I write and teach about nineteenth-century US history, and I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House. The key themes in my work—migration, diaspora, and empire—have been as central to my life journey as to my research and teaching.
Why did anti-Chinese violence continue to rise even after the Chinese Exclusion Act of 1882, reaching a terrible peak in 1885 and 1886?
In a powerful reinterpretation of Chinese exclusion, Beth Lew-Williams reveals how the 1882 act was deliberately limited in scope, poorly funded, and loosely enforced—because immigration policy at this time was still governed by diplomacy. Only in the late 1880s, with China perceived as weak, did the US unilaterally abrogate its treaty obligations and move toward outright exclusion.
The chronology really matters here: for Chinese immigrants it was a question not just of entry or exclusion, but of life and death. Deftly situating anti-Chinese violence in overlapping regional, national, and international contexts, Lew Williams shows how the idea of the immigrant “alien” emerged in tandem with national citizenship during the era of the Civil War and Reconstruction.
Winner of the Ray Allen Billington Prize Winner of the Ellis W. Hawley Prize Winner of the Sally and Ken Owens Award Winner of the Vincent P. DeSantis Book Prize Winner of the Caroline Bancroft History Prize
"A powerful argument about racial violence that could not be more timely." -Richard White
"A riveting, beautifully written account...that foregrounds Chinese voices and experiences. A timely and important contribution to our understanding of immigration and the border." -Karl Jacoby, author of Shadows at Dawn
In 1885, following the massacre of Chinese miners in Wyoming Territory, communities throughout California and the Pacific Northwest harassed,…
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called “an art beyond art. It is life itself.”
Beginning with a cheery letter penned by a Chinese girl in heaven to “poor Mr. Nixon” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink…
This was a lovely slice of life read with the captivating setting of rural Japan at the start of World War II along with a coming of age plot. It was a very poignant reminder that life is filled with goodbyes and how we acknowledge and accept that can make all the difference.
On the eve of the Second World War, a young Chinese man is sent to his family's summer home in Japan to recover from tuberculosis. There he meets four local residents, and what ensues is a classical yet wonderfully unique adventure that seizes the imagination with its clean, simple yet dazzling storytelling.
Years ago in a psycholinguistics class, I discovered that a person’s primary language—not just their vocabulary but the structure of the language itself—shapes the way that person perceives the world and relationships around them. Ever since, I’ve been fascinated with perspective and how perceptions of an event are shaped by who is experiencing them, what stage of life they’re in, the language they speak, and so on. As a full-time marketer in addition to an author, I have to consider every angle of a project before I can begin, whether I’m designing an ad or writing dialogue between characters.
I love reading fiction that teaches while it entertains, and I have to say, I was completely unaware of this ancient regional conflict and the legendary sisters Trưng Trắc and Trưng Nhi before picking up Bronze Drum.
The sisters are depicted as opposites—one disciplined and wise, the other impulsive and emotional. They each seek to honor Vietnamese cultural traditions, which was under the oppressive rule of the Han Chinese at the time (circa 40 CE). When the sisters become leaders in a revolution against the Chinese empire, their sisterly dynamic shifts in ways that impact the future of their whole nation.
A “gripping historical adventure” of ancient Vietnam based on the true story of two warrior sisters who raised an army of women to overthrow the Han Chinese and rule as kings over a united people, for readers of Circe and The Night Tiger (Booklist).
Gather around, children of Chu Dien, and be brave. For even to listen to the story of the Trung Sisters is, in these troubled times, a dangerous act.
In 40 CE, in the Au Lac region of ancient Vietnam, two daughters of a Vietnamese Lord fill their days training, studying, and trying to stay true to…
This is quite simply the best Chinese cookbook ever written. It has even
been translated into Chinese.
Putting this book together required an immense
amount of research, as it covers eight major cuisines (Anhui, Shandong,
Jiangsu, Fujian, Zhejiang, Guangdong, Sichuan, and Hunan) plus the foods of other
regions of China as well as some ethnic minorities. Some of the recipes are for
restaurant dishes beyond the reach of amateurs, but most are simple home style
cooking.
