I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
A new Western novel that already feels classic in its ready use of all the key elements of the genre. Interestingly, the eponymous main character is Chinese, proving that our Western heroes and antiheroes are perfectly open to diversity. Intriguing fantasy elements are found in Ming’s Chinese guide, The Prophet, and in the circus performers with whom Ming travels across the harsh Western landscape. A wonderful read!
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
I was transported into an entirely new world in this book.
Yunxian is raised to be an educated women’s doctor in 15th-century China yet is shackled by the constraints of an arranged marriage and the beliefs of the culture at the time. Her friendship with Meiling is powerful – connected and challenging in many ways, and the development of both as they move through this world is at times shocking and heartwarming.
Despite the cultural differences, I could deeply relate to Yunxian through her relationship with her daughters, her universal need to belong, and her desire to use her skills and wisdom to help expectant and new mothers and their babies. This story is beautifully written and told.
'Despite the inordinate limits placed on women, See allows their strengths to dominate their stories' Washington Post 'Poignant . . . quietly affecting' Time
In 15th century China two women are born under the same sign, the Metal Snake. But life will take the friends on very different paths.
According to Confucius, 'an educated woman is a worthless woman', but Tan Yunxian - born into an elite family, yet haunted by death, separation and loneliness - is being raised by her grandparents to be of use. She begins her training in medicine with her grandmother and, as she navigates the…
As Professor of History and Global Asian Studies and Director of the Engaged Humanities Institute at the University of Illinois at Chicago, I'm interested in intersections at the margins between cultural systems. I first became drawn to Chinese history after visiting the country in 1982 and returned to teach English there before undertaking graduate studies. My work on eighteenth-century China focuses on ethnography and cartography as tools of empire building during its period of growth and expansion. My current project, Bridging Worlds: Reflections on a Journey, chronicles a quest for personal integration when obtaining an education has too often become predicated on the ability to cut oneself off from aspects of one’s own inner knowing and lived experience.
In The Confusions of PleasureTimothy Brook captures the consternation of a local official as he witnesses the cultural and economic changes wrought by the rise of private wealth in the late Ming, (c. 1600). Unable to raise adequate revenue or to adapt the conservative agrarian foundations of its legitimacy to changing times, the Ming eventually collapses from within, unable to protect itself from marauding bands led by a disgruntled former government post station worker and subsequent invasion by a foreign force. Yet, those who are able to adapt to changing times survive. The resonances for our own day are multiple and apt.
The Ming dynasty was the last great Chinese dynasty before the Manchu conquest in 1644. During that time, China, not Europe, was the center of the world: the European voyages of exploration were searching not just for new lands but also for new trade routes to the Far East. In this book, Timothy Brook eloquently narrates the changing landscape of life over the three centuries of the Ming (1368-1644), when China was transformed from a closely administered agrarian realm into a place of commercial profits and intense competition for status. "The Confusions of Pleasure" marks a significant departure from the…
This is the second and final volume in Parker-Chan’s breathtaking Radiant Emperor duology.
I love the alternate, 14th-century China setting and the fact that, while this is a fantasy, the focus is much more on the characters’ emotions, inner lives, and relationships than on the speculative elements. That’s not to say there aren’t plenty of high-stakes plot developments, because there are!
But each character’s arc is a detailed study of how past suffering can set people on horribly destructive paths. Some of these characters cannot help hurting themselves in their commitment to achieving things they’d probably be better off letting go of.
The ways in which their paths cross make for incredibly interesting character dynamics. This novel is engrossing and gorgeously written.
The sequel and series conclusion to She Who Became the Sun, the accomplished, poetic debut of war and destiny, sweeping across an epic alternate China. Mulan meets The Song of Achilles.
How much would you give to win the world?
Zhu Yuanzhang, the Radiant King, is riding high after her victory that tore southern China from its Mongol masters. Now she burns with a new desire: to seize the throne and crown herself emperor.
