100 books like The Chinese in America

The Chinese American presence in the USA started with the gold rush and the building of the transcontinental railroad.

It was a blessing to find Chang’s non-fiction work because he utilized a tremendous about of research to accurately cover the book’s topic. I’m also grateful that his writing style is not dull.

Building a railroad trestle through the High Sierra mountains in winter implies work conditions that affect laborers as well as investors. Chang strings the human sentiments throughout the history of those who participated in noble fashion, Chinese and non-Chinese alike.

In portraying the Chinese experience, Chang’s book as underscores how vital the transcontinental railroad was to the development of America. 

I loved Elegant’s book because he included a highly detailed account of the period, an account only possible by a top China scholar.

Manchu is a fictional work set within a vivid history of 17th-century China when the Manchus from northeast Asia battled native Han Chinese causing the fall of the Ming dynasty (1368 to 1644). The great conflict is brought to life in a personal way, including the interactions of heroic characters, Eastern and Western. The result highlights varied perceptions of politics, warfare, and social relations. 

I appreciate Elegant’s blend of academic precision and detail with creative storytelling to make history so interesting. He encases facts in an emotional plot. Elegant is a master wordsmith who stimulates thought, valuable for understanding the Manchu period as well as individual introspection. 

My grandparents were from southern Italy. Over the years, I had always wanted to learn about the area, its history, and culture. Even in the Italian language, there is a lack of any quality publications dealing with the south.

Finally, a book was published in 2005 filling this gap—Astarita’s book is praiseworthy for its in-depth coverage of south Italy. Rather than scavenging together hundreds of books and articles for information, there came this main reference work.

Written by Astarita, a professor at Georgetown University, it is a scholarly work. It doesn’t read like a novel, but the thoroughness brings out the character of the people and their contributions to Italian and world culture. I praise the author for bringing this important topic out of obscurity to world attention.

Benedetto Croce was an Italian historian, politician, and, above all, a philosopher.

I read his book on the History of the Kingdom of Naples to better understand south Italy. It is evident that he made great effort to gather his references and his presentation is well-organized and very scholarly. What made the book a pleasure to read, and brought great admiration for Croce, is how he writes history with a human focus.

While other historians often write by covering the grand elements such as battles, social changes and economic development, Croce looks at all these aspects as products of human character and their ethical and moral principles. Reading this book was an important turning point for me, especially as a writer.

In the end, writers are influencers of culture and in large part responsible for cultivating human character. 

The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.

It was hard finding just one book out of the many that have been written about Chinese food’s fortune’s abroad, but Liu ably chronicles a love-affair that is as old as the United States themselves, which begins with would-be rebels throwing chests of Fujian tea into Boston harbor. Liu points to the long history of Chinese in America, and the impact they have had as laborers, miners and cooks, particularly for low-income groups who welcomed the rarity of the warm hash dishes that came to be known as chop suey. This is a book that allows the reader the chance to appreciate the degree to which “Chinese” food in America is in a world, and a class, all of its own.

This is a fantastic book about the hardships many immigrants face, from being taken advantage of by their employers, to language barriers, and of course, racism. What I loved about this book is its portrayal of community. Growing up poor, I know that it’s often those with nothing who give the most. Kids will cheer for Mia as she works the front desk, helps those around her, and stands up to injustice.

The railroad worker and the interpreter; The Hong Kong beauty/midwife and the fishmonger’s daughter; the Kung fu master’s family turned tong bosses and the civic leaders and charity organizers; the merchants and the opium dealers; the church ladies and the rice wine hooch brewers; the lofan (white) Aunt Elva with a painful secret….

These are some of the unforgettable characters from Chin’s sprawling family. I loved this glimpse into the Chinese American experience in New York City during the same time my family was muddling through in Georgia. I also have reason to believe my grandfather knew some of these characters personally through his correspondence and Chinese liberation work. Chin did honor to all of the ancestors with this skillful weaving of history, memory, anecdote, and a daughter/granddaughter’s loving intuition.

An absolute tour de force from the author of The Joy Luck Club. This novel is not as famous, but it’s actually my favourite Tan book. It has that epic sweep across history that I adore, whereby the movement of history catches people in its wake and hurls them hither and thither, uncaring of the consequences of its wreckage. The novel follows the experiences of a Chinese woman before and after Japan’s invasion of China in the 1930s and 40s and on to her move to America after the war. Reading this novel was truly immersive and fueled my interest in writing about war and showing how my own characters are caught up in its inexorable flow. A brutal and beautiful novel. 

The experience of being a teenage exchange student living with a Beijing family whose mother is dying of cancer and whose father makes an aborted sexual pass on her marked Solimine deeply enough to inspire this novel. The author wisely shifts the focus away from herself and adopts the role of frame narrator as she reconstructs the family’s history and events leading up to her arrival, where she inserts herself into the story. The narrative unfolds in flashbacks, impressionistic vignettes, and haunting poetic imagery to capture fleeting moments which build in intensity. It’s the kind of novel readers may not find easygoing on first acquaintance – the cracked-glass cover design nicely conveys the initial impression – but promises to improve on rereading.