Where you sit determines what you see. China is complex, and so it pays to move around and view it from as many perspectives as possible. My view of China is formed by visits to all of its 31 provinces and to most of its neighbors. A professor of foreign affairs at the University of Virginia, I have taught and written about Chinese politics for the past forty years, and I have worked with Chinese universities and scholars. This list suggests some excellent books presenting different vantage points on China’s past and present.
Home is Not Here is a touching autobiographical account of a past Chinese world completely different in time and place from that of Hessler’s explorations. In the first half of the twentieth century millions of Chinese left China and migrated to Southeast Asia, including Wang’s parents. Wang traces their struggles to maintain their Chinese identity as minorities in different cultures. In telling his family’s story he gives a vivid picture of the upheavals and tribulations of both China and Southeast Asia in a troubled era. Wang Gungwu is my favorite historian of China, and author of many books on the grand sweep of Chinese history, but here we see China’s and Asia’s most turbulent era from a personal perspective.
One of Asia's most important public intellectuals, Wang Gungwu is best-known for his explorations of Chinese history in the long view, and for his writings on the Chinese overseas. Here the historian of grand themes turns to the intimate scale of a single life history: his own.
"As someone who has studied history for much of my life, I have found the past fascinating. But it has always been some grand and even intimidating universe that I wanted to unpick and explain to myself.... While we talk grandly of the importance of history, we can be insensitive to what people…
I was living in Xinjiang on 9/11 and got to witness the swiftness with which the state imposed strict regulations that harmed the Uyghur community. For me, this was an indelible lesson in the abuses of power and authority on people who just wanted to work, raise families, and enjoy their lives. Since then I’ve tried to raise awareness, first in my memoir, The Tree That Bleeds, then in my journalism. I hope my work helps people think about how to respond as both politically engaged citizens and consumersto one of the worst human rights violations of the 21st century.
Since 1949 the demographics of Xinjiang have been altered radically by waves of migration of Han Chinese, initially with the paramilitary bingtuan organisation, but in recent decades by economic migrants. Cliff’s book is an important reminder of how their presence functions in a neo-colonial fashion, and the influence that their needs and concerns have on official policy in the region – which to put it simplistically, is to keep them happy. Though he emphasises that Han in Xinjiang are far from a homogenous social group – something that often gets forgotten or obscured – the common viewpoints and concerns that emerge from his interviews are a sobering reminder of the difficulties in finding common ground between Han and Uyghur in the region.
For decades, China's Xinjiang region has been the site of clashes between long-residing Uyghur and Han settlers. Up until now, much scholarly attention has been paid to state actions and the Uyghur's efforts to resist cultural and economic repression. This has left the other half of the puzzle-the motivations and ambitions of Han settlers themselves-sorely understudied.
With Oil and Water, anthropologist Tom Cliff offers the first ethnographic study of Han in Xinjiang, using in-depth vignettes, oral histories, and more than fifty original photographs to explore how and why they became the people they are now. By shifting focus to the…
Living in the American Embassy in Moscow as a teenager during the Cold War, I grew up keenly aware of the perils of global instability and nuclear war. While friends back home worried about how to buy a car or score a date, I wandered the streets of Moscow, often tailed by the KGB, hoping US nuclear missiles didn’t launch our way. So, I’ve always been interested in big questions of how to avoid wars, and how to end them. Since then, I’ve traveled the world, worked in both government and academe, advised senior national and international policymakers, and become an award-winning author.
A key question today about the future of war is who will dominate AI technologies–China or the US & its allies? History offers clues. This book tackles the hot debate about what historians call the great divergence—that is, why, since it invented gunpowder (and other key military technologies), China then fell dramatically behind Europe in the modern era. Andrade goes beyond classic arguments about a gradual 500-year Rise of the West, beyond revisionist arguments about the West shooting ahead only very recently, to craft a third view. Using archival evidence, he lays out a series of key smaller divergences accompanying industrialization. Why does this interest me? If Western technological advances happened only recently and rapidly, they can be quickly reversed.
The Chinese invented gunpowder and began exploring its military uses as early as the 900s, four centuries before the technology passed to the West. But by the early 1800s, China had fallen so far behind the West in gunpowder warfare that it was easily defeated by Britain in the Opium War of 1839-42. What happened? In The Gunpowder Age, Tonio Andrade offers a compelling new answer, opening a fresh perspective on a key question of world history: why did the countries of western Europe surge to global importance starting in the 1500s while China slipped behind? Historians have long argued…
I write and teach about nineteenth-century US history, and I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House. The key themes in my work—migration, diaspora, and empire—have been as central to my life journey as to my research and teaching.
Bridging the nineteenth and twentieth centuries in a sweeping, transnational history, Alien Nation provides a compelling account of Chinese migration to the Americas from the 1840s through World War II.
