Here are 100 books that Hypocrite in a Pouffy White Dress fans have personally recommended if you like
Hypocrite in a Pouffy White Dress.
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Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
The gold standard of rock and roll oral histories. Two authors, years and years in the making, chronicling one of music's most incendiary eras. "Will you die for the music?" Lou Reed asks in the early pages. In other words, how many knife fights, sleepless nights, and dead friends would it take to stop you from chasing artistic salvation?
Reading this book while I wrote my own made me realize just how sterilized my scene (like much of America) had gotten by the turn of the millennium. Third-wave emo wasn't famously dangerous or gritty, but many of its icons grappled with life-threatening addiction and mental health issues (even more than I expected going in). Yet, thankfully, almost all of those band members are still with us. Please Kill Me illuminated this. It's no accident the final word in my book is "survive."
This is the true story of a misunderstood culture phenomenon, one embracing Andy Warhol, Jim Morrison, Lou Reed, David Bowie, Patti Smith, The Sex Pistols, Iggy Pop, The New York Dolls, The Clash and The Damned. It is a story of sex, drugs and rock and roll, documenting a time of glorious self-destruction and perverse innocence - punk was possibly the last time so many people will have had so much fun killing themselves. Legs McNeil, founder of "Punk" magazine has interviewed those who were members of the punk scene, from the brightest stars to the most observant groupies.
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I can’t see myself writing a detailed chronicle of a specific location and period without pulling my hair out. But Will Hermes did precisely that (well, not the hair-pulling-out part) by relating five crucial years in New York. It initially reads weird, maybe even slow, because he writes short intersecting snippets of music history.
Once I got deeper into it, I fell in love. I already knew much of the history he touched on regarding stuff like punk, Bruce Springsteen, and salsa, but those fun factoids aren’t the point of Hermes’s book. Instead, it’s about how multiple scenes coexisted and informed one another. I’m well versed in the NY music scene now and—bonus!—New York itself.
Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city’s infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless.
Love Goes to Buildings on Fire is the first book to tell the full story of the era’s music scenes…
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
St. Marks is Dead taught me how to write about history in a way that was vibrant and page-turning.
I’m not typically a person who will pick up a book about the Revolutionary War, which appears toward the beginning of the book as we learn about how St. Marks Place came to be, but I couldn’t put this book down. By the time Calhoun gets to the vivacious 1960s-1990s, the book becomes an unstoppable force about an iconic street in New York City, as much of a force as the city itself.
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
I originally read this book in my late teens, but I never forgot how much it taught me not just about flappers, but how history can leap off the page. I even cited this book as an influence in my book proposal for Glitter and Concrete.
Flappers were such a vibrant group of women, and Zeitz does them justice bringing them to life. I wanted the drag artists in my book to do the same.
My father used to take me to watch the Twins play at Metropolitan Stadium in Bloomington, a twenty-minute drive from our house in suburban Minneapolis. As soon as the Twins announced their schedule each year, he would buy tickets for the doubleheaders. Our favorites were the twilight doubleheaders, when we watched one game by daylight, and the other under the night sky. Baseball was pure to me then: played outdoors on real grass. Seated beside my dad during those twin bills, I felt his love for the game seep into me and take root. All these years later, almost two decades after his death, that love remains strong.
I came of age in the seventies, and this book took me through that time, specifically 1977 again, able to view events through the lens of a particularly insightful adult.
This book encompasses more than baseball. There’s the battle to be mayor between Ed Koch and Mario Cuomo, Rupert Murdoch buying the New York Post, disco and dancing at Studio 54, the dawn of punk rock, but at its heart is the story of the Yankees and that crazy love triangle of Reggie Jackson, Billy Martin, and George Steinbrenner. I was delighted to relive all of that craziness.
“Masterful . . . In Mahler’s expert hands, the city’s outsized citizens are flawed, fierce, bickersome, and as indomitable as the metropolis itself.” —Mike Sokolove, author of The Ticket Out
A passionate and dramatic account of a year in the life of a city, when baseball and crime reigned supreme, and when several remarkable figures emerged to steer New York clear of one of its most harrowing periods.
By early 1977, the metropolis was in the grip of hysteria caused by a murderer dubbed “Son of Sam.” And on a sweltering night in July, a citywide power outage touched off…
I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites.
Girls is not written by a Nordic author but feels very Nordic Noir… so I am giving it an honourable mention.
Jack and Fanny’s baby daughter has died, and they are struggling to cope. Jack, a Vietnam Vet, is trying desperately to find ways to bring them back together. A fourteen-year-old girl goes missing, and Jack turns his focus to finding her, as if this could be their redemption.
Girls is the perfect read. I cannot recommend it highly enough. Clean prose, irresistible characters so finely drawn. Voices that resonate. Add to this a very suspenseful plot…
In the unrelenting cold and bitter winter of upstate New York, Jack and his wife, Fanny, are trying to cope with the desperate sorrow they feel over the death of their young daughter. The loss forms a chasm in their relationship as Jack, a sardonic Vietnam vet, looks for a way to heal them both.
Then, in a nearby town, a fourteen-year-old girl disappears somewhere between her home and church. Though she is just one of the hundreds of children who vanish every year in America, Jack turns all his attention to this little…
I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.
I’m interested in anything Roosevelt family-related (Theodore and/or Franklin), so I had to read this book by Dianne K. Salerni, a supernatural mystery set in an alternate history. While this fast-paced ghost story is the author’s creation, the family situations of the two fourteen-year-old cousins circa 1898 reflect the realities of their lives at the time.
