The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
The prevailing narrative regarding adoption, at least in the U.S., is crafted by adoption professionals and adoptive parents and largely overlooks the experiences of the parties directly impacted—the adoptees themselves. As an adoptee—one who undertook a search for and was reunited with my first family, reassuming the name I was given at birth—I am always on the lookout for the work of other adoptees. Only we truly understand what it is like to be “split” between two families, to lose our roots and culture, and—perhaps most devastating—not to have our losses acknowledged. These stories, by Ethiopian adoptees, challenge traditional narratives that cast adoption as a benevolent practice, revealing the racist, classist, and colonialist roots that give rise to the modern institution. The stories speak to themes of displacement, bewilderment, and what it is like to grow up estranged from one’s culture, identity, and roots.
Lions Roaring Far From Home: An Anthology by Ethiopian Adoptees includes the essays and poems of 33 writers, ages 8 to over 50, raised in six countries (the US, Canada, Sweden, France, the Netherlands, and Australia). It is the first ever anthology by Ethiopian adoptees.
This anthology shares Ethiopian adoptees’ wide range of experiences, from childhood into adulthood, through the voices of the adoptees themselves. There is more than one mention of grief, confusion, and loss. The writers also talk about their strengths, hopes, happiness, and love for family. Along with sadness and anger, there is also compassion, grace, and…
By chance, I was entrusted with rare historical documents about the immigrant generations in our family, which inspired this novel and grounded it in reality. Who wouldn’t wonder why they came? Besides, I have always been fascinated by pre-modern times and how steam power changed everything and dragged us along, kicking and screaming. And, even though they arrived in America in 1836, I grew up on the farm where they lived, so I heard tales of their amazing journey. It may be 186 years on, but it’s time to tell their story, which, it turns out, is a story for us all.
The first of Moberg’s 4-volume saga of Swedish immigrants, this book is so thoroughly researched that he invented a term, calling them “documentary novels.” The family in the story are farmers from a poor, remote parish in Sweden whose lives are constricted by both the church and the state. This reflects the painful realities of Europe in 1850, where almost everyone was poor, rural, oppressed, and completely unprepared for the journey ahead of them. Whether you read Moberg’s Emigrant Novels for the intense personal drama or for more understanding of why people leave their homelands, you will find these stories deeply emotional and insightful.
Considered one of Sweden's greatest 20th-century writers, Vilhelm Moberg created the characters Karl Oskar and Kristina Nilsson to portray the joys and tragedies of daily life for early Swedish immigrants in America. His consistently faithful depiction of these humble people's lives is a major strength of the Emigrant Novels.
Moberg's extensive research in the papers of Swedish emigrants in archival collections enabled him to incorporate many details of pioneer life. First published between 1949 and 1959 in Swedish, these four books were considered a single work by Moberg, who intended that they be read as documentary novels. These reprint editions…
The
Swedish-English author Tom Rob Smith made his smashing debut with the
international best-seller Child 44,
in 2008 which, after I devoured it, I figured he couldn’t supercede.
On the
contrary – The Farm, a multi-layered,
tricky, shape-shifting meditation on truth-telling – is now securely on my
most-loved list. The premise is simple: Our narrator, Daniel, travels from his
home in London to the remote farm in Sweden where he believes his parents are
enjoying a pleasurable retirement, only to be warned by his mother that
“everything that Father has told you is a lie…I need the police.”
The
labyrinthine struggle between illusion and veracity never lets up, and to call
this book a page-turner is inadequate – it’s an open-ended page-blurrer that left me wilfully
disoriented and manipulated.
From the author of Child 44, soon to be a major film starring Tom Hardy, Noomi Rapace and Gary Oldman, comes an intricately-knitted thriller in the vein of John Le Carre's APerfect Spy.
Daniel believed that his parents were enjoying a peaceful retirement on a remote farm in Sweden, the country of his mother's birth. But with a single phone call, everything changes.
Your mother... she's not well, his father tells him. She's been imagining things - terrible, terrible things.In fact, she has been committed to a mental hospital.
Before Daniel can board a plane to Sweden, his mother calls:…
I am a member of a generation that wasn’t supposed to be born. My parents were Hungarian Holocaust survivors and I was born amidst the fragments of European Jewry that remained. As a psychotherapist, I have specialized in helping people navigate the multigenerational reverberations of the Holocaust. Having a witness to your own experience, in therapy and through books, provides comfort, understanding, and hope.