In vivid prose, Young tells the story of how Chinese laborers mined gold, built railroads, and harvested sugar cane; how anti-Chinese restrictionists demonized these workers as “coolies”; and how nationalist movements throughout the Americas enflamed anti-Chinese sentiment.
Alien Nation explains how different national governments borrowed from one other in crafting policies regulating and controlling Chinese immigration, but also how these policies clashed and diverged. Within this transnational framework, Elliott Young recovers the agency of Chinese migrants, facing exclusion, deportation, and segregation, who circumvented government policies to form vibrant communities that transcended national borders.
In this sweeping work, Elliott Young traces the pivotal century of Chinese migration to the Americas, beginning with the 1840s at the start of the "coolie" trade and ending during World War II. The Chinese came as laborers, streaming across borders legally and illegally and working jobs few others wanted, from constructing railroads in California to harvesting sugar cane in Cuba. Though nations were built in part from their labor, Young argues that they were the first group of migrants to bear the stigma of being "alien." Being neither black nor white and existing outside of the nineteenth century Western…
There is something about books set in the cold, you know immediately bad things are going to happen! It may be my early childhood in Scotland, or my English upbringing, but I have always been drawn to the dark side of stories, the things under the bed, the monsters in the closet. I still love to be scared by the twists and chills but also am a sucker for a happy ending. In my novels, I always strive to entertain, to scare, and surprise, but ultimately there needs to be an emotional truth beneath everything. And this is true of the books I read as well.
Sometimes you think you know all about a famous incident, I mean the Titanic has been overdone in films and books, right? Well, Stacey Lee gives it a totally fresh approach from the point of view of a young Chinese-English teen, Valora Luck. And while this is a fictional take on what might have happened, the fact that there were Chinese people onboard The Titanic, who at that time would not have been allowed into the USA makes for a gripping and thought-provoking read. And then of course there’s Stacey Lee’s wonderful storytelling!
Valora Luck has a dream that one day she and her brother will be famous acrobats, touring America. But once she’s on board The Titanic, she soon discovers she must hide her identity, both as a girl and as a servant, and use her talents to save her brother and his motley band of friends. But like…
From the New York Times bestselling author of The Downstairs Girl comes the richly imagined story of Valora and Jamie Luck, twin British-Chinese acrobats travelling aboard the Titanic on its ill-fated maiden voyage.
Valora Luck has two things: a ticket for the biggest and most luxurious ocean liner in the world, and a dream of leaving England behind and making a life for herself as a circus performer in New York. Much to her surprise though, she's turned away at the gangway; apparently, Chinese people aren't allowed into America.
But Val has to get on that ship. Her twin brother…
Helen Zia has penned four incredible tales of the tumultuous time, from the 1937 Japanese invasion of China to the change of power from Chiang-Kai Shek's Nationalist Party to Mao's Communist Party.
This book is deeply personal for me, as my family fled Shanghai during this period to Taiwan and Hong Kong before coming to the US. I learned so much about the hardship that my family doesn't readily discuss. The well-detailed facts filled in the blanks in my own family's story.
Helen reveals her own personal connection to the character Bing whose adoption was kept secret even from her own children until she was 74 years old.
This is an incredible piece of history, resulting from years of research and interviews. Don't miss Last Boat out of Shanghai!
The dramatic real life stories of four young people caught up in the mass exodus of Shanghai in the wake of China’s 1949 Communist revolution—a heartrending precursor to the struggles faced by emigrants today.
“A true page-turner . . . [Helen] Zia has proven once again that history is something that happens to real people.”—New York Times bestselling author Lisa See
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE CHRISTIAN SCIENCE MONITOR • FINALIST FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY
Shanghai has historically been China’s jewel, its richest, most modern and westernized city.…
I have been fascinated by history since I spent a year in Britain as a ten-year-old. I became hooked on novels set in ancient Greece and Rome and found it incredibly exotic to walk through old buildings and imagine the lives of the people who had walked through those same doors. In college, I began studying history in earnest and grew intrigued by China, especially Chinese cities during periods of upheaval and transformation. My first passion was Shanghai history, and I spent time there in the mid-1980s before the soaring Pudong skyscrapers that are now among its most iconic structures were built.I have since shifted my attention to Hong Kong, a city I had enjoyed visiting for decades but had not written about until after I completed my last book on Shanghai. My fascination with cities that are in China but enmeshed in global processes and are sites of protest has been a constant.
