85 books like Faceless Killers

This book blew me away! 

Lisbeth Salander, the lead female character, is one of the most beautifully drawn, exciting, indomitable, and powerful women I have ever read about in a story. She is not just strong, she is also brilliant – as a super-hacker on the internet to boot.

Thankfully there were two sequels as I could read book after book with her in it.  

Lehane, one of my favourite authors, introduces the crime writer’s device of the duo, in his first Kenzie and Gennaro novel. For me, as in my own DCI Steel novels, the duo in writing can work to inform, or mislead, the reader and, if handled well, the reader doesn’t notice, seeing the interaction between characters as normal. Clichés abound in crime fiction, especially in lead characters, but Lehane avoids this with P.I. Patrick Kenzie, and his lifelong friend, Angie Gennaro. Given the area they inhabit, with its racial and gang tensions, added to the clients they have, clichés would seem unavoidable, but—once again—the lesson here is to write multi-faceted characters, which Kenzie and Gennaro emphatically are. They are flawed, but in Lehane’s hands, triumphantly human, and very believable.

The effect of Scandinavian crime writing has been far-reaching and, to my mind, one aspect that has helped its growth has been the addition of psychological aspects in the characters and—in a very particular sense—the response to this from the reader. I feel I’ve learned more of this deeper level from the writings of Adler-Olsen, particularly his Department Q novels with their lead, Detective Carl Mørck (a deeply flawed man, although written without a cliché in sight). Adler-Olsen has said the reader must have the opportunity to create their own images from his not-very detailed descriptions, which he calls the “missing voice”, and his light, but masterful creation of Carl Mørck succeeds in this, making the Department Q novels a ‘must’ for any reader.

I still have my treasured original copy of Laidlaw by Willie McIlvanney, and also the more recently published edition. Laidlaw, as Willie said, is first and foremost a man, who just happens to be a policeman. My father was a detective, working on the front line, and we often saw the effect that had on him. So Laidlaw rang true to me, in its questioning, Who is the true monster among us? In its voice and rhythm, which sounded undeniably Scottish, and most of all, in its humanity. 

Laidlaw inspired me to write my book. It also inspired me to help set up Scotland’s International Crime Writing Festival Bloody Scotland and the annual McIlvanney award for the best Scottish crime book.

I set out very determined to despise this first book of Knausgard’s series. Knausgard’s life is no more fascinating than anyone’s. This is not necessarily his life but some reasonable facsimile that dips in and out of reverie, philosophy, and the hardcore reality of cleaning up after an alcoholic parent dies. Hoarding, self-loathing, and Nordic landscape are all features. I mean, what is NOT to love about that?

My lust for this book is not so much what it is about, though,  as how it does this thing of drawing me along in its unadorned vocabulary to wholesale belief in everything that is put down. It is a supreme hoax that I am grateful to have encountered. 

I thoroughly enjoyed this book. It’s set in Sweden and takes the reader to Latvia during the disintegration of the Soviet Union, so it touches on another genre that I like to dip into—spy novels. The hero is Kurt Wallander, a sympathetic character, who’s just trying to do his job which, in this case, means dealing with the bodies of two torture victims that have been discovered on the Swedish Coast. Now read on …

The first book I read by the Swedish master of suspense.

There's nothing like being caught by a good book: Just one more chapter, even though it's the middle of the night and work starts in three hours.

Almost like getting kidnapped with a small but significant difference: you don't want to be released.

Without Mankell, there would be no Millennium series, and this book is one of the reasons I started to write in the same genre. It's a long but, at the same time, quick read.

The characters are portrayed as real human beings with multiple flaws and shortcomings. I don't want to reveal the plot here, but I promise you: this murder case is like nothing else.

It was Nordic Noir before the genre got its name.

If you’re curious about the woman who collected the Sami folktales, you’ll want to read Emilie Demant Hatt’s story of living in a tent with a Sami family in a community in Northern Sweden. You’ll be fascinated by her grueling journey with a group of Sami herders and their hundreds of reindeer over the icy mountains in the spring of 1908 to find summer pastures on the Norwegian coast. I’ve long loved the adventure, humor, and visual feast in this book, first published in 1913, and was eager to translate it and share it with readers curious about the high north of Scandinavia. Demant Hatt was a brilliant observer and an early immersive journalist who didn’t shy away from hard work, rough conditions, and learning the Sami language. 

Make-believe was one of my favorite pastimes as a little girl. When I wasn’t writing a story, chances were, I was off with a sister in a world of imagination. And when I was there, it was as if my fancy was reality. I think that’s why I identify with this charming picture book so much. The main character’s potent imagination pulls his surroundings into his play reality. But the ending leaves us to ponder, along with Baby Ben’s mama…can his imagination conjure things into the tangible world? This translation from the original Swedish expertly converted the rhymes, and the pictures add so very much to the adventure. If you have a little adventurer in your life, this is a must-read!  

Henning Mankell (RIP) was the master of the ‘troubled detective’ Kurt Wallander, who is trying to find a murderer while his own life is in tatters. This hunt for a serial killer who scalps his victims, is a rich tapestry of character development, police procedure, and a deeply disturbed killer. This is one of the finest stories of the dark Scandinavian crime thriller genre, and spawned a major TV series starring Kenneth Branagh.