Why
isn’t there a question mark in the title? The bright cover caught my eye.
Vigdis Hjorth is a leading novelist in Norway. She creates three vivid
characters: Mother, Sister, Daughter, and this is a stalker story of familial
retribution.
The abused and abandoned daughter is our compelling narrator: she
seeks recognition and revenge. Hjorth
uses the metaphors from Scandi-Noir crime fiction: the cabin buried in the
forest, bitter cold turning to snow, a lone elk moving through the darkness.
The tension in this sinister emotional tale is almost unbearable, as the
daughter stalks her prey: spying on her mother’s movements, visiting the
father’s grave, hiding behind dustbins, plotting access to the flat. I felt
completely involved in this terrifying drama and wolfed down every page.
'To mother is to murder, or close enough', thinks Johanna, as she looks at the spelling of the two words in Norwegian. She's recently widowed and back in Oslo after a long absence as she prepares for a retrospective of her art. The subject of her work is motherhood and some of her more controversial paintings have brought about a dramatic rift between parent and child. This new proximity, after decades of acrimonious absence, set both women on edge, and before too long Johanna finds her mother stalking her thoughts, and Johanna starts stalking her mother's house.
I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.
Giles Blunt's books show that Scandinavia does not have a monopoly on Nordic Noir. In 2017 we were on vacation in Canada and quite by chance I saw an episode of Cardinal on TV. Only one episode from the first season, but enough to keep me captivated by the story set in the snowy landscapes of Algonquin Bay in Canada. I knew it was based on a book series. When I got home, I immediately found the author and started reading. I chose this book because of some amazing passages that capture the essence of Nordic Noir, among others a frozen body in the ruins of an abandoned hotel in the woods. The book presents a clever plot where seemingly unrelated threads are ingeniously weaved together.
It's not unusual for John Cardinal to be hauled out of a warm bed on a cold night in Algonquin Bay to investigate a murder. And at first this dead body, sprawled in the parking lot of Motel 17, looks pretty run of the mill: the corpse has a big bootprint on his neck, and the likely suspect is his lover's outraged husband. But the lover has gone missing. And then Delorme, following a hunch, locates another missing woman, a senator's wife from Ottawa, frozen in the ruins of an abandoned hotel way back in the woods. Spookily, she was…
I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.
It may be a cliche but my first experience with nordic noir was The Killing (Forbrydelsen). This Danish TV series in which inspector Sarah Lund goes in search of the murderer of a young girl fascinated me enormously. Not only because of the oppressive atmosphere that grabs you by the throat at times, but also because of the fantastic character development. The series was created by Søren Sveistrup, the author of the equally magisterial The Chestnut Man. The book begins when a young woman is found horribly mutilated in a playground on a chilly October morning. Next to her is a doll made of chestnuts and sticks. When a chestnut man is also found at the scene of a subsequent murder, it is clear that a serial killer is at work.
As a retired psychotherapist, I love a good book with complex characters that stand up to analysis. As a moody introvert, I especially enjoy untangling a set of clues in an atmosphere of suspense. Given that I live in a remote, wild area with plenty of snow and extreme weather, I am a good judge of stories about people being pitted against the elements. Finally, I am always curious to learn more about indigenous cultures since I live near more tribal land than anywhere in the US except Alaska. And, of course, I’m a mystery writer!
A Time Best Book of the Year · An Entertainment Weekly Best Book of the Year · A People Best Book of the Year · Winner of the CWA Silver Dagger Award · A Finalist for the Edgar Award for Best Mystery Novel
First published in 1992, Peter Høeg's Smilla's Sense of Snow instantly became an international sensation. When caustic Smilla Jaspersen discovers that her neighbor--a neglected six-year-old boy, and possibly her only friend--has died in a tragic accident, a peculiar intuition tells her it was murder. Unpredictable to the last page, Smilla's Sense of Snow is one of the…
I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites.
Girls is not written by a Nordic author but feels very Nordic Noir… so I am giving it an honourable mention.
Jack and Fanny’s baby daughter has died, and they are struggling to cope. Jack, a Vietnam Vet, is trying desperately to find ways to bring them back together. A fourteen-year-old girl goes missing, and Jack turns his focus to finding her, as if this could be their redemption.
Girls is the perfect read. I cannot recommend it highly enough. Clean prose, irresistible characters so finely drawn. Voices that resonate. Add to this a very suspenseful plot…
In the unrelenting cold and bitter winter of upstate New York, Jack and his wife, Fanny, are trying to cope with the desperate sorrow they feel over the death of their young daughter. The loss forms a chasm in their relationship as Jack, a sardonic Vietnam vet, looks for a way to heal them both.
Then, in a nearby town, a fourteen-year-old girl disappears somewhere between her home and church. Though she is just one of the hundreds of children who vanish every year in America, Jack turns all his attention to this little…
I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites.
Emilie Jansson, a newly made partner at a law firm in Stockholm, is asked to collaborate with Teddy, the firm’s investigator. Teddy is an ex-con trying to stay out of trouble. A body is discovered after what looks like an attempted robbery. An injured man found at the scene becomes the prime suspect. Emilie takes on the role of his defence lawyer. But then the trail leads back to Teddy...
Jens Lapidus used to work as a criminal defence lawyer at a law firm representing some of the most infamous criminals in Sweden. His background gives him unusual insight and his books feel very exciting and fresh.
Stockholm Delete is a superbly gritty thriller which gets right to the heart of the Stockholm criminal world.
Emilie Jansson has just been made partner at a prestigious law firm when she is asked to work with an unusual partner. Teddy is an ex-con trying to stay on the right side of the law while working as the firm's fixer and Special Investigator.
