Here are 93 books that Faceless Killers fans have personally recommended if you like
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I have long had an interest in government conspiracies and have spent hundreds of hours researching the many experiments our government has foisted upon an unsuspecting populous. When the Church Committee released info on Projects MK Ultra, Bluebird, Artichoke, and others, people were stunned to realize what had been going on. Movies such as The Matrix dealt with mind control and the attempt to create the perfect soldier, and I am convinced such research and experimentation continues today.
This wonderful novel features a journalist, Mikala Blomkvist, searching for a highly respected, long-lost member of a notable family. Once again, government corruption is rampant in the investigation.
A special aspect of this novel is the introduction of Lisbeth Salander, a brash, tattooed young woman with an abrasive personality matched only by her singular skills. I loved this character, who is incredibly unique.
Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder - and that the killer is a member of his own tightly-knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the tattooed, truculent computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from forty years ago, they begin to unravel a dark and appalling family history.
I grew up in Edinburgh and, from an early age, I heard the tale of Deacon Brodie. However, it was not until I was older—when a city official was charged with corruption—that I realised Brodie might just be the first ‘white collar’ criminal in Edinburgh. The more I found out, the more fascinating he became. Here was a man who everyonein the city saw as a wealthy, respectable, Councillor, yet—at the same time—he was a gambler who became a criminal to feed his habit, and so, when I moved to America, I decided to write my first crime novel based on Brodie’s life.
Lehane, one of my favourite authors, introduces the crime writer’s device of the duo, in his firstKenzie and Gennaro novel. For me, as in my own DCI Steel novels, the duo in writing can work to inform, or mislead, the reader and, if handled well, the reader doesn’t notice, seeing the interaction between characters as normal. Clichés abound in crime fiction, especially in lead characters, but Lehane avoids this with P.I. Patrick Kenzie, and his lifelong friend, Angie Gennaro. Given the area they inhabit, with its racial and gang tensions, added to the clients they have, clichés would seem unavoidable, but—once again—the lesson here is to write multi-faceted characters, which Kenzie and Gennaro emphatically are. They are flawed, but in Lehane’s hands, triumphantly human, and verybelievable.
Patrick Kenzie and Angela Gennaro are tough private investigators who know the blue-collar neighbourhoods and ghettos of Boston's Dorchester section as only natives can. Working out of an old church belfry, Kenzie and Gennaro take on a seemingly simple assignment for a prominent politician: to uncover the whereabouts of Jenna Angeline, a black cleaning woman who has allegedly stolen confidential Statehouse documents. But finding Jenna proves easy compared to staying alive. The investigation escalates, uncovering a web of corruption extending from bombed-out ghetto streets to the highest levels of state government.
With slick, hip dialogue and a lyrical narrative pocked…
I grew up in Edinburgh and, from an early age, I heard the tale of Deacon Brodie. However, it was not until I was older—when a city official was charged with corruption—that I realised Brodie might just be the first ‘white collar’ criminal in Edinburgh. The more I found out, the more fascinating he became. Here was a man who everyonein the city saw as a wealthy, respectable, Councillor, yet—at the same time—he was a gambler who became a criminal to feed his habit, and so, when I moved to America, I decided to write my first crime novel based on Brodie’s life.
The effect of Scandinavian crime writing has been far-reaching and, to my mind, one aspect that has helped its growth has been the addition of psychological aspects in the characters and—in a very particular sense—the response to this from the reader. I feel I’ve learned more of this deeper level from the writings of Adler-Olsen, particularly his Department Q novels with their lead, Detective Carl Mørck (a deeplyflawed man, although written without a cliché in sight). Adler-Olsen has said the reader must have the opportunity to create their own images from his not-very detailed descriptions, which he calls the “missing voice”, and his light, but masterfulcreation of Carl Mørck succeeds in this, making the Department Q novels a ‘must’ for any reader.
Get to know the detective in charge of Copenhagen's coldest cases in the first electrifying Department Q mystery from New York Times bestselling author Jussi Adler-Olsen.
Carl Morck used to be one of Denmark's best homicide detectives. Then a hail of bullets destroyed the lives of two fellow cops, and Carl-who didn't draw his weapon-blames himself. So a promotion is the last thing he expects. But Department Q is a department of one, and Carl's got only a stack of cold cases for company. His colleagues snicker, but Carl may have the last laugh, because one file keeps nagging at…
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
The seventies. The tough town. Laidlaw, Glasgow’s philosopher detective, is trying to find out who killed the lassie in the park. Arguably the template for Taggart, arguably the starting point for Tartan Noir.