The authors have tested and refined each of these recipes. I’ve cooked
more than a dozen of these dishes and they all worked out well. The book is
also fun to flip through, as it gives you a sense of the dazzling variety of
Chinese cuisine and culture. In addition, the publisher Phaidon put in a lot of
effort to create a handsome volume that will be treasured for years.
The definitive cookbook bible of the world's most popular and oldest cuisine
"China The Cookbook is a magnificent insight into the history of Chinese cuisine. I will treasure it in my collection and it will be no doubt be used as valuable reference for many years to come." -Ken Hom OBE,Chef, author and tv presenter
In the tradition of bestsellers including Mexico and The Nordic Cookbook comes the next title in the multimillion-selling national cuisine series, China: The Cookbook. Featuring more than 650 recipes for delicious and authentic Chinese dishes for the home kitchen, this impressive and authoritative book showcases…
Life is pretty dull without passion. Since early childhood I was attracted to Chinese philosophy, then to all the cultural aspects that reflect it. At the same time, I felt the blood in my veins drawing me to ancestral roots. Learning about other cultures helps us learn about our own. I’ve been driven by sympathy for the immigrant experience, the suffering, and sacrifices made for a better, peaceful life. What prepared me to write Wuxia America includes my academic studies, living and working in Asia, and involvement in martial arts. My inspiration for writing stems from a wish to encourage ways to improve human relations.
The life and writings of Iris Chang portray a woman with a passion for learning about her cultural heritage. Like a soldier, she gave her life in the pursuit.
The Chinese in America brings into focus just how it was for early Chinese immigrants to live in this land and their place in America today. The book not only sheds light on the Chinese American experience, but indirectly on all immigrant groups as well.
I value Chang’s encompassing work enlightening for understanding Chinese Americans as much as for understanding my own heritage.
A quintessiantially American story chronicling Chinese American achievement in the face of institutionalized racism by the New York Times bestselling author of The Rape of Nanking
In an epic story that spans 150 years and continues to the present day, Iris Chang tells of a people’s search for a better life—the determination of the Chinese to forge an identity and a destiny in a strange land and, often against great obstacles, to find success. She chronicles the many accomplishments in America of Chinese immigrants and their descendents: building the infrastructure of their adopted country, fighting racist and exclusionary laws and…
Living in the American Embassy in Moscow as a teenager during the Cold War, I grew up keenly aware of the perils of global instability and nuclear war. While friends back home worried about how to buy a car or score a date, I wandered the streets of Moscow, often tailed by the KGB, hoping US nuclear missiles didn’t launch our way. So, I’ve always been interested in big questions of how to avoid wars, and how to end them. Since then, I’ve traveled the world, worked in both government and academe, advised senior national and international policymakers, and become an award-winning author.
A key question today about the future of war is who will dominate AI technologies–China or the US & its allies? History offers clues. This book tackles the hot debate about what historians call the great divergence—that is, why, since it invented gunpowder (and other key military technologies), China then fell dramatically behind Europe in the modern era. Andrade goes beyond classic arguments about a gradual 500-year Rise of the West, beyond revisionist arguments about the West shooting ahead only very recently, to craft a third view. Using archival evidence, he lays out a series of key smaller divergences accompanying industrialization. Why does this interest me? If Western technological advances happened only recently and rapidly, they can be quickly reversed.
