Fans pick 100 books like Manchus and Han

This beautifully written book gives a picture of the life and times of one ordinary man. Unusually, he maintained a daily diary throughout his entire life, which was mostly lived in a remote—but certainly not isolated—village. Harrison highlights the tumultuous political, social, and economic changes China was undergoing through the lens of a man who lived from the Qing Empire through the 1911 Revolution and the warlord era and into the rise of the Communist movement.

Another beautifully written book, this one about how Beijing residents of all backgrounds found their identities in a tumultuously changing environment and how they fought with and against each other for political agency. Readers see into the lives of policemen, rickshaw-pullers, tram conductors, and the middle classes. It reminds me of how history is made brick by individual brick.

This book is by a man who has done as much as anyone to shape how historians approach the study of modern China. Here he not only looks at the rise and fall of the infamous Boxers (1898-1900) but also what the Boxer movement felt like to its various participants at the time, and finally the many strikingly different ways (myths) later generations have understood the Boxers. I learned how to better think about history from this book.

A good deal is known about the Westerners who dug up ancient artifacts in Central Asia (China’s Far West) in the late nineteenth and early twentieth centuries, not least because these explorers were great self-promoters. This book tells the story from the Chinese side, and it is a lot more interesting and complicated than you might expect. It is only with the birth of Chinese nationalism that the tens of thousands of artifacts now found in the museums and collections of the West came to be defined as Chinese and their loss defined as imperialist looting. By academic standards, this book is a page-turner.

I loved Elegant’s book because he included a highly detailed account of the period, an account only possible by a top China scholar.

Manchu is a fictional work set within a vivid history of 17th-century China when the Manchus from northeast Asia battled native Han Chinese causing the fall of the Ming dynasty (1368 to 1644). The great conflict is brought to life in a personal way, including the interactions of heroic characters, Eastern and Western. The result highlights varied perceptions of politics, warfare, and social relations. 

I appreciate Elegant’s blend of academic precision and detail with creative storytelling to make history so interesting. He encases facts in an emotional plot. Elegant is a master wordsmith who stimulates thought, valuable for understanding the Manchu period as well as individual introspection. 

If the Opium War represents the greatest threat to China’s global stature, the Taiping Rebellion certainly posed the greatest domestic challenge to the ruling dynasty. On the surface, the bare facts of the rebellion defy belief. Its leader, Hong Xiuquan, after failing the imperial civil service examination, came to believe that he was the younger brother of Jesus Christ and embarks on establishing a kingdom that upends thousands of years of beliefs by instituting a wide array of socially progressive ideas. Using both Chinese and Western sources, Chinese historian Stephen Platt breathes new life into both the extraordinary rise of Hong’s Taiping Kingdom and the imperial state’s ultimately successful response. Beautifully written, Platt’s account offers a captivating account of both the revolutionary ideology of the Taipings and the Chinese Confucian response.

Decades before Carl Crow helped transform Old Shanghai into a playground for the Waspy rich, a young Brit named Edmund Backhouse was reveling in the brothels of Beijing. Backhouse first arrived in China in 1899, where he served as a linguist and, he claimed, as a consultant for the Manchu court (where he also claims to have bedded Empress Dowager Cixi). By night, however, Backhouse was prowling the filthy backstreets for lascivious same-sex encounters with the Chinese, which he chronicled in a secret diary that remained unpublished until 2011. Egregious and borderline pornographic, no China expat (not even Isham Cook, cited below) has ever come close to matching Backhouse’s salaciousness. Should be read in concert with Hugh Trevor-Roper’s Hermit of Peking, who hypothesizes that Backhouse was nothing more than a charlatan with a vivid imagination.

Moment in Peking is an elegy to a lost world and a past way of life.

The main character, Yao Mulan, falls victim to human traffickers in 1900 as her family flees from Beijing. Although she is soon rescued, this experience turns her life in new and unexpected directions. We follow Yao Mulan through war, famine, and revolution, the fall of the Qing dynasty, the tumultuous Republican era, the rise of warlords, and the Japanese invasion in 1936, facing every challenge with indomitable courage.

This is a great evocation of early twentieth century Chinese history, from the perspective of someone who lived through terrible events.

To understand where China is now, and where it has been travelling from since 1949 when the People’s Republic was established, you need to grapple with the complex history that preceded that. German sinologist Klaus Muhlhahn expertly does this, succinctly drawing out the key theme of institution-building and showing how this provides the link between the final imperial period of the Qing to its collapse in 1911, and then the slow rise to power of the Communists over the 1920s to the 1940s when China was fragmented and beset by war. Accessible, authoritative, and ambitious.

Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.