Here are 100 books that Leftover Women fans have personally recommended if you like
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I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
How often do we consider the people behind the objects we use every day?
This book offers an unrivalled glimpse into the lives of the female workers who manufacture many of the products we take for granted and, in so doing, provides a human face to China’s rapid development. Through her interactions and interviews, Chang illustrates how the emergence of new industrial metropolises is transforming the opportunities and aspirations of young rural women.
While she does not shy away from showing the grittier aspects of China’s colossal factories, crucially, Chang demonstrates how their workers are autonomous individuals with concerns and dreams both relatable and unfamiliar.
This stimulating read is one of my favourite texts to use with university students, raising, as it does, all sorts of questions about gender, class, culture, and individual agency, but it has much to offer a wider audience, too, not least in providing an important…
An eye-opening and previously untold story, Factory Girls is the first look into the everyday lives of the migrant factory population in China.
China has 130 million migrant workers—the largest migration in human history. In Factory Girls, Leslie T. Chang, a former correspondent for the Wall Street Journal in Beijing, tells the story of these workers primarily through the lives of two young women, whom she follows over the course of three years as they attempt to rise from the assembly lines of Dongguan, an industrial city in China’s Pearl River Delta.
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
This book is indeed a “creation of comic genius,” as Nick Hornby blurbed. The movie didn’t do anything for me; I found Renée Zellweger quite blah, and Hugh Grant was playing the British cad as usual. However, the book was so funny I had a hard time putting it down.
Basically, it is about Bridget, a British “Everywoman” who falls into the clutches of her slimy boss, Daniel, while on a quest for the traditional Holy Grail of womanhood—true love. One of the things I most enjoyed about this chick-lit classic was the rather graphic booze-and-smoking sessions, as well as the eccentric minor characters, especially Bridget’s mother. My mother is also a maverick and very much a free spirit, so this really resonated with me.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
I have specialized in writing about Asia since first moving to Hong Kong as a journalist in 1989, and spent the past three decades trying to improve understandings between East and West. My Asian women friends repeatedly asked me why Western men expected them to pour their drinks and serve them food. I answered “because that’s what they saw in the movies.” The James Bond films perpetuating these images of servile Asian women scrubbing white mens’ backs in the bathtub were pervasive when they were growing up. I decided to uncover and explain where this history of imagery and the stereotypes they result in come from – and, as someone with an anthropological background, also explain cultural practices that foster misunderstandings.
This collection of hidden testimonies of women in China, based on call-ins to a radio show in the 199Os, depicts what women think and feel about their world and their realities. We hear women speaking for the first time about forced marriages, poverty, persecution, love – and their triumphs. It is key to understanding the thoughts and feelings behind what we think we know.
For eight groundbreaking years, Xinran presented a radio programme in China during which she invited women to call in and talk about themselves. Broadcast every evening, Words on the Night Breeze became famous through the country for its unflinching portrayal of what it meant to be a woman in modern China. Centuries of obedience to their fathers, husbands and sons, followed by years of political turmoil had made women terrified of talking openly about their feelings. Xinran won their trust and, through her compassion and ability to listen, became the first woman to hear their true stories.
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I have specialized in writing about Asia since first moving to Hong Kong as a journalist in 1989, and spent the past three decades trying to improve understandings between East and West. My Asian women friends repeatedly asked me why Western men expected them to pour their drinks and serve them food. I answered “because that’s what they saw in the movies.” The James Bond films perpetuating these images of servile Asian women scrubbing white mens’ backs in the bathtub were pervasive when they were growing up. I decided to uncover and explain where this history of imagery and the stereotypes they result in come from – and, as someone with an anthropological background, also explain cultural practices that foster misunderstandings.
This book takes what you think you know about China’s Last Empress, Cixi, and turns it upside down. Far from the monster created by puerile Western conquerors to justify their imperial domination over China, this historical account uncovers the reality behind the woman who held great power in China. This reality is core to the destruction of the Dragon Lady stereotype in Western culture that I lay out in my book.
The author of The Soong Dynasty gives us our most vivid and reliable biography yet of the Dowager Empress Tzu Hsi, remembered through the exaggeration and falsehood of legend as the ruthless Manchu concubine who seduced and murdered her way to the Chinese throne in 1861.
I have specialized in writing about Asia since first moving to Hong Kong as a journalist in 1989, and spent the past three decades trying to improve understandings between East and West. My Asian women friends repeatedly asked me why Western men expected them to pour their drinks and serve them food. I answered “because that’s what they saw in the movies.” The James Bond films perpetuating these images of servile Asian women scrubbing white mens’ backs in the bathtub were pervasive when they were growing up. I decided to uncover and explain where this history of imagery and the stereotypes they result in come from – and, as someone with an anthropological background, also explain cultural practices that foster misunderstandings.
By reading this actual account by a woman who became a geisha herself, you will come to understand how far from reality the fictional book Memoirs of a Geisha, written by a man, really was. This is the best-ever portrait of this world and the women – far
from the pining, love-besotted servants – who inhabit it.
Ever since Westerners arrived in Japan, they have been intrigued by Japanese womanhood and, above all, by geisha. This fascination has spawned a wealth of extraordinary fictional creations, from Puccini’s Madame Butterfly to Arthur Golden’s Memoirs of a Geisha. But as denizens of a world defined by silence and mystery, real geisha are notoriously difficult to meet and even to find. As a result, their history has long been cloaked in secrecy.