At this point in a list, it isn’t bad to note connections between works, so I’ll begin with those. This is the only book other than Champions Day that is by an academic, but Li, like Carter, is one who knows how to write for general audiences in a compelling and accessible way. Hers is another book, like Zia’s, that is partly an effort to reconstruct the history of the author’s own family, as key figures in this author’s reconstruction of the changing (and enduring) rhythms of life in a Shanghai neighborhood in the 1950s and beyond are relatives she interviewed. There is also a tie to Lynn Pan’s work, in the sense that Li has moved between different parts of the world in her life. All this said, Shanghai Homes is a unique work that reminds me of the best ethnographically minded studies of connections between people and patterns…
In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account-part microhistory, part memoir-Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life-territories, artifacts, and gossip-Li re-creates the sounds, smells, look, and feel of home over a tumultuous century. First built by British and Japanese companies in 1915 and 1927, the two homes at the center of this narrative were located in an industrial part of the former "International Settlement." Before their…
I have anxiety and depression. While obviously not a replacement for therapy and/or medication, reading books that somehow make me feel good is an important part of my self-care. They can be silly or witty or charming or whatever, but a book that makes me smile or giggle or just swoon is one I’ll reach for when I’m feeling down.
I devoured this book. It’s charming and funny, but this is one of those books where I loved it because of the main character. I’ve struggled with indecisiveness in my life and found that part very relatable. We really get inside her head. The voice is unique and the sentence structure is short and choppy. A quick wonderful read.
One of the Best Books of the Year: NPR, Entertainment Weekly, Ann Patchett on PBS NewsHour, Minnesota Public Radio, PopSugar, Maris Kreizman, The Morning News
Winner of Ploughshares’ John C. Zacharis Award
Winner of a Whiting Award
A Belletrist Amuse Book
At first glance, the quirky, overworked narrator of Weike Wang’s debut novel seems to be on the cusp of a perfect life: she is studying for a prestigious PhD in chemistry that will make her Chinese parents proud (or at least satisfied), and her successful, supportive boyfriend has just…
I am an honours graduate in aerospace engineering and psychology and I have written five historical novels. My debut novel, The Ming Storytellers, is set during China’s Ming dynasty and was well-reviewed by the Historical Novel Society. To pen this 600-page saga, I spent six years researching the Ming dynasty while studying a year of mandarin. I have travelled to Beijing, along the Great Wall, and to China’s southwestern province of Yunnan. Being a descendant of the Vietnamese royal family gave me access to rich genealogical sources passed down from my scholarly ancestors. These stories of concubines, eunuchs, and mandarins made the past come alive, complementing my research with plausible drama.
Long subject to debate due to its assertion that China discovered America, this book remains an astounding Ming dynasty source that should not be overlooked based on a single controversial claim. It has a decidedly maritime, diplomatic, and economic focus, offering a comprehensive – often technical – account of the 1421 Ming fleet’s expedition with attention to historical figures like Admiral Zheng He. It vividly paints Ming dynasty China as an economic might that traded extensively for various world products and received tributes and envoys from places as far as Malindi in southeast Africa. Published in 2002, the book has a certain prophetic quality: it highlights early Ming China’s trade dominance on the world stage as though Menzies sensed that history could repeat itself. Today, China is once again seen as an economic superpower.
On March 8, 1421, the largest fleet the world had ever seen set sail from China to "proceed all the way to the ends of the earth to collect tribute from the barbarians beyond the seas." When the fleet returned home in October 1423, the emperor had fallen, leaving China in political and economic chaos. The great ships were left to rot at their moorings and the records of their journeys were destroyed. Lost in the long, self-imposed isolation that followed was the knowledge that Chinese ships had reached America seventy years before Columbus and had circumnavigated the globe a…
When I was growing up, my mother loved to garden. I remember visiting the nursery with her and being captivated by all the rows of flowers with the gorgeous names: marigolds, cosmos, dahlias, fuchsias. Now I have a garden of my own, and it’s my happy place. It adds color and fragrance to my life, and it keeps me grounded (literally and figuratively) when things are stressful. And as a writer, I find that story ideas often come to me when I’m working in the garden. It’s a constant source of inspiration and delight.
There’s a serene, almost dreamlike quality to The Samurai’s Garden which drew me in right away.
On the eve of WWII, a young man recovering from tuberculosis spends the year at his family’s summer home in Japan. There are actually two gardens in the story: one is the lush green one at his home, and the other is a stone garden in the pine forests, tended by Sachi, a woman who has lived with leprosy for decades.
Though both gardens lead to transformation, Sachi’s garden in particular teaches the narrator that as long as there is beauty in the world, there is life. I loved this novel’s luminous writing and vivid sense of place. It’s a beautiful testament to human loyalty and the healing power of nature.
On the eve of the Second World War, a young Chinese man is sent to his family's summer home in Japan to recover from tuberculosis. There he meets four local residents, and what ensues is a classical yet wonderfully unique adventure that seizes the imagination with its clean, simple yet dazzling storytelling.
