Here are 69 books that Babel-17/ Empire Star fans have personally recommended if you like
Babel-17/ Empire Star.
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I’ve been studying language and gender since I started graduate school in 1990. I’m an odd gender scholar in some ways in that I am a white cisgendered heterosexual masculine person. I think I’m interested in the topic because conversation and ‘being a man’ has always seemed hard and like a lot of work to me. So, I started studying these things in the 1990s with a project on language use in a college fraternity in the US. Since then I've published many articles on language and masculinities, including a 2004 article on the word dude, which is still popular in introductory linguistics courses today.
Le Guin is my favorite author, and all of her power is on display in this science fiction novel about an emissary who visits a planet (Gethen) where, most of the time, the people have no sex differentiation. Sex traits only become apparent in the two days per month of “kemmer,” and Gethenians may kemmer as male or female (and which is not completely predictable).
Because of Le Guin’s skill as a novelist, the implications of this arrangement are explored in subtle but powerful ways, more as the warp and weft of the cultural background than the main feature of the plot (although it is definitely significant). The book shows how deeply gender and sex infuse our own culture through the contrast with Gethen. The bonus is that this is a masterpiece of a novel, one often mentioned on lists of the best science fiction novels of all time. Le…
50TH ANNIVERSARY EDITION-WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS
Ursula K. Le Guin's groundbreaking work of science fiction-winner of the Hugo and Nebula Awards.
A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants' gender is fluid. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters...
Embracing the aspects of psychology, society, and human emotion on an…
I studied forty years of the political misuses of the memory of Dr. King and the Civil Rights Movement as a sociologist at USC and the daughter of Iranian immigrants who has always been interested in questions of identity and belonging. My interest in civil rights struggles started early, growing up in Virginia, a state that celebrated the Martin Luther King, Jr. holiday alongside Robert E. Lee and Stonewall Jackson. I wanted to understand how revisionist histories could become the mainstream account of the past and how they mattered for the future of democracy.
I am, to put it lightly, obsessed with the way Octavia Butler revolutionizes the timescape and invites us to speculate about worlds that could be. In this and so many of her books, her vision of Afrofuturism is one that reminds us that our ancestral pasts and our imagined futures are always connected.
I thought a lot about the future when I wrote my book, and I share Butler’s conviction that there is collective healing and liberation in revisiting and reimagining the past.
I also love that my neighborhood library in Pasadena is the one Octavia Butler used to frequent!
From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner
The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now.
“I lost an arm on my last trip home. My left arm.”
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon…
When writing fantasy and science fiction, I enjoy writing about strong female characters and strong female leads. I also like exploring fundamental questions such as what it means to be human. I grew up reading all the science fiction and fantasy I could get my hands on, and that vast landscape of stories has influenced my writing in many ways. I love to explore the limits of consciousness and darkness. I hope the books on this list inspire you and make you think. They have all influenced me in one way or another and made me a better writer.
James Tiptree Jr. is really Alice Sheldon. She wrote under a male pseudonym for many years due to the male domination of science fiction at the time. Meet Me at Infinity is a great introduction to her work, as it contains both fiction and biographical pieces. She’s a tremendous writer who I found to be very inspiring. Her ability to craft impactful stories with strong female characters is amazing. The Tiptree Award is named after her.
A collection of the writings of Alice B. Sheldon (1915-1987) who produced science fiction under the name of James Tiptree Jr. It includes an early story published under her own name in the New Yorker and many of her colourful non-fiction pieces.
Daniel “Dan” Bluford is the Director of Polar City Single Organism Research Lab Facilities. A business he helped to create. The world’s leading architect of sustainable, ecologically conscious products for energy, manufacturing, water treatment, waste management, and environmental clean-up equipment. A company whose mission statement read in part, “Better environment…
When writing fantasy and science fiction, I enjoy writing about strong female characters and strong female leads. I also like exploring fundamental questions such as what it means to be human. I grew up reading all the science fiction and fantasy I could get my hands on, and that vast landscape of stories has influenced my writing in many ways. I love to explore the limits of consciousness and darkness. I hope the books on this list inspire you and make you think. They have all influenced me in one way or another and made me a better writer.
Light on the Sound is a fascinating story and was a big inspiration for me. From the teenage, female protagonist who resists her oppression, to the fantastic creatures and imaginative ideas, this story has everything. Somtow writes with a vivid style that works well for the story, and he weaves everything together in unexpected ways.
