Here are 100 books that Dragon Lady fans have personally recommended if you like
Dragon Lady.
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I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
How often do we consider the people behind the objects we use every day?
This book offers an unrivalled glimpse into the lives of the female workers who manufacture many of the products we take for granted and, in so doing, provides a human face to China’s rapid development. Through her interactions and interviews, Chang illustrates how the emergence of new industrial metropolises is transforming the opportunities and aspirations of young rural women.
While she does not shy away from showing the grittier aspects of China’s colossal factories, crucially, Chang demonstrates how their workers are autonomous individuals with concerns and dreams both relatable and unfamiliar.
This stimulating read is one of my favourite texts to use with university students, raising, as it does, all sorts of questions about gender, class, culture, and individual agency, but it has much to offer a wider audience, too, not least in providing an important…
An eye-opening and previously untold story, Factory Girls is the first look into the everyday lives of the migrant factory population in China.
China has 130 million migrant workers—the largest migration in human history. In Factory Girls, Leslie T. Chang, a former correspondent for the Wall Street Journal in Beijing, tells the story of these workers primarily through the lives of two young women, whom she follows over the course of three years as they attempt to rise from the assembly lines of Dongguan, an industrial city in China’s Pearl River Delta.
I have specialized in writing about Asia since first moving to Hong Kong as a journalist in 1989, and spent the past three decades trying to improve understandings between East and West. My Asian women friends repeatedly asked me why Western men expected them to pour their drinks and serve them food. I answered “because that’s what they saw in the movies.” The James Bond films perpetuating these images of servile Asian women scrubbing white mens’ backs in the bathtub were pervasive when they were growing up. I decided to uncover and explain where this history of imagery and the stereotypes they result in come from – and, as someone with an anthropological background, also explain cultural practices that foster misunderstandings.
This collection of hidden testimonies of women in China, based on call-ins to a radio show in the 199Os, depicts what women think and feel about their world and their realities. We hear women speaking for the first time about forced marriages, poverty, persecution, love – and their triumphs. It is key to understanding the thoughts and feelings behind what we think we know.
For eight groundbreaking years, Xinran presented a radio programme in China during which she invited women to call in and talk about themselves. Broadcast every evening, Words on the Night Breeze became famous through the country for its unflinching portrayal of what it meant to be a woman in modern China. Centuries of obedience to their fathers, husbands and sons, followed by years of political turmoil had made women terrified of talking openly about their feelings. Xinran won their trust and, through her compassion and ability to listen, became the first woman to hear their true stories.
I have specialized in writing about Asia since first moving to Hong Kong as a journalist in 1989, and spent the past three decades trying to improve understandings between East and West. My Asian women friends repeatedly asked me why Western men expected them to pour their drinks and serve them food. I answered “because that’s what they saw in the movies.” The James Bond films perpetuating these images of servile Asian women scrubbing white mens’ backs in the bathtub were pervasive when they were growing up. I decided to uncover and explain where this history of imagery and the stereotypes they result in come from – and, as someone with an anthropological background, also explain cultural practices that foster misunderstandings.
By reading this actual account by a woman who became a geisha herself, you will come to understand how far from reality the fictional book Memoirs of a Geisha, written by a man, really was. This is the best-ever portrait of this world and the women – far
from the pining, love-besotted servants – who inhabit it.
Ever since Westerners arrived in Japan, they have been intrigued by Japanese womanhood and, above all, by geisha. This fascination has spawned a wealth of extraordinary fictional creations, from Puccini’s Madame Butterfly to Arthur Golden’s Memoirs of a Geisha. But as denizens of a world defined by silence and mystery, real geisha are notoriously difficult to meet and even to find. As a result, their history has long been cloaked in secrecy.
Lesley Downer, an award-winning writer, Japanese scholar, and consummate storyteller, gained more access to this world than almost any other Westerner, and spent several months living in it.…
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
I bought this book on a whim, as a second-hand book, with proceeds going to help stray animals in China. I was delighted to discover it was an autographed copy and that the book was originally a PhD thesis.
This book is a sobering account of the gender inequalities that women still face in China today that are exacerbated by marriage, with case studies. It provides a cold, stark contrast to the romantic novels I enjoy reading and is a wake-up call that more needs to be done to promote gender equality, not only in China, where I live but around the world.