If I hadn’t already known so much about Eleanor’s inspiring life and Alice’s unconventional one, I absolutely would have wanted to after reading this entertaining book.
Murderous ghosts and buried family secrets threaten young Eleanor and Alice Roosevelt in this thrilling middle-grade novel that puts a supernatural spin on alternate history.
It's 1898 in New York City and ghosts exist among humans.
When an unusual spirit takes up residence at the Roosevelt house, thirteen-year-old Eleanor and fourteen-year-old Alice are suspicious. The cousins don't get along, but they know something is not right. This ghost is more than a pesky nuisance. The authorities claim he's safe to be around, even as his mischievous behavior grows stranger and more menacing. It's almost like he wants to scare the…
When each of our older boys were in the midst of the college admissions process, our husbands suffered life-threatening health crises. It was such a bizarre coincidence that we both experienced intense brushes with mortality during this time of high anxiety. The juxtaposition between health and college admissions gave us a unique perspective and led us to explore the impacts of college admissions anxiety on families, friendships, students, and school communities. We had entirely plottedGirls With Bright Futuresand were nearly through the first draft when the Operation Varsity Blues college admissions scandal broke in March 2019. We felt like the headlines had been ripped from our manuscript!
We read several popular novels that explore competitive school environments. One of the best in this sub-genre is Small Admissions, by Amy Poeppel, which provides a fictional glimpse into the cut-throat world of Manhattan prep school admissions and ultra-competitive parents. Poeppel crafts a fun, wicked read with sharp dialogue. We could easily imagine what would happen when the children inSmall Admissionsapply to college…their parents would fit in well with the characters in our book.
"The Devil Wears Prada meets Primates of Park Avenue." -The New York Times
"Perfect for fans of Curtis Sittenfeld's Prep."-Booklist
Top 6 Books You Need to Read-BuzzFeed
Best Books to Give Every Book Lover on Your List-Town and Country
One admission can change your life...forever.
When ambitious grad student Kate Pearson's handsome French "almost fiance" ditches her, she definitely does not roll with the punches, despite the best efforts of family and friends. It seems that nothing will get Kate out of pajamas and back into the world.
Miraculously, one cringe-worthy job interview leads to…
I write about contemporary art, and much of the work I’ve been drawn to was made by women and by artists in other sidelined communities. Early on, I also focused on marginalized disciplines: artists’ books, performance, and art that responded directly to the vacant sites that abounded in New York City when I started out in the late 1970s. It was an enormously exciting time, but also a tough one. Violence was very hard to avoid. I didn’t focus on that at the time, but ultimately, I realized I needed to look more directly at trouble, and how artists respond to it.
An audaciously experimental novelist, Siri Hustvedt is also a highly respected scholar of neuroscience who is not afraid to bring the philosophy of mind into her fiction. In Memories of the Future, she adroitly employs some revisionist art history as well. And there is a breathtakingly vivid evocation of the sensory lag that occurs with trauma. But what grabbed me first and unrelentingly in this novel is its evocation of a time and place—New York in the 1970s (the then scruffy Upper West Side, to be exact)—and of the social and sexual perplexities it produced for young women. The protagonist negotiates independence and loneliness, courage—and memory—both true and false, and men safe and otherwise. I wish I’d known her then.
A provocative, wildly funny, intellectually rigorous and engrossing novel, punctuated by Siri Hustvedt's own illustrations - a tour de force by one of America's most acclaimed and beloved writers.
Fresh from Minnesota and hungry for all New York has to offer, twenty-three-year-old S.H. embarks on a year that proves both exhilarating and frightening - from bruising encounters with men to the increasingly ominous monologues of the woman next door.
Forty years on, those pivotal months come back to vibrant life when S.H. discovers the notebook in which she recorded her adventures alongside drafts of a novel. Measuring what she remembers…
I’m Mary Sisson, award-winning writer blah-blah-blah, and when I need to pry myself off the feeds before my head explodes, I reach for a particular sort of book: story-driven with a lot of adventure, a dash of humor, another of romance, andset in a well-developed, immersive fictional world. While all of these titles can be read alone (I hate books that were clearly written to sell a sequel—600 pages of filler ending with a cliffhanger? No thank you!)they all also form parts of series, because when my head is about to shoot right off my neck, it helps me to know that I have the remedy at hand. Enjoy!
Katie Chandler has moved to New York City hoping for a life of glamour and excitement, only to find herself lonely, frustrated, and deeply baffled that those jaded New Yorkers keep ignoring all the weird things that keep happening. Then she discovers that the average New Yorker can’t see what she sees—she is the rare true mundane, completely unaffected by all magic, including magical camouflage. Her special abilities lead her to a new job for a magical company, and the book leads the reader into a delightful series of adventures that hilariously combine wizardry and enchantment with corporate intrigue and the tropes of Chick Lit.
“A totally captivating, hilarious, and clever look on the magical kingdom of Manhattan, where kissing frogs has never been this fun.”—Melissa de la Cruz, author of The Au Pairs
Katie Chandler had always heard that New York is a weird and wonderful place, but this small-town Texas gal had no idea how weird until she moved there. Everywhere she goes, she sees something worth gawking at and Katie is afraid she’s a little too normal to make a splash in the big city. Working for an ogre of a boss doesn’t help.
