Here are 100 books that St. Marks Is Dead fans have personally recommended if you like
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Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
The gold standard of rock and roll oral histories. Two authors, years and years in the making, chronicling one of music's most incendiary eras. "Will you die for the music?" Lou Reed asks in the early pages. In other words, how many knife fights, sleepless nights, and dead friends would it take to stop you from chasing artistic salvation?
Reading this book while I wrote my own made me realize just how sterilized my scene (like much of America) had gotten by the turn of the millennium. Third-wave emo wasn't famously dangerous or gritty, but many of its icons grappled with life-threatening addiction and mental health issues (even more than I expected going in). Yet, thankfully, almost all of those band members are still with us. Please Kill Me illuminated this. It's no accident the final word in my book is "survive."
This is the true story of a misunderstood culture phenomenon, one embracing Andy Warhol, Jim Morrison, Lou Reed, David Bowie, Patti Smith, The Sex Pistols, Iggy Pop, The New York Dolls, The Clash and The Damned. It is a story of sex, drugs and rock and roll, documenting a time of glorious self-destruction and perverse innocence - punk was possibly the last time so many people will have had so much fun killing themselves. Legs McNeil, founder of "Punk" magazine has interviewed those who were members of the punk scene, from the brightest stars to the most observant groupies.
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I can’t see myself writing a detailed chronicle of a specific location and period without pulling my hair out. But Will Hermes did precisely that (well, not the hair-pulling-out part) by relating five crucial years in New York. It initially reads weird, maybe even slow, because he writes short intersecting snippets of music history.
Once I got deeper into it, I fell in love. I already knew much of the history he touched on regarding stuff like punk, Bruce Springsteen, and salsa, but those fun factoids aren’t the point of Hermes’s book. Instead, it’s about how multiple scenes coexisted and informed one another. I’m well versed in the NY music scene now and—bonus!—New York itself.
Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city’s infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless.
Love Goes to Buildings on Fire is the first book to tell the full story of the era’s music scenes…
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
This is the first book I remember reading where I learned you could write about yourself in a way that was glittery, funny, and immersive without being pretentious.
Gilman is a master of voice and narrative, plus the majority of the book–subtitled "Tales of Growing Up Groovy and Clueless"–takes place in New York City. It’s a defining book of my life as a person and as a writer.
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
I originally read this book in my late teens, but I never forgot how much it taught me not just about flappers, but how history can leap off the page. I even cited this book as an influence in my book proposal for Glitter and Concrete.
Flappers were such a vibrant group of women, and Zeitz does them justice bringing them to life. I wanted the drag artists in my book to do the same.
Whether I read fiction, non-fiction, poetry, or prose, I especially love books by authors whose voices resonate with authenticity and originality, and who write imaginative page-turners about characters who change and grow personally, regardless of the difficulties they face in life. When their changes lead to creating conducive conditions for others to thrive, I feel gratified and inspired by them. As a practicing psychotherapist and writer I have devoted my career to supporting people in discovering and nurturing the creative sparks within themselves. My PhD in psychology and Post-Doctoral studies, presentations, and publications over the past 45 years have focused on the healing aspect of the creative process.
James McBride has an enormous gift for evoking the goodness in characters whose lives are perceived to be beyond redemption.
They inhabit the down and out realms of addiction, impoverishment, life on the streets, in housing projects rife with crime. And yet, he also reveals the faith and spirituality that binds them with love and humor, and provides them with the endurance for facing the ugliness and miracles in everyday life.
What I love most about Deacon King Kong is the surprising affection I feel for the characters that James McBride describes in hilariously creative ways, revealing the depths of their souls as well as the sins they rectify or try to cover up.
Never pious or self-righteous, these characters offer the heart of change and give us love!
