Here are 100 books that Love Goes to Buildings on Fire fans have personally recommended if you like
Love Goes to Buildings on Fire.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
I loved this book because Patti Smith paints a true portrait of a young woman burning with passion to become a poet and artist. The book shows the struggles of committing to a life with no assurances in a city teeming with aspiring artists and writers.
What I love the most is showing the years it took, the alliances she made, the risks she took, the hunger she felt, and the desperate circumstances she faced and overcame. When her lucky break came, I was rooting for her! She had paid her dues, and she rose to the occasion when a band put her poetry to music, and she broke out to become a sensation.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
The gold standard of rock and roll oral histories. Two authors, years and years in the making, chronicling one of music's most incendiary eras. "Will you die for the music?" Lou Reed asks in the early pages. In other words, how many knife fights, sleepless nights, and dead friends would it take to stop you from chasing artistic salvation?
Reading this book while I wrote my own made me realize just how sterilized my scene (like much of America) had gotten by the turn of the millennium. Third-wave emo wasn't famously dangerous or gritty, but many of its icons grappled with life-threatening addiction and mental health issues (even more than I expected going in). Yet, thankfully, almost all of those band members are still with us. Please Kill Me illuminated this. It's no accident the final word in my book is "survive."
This is the true story of a misunderstood culture phenomenon, one embracing Andy Warhol, Jim Morrison, Lou Reed, David Bowie, Patti Smith, The Sex Pistols, Iggy Pop, The New York Dolls, The Clash and The Damned. It is a story of sex, drugs and rock and roll, documenting a time of glorious self-destruction and perverse innocence - punk was possibly the last time so many people will have had so much fun killing themselves. Legs McNeil, founder of "Punk" magazine has interviewed those who were members of the punk scene, from the brightest stars to the most observant groupies.
I spent my childhood in New York and my early adulthood in Chicago, which inspired my fascination with the histories of cities and how we can analyze their built environments to understand the culture, politics, and economy of these vital but complicated places. I wrote my first book about New York’s SoHo neighborhood to better understand how some former disinvested industrial areas became wealthy and gentrified and how artists became known as critical actors in the contemporary city. Since then, I’ve focused the bulk of my teaching and research on urban history. This list includes my favorite fiction and non-fiction titles about New York’s dynamic art scene. Enjoy!
The most famous chapter of the renowned book on New York history, Robert Caro’s The Power Broker, outlines how the Cross-Bronx Expressway gutted once thriving Bronx neighborhoods. Can’t Stop Won’t Stop shows how the global cultural phenomenon of hip-hop arose in the same borough two decades later.
Chang takes readers through public housing recreation rooms, South Bronx streets, and elevated subway lines where a group of musicians, visual artists, and dancers changed world culture. I especially love how the book illuminates how a specific place and time period made possible the development of this now ubiquitous artistic genre.
A history of hip-hop cites its origins in the post-civil rights Bronx and Jamaica, drawing on interviews with performers, activists, gang members, DJs, and others to document how the movement has influenced politics and culture.
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I’m a Professor of Cultural Sociology at Edinburgh, UK, and have written extensively on contemporary culture and particularly technological mediations of popular music. I have undertaken empirical research on cultures of popular music in places like Iceland, Japan, and the UK, and I have supervised around 25 doctoral students to successful completion. My work is widely cited in the field of cultural sociology, and I am regularly interviewed by national broadcasters and the press. I’m also an amateur musician, making homespun electronic music in my bedroom and releasing it under the monikers Sponge Monkeys and Triviax.
I wasn’t expecting this! One of the most gifted and quirky songsmiths of the age, the lead singer of art pop band The Talking Heads no less, turns his attention to the technological evolution of music.
I found profound insight and erudition on every page, but it’s not preachy or overly auto-biographical. Instead, Byrne limns out the changing shapes of music and how it comes into being in composition, performance, and education. He is as much at ease with Hume and Adorno as he is with scales, harmonies, and DJ culture, and the payoff is enormous.
Whenever I pick this book up, which is regularly, it takes me on unexpected journeys and provokes new ideas. My favorite quote on the creative process: “The idea is to allow the chthonic material the freedom it needs to gurgle up.”
How Music Works is David Byrne's buoyant celebration of a subject he has spent a lifetime thinking about.
Equal parts historian and anthropologist, raconteur and social scientist, Byrne draws on his own work over the years with Talking Heads, Brian Eno, and his myriad collaborators - along with journeys to Wagnerian opera houses, African villages, and anywhere music exists - to show that music-making is not just the act of a solitary composer in a studio, but rather a logical, populist, and beautiful result of cultural circumstance.
A brainy, irresistible adventure, How Music Works is an impassioned argument about music's…
I spent my childhood in New York and my early adulthood in Chicago, which inspired my fascination with the histories of cities and how we can analyze their built environments to understand the culture, politics, and economy of these vital but complicated places. I wrote my first book about New York’s SoHo neighborhood to better understand how some former disinvested industrial areas became wealthy and gentrified and how artists became known as critical actors in the contemporary city. Since then, I’ve focused the bulk of my teaching and research on urban history. This list includes my favorite fiction and non-fiction titles about New York’s dynamic art scene. Enjoy!
My favorite image from my research on New York’s SoHo neighborhood is a photograph of a girl riding her bicycle through her parents’ loft apartment—a former factory transformed into an airy, art-filled home that was spacious enough to serve as an indoor playground.
