I've been a working journalist for 50 years, and as a child of TV, especially in the 1960s, I grew up with some of the most memorable TV themes ever written. I started writing about TV in the 1980s, and since moving to Los Angeles in 1986, have used every opportunity to meet and interview all of my favorite composers of movie and TV music. The result is this book, which looks at the history of TV themes and, in a larger sense, music written for TV generally. Every genre of TV, from crime to sitcoms, westerns to adventure, has had fun, often compelling, and truly memorable music, and I've tried to celebrate it here.
Longtime jazz publicist Peter Levinson wrote four books on musical figures and this is my favorite.
I'm fudging on the topic just a little bit because Riddle was far more than just a film and TV composer; he was arguably the greatest arranger of the 20th century, working with such giants as Frank Sinatra, Nat King Cole, Ella Fitzgerald, Judy Garland, and Rosemary Clooney.
I was especially interested in Riddle's TV career, which included a hit theme for Route 66 but also music for The Untouchables, Batman, The Blue Knight, and Emergency (as well as film scores from Ocean's 11 to The Great Gatsby).
Levinson captures not only the ambiance of the recording studio but also the surprising insecurities and melancholy that dogged the composer throughout his career.
Known for single-handedly saving Frank Sinatra's career in the mid-1950s with his stunning orchestral arrangements, Riddle's "intelligent, seductive style" also attracted such singers as Nat King Cole, Ella Fitzgerald, Judy Garland, Johnny Mathis, and Linda Ronstadt. Peter Levinson, a friend of Riddle's, presents the musical side of Riddle as well as the private, including details of his marriage-ending affair with Rosemary Clooney.
Hi, my name is Nick, and I’m a recovering rockist. I’ve collected records and vintage gear; I’ve owned Ray Coleman biographies. I’ve played in garage bands that did terrible punk-rock covers of songs like Cream’s “Sunshine of Your Love.” I even used to subscribe to Rolling Stone magazine. And most embarrassingly, I believed in the power of rock – to effect political change, to free people’s bodies and minds. But if once I was a true believer, today I’ve become a rock ’n’ roll skeptic. And I hope that this list might help you rethink everything you thought you knew about rock, too.
A provocative pre-history of rock music, written to provoke. (Don’t hold your breath waiting for John, Paul, George, and Ringo to show up.)
Wald crafts a fascinating alternative history of commercial popular music in the first half of the twentieth century, asking readers to focus not on big names or influential records but on the everyday practices, technologies, and contexts through which musicians and listeners actually experienced the music. Avoid if you don’t want to see a few sacred cows slaughtered.
"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hiphop. As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream jazz and rock history. Rather than concentrating on those traditionally favored styles, the book traces the evolution of popular music through developing tastes, trends and technologies-including…
Richard Niles was born in Hollywood but grew up in London where his 50-year professional career as a composer, arranger, record producer led to work with some of the most acclaimed artists of our time, including Paul McCartney, Ray Charles, James Brown, Tina Turner, Cher and jazz icon Pat Metheny. He has worked on 20 Gold and 28 Platinum records. He has published many books on music including The Pat Metheny Interviews, The Invisible Artist, From Dreaming to Gigging, Piano Grooves, Songwriting – The 11-Point Plan, Adventures in Arranging, Adventures in Jazz Composition, What is Melody?, and How to be an Employable Musician. Dr. Niles' PhD is from Brunel University and he has lectured internationally.
Frank Sinatra did not become the most influential artist in popular music because of the scandals that surrounded much of his life. It was his singing. It was ‘The Voice’.
One of my favorite authors about music, Will Friedwald, concentrates on the dedication it took to create that voice, revealing Sinatra’s craft and artistic conception that made him a masterful storyteller and an innovative vocalist. If you read one book about Sinatra, this should be it!
Frank Sinatra was the greatest entertainer of his age, invigorating American popular song with innovative phrasing and a mastery of drama and emotion. Drawing upon interviews with hundreds of his collaborators as well as with "The Voice" himself, this book chronicles, critiques, and celebrates his five-decade career. Will Friedwald examines and evaluates all the classic and less familiar songs with the same astute, witty perceptions that earned him acclaim for his other books about jazz and pop singing. Now completely revised and updated, and including an authoritative discography and rare photos of recording sessions and performances, Sinatra! The Song Is…
This irresistible memoir by a legendary entertainer is a glittering ride through classic Hollywood history.
