Here are 100 books that Flapper fans have personally recommended if you like
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Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
The gold standard of rock and roll oral histories. Two authors, years and years in the making, chronicling one of music's most incendiary eras. "Will you die for the music?" Lou Reed asks in the early pages. In other words, how many knife fights, sleepless nights, and dead friends would it take to stop you from chasing artistic salvation?
Reading this book while I wrote my own made me realize just how sterilized my scene (like much of America) had gotten by the turn of the millennium. Third-wave emo wasn't famously dangerous or gritty, but many of its icons grappled with life-threatening addiction and mental health issues (even more than I expected going in). Yet, thankfully, almost all of those band members are still with us. Please Kill Me illuminated this. It's no accident the final word in my book is "survive."
This is the true story of a misunderstood culture phenomenon, one embracing Andy Warhol, Jim Morrison, Lou Reed, David Bowie, Patti Smith, The Sex Pistols, Iggy Pop, The New York Dolls, The Clash and The Damned. It is a story of sex, drugs and rock and roll, documenting a time of glorious self-destruction and perverse innocence - punk was possibly the last time so many people will have had so much fun killing themselves. Legs McNeil, founder of "Punk" magazine has interviewed those who were members of the punk scene, from the brightest stars to the most observant groupies.
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I can’t see myself writing a detailed chronicle of a specific location and period without pulling my hair out. But Will Hermes did precisely that (well, not the hair-pulling-out part) by relating five crucial years in New York. It initially reads weird, maybe even slow, because he writes short intersecting snippets of music history.
Once I got deeper into it, I fell in love. I already knew much of the history he touched on regarding stuff like punk, Bruce Springsteen, and salsa, but those fun factoids aren’t the point of Hermes’s book. Instead, it’s about how multiple scenes coexisted and informed one another. I’m well versed in the NY music scene now and—bonus!—New York itself.
Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city’s infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless.
Love Goes to Buildings on Fire is the first book to tell the full story of the era’s music scenes…
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
This is the first book I remember reading where I learned you could write about yourself in a way that was glittery, funny, and immersive without being pretentious.
Gilman is a master of voice and narrative, plus the majority of the book–subtitled "Tales of Growing Up Groovy and Clueless"–takes place in New York City. It’s a defining book of my life as a person and as a writer.
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
St. Marks is Dead taught me how to write about history in a way that was vibrant and page-turning.
I’m not typically a person who will pick up a book about the Revolutionary War, which appears toward the beginning of the book as we learn about how St. Marks Place came to be, but I couldn’t put this book down. By the time Calhoun gets to the vivacious 1960s-1990s, the book becomes an unstoppable force about an iconic street in New York City, as much of a force as the city itself.
I’m Allison Lange, and I’m a historian who writes, gives talks, teaches, and curates exhibitions. For the 19th Amendment centennial, I served as Historian for the United States Congress’s Women’s Suffrage Centennial Commission. I am also creating the first filmed series on American women’s history for Wondrium (formerly The Great Courses).
My first book, Picturing Political Power: Images in the Women’s Suffrage Movement focuses on the ways that women’s voting rights activists and their opponents used images to define gender and power. My next book situates current iconic pictures within the context of historical ones to demonstrate that today’s visual debates about gender and politics are shaped by those of the past.
Helen Hamilton Gardener secured crucial support from leading politicians in Washington, DC for the 19th Amendment’s ratification. Despite her significance, few know the story of her exciting and controversial life. Fortunately, Kimberly Hamlin tells Gardener’s dramatic story in her book Free Thinker. Born Alice Chenoweth in 1853, she had to leave her job as a teacher in Ohio after an affair with a married school commissioner in 1876. She adopted the name Helen Hamilton Gardener and a range of modern ideas: women’s rights, opposition to the sexual double standard, and freethought. Gardener eventually became the highest-ranking female official in the federal government by the time of her death in 1925. Free Thinker provides a fascinating glimpse into the behind-the-scenes politics that led to the 19th Amendment’s ratification.
When Ohio newspapers published the story of Alice Chenoweth's affair with a married man, she changed her name to Helen Hamilton Gardener, moved to New York, and devoted her life to championing women's rights and decrying the sexual double standard. She published seven books and countless essays, hobnobbed with the most interesting thinkers of her era, and was celebrated for her audacious ideas and keen wit. Opposed to piety, temperance, and conventional thinking, Gardener eventually settled in Washington, D.C., where her tireless work proved, according to her colleague Maud Wood Park, "the most potent factor" in the passage of the…
I am a historian of twentieth-century Argentina and a professor of modern Latin American history currently teaching at the University of Houston. Born and raised in Argentina, I completed my undergraduate studies at the National University of Rosario and moved to the United States in 2000 to continue my education. I received my M.A. in history from New York University and my Ph.D. in history from Indiana University, Bloomington. I have written extensively about gender, working-class history, consumer culture, and sexuality in Argentina. I am the author of Workers Go Shopping in Argentina: The Rise of Popular Consumer Culture and Destape! Sex, Democracy, and Freedom in Postdictatorial Argentina.