The Chinese invented gunpowder and began exploring its military uses as early as the 900s, four centuries before the technology passed to the West. But by the early 1800s, China had fallen so far behind the West in gunpowder warfare that it was easily defeated by Britain in the Opium War of 1839-42. What happened? In The Gunpowder Age, Tonio Andrade offers a compelling new answer, opening a fresh perspective on a key question of world history: why did the countries of western Europe surge to global importance starting in the 1500s while China slipped behind? Historians have long argued…
I have been addicted to Asia ever since serving in Tokyo for three marvelous years as The Economist’s correspondent in 1983-86 and since watching the rise of China, India, and South-East Asia from my privileged perch as editor-in-chief of The Economist in 1993-2006. For much of those years I have been writing about politics and economics rather than war and peace, but two key events recently convinced me to study something new. These were Russia’s invasion of Ukraine in February 2022 and then my beloved Japan’s decision to shake off its post-war shackles and build up its own defense forces in order to help prevent something like that from happening in Asia, too.
If war is to be avoided, it is vital to understand the thinking of both sides. Rana Mitter was for many years the top historian on China at Oxford University and has now moved to Harvard to become chair of US-Asia Relations. History is not the only driver of conflicts, but it is an important one, and Rana’s book really helped me understand how modern China has been shaped by its war-torn 20th-century history, especially the 1937-45 war that China fought with Japan.
Chinese leaders once tried to suppress memories of their nation's brutal experience during World War II. Now they celebrate the "victory"-a key foundation of China's rising nationalism.
For most of its history, the People's Republic of China limited public discussion of the war against Japan. It was an experience of victimization-and one that saw Mao Zedong and Chiang Kai-shek fighting for the same goals. But now, as China grows more powerful, the meaning of the war is changing. Rana Mitter argues that China's reassessment of the World War II years is central to its newfound confidence abroad and to mounting…
Jonathan Clements is a historian specialising in East Asia, and the author of A Brief History of China, The Art of War: A New Translation, and Confucius: A Biography. Several of his books have been translated and published in Chinese. He has presented three seasons of Route Awakening (National Geographic), an award-winning TV series about icons of Chinese culture. From 2013-2019, he was a visiting professor at Xi’an Jiaotong University, China.
It was hard finding just one book out of the many that have been written about Chinese food’s fortune’s abroad, but Liu ably chronicles a love-affair that is as old as the United States themselves, which begins with would-be rebels throwing chests of Fujian tea into Boston harbor. Liu points to the long history of Chinese in America, and the impact they have had as laborers, miners and cooks, particularly for low-income groups who welcomed the rarity of the warm hash dishes that came to be known as chop suey. This is a book that allows the reader the chance to appreciate the degree to which “Chinese” food in America is in a world, and a class, all of its own.
From Canton Restaurant to Panda Express takes readers on a compelling journey from the California Gold Rush to the present, letting readers witness both the profusion of Chinese restaurants across the United States and the evolution of many distinct American-Chinese iconic dishes from chop suey to General Tso's chicken. Along the way, historian Haiming Liu explains how the immigrants adapted their traditional food to suit local palates, and gives readers a taste of Chinese cuisine embedded in the bittersweet story of Chinese Americans.
Treating food as a social history, Liu explores why Chinese food changed and how it has influenced…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
I first read this book when I was ill in bed, on strong painkillers, so the setting had a heightened quality in my mind that can never be replicated. But I’ve now read it several times (and watched the Netflix TV series), and it remains a wonderful book with great settings and characters, romance, and danger.
Before I read this book, I knew very little about Chinese Malaysian society in the late nineteenth century, and it was fascinating to learn. I also loved the Plains of the Dead, where ghosts live in houses and eat food that corresponds to the paper funeral offerings burned by their families. Seventeen-year-old Li Lan must go there to seek the deceased young man whose “ghost bride” she is and stop him from haunting her.
A haunting, evocative and highly unusual romantic debut and now a Netflix Mandarin original drama premiering January 2020!
Seventeen-year-old Li Lan lives in 1890s Malaya with her quietly-ruined father, who returns one evening with a proposition - the fabulously wealthy Lim family want Li Lan to marry their son. The only problem is, he's dead. After a fateful visit to the Lim mansion, Li Lan finds herself haunted not only by her ghostly would-be suitor, but also her desire for the Lims' handsome new heir. At night she is drawn into the Chinese afterlife - a world of ghost cities,…
