Here are 100 books that Rickshaw Beijing fans have personally recommended if you like
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Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
This beautifully written book gives a picture of the life and times of one ordinary man. Unusually, he maintained a daily diary throughout his entire life, which was mostly lived in a remote—but certainly not isolated—village. Harrison highlights the tumultuous political, social, and economic changes China was undergoing through the lens of a man who lived from the Qing Empire through the 1911 Revolution and the warlord era and into the rise of the Communist movement.
In this beautifully crafted study of one emblematic life, Harrison addresses large themes in Chinese history while conveying with great immediacy the textures and rhythms of everyday life in the countryside in the late-nineteenth and early-twentieth centuries.
Liu Dapeng was a provincial degree-holder who never held government office. Through the story of his family, the author illustrates the decline of the countryside in relation to the cities as a result of modernization and the transformation of Confucian ideology as a result of these changes. Based on nearly 400 volumes of Liu's diary and other writings, the book illustrates what it…
Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
This book is by a man who has done as much as anyone to shape how historians approach the study of modern China. Here he not only looks at the rise and fall of the infamous Boxers (1898-1900) but also what the Boxer movement felt like to its various participants at the time, and finally the many strikingly different ways (myths) later generations have understood the Boxers. I learned how to better think about history from this book.
Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
I have long thought that one of the key ingredients of modern Chinese nationalism is a strong sense of ethnic identity for the people labeled “Han Chinese.” To a great extent this Han identity, though having ancient roots, was formed, elaborated, and ideologized around the turn of the twentieth century in opposition to the ruling Manchu Qing dynasty. This book shows how and why this happened.
China's 1911-12 Revolution, which overthrew a 2000-year succession of dynasties, is thought of primarily as a change in governmental style, from imperial to republican, traditional to modern. But given that the dynasty that was overthrown-the Qing-was that of a minority ethnic group that had ruled China's Han majority for nearly three centuries, and that the revolutionaries were overwhelmingly Han, to what extent was the revolution not only anti-monarchical, but also anti-Manchu?
Edward Rhoads explores this provocative and complicated question in Manchus and Han, analyzing the evolution of the Manchus from a hereditary military caste (the "banner…
Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
A good deal is known about the Westerners who dug up ancient artifacts in Central Asia (China’s Far West) in the late nineteenth and early twentieth centuries, not least because these explorers were great self-promoters. This book tells the story from the Chinese side, and it is a lot more interesting and complicated than you might expect. It is only with the birth of Chinese nationalism that the tens of thousands of artifacts now found in the museums and collections of the West came to be defined as Chinese and their loss defined as imperialist looting. By academic standards, this book is a page-turner.
From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely seen as "stolen" or "plundered" from their countries of origin, and demands for their return grow louder by the day. In this pathbreaking study, Justin M. Jacobs challenges the longstanding assumption that coercion, corruption, and deceit were chiefly responsible for the exodus of cultural treasures from northwestern China. Based upon a close analysis of previously neglected archival sources in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.
Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, The Sing-song Girls of Shanghai is now available for the first time in English. Neither sentimental nor sensationalistic in its portrayal…
A tiny mention of the legendary ‘fragrant concubine’ in a travelogue had me search out more information… and more and more until I’d researched and written the stories of four imperial concubines in the Qing era (18th century China). Some rose to power, while others fell to madness. Their extraordinary lives within the high red walls of the Forbidden City fascinated me. Along the way I found a banished empress and a real woman who had endless myths grow up around her, as well as secondary characters like the Italian Jesuit turned court painter. An irresistible era and way of life to explore, in all its shades of light and darkness.
An extraordinary tale of a chokingly claustrophobic household in historical China, in which four women (wives and concubines) jealously vie for attention and privilege. As the stakes grow higher, so do the dangers inherent in their choices. Made into the film Raise the Red Lanternby Zhang Yimou, for me, this is the gold standard on this theme.
The brutal realities of the dark places Su Tong depicts in this collection of novellas set in 1930s provincial China -- worlds of prostitution, poverty, and drug addiction -- belie his prose of stunning and simplebeauty. The title novella, "Raise the Red Lantern," which became a critically acclaimed film, tells the story of Lotus, a young woman whose father's suicide forces her to become the concubine of a wealthy merchant. Crushed by loneliness, despair, and cruel treatment, Lotus finds her descent into insanity both a weapon and a refuge.
"Nineteen Thirty-Four Escapes" is an account of a family's struggles during…
To experience another's thoughts and emotions, one first has to feel them. Eyes, lips, tongue, and teeth are involved before the brain/heart can engage. Translation of poetry is the same. My mother has sung Chinese poetry to me since forever, and English poetry came alive for me through verse speaking. I studied and taught as I wrote for many years. I cannot say I find my way into every poem I come across, but the poems I translate are ones I know and love. That is why I am passionate about translation. For me, it is not a secondary experience but a primary, primal performance art!
I read this English translation before I even read the book in Chinese, even though Chinese readers in Hong Kong where I grew up all read it as teenagers or young adults. The popular title of the novel is Dream of the Red Chamber, in both English and its original Chinese, but I immediately agreed with Hawkes that The Story of the Stone, one among its many titles, is much more expressive and fitting.