I have read many moving memoirs by survivors and members of the second generation like myself. This one by the Swedish journalist son of a Polish survivor is like no other. I could hardly breathe while reading it, or after I finished it. Gripping, poetic, and calmly devastating, the author recreates his father’s Holocaust journey through family documents and historical research, trying to imagine what exactly his father experienced. And then the devastating aftermath, as his father attempts to rebuild his shattered life. “Luck, chance, and freak are the stones with which every road from Auschwitz are paved,” the author tells us.
On the 2nd of August 1947 a young man gets off a train in a small Swedish town. He has survived the Lodz ghetto, Auschwitz, and the harrowing slave camps and transports during the final months of Nazi Germany. Now he has to learn to live with his memories.
In this intelligent and deeply moving book, Goeran Rosenberg returns to his own childhood in order to tell his father's story. It is also the story of the chasm that soon opens between the world of the child, suffused with the optimism, progress and collective oblivion of post-war Sweden, and the…
I’m originally Swedish and although I have been brought up reading literature from all over the world, the dark setting of Scandi Noir has deeply influenced me. It’s the environment, isolated locations, and the way these books delve into the psyche of the characters that grab me. If you’re into dark, twisty books then this list is for you!
Taking place in northern Sweden, where the cold and snowy environment plays its own part, this story focuses on a cult-like church where the founder has been brutally murdered. A lawyer and friend of the victim’s sister, Rebecka Martinsson, travels up from Stockholm to help solve the case. It’s dark and gritty and suspenseful – it’s also the first of 6 books.
On the floor of a church in northern Sweden, the body of a man lies ritually mutilated and defiled - and in the night sky, the aurora borealis dances as the snow begins to fall.
Rebecka Martinsson is heading home to Kiruna, the small town she'd left in disgrace years before. A Stockholm tax lawyer, Rebecka has a good reason to return: her friend Sanna, whose brother has been horrifically murdered in the church of the cult he helped create. Beautiful and fragile, Sanna needs someone like Rebecka to remove the shadow of guilt that is…
I grew up in Edinburgh and, from an early age, I heard the tale of Deacon Brodie. However, it was not until I was older—when a city official was charged with corruption—that I realised Brodie might just be the first ‘white collar’ criminal in Edinburgh. The more I found out, the more fascinating he became. Here was a man who everyonein the city saw as a wealthy, respectable, Councillor, yet—at the same time—he was a gambler who became a criminal to feed his habit, and so, when I moved to America, I decided to write my first crime novel based on Brodie’s life.
I had hoped to avoid authors with a prodigious output in this listing, but those author’s characterscannot be missed—Mankell’s Wallander actually carries this novel. The thing that struck me first was how textured the character of Wallander is, and how Mankell fully employs every bit of his backstory. Of course, as before, the cliché of the flawed lead: divorced, few friends, moody, a fondness for drink, and obsessive behaviour, is one which would (too easily) fit Wallander, but not in Mankell’s hands. He takes all these traits and gives the reader an understandingof his lead. On top of that, Mankell uses Wallander for his own observations on Swedish society! For writers Wallander is a study; for readers a joy.
A #1 international bestseller: This “exquisite novel of mesmerizing depth” launched the acclaimed Wallander Mysteries and BBC series starring Kenneth Branagh (Los Angeles Times).
Early one morning, a small-town farmer discovers that his neighbors have been victims of a brutal attack during the night: An old man has been bludgeoned to death, and his tortured wife lies dying before the farmer’s eyes. The only clue is the single word she utters before she dies: “foreign.”
In charge of the investigation is Inspector Kurt Wallander, a local detective whose personal life is in a shambles. His family is falling apart, he’s…
I am a Templar history enthusiast with a penchant for spiritual surprises hiding in plain sight. I believe words are vessels of spirit and that writing opens a channel of communication for manifesting thoughts into reality. Traveling throughout Europe, Scotland, and England has deepened my confidence that there was so much more to the Middle Ages than crusades and feudalism. The Templars facilitated many societal transformations, including a flowering of mysticism under their guardianship. The mystery is… why have we not connected these dots before? And I suspect there’s much more to discover! My books gather research threads from seemingly isolated historic characters, places, and events into cohesive, inspired, and vibrant stories.