But Zhu isn’t the only one with imperial ambitions. Her neighbor in the south, the courtesan Madam Zhang, wants the throne for her husband―and she’s strong…
I am an honours graduate in aerospace engineering and psychology and I have written five historical novels. My debut novel, The Ming Storytellers, is set during China’s Ming dynasty and was well-reviewed by the Historical Novel Society. To pen this 600-page saga, I spent six years researching the Ming dynasty while studying a year of mandarin. I have travelled to Beijing, along the Great Wall, and to China’s southwestern province of Yunnan. Being a descendant of the Vietnamese royal family gave me access to rich genealogical sources passed down from my scholarly ancestors. These stories of concubines, eunuchs, and mandarins made the past come alive, complementing my research with plausible drama.
My favorite Ming dynasty source. It is rich with details on the eunuch institution during the Ming dynasty including its supply chain— the parts of society and of the world where eunuchs were historically drawn. Described here, are the various agencies within the Beijing Forbidden City where Ming dynasty eunuchs worked: Carpentry, Palace Servants, Palace Foods, Royal Clothing, the Nursing Home, and others, including a Toilet Paper agency. Readers not only gain insights on the imperial palace’s operations, but also on the eunuch ranking system, the emperors’ policies concerning eunuchs, and the rise of powerful eunuchs in the Ming secret police (Eastern Depot) and in Ming diplomacy. The latter came to its apogee with Admiral Zheng He, himself a eunuch, leading the Ming fleet during seven world voyages.
This study of Chinese eunuchs illuminates the entire history of the Ming Dynasty, 1368-1644, and provides broad information on various aspects of pre-modern China.
Some
real history is too weird to be made up. The same goes for real food. But once
you get into historical food, the sky is the limit for total strangeness.
You
can open this book to any page and end up picking up some choice bit of
knowledge to enliven your dinner conversation or historical recipe to enliven
dinner itself. Did you ever want to be able to say, “You know this lamb stew?
It’s the same kind that was served at a Babylonian annual spring festival where
the main event was a priestess walloping the king straight across the face so
hard he wept.”
I
personally love being able to bust out trivial like this, and Tasting History is
chock full of fun, true facts as well as actual recipes for historical dishes
that have been adapted to modern measurements.
Well-researched
and funny, you can enjoy this book…
Begin your very own food journey through the centuries and around the world with the first cookbook from the beloved YouTube channel Tasting History with Max Miller
What began as a passion project when Max Miller was furloughed during Covid-19 has become a viral YouTube sensation. The Tasting History with Max Miller channel has thrilled food enthusiasts and history buffs alike as Miller recreates a dish from the past, often using historical recipes from vintage texts, but updated for modern kitchens as he tells stories behind the cuisine and culture. From ancient Rome to Ming China to medieval Europe and…
I am a translator specializing in Chinese historical novels, and also an academic researching marginalized groups in Chinese history—ethnic minorities, the disabled, people with mental health issues, and so on. The treatment of marginalized people tells you a lot about what is going on within mainstream society. I’ve always been interested in stories about people from distant times and places, and I have a particular love of long sagas, something that you can really get your teeth into. Kingdoms in Peril covers five hundred years of history: I translated this for my own enjoyment and was surprised when I realized that I’d managed to write 850,000 words for fun!
If I were ever going to be marooned on a desert island, and was only allowed one book, this would be my choice.
Three Kingdoms is a book worth rereading, in fact, this is something you can spend the rest of your life thinking about. This epic account of the fall of the Han dynasty has everything—political scheming, great battle scenes, tragic love stories, double and triple-crossing, heroes and villains, bravery and cowardice, and best of all, these are real people, and their choices and failings have real-life consequences, some of which we are still living with today.
"A material epic with an astonishing fidelity to history."-New York Times Book Review
Three Kingdoms tells the story of the fateful last reign of the Han dynasty (206 B.C.-A.D. 220), when the Chinese empire was divided into three warring kingdoms. Writing some twelve hundred years later, the Ming author Luo Guanzhong drew on histories, dramas, and poems portraying the crisis to fashion a sophisticated, compelling narrative that has become the Chinese national epic. This abridged edition captures the novel's intimate and unsparing view of how power is wielded, how diplomacy is conducted, and how wars are planned and fought. As…
I am an honours graduate in aerospace engineering and psychology and I have written five historical novels. My debut novel, The Ming Storytellers, is set during China’s Ming dynasty and was well-reviewed by the Historical Novel Society. To pen this 600-page saga, I spent six years researching the Ming dynasty while studying a year of mandarin. I have travelled to Beijing, along the Great Wall, and to China’s southwestern province of Yunnan. Being a descendant of the Vietnamese royal family gave me access to rich genealogical sources passed down from my scholarly ancestors. These stories of concubines, eunuchs, and mandarins made the past come alive, complementing my research with plausible drama.
