Here are 100 books that Flapper fans have personally recommended if you like
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Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
The gold standard of rock and roll oral histories. Two authors, years and years in the making, chronicling one of music's most incendiary eras. "Will you die for the music?" Lou Reed asks in the early pages. In other words, how many knife fights, sleepless nights, and dead friends would it take to stop you from chasing artistic salvation?
Reading this book while I wrote my own made me realize just how sterilized my scene (like much of America) had gotten by the turn of the millennium. Third-wave emo wasn't famously dangerous or gritty, but many of its icons grappled with life-threatening addiction and mental health issues (even more than I expected going in). Yet, thankfully, almost all of those band members are still with us. Please Kill Me illuminated this. It's no accident the final word in my book is "survive."
This is the true story of a misunderstood culture phenomenon, one embracing Andy Warhol, Jim Morrison, Lou Reed, David Bowie, Patti Smith, The Sex Pistols, Iggy Pop, The New York Dolls, The Clash and The Damned. It is a story of sex, drugs and rock and roll, documenting a time of glorious self-destruction and perverse innocence - punk was possibly the last time so many people will have had so much fun killing themselves. Legs McNeil, founder of "Punk" magazine has interviewed those who were members of the punk scene, from the brightest stars to the most observant groupies.
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I can’t see myself writing a detailed chronicle of a specific location and period without pulling my hair out. But Will Hermes did precisely that (well, not the hair-pulling-out part) by relating five crucial years in New York. It initially reads weird, maybe even slow, because he writes short intersecting snippets of music history.
Once I got deeper into it, I fell in love. I already knew much of the history he touched on regarding stuff like punk, Bruce Springsteen, and salsa, but those fun factoids aren’t the point of Hermes’s book. Instead, it’s about how multiple scenes coexisted and informed one another. I’m well versed in the NY music scene now and—bonus!—New York itself.
Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city’s infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless.
Love Goes to Buildings on Fire is the first book to tell the full story of the era’s music scenes…
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
This is the first book I remember reading where I learned you could write about yourself in a way that was glittery, funny, and immersive without being pretentious.
Gilman is a master of voice and narrative, plus the majority of the book–subtitled "Tales of Growing Up Groovy and Clueless"–takes place in New York City. It’s a defining book of my life as a person and as a writer.
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
St. Marks is Dead taught me how to write about history in a way that was vibrant and page-turning.
I’m not typically a person who will pick up a book about the Revolutionary War, which appears toward the beginning of the book as we learn about how St. Marks Place came to be, but I couldn’t put this book down. By the time Calhoun gets to the vivacious 1960s-1990s, the book becomes an unstoppable force about an iconic street in New York City, as much of a force as the city itself.
I’m Allison Lange, and I’m a historian who writes, gives talks, teaches, and curates exhibitions. For the 19th Amendment centennial, I served as Historian for the United States Congress’s Women’s Suffrage Centennial Commission. I am also creating the first filmed series on American women’s history for Wondrium (formerly The Great Courses).
My first book, Picturing Political Power: Images in the Women’s Suffrage Movement focuses on the ways that women’s voting rights activists and their opponents used images to define gender and power. My next book situates current iconic pictures within the context of historical ones to demonstrate that today’s visual debates about gender and politics are shaped by those of the past.
Helen Hamilton Gardener secured crucial support from leading politicians in Washington, DC for the 19th Amendment’s ratification. Despite her significance, few know the story of her exciting and controversial life. Fortunately, Kimberly Hamlin tells Gardener’s dramatic story in her book Free Thinker. Born Alice Chenoweth in 1853, she had to leave her job as a teacher in Ohio after an affair with a married school commissioner in 1876. She adopted the name Helen Hamilton Gardener and a range of modern ideas: women’s rights, opposition to the sexual double standard, and freethought. Gardener eventually became the highest-ranking female official in the federal government by the time of her death in 1925. Free Thinker provides a fascinating glimpse into the behind-the-scenes politics that led to the 19th Amendment’s ratification.
When Ohio newspapers published the story of Alice Chenoweth's affair with a married man, she changed her name to Helen Hamilton Gardener, moved to New York, and devoted her life to championing women's rights and decrying the sexual double standard. She published seven books and countless essays, hobnobbed with the most interesting thinkers of her era, and was celebrated for her audacious ideas and keen wit. Opposed to piety, temperance, and conventional thinking, Gardener eventually settled in Washington, D.C., where her tireless work proved, according to her colleague Maud Wood Park, "the most potent factor" in the passage of the…
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
This is a tour de force on the lives of girls and young women in the era of World War II and the 1950s.
Littauer makes use of non-traditional sources to show how young women negotiated a sexual landscape that was rapidly changing and which gave them more choices and often more control over their sexuality.
During the war years, young women found that the rapid mobilization and unsettled conditions near military bases gave them opportunities for sexual adventures that settle times would never allow.