Meanwhile, a body is discovered in a remote house in the country after what looks like an attempted robbery - and a severely wounded man found near the scene is soon in the frame for murder. Emilie…
I wanted to write crime fiction from a young age. I took a Biomedical Science degree, hoping to follow this with a PhD in Forensics but soon realised I didn’t want to spend the rest of my working life in a lab. So I took a Master’s degree in Science Communication and became a health journalist and editor instead. I knew my own crime novel needed to feature a journalist. My main character, Shanna Regan, has spent her life travelling, whereas my own job has always been desk-based in the UK. Maybe this is why I love reading crime novels that whisk me off to other countries (in my head)!
I enjoy reading crime novels that feature other cultures or countries. Dark Pines (and the series that follows) whisked me off to deepest, darkest Sweden.
The main character, a local reporter called Tuva Moodyson, is a strong female lead. She’s young, feisty and tenacious. Her deafness makes her multidimensional, overcoming life’s challenges, without author Will Dean resorting to common tropes of crime fiction protagonists (e.g. cynical, alcoholic detective).
Dark Pines features a host of memorable and eccentric characters in a creepy and claustrophobic small town, giving this quirky book a Twin Peaks vibe. For me, the setting was a character in its own right – with the visceral descriptions of the dark pine forests.
Selected for ITV's Zoe Ball Book Club and shortlisted for the Guardian's Not the Booker prize
A Daily Telegraph Book of the Year
'Will Dean's atmospheric crime thriller marks him out as a talent to watch. Dark Pines is stylish, compelling and as chilling as a Swedish winter.' Fiona Cummins, author of Rattle
'Atmospheric, creepy and tense. Loved the Twin Peaks vibe. Loved Tuva. More please!' C.J. Tudor, author of The Chalk Man
For fans of Gillian Flynn's Sharp Objects and Peter Hoeg's Miss Smilla's Feeling for Snow, a brand new debut crime writer introduces a Scandi-noir Tuva Moodyson Mystery…
I’ve been a fan of amateur sleuths since my first foray into our local library. Reading opened a whole world to me, and I devoured each new story with relish, imagining myself in the role of the hero and how I might deal with the perils that befell them. I raced through each book series in a matter of weeks, from The Famous Five and The Hardy Boysto Alfred Hitchcock’s The Three Investigators. I remember the thrill of moving to the library's adult section and discovering even more books where humble heroes were dragged into murder mysteries, unexpected adventures, and thrilling chases across dangerous landscapes. Woo-Hoo!
What I love about this book is that the central character is an ordinary guy who is thrown into a horrifying situation. Discovering someone has poisoned him, Jaakko’s only chance of surviving is to find the culprit.
I loved the peculiarity of his business and his reaction to the threat from a rival company. I like the way the mystery unfolds, with some truly unexpected scenes–particularly those involving a sauna and a Samurai sword.
The author’s black humor and his use of language (even in translation) are delightful, and I found myself thoroughly entertained all the way through.
When Finnish mushroom entrepreneur Jaakko discovers that he has been slowly poisoned, he sets out to find his would-be murderer ... with dark and hilarious results. The critically acclaimed standalone thriller from the King of Helsinki Noir...
***Shortlisted for the Petrona Award for Best Scandinavian Crime Novel of the Year*** ***Shortlisted for the CrimeFest Last Laugh Award***
'Right up there with the best' Times Literary Supplement
'Deftly plotted, poignant and perceptive in its wry reflections on mortality and very funny' Irish Times
'Told in a darkly funny, deadpan style ... The result is a rollercoaster read in which the farce…
My mother called me a “television junkie.” In graduate school, where TV was not yet considered a worthwhile scholarly endeavor, I became enthralled by Twin Peaks and Roseanne. Rebelliously, I thought both had so much to say about gender studies and theories of postmodernism. Absent of an official curriculum, I started reading and writing about television history, medium specificity, genre theory and seriality. I got my PhD and published articles on film, TV, and my book. Since 1992, I have developed several television studies courses for our small media studies department: Crime Drama, Reality TV, Gender and Genre on Television, Transmedia Adaptations, and Media Rituals.
I am a fan of Nordic noir, and whenever I am in the middle of a Norwegian, Danish, or Finnish series, I always want to know more about the local aspects that I am missing.
As one of the earliest books covering European crime dramas in English, the individual chapters helped me understand the genre’s appeal over other genres, what motivated the different cultural depictions of local and national tensions, and how this, in turn, impacted global distribution and reception of crime series.
On top of this, the intriguing case studies gave me new crime dramas to add to my ever-growing watchlist. A win-win.
This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV…
Antti Tuomainen is a total original, a combination of Scandi noir and almost slapstick comedy, a genius of incongruity rendered, somehow, credible and even inevitable by the sheer skill of the author.
The Moose Paradox is the book that, in a difficult year, made me laugh loudest and jump highest from my seat and convinced me that anything at all can be overcome with courage, humor, and a substantial dose of luck.
It’s filled with wit, subtle and otherwise, unforeseen and yet entirely believable twists and, well, just ‘wow’ moments (I say this as a reader and as a – somewhat envious - fellow writer). It’s also, in its idiosyncratic way, rather sexy.
Insurance mathematician Henri has his life under control, when a man from the past appears and a shady trio take over the adventure park's equipment supply company ... Things are messier than ever in the absurdly funny, heart-stoppingly tense second instalment in Antti Tuomainen's bestselling series...
'In these uncertain times, what better hero than an actuary?' Chris Brookmyre
'One of those rare writers who manages to deftly balance intrigue, noir and a deliciously ironic sense of humour ... a delight' Vaseem Khan
'What a book! Antti has managed to put the fun into funerals and take it out of fun…
