100 books like China's Good War

I was reviewing Qu Leilei’s Everyone’s life is an Epic at the Ashmolean when a chance encounter changed my life. While writing Qu's profile, I learned about the first contemporary art movement in China - the Stars in Beijing in 1979 - and spent three years interviewing him for the background to Brushstrokes in Time. 

Leilei’s art is imbued with deep humanity but he is also a fine teacher- hence my recommending The Tao of Sketching. Daoism influenced traditional Chinese art and is a focus for meditation. The empty space is important. If you want to get into that cultural mindset, try Leilei’s books.

Michael Sullivan was a leading expert on twentieth-century Chinese art and he and his partner Choan donated his world-class collection to the Ashmolean - the world’s first public museum. The cover portrait is by Qu Leilei. This tribute book includes ten essays by friends, colleagues, art experts, and artists including Qu Leilei and Weimin He. Linking visual arts, calligraphy, and poetry is very Chinese. Strangely, Michael Sullivan’s first visit to China was in 1939 driving an ambulance for the Red Cross.

In addition to the novel's comedy and adventure, it has been enjoyed for its biting satire of society and Chinese bureaucracy and for its allegorical presentation of human striving and perseverance. Just as the stories of ancient Greece have left their mark on Western culture, so too do their traditional myths and legends deeply resonate in China. Monkey and Pigsy delight but they are accompanying Tang Sanzang who is based on the Buddhist monk Xuanzang ( 602-664CE) who travelled to India in the seventh century. I’m biased because I also use him in my Oxford /India novel Sculpting the Elephant but there is something of the modern superhero stories about Journey to the West. 

Fiction and biography are a good way of walking in someone else’s shoes. Although this biography isn’t a gripping read, I’d recommend it for anyone interested in depth about Chinese culture and society and how it changed over one hundred years. It follows the lives of well-educated sisters from a prosperous background not just in Beijing and Shanghai but in a diversity of provinces too.

For many years, American views of the China’s role in World War II were strongly influenced by Barbara Tuchman’s best-selling, Stilwell and the American Experience in China published in 1971. Tuchman painted China’s war effort as brave but costly and ineffective thanks to the incompetence and corruption of Chiang Kai Shek. Portrayed as a kind of Chinese George Washington in the U.S. media, Tuchman saw Chiang as being in fact, far less interested in defeating the Japanese than in ensuring that his regime survived the war in a position to vanquish its domestic rivals, especially Mao Zedong’s Communists 

In contrast, Mittar’s focus is not on policy squabbles or specific military issues but on the overall impact of the war on China and its people. He highlights that country’s remarkable achievement, not in winning battles but in surviving the Japanese onslaught for eight long years despite the early loss of almost… show more.

This book is the comparatively underrated one among my five choices, but I guarantee it worthwhile. Peck went to China in 1935. He served in the U.S. Office of War Information in China throughout the 1940s. This memoir chronicles his life in China from the beginning of the Japanese invasion to the end of the Pacific War, during which the U.S. was the ally of the Nationalists, who lost to the Communists in the following years. The China Peck described was a sleepy, isolated world, characterized by apathetic people, rampant corruption, and senseless internal friction. When the book first came out in 1950, the Communists took over China a few months ago, and the Americans were in a hot debate, “Who lost China?” The valuable historical and political information Peck provided in this book offered a unique voice to answer the burning question. His opinion of China could be summarized… show more.

This was a major battle that happened in 1937, right before the Rape of Nanking. After the fall of Shanghai, the Japanese army would march toward, Nanking (Nanjing), the capital of China then. Although it was front page news throughout much of the world then, few people other than historians know it today. It is no hyperbole to call the battle Stalingrad on the Yangtze. The book reads like an engrossing historical novel.

In my opinion, you cannot fully understand the Pacific War without grasping the tragedy of the undeclared Sino-Japanese War which preceded Pearl Harbor by virtually four and a half years. Remarkably, however, the story is not well known. It’s often passed over as if it was of hardly any consequence at all. Far from being a minor item on the road to war, however, China’s horrendous struggle with Japan is pivotal because it managed to suck in arguably the best troops of the Imperial Japanese Army and kept them fighting throughout the duration of the Pacific War. This ensured that they couldn’t be released to go elsewhere because China refused to give in. Mitter’s excellent book reveals why this dramatic fight for survival influenced Chinese leaders both then and now.

Shanghai, which was once called the “Hollywood of Asia,” has always been a cinematic city par excellence, so a good way to describe the charms of this book is via movie terms. In one sense, it zooms in tightly on a specific day in the history of the city and what was happening in a single setting. It mixes close-ups of a horse race and some people who came to watch it, though, with wide-angle shots and flashbacks. The author, a skilled historian with deep knowledge of Chinese history and a stylish writer, moves effortlessly between Shanghai in the early 1940s as the Japanese military’s World War II era grip on the city and much of China was tightening and earlier points in its past. He also moves fluidly between the racecourse—a potent symbol, as during the height of the British imperial period, Britons would often build these to mark… show more.

Janie Chang is a master writer who weaves the power of myth into her story of a 1937 escape of Chinese university students as Japanese bombs drop on their city. Charged with protecting an irreplaceable trove of ancient books, the students face air raids, a ragged life on the road, and a growing fear of traitors from within. The Library of Legends is an evocative tale of love, war, and survival, beautifully written.