NEW YORK TIMES BESTSELLER AND OPRAH'S BOOK CLUB PICK CHOSEN BY BARACK OBAMA AS A FAVOURITE READ TOP TEN BOOKS OF THE YEAR, NEW YORK TIMES & WASHINGTON POST
'Brilliantly imagined, larger than life, a tragicomedic epic of intertwined lives.' JOYCE CAROL OATES
'Deeply felt, beautifully written and profoundly humane.' JUNOT DIAZ, New York Times Book Review
The year is 1969. In a housing project in south Brooklyn, a shambling old church deacon called Sportcoat shoots - for no apparent reason - the local drug-dealer who used to be part of the church's baseball team. The repercussions of that moment…
A native of New York’s Long Island, I’ve always been obsessed with the shoreline. My best early memories are of traveling with my family to the eastern edge of Long Island for our two-week summer vacation. My parents didn’t earn a lot of money, and we didn’t vacation often, so those two weeks in August were heavenly. As an adult, I gravitate to coastlines and islands. I’ve always been a fan of books with a strong sense of place, especially when that place is the shore. And I loved setting my current book on an island in the Mediterranean, delving into the qualities and characteristics that make a coastline so evocative and so appealing.
Full disclosure—I’m a former New Yorker who adores the Big Apple.
So how could I not include a book set on the vibrant, unpredictable island of Manhattan? Anna Quindlen has long been one of my go-to writers, and this is my favorite of her novels – sophisticated, subtle, and thought-provoking.
It revolves around a series of characters—some earnest, some quirky, but all flawed—who live in an apartment building rocked by a disturbing act of violence. I love this book because of all the questions it raises about family, loyalty, and community—and I love the way the building becomes a kind of island itself.
To me, Quindlen is a top-notch chronicler of contemporary motherhood, marriage, and family—and with this story, she is at her best.
For fans of Elizabeth Strout and Anne Tyler comes a brilliantly provocative novel from the Richard and Judy Book Club and Number One bestselling author Anna Quindlen.
'Mesmerizing. Quindlen makes her characters so richly alive, so believable, that it's impossible not to feel every doubt and dream they harbour . . . Overwhelmingly moving' New York Times
Anna Quindlen follows her highly-praised novel Miller's Valley - 'reads like a companion to Elizabeth Strout's Olive Kitteridge', Elisabeth Egan - with a captivating novel about money, class and self-discovery set in the heart of New York where the tensions in a tight-knit…
I write and illustrate picture books. Before I was a father I just thought of the picture book as my chosen art form. When I became a dad, I saw first-hand how important picture books are in the lives of young children and the people who read to them. They become family friends. For the youngest kids, bedtime and nap-time are rituals performed many times a day, which means those books get read over and over. In doing so, I found some favorites that I still enjoy reading today, even if I am reading to myself!
A good goodnight book slows things down, quiets down the room and the people in it. This book does just that. When nap-time and bedtime were frequent and important in our home we really loved this book. You go for a walk and when you are back home you are ready for bed. Decrescendo.
Acclaimed author-illustrator Elisha Cooper paints the quiet magic of a good-night walk as the neighborhood settles into itself at the end of the day.
As a child and parent walk down the block to the bay and turn to walk back home, evening falls upon the neighborhood. As the walk begins, the squirrels are in the yards, the boys are mowing lawns, a neighbor is baking a pie, and someone is mailing a letter. When the child and parent turn to walk back home, the apple pie is down from the windowsill, the leaves are raked up, and the postman…
Making disciples is the hardest, most rewarding ministry I’ve ever experienced! For the past ten years, I’ve been helping pastors and church leaders make disciples and build a disciple-making culture in their churches. I know the challenges each of these things brings, and I’ve read books that teach others how to do them. However, most of these books focus on the big picture and never get into the weeds about how to do it. My goal with this list is to give you books to help you learn how to make disciples and build a disciple-making culture.
How do you build a disciple-making culture that is at the center of a culture of consumerism? The struggle is real! In this book, the authors offer keen insights that probe the tenets of capitalism and how that has shaped and continues to influence our community culture.