Gender issues have always intrigued me, and as a PhD holder myself, I have been referred to as a member of the “third gender” in China.
'Scattered with inspiring life-stories of courageous women.' The Guardian
In the early years of the People's Republic, the Communist Party sought to transform gender relations. Yet those gains have been steadily eroded in China's post-socialist era.
Contrary to the image presented by China's media, women in China have experienced a dramatic rollback of rights and gains relative to men.
In Leftover Women, Leta Hong Fincher exposes shocking levels of structural discrimination against women, and the broader damage this has caused to China's economy, politics, and development.
I'm Professor and Director of the Gender and Women’s History Research Centre at the Australian Catholic University. I've always been interested in the power of ideologies about gender to shape people’s lives, and in the experiences of women in times past. I started off exploring these topics in early modern Europe and then looked at how women, and ideas about gender, shaped the ways European peoples engaged in the world at this period. This has helped me to see the very significant ways that the lives of women and men are always shaped by gender ideologies across the globe and across time, and the innovative ways that people respond to the challenges and opportunities that they encounter.
Jung Chang, best known as the author of Wild Swans: Three Daughters of China, here turns her considerable creative skill to the story of the woman who rose to the height of power in one of the world’s most important empires. Cixi’s trajectory from concubine to mother of the Tongzhi Emperor reminds us how sexual and reproductive labour are often critical to women’s access to power.
Chang locates Cixi’s personal experiences, enjoying extreme luxury in secluded palaces yet displaying keen interest in the outside world that China was forced to confront, against a grand narrative of extraordinary changes to the empire Cixi was charged to safeguard. Chang presents a strongly sympathetic analysis of Cixi but the complex ambitions, many contradictions and perceived failures of this powerful woman ensure that she will remain the subject of continued debate.
Empress Dowager Cixi (1835-1908) is the most important woman in Chinese history. She ruled China for decades and brought a medieval empire into the modern age.
At the age of sixteen, in a nationwide selection for royal consorts, Cixi was chosen as one of the emperor's numerous concubines and sexual partners. When he died in 1861, their five-year-old son succeeded to the throne. Cixi at once launched a palace coup against the regents appointed by her husband and made herself the real ruler of China - behind the throne, literally, with a silk screen separating her from her officials who…
A tiny mention of the legendary ‘fragrant concubine’ in a travelogue had me search out more information… and more and more until I’d researched and written the stories of four imperial concubines in the Qing era (18th century China). Some rose to power, while others fell to madness. Their extraordinary lives within the high red walls of the Forbidden City fascinated me. Along the way I found a banished empress and a real woman who had endless myths grow up around her, as well as secondary characters like the Italian Jesuit turned court painter. An irresistible era and way of life to explore, in all its shades of light and darkness.
A nobody-concubine rises to become Empress of China, making her way through the rituals and backstabbing of the imperial court. This is the closest to my own books and I loved the detail and the insights into the latter part of the Qing era, as well as the feeling of time running out for the imperial way of life.
To rescue her family from poverty and avoid marrying her slope-shouldered cousin, seventeen-year-old Orchid competes to be one of the Emperor's wives. When she is chosen as a lower-ranking concubine she enters the erotically charged and ritualised Forbidden City. But beneath its immaculate facade lie whispers of murders and ghosts, and the thousands of concubines will stoop to any lengths to bear the Emperor's son. Orchid trains herself in the art of pleasuring a man, bribes her way into the royal bed, and seduces the monarch, drawing the attention of dangerous foes. Little does she know that China will collapse…
My graduating class in high school once designated me as “the most likely to start a feminist revolution.” That was a lot to live up to, but I’ve made a very small stab at it by writing about women who have changed our world. I love to bring awareness about the contributions great women have made in history, but I also want modern women to see themselves in these struggles. I always say that Historical Fiction is an exercise of empathy, and I hope my work encourages women today to get involved and make a difference in the world, too.
I adored this book because it gives us a peek into the early life of Chinese Empress Wu. Weina Dai Randel did her homework, and her words absolutely blossomed in ancient China.
With an extremely sympathetic young protagonist who rises to be a force in the Emperor’s court, this book captivated me. I also remember it as being rather romantic in its way.