While researching the Ming dynasty and its tea horse trade, I had the joy of traveling to Lijiang in China’s Yunnan province. Lijiang is home to the Naxi (or Nakhi) whose Mu clan rose in prominence during the Ming dynasty. The Naxi people are unique in that they employ the world’s only living pictographic writing system.
This tiny dictionary is filled with pictographs and their meaning, both in English and in Mandarin. Pictographs are grouped by topics significant to the Naxi culture, such as behaviour, family life, housing, and plants. This book extends one’s view of China, a country which should not be perceived as purely populated by the Han ethnic majority. The common symbols employed in the Naxi language provide valuable insights into the Naxi value system.
My interest in Chinese military history stems from an early interest in books on strategy like Sun Tzu’s Art of War, and in East Asian martial arts. I have pursued both since high school, translating Sun Tzu as a senior thesis in college (and now returning to it professionally), and practicing a number of martial arts over the last forty years (and writing a book on the history of Chinese martial arts). Although there are plentiful historical records for all aspects of Chinese military history, the field remains relatively neglected, leaving it wide open for new studies. I continue to pursue my teenage interests, writing the books I wanted to read in high school.
Contrary to previous scholarship, Ming China was not in military decline at the end of the 16th century, and the Wanli Emperor was not an ineffectual ruler during the conflict in Korea with the Japanese. Swope also demonstrates the importance of guns in the conflict, with the Japanese army strong in harquebuses and the Chinese army strong in cannon.
The invasion of Korea by Japanese troops in May of 1592 was no ordinary military expedition: it was one of the decisive events in Asian history and the most tragic for the Korean peninsula until the mid-twentieth century. Japanese overlord Toyotomi Hideyoshi envisioned conquering Korea, Ming China, and eventually all of Asia; but Korea's appeal to China's Emperor Wanli for assistance triggered a six-year war involving hundreds of thousands of soldiers and encompassing the whole region. For Japan, the war was ""a dragon's head followed by a serpent's tail"": an impressive beginning with no real ending.
I am an honours graduate in aerospace engineering and psychology and I have written five historical novels. My debut novel, The Ming Storytellers, is set during China’s Ming dynasty and was well-reviewed by the Historical Novel Society. To pen this 600-page saga, I spent six years researching the Ming dynasty while studying a year of mandarin. I have travelled to Beijing, along the Great Wall, and to China’s southwestern province of Yunnan. Being a descendant of the Vietnamese royal family gave me access to rich genealogical sources passed down from my scholarly ancestors. These stories of concubines, eunuchs, and mandarins made the past come alive, complementing my research with plausible drama.
Another much-loved book about the Ming dynasty’s naval fleet but this time, all seven maritime expeditions led by Admiral Zheng He are dutifully described. It outlines the evolution in ancient Chinese ship construction which saw the development of the formidable Ming ‘treasure fleet’. The reader can explore the Chinese mariners’ lives and occupations at sea, their navigation techniques, Ming China’s world trade and its diplomatic relationships, and the Ming fleet’s fascinating destinations, including Champa (now South Vietnam), Sumatra, Kuli (Kozhikode in India), Mogadishu, Malindi, and Hormuz. Cultural and socio-political details relating to the period are seamlessly weaved into this account which closely follows the life and works of Admiral Zheng He.
A hundred years before Columbus and his fellow Europeans began making their way to the New World, fleets of giant Chinese junks commanded by the eunuch admiral Zheng He and filled with the empire's finest porcelains, lacquerware, and silk ventured to the edge of the world's `four corners.' It was a time of exploration and conquest, but it ended in a retrenchment so complete that less than a century later, it was a crime to go to sea in a multimasted ship. In When China Ruled the Seas, Louise Levathes takes a fascinating and unprecedented look at this dynamic period…
