Fans pick 100 books like Girls

Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.

I’ve been exploring Scandinavian authors for several years after working my way through the American masters of the genre (Chandler, McDonald, Parker, Burke, Stout, and others). For some reason, Scandinavians seem a lot more vicious in their writing, crafting murder scenes that are beyond gruesome. After reading the works of several Icelandic authors, I was inspired to go there and see firsthand what I was reading about, then to create my own mystery in that setting.

I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites. 

I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites. 

My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.

My father used to take me to watch the Twins play at Metropolitan Stadium in Bloomington, a twenty-minute drive from our house in suburban Minneapolis. As soon as the Twins announced their schedule each year, he would buy tickets for the doubleheaders. Our favorites were the twilight doubleheaders, when we watched one game by daylight, and the other under the night sky. Baseball was pure to me then: played outdoors on real grass. Seated beside my dad during those twin bills, I felt his love for the game seep into me and take root. All these years later, almost two decades after his death, that love remains strong.

I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.

I left my hometown of Wauwatosa, Wisconsin, at age 18 to attend university in Manhattan, where I started my career in journalism and the media. Since then, I’ve lived in Berlin, Germany; Hong Kong; and now Copenhagen, Denmark, generally moving to advance my career and explore new worlds. Whenever you move to a new place and establish yourself in a new culture, there’s always a learning curve. Helping other women (and men!) adapt to their new environment is why I started the “How to Live in Denmark” podcast, which has now been running for more than 10 years. 

I am a hopeless photographer. But I have a passion for looking at photographs, for trying to understand how good ones work. They are not just momentary slices of life but structured artefacts, sometimes technically interesting, that in myriad ways reflect the society that produced them. I studied aspects of US cultural history at three universities. After devoting the first part of my academic career to American literature, in the second half – during which, supported by wonderful fellowships, I spent much time rooting in archives – I gave myself up to American photography. I have learnt much from each of the books I commend here. 

I’ve always liked narrative history and how we can take research and turn it into a story. More importantly, I love books that can recover the histories of marginalized people—people who don’t make it into the history textbooks. Historical true crime gives me access to realities we don’t often see. Court transcripts, detective reports, news accounts, and oral histories all combine to illuminate a world beyond the famous and known. I’m drawn to those books (and book projects) that ask the question: what can we know about the past if we look at it through the lens of a crime? Whose realities do we witness through such a lens?