I liked the way its bark was just as bad as its bite. It threatens to explode into violence all the way through, between most of its characters–then it does. Hard cases. And yet, at the very end, incredibly, compassion and sympathy.
First in “a crime trilogy so searing it will burn forever into your memory. McIlvanney is the original Scottish criminal mastermind” (Christopher Brookmyre, international bestselling author).
The Laidlaw novels, a groundbreaking trilogy that changed the face of Scottish fiction, are credited with being the founding books of the Tartan Noir movement that includes authors like Val McDermid, Denise Mina, and Ian Rankin. Says McDermid of William McIlvanney: “Patricia Highsmith had taken us inside the head of killers; Ruth Rendell tentatively explored sexuality; with No Mean City, Alexander McArthur had exposed Glasgow to the world; Raymond Chandler had dressed the darkness…
I am eternally fascinated by the way in which a string of words can take on a life of its own. With a mere 26 letters, a good writer can have a reader believe anything. When realist fiction first became a category in the 18th century in England, there was a lot of handwringing over whether readers were being lied to. Of course, they were! That is the point of fiction. My own work has always played with the boundary of realist fiction, fairytale, and truth. I’m interested in the way a story can make meaning—and the more hijinks, the better!
I set out very determined to despise this first book of Knausgard’s series. Knausgard’s life is no more fascinating than anyone’s. This is not necessarily his life but some reasonable facsimile that dips in and out of reverie, philosophy, and the hardcore reality of cleaning up after an alcoholic parent dies. Hoarding, self-loathing, and Nordic landscape are all features. I mean, what is NOT to love about that?
My lust for this book is not so much what it is about, though, as how it does this thing of drawing me along in its unadorned vocabulary to wholesale belief in everything that is put down. It is a supreme hoax that I am grateful to have encountered.
A New York Times bestseller, My Struggle: Book 1 introduces American readers to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard.
It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable. Unafraid of the big issues—death, love, art, fear—and yet committed to the intimate details of life as it is lived, My Struggle is an essential work of contemporary literature.
I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.
I thoroughly enjoyed this book. It’s set in Sweden and takes the reader to Latvia during the disintegration of the Soviet Union, so it touches on another genre that I like to dip into—spy novels. The hero is Kurt Wallander, a sympathetic character, who’s just trying to do his job which, in this case, means dealing with the bodies of two torture victims that have been discovered on the Swedish Coast. Now read on …
Sweden, winter, 1991. Inspector Kurt Wallander and his team receive an anonymous tip-off. A few days later a life raft is washed up on a beach. In it are two men, dressed in expensive suits, shot dead.
The dead men were criminals, victims of what seems to have been a gangland hit. But what appears to be an open-and-shut case soon takes on a far more sinister aspect. Wallander travels across the Baltic Sea, to Riga in Latvia, where he is plunged into a frozen, alien world of police surveillance, scarcely veiled threats, and lies.
Mihoko and Anne first met at the University of Miami, where Mihoko was a specialist in early modern England and Anne, in early modern Spain. Sharing their interests in gender studies, literature, and history, and combining their expertise, they team-taught a popular course on early modern women writers. Anne’s publications range from studies of women in Cervantes’ Don Quixote, female rogues, and religious women to early modern Habsburg queens. Mihoko has published on the figure of Helen of Troy in classical and Renaissance epic; and women and politics in early modern Europe, especially in the context of the many civil wars that upended the political and social order of the period.
Christina of Sweden, known today primarily through Greta Garbo’s portrayal of her in the 1933 film, became queen at age six when her father was killed in battle; she received the education of a prince, including the study of statecraft, for which she read the Latin biography of Elizabeth I. Initially deemed a boy at birth, Christina’s habit of crossdressing, her refusal to marry, and her romantic attachments to both women and men bespeak her ambiguous sexuality. Veronica Buckley’s biography does justice to this idiosyncratic and controversial figure who abdicated her throne, converted to Catholicism, and moved to Rome. Although she took Alexander the Great as her model and sought to rule Naples and Poland-Lithuania after her abdication, she revealingly recorded in her memoirs her thoughts concerning the predicament she faced as a female sovereign: “Women should never be rulers... Women who rule make themselves ridiculous one way or the…
The groundbreaking biography of one of the most progressive, influential and entertaining women of the seventeenth century, Christina Alexandra, Queen of Sweden.