I love books that validate spiritual creativity and ‘realign’ misconceptions in the annals of history. This inspiring biography documents the life of a 19th-century female artist, who not only dedicated her life to unique spiritual creativity, but also, is currently upending art history. It turns out that her art predates the establishment of the Modern Art Movement, which academia has attributed to men who painted several decades later. Hilma af Klint was a woman before her time. I also love the book’s color plates displaying her mastery of geometry and biology. This book is a well-researched jewel and a gift to art history.
A highly anticipated biography of the enigmatic and popular Swedish painter.
The Swedish painter Hilma af Klint (1862-1944) was 44 years old when she broke with the academic tradition in which she had been trained. While her naturalistic landscapes and botanicals were shown during her lifetime, her body of radical, abstract works never received the same attention. Today, it is widely accepted that af Klint produced the earliest abstract paintings by a trained European artist. But this is only part of her story. Not only was she a successful woman artist, but she was also an avowed clairvoyant and mystic.…
I’ve been a horror fan since I first read The Fog by James Herbert at much too young an age. Being British-born and now Australian, the horror I write is almost always set outside America (and the UK more and more often), and I’m always on the lookout for good horror fiction set in different places. I’m fascinated by cultural folklore and mythology and how people create stories to understand the world. For three years, I was President of the Australasian Horror Writers Association.
I’m often not a huge fan of vampire fiction as it’s been done so much, but occasionally something really different comes along. I love fiction that deals with family, especially when it explores working class people and addresses issues of existential angst and social isolation.
This kind of thing is one of the horrors I enjoy the most, and I loved the way those themes were woven into this novel set in a working-class suburb of Stockholm, Sweden. I found this novel truly disturbing and particularly enjoyed the varied and unpleasant cast of characters.
John Ajvide Lindqvist’s international bestseller Let the Right One In is “a brilliant take on the vampire myth, and a roaring good story” (New York Times bestselling author Kelley Armstrong), the basis for the multi-film festival award-winning Swedish film, the U.S. adaptation Let Me In directed by Matt Reeves (The Batman), and the Showtime TV series.
It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at…
My love of realms and fantastic imagination comes from growing up in the backwoods of Alabama. The woods inspired me and beckoned me to dance and build and imagine among the trees. I created characters and worlds and could be a witch, a fairy, a troll, or a girl lost in time. I owe my love of creating characters to the woods that built me and one day I will go back and thank them for the beautiful life they gave me.
Trylle is the story of a girl caught between realms. She discovers the mystery of her birthright and her mother's hatred of her. She is forced into an unknown future clinging to a traumatic childhood and faces dangers at every turn.
This book fed my soul and took me along with Wendy into realms unknown. Wendys inner dialouge and determination reminded me of myself and I related to her in magical ways.
Enter the magical world of the Trylle with the full e-book collection: Switched, Torn, and Ascend from New York Times bestselling author Amanda Hocking.
SWITCHED
When Wendy Everly was six years old, her mother was convinced she was a monster and tried to kill her. Eleven years later, Wendy discovers she is a changeling who was switched at birth. Now she is about to journey to a magical world she never knew existed, one that's both beautiful and frightening. Nothing is as it seems
TORN
Wendy knew her life would never be the same. Now she learns there is more…
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
I thoroughly enjoyed this book. It’s set in Sweden and takes the reader to Latvia during the disintegration of the Soviet Union, so it touches on another genre that I like to dip into—spy novels. The hero is Kurt Wallander, a sympathetic character, who’s just trying to do his job which, in this case, means dealing with the bodies of two torture victims that have been discovered on the Swedish Coast. Now read on …
Sweden, winter, 1991. Inspector Kurt Wallander and his team receive an anonymous tip-off. A few days later a life raft is washed up on a beach. In it are two men, dressed in expensive suits, shot dead.
The dead men were criminals, victims of what seems to have been a gangland hit. But what appears to be an open-and-shut case soon takes on a far more sinister aspect. Wallander travels across the Baltic Sea, to Riga in Latvia, where he is plunged into a frozen, alien world of police surveillance, scarcely veiled threats, and lies.