Using a truly interdisciplinary approach anchored in queer studies and affect theory, Frazier subverts the common approach to sex as privatized and located in individual subjectivity by looking at desire as a central component of political culture and power. The book explores a variety of Chilean political projects and actors throughout the twentieth century including feminists, the revolutionary left, and the military dictatorship to understand the ways in which both sexual and non-sexual practices and ideologies were intrinsically connected to emotions and ideas of pleasure and to sexualized and gendered discourses and experiences.
Desired States challenges the notion that in some cultures, sex and sexuality have become privatized and located in individual subjectivity rather than in public political practices and institutions. Instead, the book contends that desire is a central aspect of political culture. Based on fieldwork and archival research, Frazier explores the gendered and sexualized dynamics of political culture in Chile, an imperialist context, asking how people connect with and become mobilized in political projects in some cases or, in others, become disaffected or are excluded to varying degrees. The book situates the state in a rich and changing context of transnational…
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
This is a tour de force on the lives of girls and young women in the era of World War II and the 1950s.
Littauer makes use of non-traditional sources to show how young women negotiated a sexual landscape that was rapidly changing and which gave them more choices and often more control over their sexuality.
During the war years, young women found that the rapid mobilization and unsettled conditions near military bases gave them opportunities for sexual adventures that settle times would never allow.
And during the post-war, within the “going steady” practices of the time, women could become sexually active with some protection from social stigma.
In this innovative and revealing study of midcentury American sex and culture, Amanda Littauer traces the origins of the "sexual revolution" of the 1960s. She argues that sexual liberation was much more than a reaction to 1950s repression because it largely involved the mainstreaming of a counterculture already on the rise among girls and young women decades earlier. From World War II-era "victory girls" to teen lesbians in the 1940s and 1950s, these nonconforming women and girls navigated and resisted intense social and interpersonal pressures to fit existing mores, using the upheavals of the era to pursue new sexual freedoms.…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
We often assume that the Romans were in love with love but, actually, they could be very divided over it. Love, for some, was not only destructive, it was practically criminal. The author of this academic book looks at the ethics of love and sex in Rome and considers the surprising appeal of ‘sexual virtue’, abstention, and chastity in ancient society.
Traditionally, scholars have approached Roman sexuality using categories of sexual ethics drawn from contemporary, Western society. In this 2006 book Dr Langlands seeks to move away from these towards a deeper understanding of the issues that mattered to the Romans themselves, and the ways in which they negotiated them, by focusing on the untranslatable concept of pudicitia (broadly meaning 'sexual virtue'). She offers a series of nuanced close readings of texts from a wide spectrum of Latin literature, including history, oratory, love poetry and Valerius Maximus' work Memorable Deeds and Sayings. Pudicitia emerges as a controversial and unsettled topic, at…
I am peculiar. Really. I’m an autistic, non-binary, PhD historian who writes weird non-fiction books—and I read them, too. Among my friends are folks like Mary Roach (Fuzz, Stiff, Bonk, Gulp), Deborah Blum (Poisoner’s Handbook), and Ed Yong (I contain Multitudes, An Immense World). Yet, despite there being so many amazing books about strange facts, it's still hard to find them in one place. Your average bookstore doesn’t have a “peculiar” section, for some reason. That’s why I started myPeculiar Book ClubYouTube show: I wanted there to be a home for authors and readers of the quirky, quizzical, curious, and bizarre. And then I thought, hey, why not make a book list, too.
Why are there so many sex books on my peculiar list? Because sex is one of those subjects we often ignore or treat as taboo—despite it being around since, well, according to Feltman, a particularly amorous pre-historic ameba-like critter. This book also appeals to me because, as a gender-fluid person, I love the idea that the evolutionary status quo used to be essentially pansexual, with exploded gender categories (basically, that ameba was going to try its luck with anything it came across). Along the way, this book stomps on myths and instead shares true facts, which are often much weirder. You will love it.
A rollicking, myth-busting history of sex that moves from historical attempts at birth control to Hildegard von Bingen’s treatise on the female orgasm, demystifying plenty of urban legends along the way.
Roman physicians told female patients they should sneeze out as much semen as possible after intercourse to avoid pregnancy. Historical treatments for erectile dysfunction included goat testicle transplants. In this kaleidoscopic compendium of centuries-old erotica, science writer Rachel Feltman shows how much sex has changed—and how much it hasn’t. With unstoppable curiosity, she debunks myths, breaks down stigma, and uses the long, outlandish history of sex to dissect present-day…
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
Clement explores the working class environment that produced what we think of as “normal” relations between young men and women.
The commonly used term at the time, “treating,” has disappeared. But in the early 20th century this practice, which shared some features with prostitution, turned a search for fun, gendered scripts, and wage discrepancies between men and women into the general model of what would become the classic practice of dating.
The intense urbanization and industrialization of America's largest city from the turn of the twentieth century to World War II was accompanied by profound shifts in sexual morality, sexual practices, and gender roles. Comparing prostitution and courtship with a new working-class practice of heterosexual barter called ""treating"", Elizabeth Alice Clement examines changes in sexual morality and sexual and economic practices. Women ""treated"" when they exchanged sexual favors for dinner and an evening's entertainment or, more tangibly, for stockings, shoes, and other material goods. These ""charity girls"" created for themselves a moral space between prostitution and courtship that preserved both sexual…