The eighteenth-century aristocratic family is a hugely complex world we are introduced to, but Hawkes’ faithful, resourceful, and unpretentious translation makes getting to know the multitude of characters easy and unforgettable.
Even though it is set in eighteenth-century China, for a twentieth/twenty-first-century English reader like myself, the family dynamics, tragedy, and romance here are palpable thanks to Hawke’s understanding and translation.
The Story of the Stone (c.1760) is one of the greatest novels of Chinese literature. The first part of the story, The Golden Days, begins the tale of Bao-yu, a gentle young boy who prefers girls to Confucian studies, and his two cousins: Bao-chai, his parents' choice of a wife for him, and the ethereal beauty Dai-yu. Through the changing fortunes of the Jia family, this rich, magical work sets worldly events - love affairs, sibling rivalries, political intrigues, even murder - within the context of the Buddhist understanding that earthly existence is an illusion and karma determines the shape…
I am a Professor Emeritus of Comparative Literature at the University of California, Riverside. I was brought up in the family of a Chinese poetry scholar. Arriving in the States for my graduate studies at Harvard in 1982, I have engaged myself in academia here ever since. Acutely aware of, and deeply fascinated by, the cultural similarities and differences of China and the West, I have continued my learning experience, in my thirty years of college teaching, often from direct exchanges with my students. The books on my list of recommendations include both required texts chosen for my courses, and those I want to share with what Virginia Woolf called the Common Reader.
This is a singular anthology of pre-modern Chinese travel writing from the first century A.D. to the 19th century, copiously illustrated with paintings, portraits, maps, and drawings. It offers a unique resource for Western travelers to China and for students of Chinese art, culture, history, and literature.
Alongside the scores of travel books about China written by foreign visitors, Chinese travelers' impressions of their own country rarely appear in translation. This anthology is the only comprehensive collection in English of Chinese travel writing from the first century A.D. through the nineteenth. Early examples of the genre describe sites important for their geography, history, and role in cultural mythology, but by the T'ang dynasty in the mid-eighth century certain historiographical and poetic discourses converged to form the 'travel account' (yu-chi) and later the 'travel diary' (jih-chi) as vehicles of personal expression and autobiography. These first-person narratives provide rich…
I am a translator specializing in Chinese historical novels, and also an academic researching marginalized groups in Chinese history—ethnic minorities, the disabled, people with mental health issues, and so on. The treatment of marginalized people tells you a lot about what is going on within mainstream society. I’ve always been interested in stories about people from distant times and places, and I have a particular love of long sagas, something that you can really get your teeth into. Kingdoms in Peril covers five hundred years of history: I translated this for my own enjoyment and was surprised when I realized that I’d managed to write 850,000 words for fun!
Moment in Peking is an elegy to a lost world and a past way of life.
The main character, Yao Mulan, falls victim to human traffickers in 1900 as her family flees from Beijing. Although she is soon rescued, this experience turns her life in new and unexpected directions. We follow Yao Mulan through war, famine, and revolution, the fall of the Qing dynasty, the tumultuous Republican era, the rise of warlords, and the Japanese invasion in 1936, facing every challenge with indomitable courage.
This is a great evocation of early twentieth century Chinese history, from the perspective of someone who lived through terrible events.
The English Works of Lin Yutang collected and published this time lists more than 10 influential original works including A Leaf in the Storm, The Wisdom of Laotse and Lady Wu besides My Country and My People, Moment in Peking, The Art of Living published by our press. It is the first time for such a collection to be published in China and also for some of them to appear in original English. In addition, in order to better introduce and display Lin Yutang and his works, we have collected precious photos from his former residence in Taipei and his…
The first time I ever had Chinese food was as a 20-year-old junior in college, on the first night of studying abroad for a semester in Nanjing, China. (Luckily, I liked it.) Confucianism was not in my upbringing, at least not explicitly or on purpose. I happened upon China as a freshman at Yale in the 1980s, immersed myself in the language, and went on to earn a PhD in Chinese philosophy. I have taught at Wesleyan University since 1994, and my favorite comment from students is that they find my classes among the most “relevant” things they take—even when we’re studying twelfth-century medieval Confucianism.
Most books on the history of Confucianism are dry and concentrated on the earliest period, during and soon after Confucius lived. I’m not saying Confucius himself wasn’t important, but the greatness of Tony Swain’s book is that it manages to be both fascinating and engaging, even occasionally snarky, while also bringing the story of Confucianism all the way up to the twenty-first century. If you want to think about Confucianism as something important today, it helps to understand the evolving ways the tradition has been lived throughout the centuries.
This accessible history of Confucianism, or the 'Way of the Ru', emphasizes the religious dimensions of the tradition. It clearly explains the tradition's unique and subtle philosophical ideals as well as the 'arts of the Ru' whereby seemingly simple acts such as reading, sitting quietly, good manners, and attending to family and state responsibilities, became ways of ultimate transformation.
This book explains the origins of the Ru and documents their impact in imperial China, before providing extensive coverage of the modern era. Confucianism in China: An Introduction shows how the long history of the Ru is vital to comprehending China…
