100 books like Four Sisters of Hofei

I was reviewing Qu Leilei’s Everyone’s life is an Epic at the Ashmolean when a chance encounter changed my life. While writing Qu's profile, I learned about the first contemporary art movement in China - the Stars in Beijing in 1979 - and spent three years interviewing him for the background to Brushstrokes in Time. 

Leilei’s art is imbued with deep humanity but he is also a fine teacher- hence my recommending The Tao of Sketching. Daoism influenced traditional Chinese art and is a focus for meditation. The empty space is important. If you want to get into that cultural mindset, try Leilei’s books.

Michael Sullivan was a leading expert on twentieth-century Chinese art and he and his partner Choan donated his world-class collection to the Ashmolean - the world’s first public museum. The cover portrait is by Qu Leilei. This tribute book includes ten essays by friends, colleagues, art experts, and artists including Qu Leilei and Weimin He. Linking visual arts, calligraphy, and poetry is very Chinese. Strangely, Michael Sullivan’s first visit to China was in 1939 driving an ambulance for the Red Cross.

I am disturbed by what is happening in Hong Kong and Xinjiang but it’s important to take a long and balanced view if we want to influence China. Chinese dynasties harbour long memories including the humiliation of the Opium Wars and the sacking of the Imperial Summer Palace by colonial powers and the atrocities committed by Japan in WW2 in China. If we start by empathising with this shared but forgotten history of China in WW2, maybe we can help swing the pendulum to one that respects the diversity that is needed in both East and West.

In addition to the novel's comedy and adventure, it has been enjoyed for its biting satire of society and Chinese bureaucracy and for its allegorical presentation of human striving and perseverance. Just as the stories of ancient Greece have left their mark on Western culture, so too do their traditional myths and legends deeply resonate in China. Monkey and Pigsy delight but they are accompanying Tang Sanzang who is based on the Buddhist monk Xuanzang ( 602-664CE) who travelled to India in the seventh century. I’m biased because I also use him in my Oxford /India novel Sculpting the Elephant but there is something of the modern superhero stories about Journey to the West. 

This book by the leading expert on China’s feminist movement speaks to the modern-day realities of women in China – where the promise of the Communist revolution to deliver gender equality has been betrayed. Today’s women in China have experienced a dramatic rollback of the rights and gains they achieved early on. The structural discrimination against women in all sectors, from politics to business to relationships, is not easily overturned.

This short classic was one of the first books I read when I began studying China, and that drew me into the subject of rural life.

The story of the death of Woman Wang (nothing more is known of her name) is gripping and tragic, and it is beautifully written.

I really enjoyed this bracing and saucy novel as a cheery counterpoint to the many much bleaker artistic works about migrant life. It charts the life and times of the young women who journeyed to the economic heartlands of South China in search of work during the 1990s and early 2000s.

The protagonist is Xiaohong, a young woman so mesmerizingly voluptuous that everyone in the novel, from its narrator down to the most incidental character, is hopelessly distracted by her bosom. At times, I did find this metaphor for personal capital in a precarious era a bit overblown.

But as Xiaohong moves from job to job – hair salon, toy factory, hotel, hospital – I realized that the fixation with her body is a way of marking both her vulnerability and her resilience as a woman on the move, if not necessarily on the up, in a society that has… show more.

Like her or not, the reigning queen of the naughty girl subgenre of Chinese literature decidedly is Wei Hui, whose debut, Shanghai Baby, was a cultural phenomenon that resulted in public book burnings, an international media frenzy, dozens of imitators, and one so-bad-it’s-good movie adaptation starring Bai Ling. Not that Wei Hui is a particularly well-regarded writer – Shanghai Baby is basically a knockoff of shallow Western-style chick-lit, about a designer-brand-obsessed young woman who has an affair with a married foreigner – but in 1999 it was groundbreaking for kicking the publishing doors down for the post-1970s generation of Chinese writers.

I loved this little book because, in just a short space, it takes you into what it was like to live through the Taiping Rebellion, one of the most important events in China’s nineteenth century, and it does it through the eyes of a child. It’s an amazing viewpoint, and the stories are dramatic.

The introduction, which explains all the background, and translation by Xiaofei Tian, who is a well-known poet in Chinese as well as a professor at Harvard, is also beautifully written.

Here we have the most politically incorrect of novels, an unflinchingly vicious take on China by a Westerner, though Party Members (pun on the second word) does have an acknowledged precursor in fellow Englishman Ralph Townsend’s Ways That Are Dark, an equally unsentimental account of China published in 1933. We follow the faceless bureaucrat protagonist, Yang Wei, as he inventively combines his passions for sex and KFC (China’s comfort food of choice) at one and the same time, and eggs on the state-sanctioned thugs who set his mother’s house on fire to clear it for developers – with her inside. To be fair, China is evolving out of the nasty pre-2008 Olympics era Meursault is documenting and this is after all satire. But the novel is not only very funny, it’s required reading precisely due to its pariah status.