Fans pick 100 books like Eleanor, Alice, and the Roosevelt Ghosts

I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.

I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.

I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.

I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.

As a doctor, writer, and mother of middle schoolers, I was ready to scintillate the sixth-graders when I volunteered for the chicken wing dissection class, demonstrating the exciting connection between muscles, tendons, and bones. I opened and closed the wing, placed it in their hands, and showed them the thin strips of tissue coordinating all the action. Did I see fascination? Excitement? Feigned interest of any sort? Sadly, no. They were much more enthusiastic about a different topic I volunteered for. Mythology. Greek gods. Beasts with multiple heads. They knew everything, and I knew books like Rick Riordan’s The Lightning Thief series were the reason. Books can entertain and educate.

Eileen Charbonneau’s love affair with New York City was cemented the day she was downtown on jury duty and witnessed the 9/11 terrorist attacks. New York is the Melting Pot birthplace of her parents, home of her first job (Brooklyn) first Shakespeare (Central Park) and Folk music (Greenwich Village) performances, first apartments (West Village and Washington Heights), and first cocktail (Kir Royale at the Algonquin). Many family stories and deep roots remain.

I am an esoteric storyteller. One day a technician was installing our internet. When he found out we were from New Orleans, he told us a story about when he visited there and saw a ghost. To hear him, there was no doubt about his truthfulness, how it scared him and convinced him never to return to that city again. Here was an ordinary guy whose life view was turned upside down by the paranormal. I write about such things—urban fantasies. I include esoteric books as well as accounts of such experiences in my reading. For me, I believe there is much more to this world than meets the eye. 

My father used to take me to watch the Twins play at Metropolitan Stadium in Bloomington, a twenty-minute drive from our house in suburban Minneapolis. As soon as the Twins announced their schedule each year, he would buy tickets for the doubleheaders. Our favorites were the twilight doubleheaders, when we watched one game by daylight, and the other under the night sky. Baseball was pure to me then: played outdoors on real grass. Seated beside my dad during those twin bills, I felt his love for the game seep into me and take root. All these years later, almost two decades after his death, that love remains strong.

I was born in Sweden in a northern fishing town. My parents come from Lapland. I always loved reading, especially crime novels. My parents used to drop me off at the local library and pick me up at closing time. When young, I worked for the local newspaper and had dreams of becoming a journalist. Instead, it became a corporate career with postings all over the world. When I picked up writing again in my early forties, it didn’t come together for me until I put a dead body in there, and thus I found myself writing thrillers. Nordic Noir is a genre I am particularly fond of. It is crime, where setting in the broadest use of the word (physical, mental, geographical, climate…) is allowed to take space. Below you will find five of my favourites. 

My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.