This book captures what it was like to grow up in one of New York’s most famous artist communities. While few (if any) SoHo children helped to break up an international art forgery ring (like the one depicted in this YA novel), it evocatively captures the sense of adventure that children might have felt living in an industrial area during a time of neighborhood transition.
"A dazzling debut novel about resilience, courage, home and family."--Rebecca Stead, Newbery Award-winning author of When You Reach Me
SoHo, 1981. Twelve-year-old Olympia is an artist--and in her neighborhood, that's normal. Her dad and his business partner Apollo bring antique paintings back to life, while her mother makes intricate sculptures in a corner of their loft, leaving Ollie to roam the streets of New York with her best friends Richard and Alex, drawing everything that catches her eye. Then everything falls apart. Ollie's dad disappears in the middle of the night, leaving her only a cryptic note and instructions to…
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
I’ve loved the music of Joy Division for years, and bassist Peter Hook is a master storyteller. Through a series of anecdotes strung together with track-by-track analyses of the Joy Division albums and recollections of specific gigs, Hook examines the band’s brief and idiosyncratic history in intimate detail. For example, Hook and drummer Stephen Morris were both under suspicion for the Yorkshire Ripper murders because Hook’s van had been seen in the neighborhood where the murders took place; they were actually just there to play some gigs, but Morris was taken in for questioning due to his antsy demeanor. Key takeaway: Joy Division made a lot of mistakes on the road to pop stardom, but Hook wouldn’t have had it any other way.
Joy Division changed the face of music. The sound of music. The meaning of music. Godfathers of the current alternative scene, they reinvented rock in the post-punk era, creating a new sound -- dark, hypnotic, intense - that would influence U2, Morrissey, R.E.M., Radiohead and many others. The band's image, once subversive and alienating, has become an internationally renowned 'look' well documented by photographers Anton Corbijn, Kevin Cummins and graphic designer Peter Saville.
Inspired by the attitude, energy and sound of Punk, particularly the Sex Pistols, Peter Hook and his old school friend Bernard Sumner started a band which continues…
It didn’t begin with Donald Trump. When the Republican Party lost five straight presidential elections during the 1930s and 1940s, three things happened: (1) Republicans came to believe that presidential elections are rigged; (2) Conspiracy theories arose and were believed; and (3) The presidency was elevated to cult-like status.
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
Phil Ramone has been involved in producing records for some of the biggest acts in music, including Bob Dylan, Frank Sinatra, Ray Charles, and Paul Simon. Ostensibly, his book is about record production, but really it’s about people. Yes, Ramone worked with some big names over the course of his long career, but at the end of the day (as he emphasizes throughout the book), they’re all human beings, and while some degree of technical expertise is necessary when it comes to making music, what really matters is knowing how to talk to people. At the end of the day, making music is all about making human connections.
Sinatra. Streisand. Dylan. Pavarotti. McCartney. Sting. Madonna. What do these musicians have in common besides their super-stardom? They have all worked with legendary music producer Phil Ramone.
For almost five decades, Phil Ramone has been a force in the music industry. He has produced records and collaborated with almost every major talent in the business. There is a craft to making records, and Phil has spent his life mastering it. For the first time ever, he shares the secrets of his trade.
Making Records is a fascinating look "behind the glass" of a recording studio. From Phil's exhilarating early days…
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
I knew that Phil Spector had a reputation for being mercurial (and that he was in prison for murder), but I never realized how off the rails he really was. I also never realized how many people he’d worked with—both as a producer and just as a guy who was trying to network his way into the business. I knew about his “girl groups,” about his work with the Beatles and some of their solo projects, and about his work with the Ramones, but I didn’t realize that he was very good friends with Ahmet Ertegun of Atlantic Records and that he saw Berry Gordy of Motown as one of his biggest competitors. Overall, a bizarre, tragic life, but an interesting read with a lot of information about some of the big names in rock history that Spector encountered.
A stunning biography of "pure self-interest and cruelty, tempered only slightly by the great musical achievements of Mr. Spector's golden age in the early 1960s" (The New York Times).
He had a number one hit at eighteen. He was a millionaire with his own record label at twenty-two. He was, according to Tom Wolfe, “the first tycoon of teen.” Phil Spector owned pop music. From the Crystals, the Ronettes (whose lead singer, Ronnie, would become his second wife), and the Righteous Brothers to the Beatles (together and singly) and finally the seventies punk icons The Ramones, Spector produced hit after…
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I think music is magic. Sometimes, it feels like reading about music deflates its inherent mystery. When I finished Dilla Time, it was like I had taken mushrooms and could see beat patterns with my mind’s eye. Although a good portion of Dilla Time is biographical, the parts I love are the chapters explaining how rhythm works, and Charnas dives deep into this topic.
The biography portion strengthens those sections because Dilla fundamentally changed the rhythm of pop music. I read this book, and my understanding of rhythm completely changed—and I am a drummer! Plus, the mixed-media, multi-formatted content is such a delight. He even includes graphs. Who doesn’t enjoy a nice graph?
It's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two.
In Dilla Time, Dan Charnas chronicles the life of J. Dilla,…
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
This is the first book I remember reading where I learned you could write about yourself in a way that was glittery, funny, and immersive without being pretentious.
Gilman is a master of voice and narrative, plus the majority of the book–subtitled "Tales of Growing Up Groovy and Clueless"–takes place in New York City. It’s a defining book of my life as a person and as a writer.