The Inquestor Series was a classic science fiction series of the 1980s — and has now been reincarnated for the 21st century, with more adventures, more spectacle, and more extras. Tachyon bubbles, people bins and galactic empires — and profound family conflicts — Greek tragedy writ large. Light on the Sound, the book that started it all, begins with one lonely planet and three lost souls, and ends with galactic revolution.
For twenty thousand years, the godlike Inquestors have held sway over the one million worlds of the Dispersal of Man. S.P. Somtow’s limitless imagination has created a universe of…
I am a writer who loves writing about women. All sorts of women. Strong, witty, complicated, unlikeable, and intelligent. It is important for me to understand the lived experience of women both inside and outside my own time and cultural context. So many women live with intersecting social characteristics, norms, expectations, nearly all of which hinder or harm. Yet so many women resist and rebel to change life for others. It is this sense of solidarity through history, one group of women paving the way for others, that I find especially fascinating and hopeful. And it is why rebellious women are so crucial. They cannot, and will not, be ignored.
The protagonist of this novel, Mia Fredricksen, experiences love, loss, and emotional breakdown. But what I love about this book is when Mia starts to rebuild herself and her sense of identity (her doctor tells her “tolerating cracks is part of being alive”) we move into a joyful narrative of female strength, power, and the solidarity of female friendship. And, as the title suggests, a summer without men. What I love about this novel is the message that even if you are badly betrayed, healing is possible.
Out of the blue, your husband of thirty years asks you for a pause in your marriage to indulge his infatuation with a young Frenchwoman. Do you:
a) assume it's a passing affair and play along b) angrily declare the marriage over c) crack up d) retreat to a safe haven and regroup? Mia Fredricksen cracks up first, then decamps for the summer to the prairie town of her childhood, where she rages, fumes, and bemoans her sorry fate as abandoned spouse. But little by little, she is drawn into the lives of those around her: her mother and her…
Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
Besides the fact that I love a messy, sexy love story, Rosewater captures the very real feeling of being in your mid-20s in a beautiful but harsh city and trying to work your ish out.
Elsie, the main character, is a poet, which I feel leads a song-like quality to the narrative. This is for dreamers and lovers and those who kind of know what they want but are scared of throwing themselves at it fully.
A TODAY and LGBTQ Reads Most Anticipated Book of 2023 * A Goodreads Buzziest Debut Novel of the New Year * An Electric Lit Most Anticipated LGBTQ+ Book of Spring 2023 * A Bustle Most Anticipated Book of Spring & Summer 2023 * A Nylon April 2023 Must-Read Book * An Ebony Required Reading Pick for April
For fans of Bolu Babalola and Tia Williams comes a "tender, soulful, and sexy" (Phoebe Robinson) debut novel about finding love in an unexpected place.
Elsie is a sexy, funny, and fiercely independent woman in south London. But several things in her life…
Heather Clark is the author of Red Comet: The Short Life and Blazing Art of Sylvia Plath which was a finalist for the 2021 Pulitzer Prize and the National Book Critics Circle Award in Biography, and a Book of the Year at The Guardian, O the Oprah Magazine, Entertainment Weekly, The Times (London), Lit Hub, Good Morning America Book Club, and elsewhere. She is currently working on a new group biography about the Boston years of Sylvia Plath, Anne Sexton, Adrienne Rich, and Maxine Kumin, under contract with Knopf. She is a professor of Contemporary Poetry at the University of Huddersfield in Yorkshire, England.
Maggie Doherty tells the story of five women artists—Anne Sexton, Maxine Kumin, Barbara Swan, Tillie Olsen, and Marianna Pineda—who were among the first fellows at Radcliffe’s new Institute for Independent Study. The fellowship was originally designed for women who needed a room (and a paycheck) of their own to resume work interrupted by marriage and motherhood. Doherty weaves a history of Radcliffe’s pioneering venture with moving stories of the first fellows, whose friendships strengthened their resolve to pursue art in the face of male skepticism.
