100 books like Manchu

The Chinese American presence in the USA started with the gold rush and the building of the transcontinental railroad.

It was a blessing to find Chang’s non-fiction work because he utilized a tremendous about of research to accurately cover the book’s topic. I’m also grateful that his writing style is not dull.

Building a railroad trestle through the High Sierra mountains in winter implies work conditions that affect laborers as well as investors. Chang strings the human sentiments throughout the history of those who participated in noble fashion, Chinese and non-Chinese alike.

In portraying the Chinese experience, Chang’s book as underscores how vital the transcontinental railroad was to the development of America. 

My grandparents were from southern Italy. Over the years, I had always wanted to learn about the area, its history, and culture. Even in the Italian language, there is a lack of any quality publications dealing with the south.

Finally, a book was published in 2005 filling this gap—Astarita’s book is praiseworthy for its in-depth coverage of south Italy. Rather than scavenging together hundreds of books and articles for information, there came this main reference work.

Written by Astarita, a professor at Georgetown University, it is a scholarly work. It doesn’t read like a novel, but the thoroughness brings out the character of the people and their contributions to Italian and world culture. I praise the author for bringing this important topic out of obscurity to world attention.

The life and writings of Iris Chang portray a woman with a passion for learning about her cultural heritage. Like a soldier, she gave her life in the pursuit.

The Chinese in America brings into focus just how it was for early Chinese immigrants to live in this land and their place in America today. The book not only sheds light on the Chinese American experience, but indirectly on all immigrant groups as well.

I value Chang’s encompassing work enlightening for understanding Chinese Americans as much as for understanding my own heritage.

Benedetto Croce was an Italian historian, politician, and, above all, a philosopher.

I read his book on the History of the Kingdom of Naples to better understand south Italy. It is evident that he made great effort to gather his references and his presentation is well-organized and very scholarly. What made the book a pleasure to read, and brought great admiration for Croce, is how he writes history with a human focus.

While other historians often write by covering the grand elements such as battles, social changes and economic development, Croce looks at all these aspects as products of human character and their ethical and moral principles. Reading this book was an important turning point for me, especially as a writer.

In the end, writers are influencers of culture and in large part responsible for cultivating human character. 

I have long thought that one of the key ingredients of modern Chinese nationalism is a strong sense of ethnic identity for the people labeled “Han Chinese.” To a great extent this Han identity, though having ancient roots, was formed, elaborated, and ideologized around the turn of the twentieth century in opposition to the ruling Manchu Qing dynasty. This book shows how and why this happened.

Few include the White Lotus War in their discussion of nineteenth-century rebellions. Yet, in many ways, it provides the perfect starting point. Lasting over eight years, plowing a path of destruction across five central Chinese provinces, and emphatically marking the end to nearly a century of peace and commercial prosperity, the White Lotus War is an ominous harbinger of what was to follow. Chinese historian Yingcong Dai highlights the many disparate factors – from bureaucratic negligence and administrative apathy to the rise of secret societies and charismatic religious leaders – that transformed otherwise weakly connected local protests into a massive revolt that threatened to upend the Qing imperial state (1644-1911). As a specialist on Chinese warfare and imperial governance, the author pulls back the curtain on a rarely told tale that brings turn-of-the-18th-century China to life.

There is an argument to be made that Jin Yong (aka Louis Cha) is modern China’s version of William Shakespeare. From Cha’s unimaginably rich and bottomless imagination come unforgettable stories and characters that have had a huge impact on not only contemporary China but the rest of the world. Writing in the category of wuxia (martial arts fiction) he sold 100 million copies of his books, making him China’s most famous author. Countless films and TV shows have been based on his stories, that typically portray the under classes struggling against overlords. One of my favorite memories of travels in China was sitting at the tea house inside Hong Kong’s Peninsula hotel and spending the day reading this book and munching on dim sum. If I’d stepped out and been hit by a bus, I would have died a happy monk.

I think this is the best up-to-date history of the Qing dynasty. I use it for teaching because it’s completely reliable, covers everything you might need to know, and lays it all out clearly.

It also has a really good balance between the history of major events like the Opium Wars and the Taiping Rebellion and the social history and context. And I like the fact that it explains the big debates that scholars are having in clear and simple terms.

Outsiders do not grasp the frequency let alone the magnitude of the civil and foreign wars that ravaged China well into the Maoist era. Sometimes China was the aggressor and sometimes the victim and, in its many civil wars, the Chinese government was always brutal. Concise chapters describe each conflict.

This is a series of six essays that present a “new Qing history” approach to 17th and 18th century Chinese military history, specifically the culture involved in the military campaigns from 1636 to 1799.  Waley-Cohen not only presents a more positive view of the Qing’s Manchu rulers, but also the centrality of military activities and culture to Chinese culture.  The Qing government enthusiastically promoted its martial accomplishments, and martial culture was in turn reflected in visual culture, religion, and popular culture.