I resonated with most of what they wrote and yearned for something different...a return to making disciples through a community of abundance and cooperation. The authors also understand how to reshape the culture of a local community into one of abundance. I highly recommend this one!
We need our neighbors and community to stay healthy, produce jobs, raise our children, and care for those on the margin. Institutions and professional services have reached their limit of their ability to help us.
The consumer society tells us that we are insufficient and that we must purchase what we need from specialists and systems outside the community. We have become consumers and clients, not citizens and neighbors. John McKnight and Peter Block show that we have the capacity to find real and sustainable satisfaction right in our neighborhood and community.
This book reports on voluntary, self-organizing structures that…
I’ve always been interested in how people change, and how trauma and difficulties hasten change. After all, if we have to grow and gain new skills to stay alive, we find a way. Originally, personal transformation was a priority because I was terribly unhappy, scared, and had shielded myself from direct contact with the world around me in an effort to stay “safe.” Don’t do this. It doesn’t work. So I asked myself, as an author, how would murders, deception, and sanity-threatening events affect a depressed therapist? Murder For Liar is the product of exploring this.
I found this book deeply disturbing, despite the seemingly normal content of the story.
Like the protagonist, I could never tell what was real, what was paranoia, and what the hell might happen next. We’re inside the head of a confused, scared man dealing with disturbed characters who hide in plain sight as mere neighbors.
I relate to this, as does the protagonist in my book.
Decades ago, I was seduced by a guru to become the first disciple of a small, relatively benign cult. Serving as an assistant guru of sorts—manning a branch office of our organization, so to speak, I experienced both sides of the coin—being manipulated by someone with confounding abilities, as well as manipulating others myself.
NEIGHBORS is a black comedy about Earl Keese, a regular suburbanite whose world is overturned when Harry and Ramona move into the house next door. Harry and Ramona instantly unsettle the staid Earl with their abrupt mannerisms, their disturbing wolfhound and their dangerous schemes. Earl's suspicions about the couple's lack of stability and normalcy are ignored by his wife, Enid, and his daughter, Elaine, even while he is concerned that they are all being negatively affected by their relationships with the neighbours. Ramona is by turns seductive and manipulative with Earl while Harry is threatening and confrontational, upending Earl's carefully…
I never read much urban history until I wrote one. For me, the problem was that most urban histories felt repetitive – they presented the same story over and over, just set in different locations. This was because most narrated the results of deeper, structural shifts (in spheres such as federal strategies of home finance, technological developments, demographic shifts, the rise or decline of manufacturing, political realignments, etc.) without sufficiently illuminating the causes. Regardless of whether they focus on Las Vegas or Philadelphia or Chicago or Dallas, each of these books – which I am presenting in order of publication date, not quality, as they are all excellent – will leave you smarter about the forces that shape our cities.
Sandoval-Strausz examines Latino neighborhoods in Chicago and Dallas to explain “How Latino Immigrants Saved the American City.” Along the way, he illuminates federal policies and private industries that together damaged cities. These include U.S. immigration policies that combined with economic conditions in Mexico and Central America to spur Latino immigration while creating obstacles to legal settlement within the U.S. Explaining everything from international labor flows to urban architectural styles to the politics of gentrification, Barrio America is also an implicit account of how Latinos became “white.” Also recommended is anything by Arlene Davila, whose specialty is understanding the implications of neoliberalism on Latino communities.
Starting around 70 years ago, white flight out of America's major cities caused rapid urban decline. Now we are witnessing a resurgence of American urbanism said to be the result of white people's return. But this account entirely passes over the stable immigrant communities who arrived and never left: as whites fled for the suburbs and exurbs in increasing numbers, Latin Americans immigrated to urban centres in even greater numbers. Barrio America charts the vibrant revival of American cities in the 1970s, 1980s and 1990s, arguing that we should attribute this revival to the influx of Latin American immigrants --…