In 1654, to the astonishment and dismay of her court, Christina Alexandra announced her abdication in favour of her cousin, Charles. Instrumental in bringing the Thirty Years War to a close at the age of 22, Christina had become one of the most powerful monarchs in Europe. She had also become notorious for her extravagant lifestyle.
Leaving the narrow confines of her homeland behind her, Christina cut a remarkable path across Europe. She acted as mediator in the…
I came into the world telling stories. From the age of four you could often find me surrounded by a little cluster of friends, amusing them with a story I was spinning on the spot. When I was nine, I began telling my sisters about a Martian who was living on Earth and who loved his comfy chairs. This Martian eventually became Alou, and it has been such a joy to share his world through my picture book Alou: The Martian Agent and its sequels. One thing I’m passionate about is sparking the potent imagination bottled up inside all our little ones and I hope my books can encourage that.
Make-believe was one of my favorite pastimes as a little girl. When I wasn’t writing a story, chances were, I was off with a sister in a world of imagination. And when I was there, it was as if my fancy was reality. I think that’s why I identify with this charming picture book so much. The main character’s potent imagination pulls his surroundings into his play reality. But the ending leaves us to ponder, along with Baby Ben’s mama…can his imagination conjure things into the tangible world? This translation from the original Swedish expertly converted the rhymes, and the pictures add so very much to the adventure. If you have a little adventurer in your life, this is a must-read!
Choosing philosophy at 18 raised a few eyebrows: friends and family thought I was a bit mad and a little lost. Later, when I decided to write philosophical stories and essays, I heard the same refrain: “Most people are afraid of philosophy.” But those voices never swayed me. Deep down, I knew that thinking is a powerful tool for healing, a way to mend what’s broken within us and in the world. Ideas, I believe, can spark change and make the world a better place.
Truth doesn’t have to be flashy to captivate. I was instantly drawn to the mystique of this book’s manuscript and the secretive author who sent it to me. In it, I discovered that beauty is a feeling, and anxiety is a prelude to exhilaration.
Normally, I'm not one for self-help, but the poetic wisdom in this book resonated on a personal level, a comforting reminder that healing isn’t a one-size-fits-all journey.
Don't Wait Another Day to Live the Life You Deserve
Imagine unlocking the secrets to a life filled with purpose, unwavering resilience, and deep inner peace. In How the Wise Master Life: 51 Essential Truths Clarified, spiritual guide and wisdom teacher Miranda Healer offers a blueprint for achieving this extraordinary way of living. This isn't just a book – it's a catalyst for profound transformation.
Healer's deep, clear and compassionate voice guides you through timeless yet timely truths that have empowered the world's wisest and most powerful individuals. With each insightful chapter, you'll gain a deeper understanding of yourself, your…
In my career, first as a screenwriter for film and TV and now as a crime writer, I learned early on that you must never bore your audience. I want to entertain my readers, so my stories should always keep them glued to the pages. However, the reader should also be left with new reflections after finishing the book. Crime fiction is often perceived as nothing but plot, action, and blood, without any depth or character development at all. I beg to differ. My list presents five books proving that crime fiction can be both intriguing, nerve-wracking, and mind-blowing while simultaneously serving as the perfect mirror of the world we're living in today.
The first book I read by the Swedish master of suspense.
There's nothing like being caught by a good book: Just one more chapter, even though it's the middle of the night and work starts in three hours.
Almost like getting kidnapped with a small but significant difference: you don't want to be released.
Without Mankell, there would be no Millennium series, and this book is one of the reasons I started to write in the same genre. It's a long but, at the same time, quick read.
The characters are portrayed as real human beings with multiple flaws and shortcomings. I don't want to reveal the plot here, but I promise you: this murder case is like nothing else.
It is Midsummer's Eve. Three young friends meet in a wood to act out an elaborate masque. But, unknown to them, they are being watched. Each is killed by a single bullet.
Soon afterwards, one of Inspector Wallander's colleagues is found murdered. Is it the same killer, and what could the connection be? In this investigation Wallander is always, tantalisingly, one step behind.