"Randel's gorgeous debut novel seductively pulls back the curtain to reveal the heartbreaking world of...China."-Stephanie Dray, NYT bestselling Author of America's First Daughter A thrilling work of historical fiction, bringing romance, intrigue, and the unexpected rise of an Empress to intoxicating life under the inscrutable moon. In Tang Dynasty China, a concubine at the palace learns quickly that there are many ways to capture the Emperor's attention. Many hope to lure in the One Above All with their beauty. Some present him with fantastic gifts, such as jade pendants and scrolls of calligraphy, while others rely on their knowledge of…
As an author and a lifelong lover of books, I read all genres. My favorites are set in fantastical worlds with unique settings. The mash-up of history and fantasy is endlessly compelling to me, and I always want to see a romantic subplot (or main plot!) in the books I read. I want a happily-ever-after even when the strange world and its villains are conspiring against the main characters.
This truly lovely historical novella is set in a fantastical version of ancient China and incorporates mythology that I’m certain I didn’t completely understand. However, the bittersweet tale, told by a former handmaiden named Rabbit to a traveling cleric, is gorgeous enough to stand without any background knowledge. This is a tale I will return to more than once, for its compelling story and nostalgic tone.
Winner of the 2020 Crawford Award! Winner of the 2021 Hugo Award! A Hugo Award-Winning Series!
A 2021 Locus Award Finalist A 2021 Ignyte Award Finalist A Goodreads Choice Award Finalist
"Dangerous, subtle, unexpected and familiar, angry and ferocious and hopeful... The Empress of Salt and Fortune is a remarkable accomplishment of storytelling."―NPR
A 2020 ALA Booklist Top Ten SF/F Debut | A Book Riot Must-Read Fantasy of 2020 | A Paste Most Anticipated Novel of 2020 | A Library Journal Debut of the Month | A Buzzfeed Must-Read Fantasy Novel of Spring 2020 | A Washington Post Best SFF…
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
If you are looking for something slightly different than the standard historical biography, nobody writes about ancient Rome quite like Emma Southon does.
She manages to take everything you think you know, turn it on its head, and make you think about it in an entirely new way, all while cackling involuntarily so hard that you drop the book. Her biography of the empress Agrippina is simultaneously profane and hilarious while still managing to be erudite and authoritative.
Sister of Caligula. Wife of Claudius. Mother of Nero. The story of Agrippina, at the center of imperial power for three generations, is the story of the Julio-Claudia dynasty—and of Rome itself, at its bloody, extravagant, chaotic, ruthless, and political zenith.
In her own time, she was recognized as a woman of unparalleled power. Beautiful and intelligent, she was portrayed as alternately a ruthless murderer and helpless victim, the most loving mother and the most powerful woman of the Roman empire, using sex, motherhood, manipulation, and violence to get her way, and single-minded in her pursuit of power for herself…
I’ve always been captivated by stories about powerful women. After a corporate career as one of the first female executives in the international world of Wall Street, while raising two children as a single working parent, I returned to academia. I am a magna cum laude graduate of Smith College, hold a doctorate in modern European history, with academic distinction, from New York University. I wanted to ascertain whether the mostly male writers of history were correct in attributing the success of exceptional women to the bedroom. Meticulous research yielded a different narrative, one I delight in sharing.
British historian Madariaga, an expert in the field of eighteenth-century Russia, gives the reader a balanced, up-to-date, and insightful, multi-faceted yet concise, description of the vast empire that constituted Catherine’s Russia. The author describes how a minor German princess seized the Romanov throne, how she contrived to become an autocrat ruling over all the Russias, and, how during her thirty-four-year reign, Catherine guided her country into becoming a major player in international power politics.
An eminent scholar of Russian history here presents the most informative, balanced, and up-to-date short study of Catherine the Great and her reign. This edition includes a new preface dealing with recently discovered sources and revised interpretations of the period. Praise for the earlier edition: "A panoramic view of Russia's social, political, economic, and cultural development and of its emergence as a formidable power in the international arena during the thirty-four years of [Catherine's] reign."-Anthony Cross, New York Times Book Review "De Madariaga's book will be the standard and an essential guide for all students and scholars of Russian and…