And during the post-war, within the “going steady” practices of the time, women could become sexually active with some protection from social stigma.
In this innovative and revealing study of midcentury American sex and culture, Amanda Littauer traces the origins of the "sexual revolution" of the 1960s. She argues that sexual liberation was much more than a reaction to 1950s repression because it largely involved the mainstreaming of a counterculture already on the rise among girls and young women decades earlier. From World War II-era "victory girls" to teen lesbians in the 1940s and 1950s, these nonconforming women and girls navigated and resisted intense social and interpersonal pressures to fit existing mores, using the upheavals of the era to pursue new sexual freedoms.…
I am an unusual scientist in the sense that I have doctorates in both biology and anthropology, so I am very interested in the dichotomy between what our bodies truly want (biology) and how we are supposed to behave, or tell others to behave, in our cultural settings (cultural anthropology). Amazingly, studies show that we spend more time and attention in our lives living for others for what they think of us, than doing what we truly want, and that we often regret that, when we are close to dying. These books make us reconsider that way of living, so we can change this before it is too late.
The book is a nice combination between being a popular book and still including a lot of interesting, valid scientific data, which make us reconsider what we think we knew about the evolution of human sexuality, and our own daily lives.
Some reviews have suggested it is mostly a popular, superficial book, but actually, it does include very detailed studies, both ethnographic - about humans living in various types of societies - and anthropological - including about the lifestyle of chimpanzees and bonobos. As a first read on the evolution of human sexuality, I do think it is a good start.
In this controversial, thought-provoking, and brilliant book, renegade thinkers Christopher Ryan and Cacilda Jetha debunk almost everything we know about sex, weaving together convergent, frequently overlooked evidence from anthropology, archaeology, primatology, anatomy, and psychosexuality to show how far from human nature monogamy really is. In "Sex at Dawn", the authors expose the ancient roots of human sexuality while pointing toward a more optimistic future illuminated by our innate capacities for love, cooperation, and generosity.
Cara Hogarth emigrated from England to Australia as a child, but always wished she hadn’t. So she studied medieval history at university in order to travel back in time and place. Now that she’s bagged a PhD (on Chaucer’s raunchy Wife of Bath), she prefers to write historical fiction in order to truly immerse herself and her readers in the past. She finds academic history a fantastic inspiration for her fiction writing, but is always seeking out historical novels that hit just the right balance between research, humor, and page-turning plot. Warning: her novels can get quite steamy!
This history of medieval sex is aimed at a non-academic readership and covers topics from the theology of sex in Eden, medieval definitions of incest (don’t sleep with your god-parents), and the fact that any abnormal sexual activity was considered sodomy (hint: stick to the missionary position).
In short, medieval attitudes to sex were very different from our own. This is a tricky thing to portray in historical fiction, especially historical romance. I’ve covered my copy of this book in pencil scribbles. A readable and entertaining popular history featuring a great cover image straight from a medieval manuscript!
The medieval humoral system of medicine suggested that it was possible to die from having too much - or too little - sex, while the Roman Catholic Church taught that virginity was the ideal state. Holy men and women committed themselves to lifelong abstinence in the name of religion. Everyone was forced to conform to restrictive rules about whom they could have sex with, in what way, how often, and even when, and could be harshly punished for getting it wrong. Other experiences are more familiar. Like us, medieval people faced challenges in finding a suitable partner or trying to…
As an ethnographer, I have been studying the lives of ordinary women in socialist and post-socialist countries in Eastern Europe for over twenty-five years. I have always been fascinated by the differences in women’s life options in the presence or absence of robust social safety nets. As a scholar, I’ve spent decades working in archives and interviewing people across the region, and I have written eight books about the various gendered experiences of everyday life in Eastern Europe. As a professor, I have taught a course called “Sex and Socialism,” almost every year for eighteen years and I am always reading widely in this field to look for new material for my syllabi.
Katerina Liskova’s intriguing sociological and historical study provides a deep dive into the creation of “expert knowledge” by progressive sexologists in the former socialist state of Czechoslovakia. She argues convincingly that while American housewives pottered around their kitchens in the 1950s, Czechoslovak women experienced a sexual revolution after abortion was legalized, same sex love was decriminalized, and scientists focused on how to improve women’s sex lives. State efforts to promote the ideal of full gender equality within romantic relations gave women new opportunities for education and professional advancement that their mothers and grandmothers could scarcely have dreamed of.
This is the first account of sexual liberation in Eastern Europe during the Cold War. Katerina Liskova reveals how, in the case of Czechoslovakia, important aspects of sexuality were already liberated during the 1950s - abortion was legalized, homosexuality decriminalized, the female orgasm came into experts' focus - and all that was underscored by an emphasis on gender equality. However, with the coming of Normalization, gender discourses reversed and women were to aspire to be caring mothers and docile wives. Good sex was to cement a lasting marriage and family. In contrast to the usual Western accounts highlighting the importance…
I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