Lesley Downer, an award-winning writer, Japanese scholar, and consummate storyteller, gained more access to this world than almost any other Westerner, and spent several months living in it.…
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
This book is about a young man and woman who had a chance encounter as university students and became close friends. This book follows a will-they-won’t-they trajectory and struck a deep chord with me because it shows how one serendipitous encounter can change your life forever and how relationships of all nature are dynamic, subject to ebb and flow. The differences in character between the protagonists—bookish, no-nonsense Emma and the laissez-faire playboy Dexter—also added to the dramatic and romantic tension.
This novel has a strange mix of lightness and depth that I found very satisfying. I also enjoyed the 2011 movie based on the book starring Anne Hathaway; it’s what drew my attention to the book in the first place.
'ONE DAY is destined to be a modern classic' - Daily Mirror Twenty years, two people, ONE DAY. The multi-million copy bestseller that captures the experiences of a generation. 'I can imagine you at forty,' she said, a hint of malice in her voice. 'I can picture it right now.' He smiled without opening his eyes. 'Go on then.' 15th July 1988. Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways. So where will they be on this one day next year? And the year after that? And…
We’ve all experienced the overwhelming level of political and social divisiveness in our country. This invisible “virus” of negativity is, in part, the result of the name-calling and heated rhetoric that has become commonplace among commentators and elected leaders alike.
My book provides a clear perspective on the historical and…
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
This is a bittersweet novel that actually made me cry, and there are not a lot of books that have this effect on me. It is a story about a chance encounter between an American woman and a South African man that touches both for a lifetime.
Both struggle against the practicalities of life to make their relationship work, but despite the obstacles and other love interests they encounter, they are unable to forget each other. Sparks, as a male author, is an absolute master at capturing a female protagonist’s thoughts and emotions and at describing moods and landscapes (especially North Carolina). As a reader, I found myself deeply empathizing with Hope and Tru and rooting for a happy ending.
There are times when destiny and love collide. This story is one of them.
From the number one bestselling author of The Notebook and Two by Two comes an unforgettable tale of enduring love . . .
Hope Anderson is at a crossroads. After six years with her boyfriend, she is no longer sure what she wants, and when her father becomes ill she heads to her family's cottage at Sunset Beach in North Carolina to make some difficult decisions.
Tru Walls has been summoned across an ocean from where he was born and raised in Zimbabwe by a letter…
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
Stylistically, Erich Segal is my idol because he has a distinct, crisp, clean writing style that he could leverage for dramatic effect. I was intrigued by the fact that he was a classicist by profession; I myself minored in Latin and Greek at the university.
Segal wrote successfully not only for scholarly readers but also for the general public, which is not an easy feat. Segal claimed that Love Story ruined his academic career, but this is actually the book people remember him for today. As a young woman, I enjoyed his novel Love Story, but as a middle-aged woman, I prefer Man, Woman, and Child because it is more nuanced and deals with post-marital responsibilities and challenges that a couple must navigate together if they want their marriage to survive.
From Erich Segal comes an unforgettable story of love: the drama of a father and the son he never knew . . . and a marriage that must stand the greatest test of all.
Bob and Sheila Beckwith had everything: rewarding careers, two wonderful daughters, and a perfect marriage . . . almost perfect. For what Sheila didn’t know was that Bob has once been unfaithful—only once, ten years ago during a business trip to France. What Bob didn’t know was that his brief affair produced a son. Now a tragic accident—and one fateful phone call—will change Bob and Sheila’s…
Born and raised in China, I moved to Canada in my late 20s to pursue a master's degree and stayed here, becoming a first-generation immigrant. But home is always home—my ancestors lived and died on that land. My country's history, culture, traditions, and social structures deeply fascinate me, especially its modern history, which has profoundly shaped me. China's history is rich, captivating, and often brutal, and I believe the world needs to know what we have gone through. The five books I recommend, including works by two Nobel Prize-winning authors, are literary masterpieces. They not only offer deep insights into China's modern history but also showcase extraordinary literary artistry.
I love this book for its epic structure, character development, intricate and complex plotlines, rich imagination, poetic language, and use of magical realism.
The book spans several decades, covering significant events in 20th-century China from the 1920s to the 1990s across four generations. Through this multi-generational lens, Mo Yan explores themes of family, identity, and the impact of historical events on individual lives. Each character is so unique that after reading the book, I wrote a group of poems, two to four lines for each of the fifteen main and supporting characters. For protagonist Jin Tong, I wrote, “You are the hope of the Shangguan family, yet you live so pathetically.”
For his mother, I wrote, “The old cow eats grass, but what it gives is milk; the mother swallows tears, but what flows out is blood.” Mo Yan's sharp insights, profound reflections, and vivid prose reveal the harsh realities…
Each of the seven chapters represents a different time period, from the end of the Quing dynasty, up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. This novel is the author's vision of the 20th century.
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
I’m a historian of modern China in the department of Chinese at the University of Oxford. I started off working on the twentieth century but have been drawn back into the Qing dynasty. It’s such an interesting and important period and one that British students often don’t know much about!
"Spence shows himself at once historian, detective, and artist. . . . He makes history howl." (The New Republic)
Award-winning author Jonathan D. Spence paints a vivid picture of an obscure place and time: provincial China in the seventeenth century. Life in the northeastern county of T'an-ch'eng emerges here as an endless cycle of floods, plagues, crop failures, banditry, and heavy taxation. Against this turbulent background a tenacious tax collector, an irascible farmer, and an unhappy wife act out a poignant drama at whose climax the wife, having run away from her husband, returns to him, only to die at…
