his more practical uncle sees trouble.