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD
In 1960, Harvard’s sister college, Radcliffe, announced the founding of an Institute for Independent Study, a “messy experiment” in women’s education that offered paid fellowships to those with a PhD or “the equivalent” in artistic achievement. Five of the women who received fellowships—poets Anne Sexton and Maxine Kumin, painter Barbara Swan, sculptor Marianna Pineda, and writer Tillie Olsen—quickly formed deep bonds with one another that would inspire and sustain their most ambitious work. They called themselves “the Equivalents.” Drawing from notebooks, letters, recordings, journals, poetry, and prose, Maggie Doherty weaves a moving…
There are places one feels at home, even though not from there. The South does that to me. I'm drawn to its exotic beauty—the magnolias and moss. It's deep porches and melodic accents. There is a degree of tranquility that hangs over it, veiling the repulsive scars of years of master-slave culture. The South is the perfect backdrop for the themes that appeal to me—coming-of-age, political unrest, and social activism. These excellent Southern novels below all place the reader deep in the culture.
Pat Conroy once said, "Great words arranged with cunning and artistry could change the perceived world of some readers." This book did that for me. Throughout the read, I felt wrapped in a velvet cloak of beauty and struggle woven by a master.
Throughout the book, Conroy sets me in the narrator's struggle with how much someone can love their family despite the pain and anger they've caused. Especially with his mother, Lila, because he loves her as much as he hates her. It's a family epic of the highest order. I found it beautiful, brilliant, and brutal.
Pat Conroy's inspired masterpiece relates the dark and violent chronicle of an astounding family: the Wingos of Colleton, South Carolina. No reader will forget them. And no reader can remain untouched by their story.
All Wingos share one heritage ... shrimp fishing, poverty and the searing memory of a single terrifying event - the source of Tom Wingo's self-hatred and of his sister Savannah's suicidal despair.
To save himself and Savannah, Tom confronts the past with the help of New York psychologist Susan Lowenstein.
As Tom and Susan unravel the bitter history of his troubled childhood, in episodes of grotesque…
I’ve always loved reading memoirs, especially about a hero’s journey—whether it’s a teacher figuring out a tough group of students or a kid figuring out how to change the story they’ve been written into. I love nothing more than the triumphant ending that makes me cheer and cry happy tears. As an English teacher and debut author of my own memoir, I’ve found that honest storytelling opens a door for others to walk through and tell their own stories. I love seeing my students connect with stories like theirs because it shows them they’re not alone in their struggles and that living happily ever after is possible.
This book had me from the opening line of the prologue: ”We make chapels of our scars.” Her descriptions read like poetry, and I highlighted and underlined page after page.
Alice writes about using the chaos of Hurricane Katrina to “fly away” from her home in New Orleans, where she and her children lived with her abusive husband. I loved this book because of the way Alice fought for her children—something I desperately wished my mom had done for me when I was young.
This is a story you won’t put down—no eating, no sleeping—until you know for sure that Alice has defeated all the monsters and her children are living happily ever after.
The incredible true story of one woman's journey to relocate the place inside herself where strength, hope, and personal truth reside.
After Hurricane Katrina, Alice Anderson has returned home to assess the damage to her beloved Mississippi coastline and the once-immaculate home she’d carefully cultivated for her husband, Dr. Liam Rivers, one of the community's highly respected doctors.
But in the wake of this natural disaster, a more terrifying challenge emerges as Liam’s mental health spirals out of control, culminating in a violent attack at knifepoint, from which Alice is saved by their three-year-old son. Afraid for her life, she…
I’ve been a science fiction writer since I was old enough to read, and I’ve spent probably way too much of my life reading and writing and researching and thinking about aliens. I’ve worked in the aerospace industry, launching rockets to the moon and Mars and Saturn, and five of the books I’ve published have touched on alien life in one way or another. I’ve worked as a contributing editor for WIRED magazine and the science and technology correspondent for the SyFy channel, and I hold patents in seven countries, including 31 issued U.S. patents.
This nonfiction book takes a hard look at humanity’s various attempts to craft a universal language that might, just might, let us one day communicate with extraterrestrials.
What symbols could we use? What encoding? How would we start, and once we’ve started, what would we talk about?
These aren’t easy questions, and we probably still don’t have all the right answers, but I loved the way Oberhaus walked us through the work that has already been done and the directions that future work might take.
If we send a message into space, will extraterrestrial beings receive it? Will they understand?
The endlessly fascinating question of whether we are alone in the universe has always been accompanied by another, more complicated one: if there is extraterrestrial life, how would we communicate with it? In this book, Daniel Oberhaus leads readers on a quest for extraterrestrial communication. Exploring Earthlings' various attempts to reach out to non-Earthlings over the centuries, he poses some not entirely answerable questions: If we send a message into space, will extraterrestrial beings receive it? Will they understand? What languages will they (and we)…