Ruta talks about her debut in Seven Brides for Seven Brothers and Witness for the Prosecution and skims over 2,250 TV appearances. She acted with, danced with, joked with, or sang with Frank, Dean, Sammy. And Gene Kelley. Fred Astaire. Jerry Lewis. Her longtime partner, Debbie Reynolds.
For over 50 years, Ruta has been a leading light of the Thalians, an organization supporting troubled youth. So this is an autobiography with something for every movie fan and a purpose in the end to touch your conscience. Among her off screen tales, you will be stirred by her memory of persuading former Soviet premier Nikita Kruschev to free her imprisoned grandmother in Lithuania.
For old-time movie fans and those who enjoy being star-struck.
Ruta Lee's Her memoir, entitled "Consider Your Ass Kissed" (released through Briton Publishing), is a treasure trove of wonderful personal stories and anecdotes with rare first hand and authentic memories of the entertainment industry.
- Her starring roles in films such as "Seven Brides for Seven Brothers" to 'Funny Face" "Bullet for a Badman" "Witness for the Prosecution" "Sergeants 3"
- Ruta has worked with Clint Eastwood, Burt Reynolds, Charles Bronson, James Garner, Johnny Carson, Fred Astaire, Robin Williams, Howard Keel, Bob Crane, Frank Sinatra and the rest of the Rat Pack, the…
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
Phil Ramone has been involved in producing records for some of the biggest acts in music, including Bob Dylan, Frank Sinatra, Ray Charles, and Paul Simon. Ostensibly, his book is about record production, but really it’s about people. Yes, Ramone worked with some big names over the course of his long career, but at the end of the day (as he emphasizes throughout the book), they’re all human beings, and while some degree of technical expertise is necessary when it comes to making music, what really matters is knowing how to talk to people. At the end of the day, making music is all about making human connections.
Sinatra. Streisand. Dylan. Pavarotti. McCartney. Sting. Madonna. What do these musicians have in common besides their super-stardom? They have all worked with legendary music producer Phil Ramone.
For almost five decades, Phil Ramone has been a force in the music industry. He has produced records and collaborated with almost every major talent in the business. There is a craft to making records, and Phil has spent his life mastering it. For the first time ever, he shares the secrets of his trade.
Making Records is a fascinating look "behind the glass" of a recording studio. From Phil's exhilarating early days…
I spent 34 years writing for daily papers, most of them at the News & Observer in Raleigh, North Carolina. I’ve also freelanced for numerous magazines, primarily about music, while hosting a podcast and writing the occasional book. Through it all I’ve had a particular fascination for the music business and its peculiar ways, especially record companies. The industry’s darker side was the subject of my first book way back in 2000, the novel Off The Record, which was a notebook dump of thinly fictionalized war stories I’d accumulated over the years. The record business is the subject of my latest book, too, although it’s a much more positive story.
Commander Cody made that album for Warner Brothers Records during the time when the U.S. record business was grossing over a billion dollars a year.
During those heady days, no label group better exemplified the positive side of the industry than Warner, which stood as proof that you really could have profits with honor. From Frank Sinatra to Madonna, Warner put out music that generated sales and critical acclaim in equal measure.
Stan Cornyn was an executive at Warner for 34 years, overseeing countless publicity campaigns, and this delicious memoir evokes the industry’s glory days in the prestige penthouse. If Rounder was the cream of the independent-label crop, Warner was top of the major-label heap.
That's how Vanity Fair described the record business turmoil of the 1990s, which moved the Warner Music Group -- the world's number one record company -- from the entertainment pages to the front pages. Suddenly, decades of riotous fun and booming business went splat. Top music executives got evicted from their offices, some escorted by company guards. Why? The answers are in Exploding -- the most insightful and delightful book about the record business ever written.
In the rock explosion of the Sixties and Seventies, Warner Bros., Atlantic, and Elektra Records dominated the business as the Warner Music Group. But…
After publishing five books of poems, I found myself writing a long work I had no way of classifying. It involved the extensive use of facts but was also fiction. It read in part like a novel but was also lyrical. I decided to just write it and not worry about what genre it belonged to. It became A Monster’s Notes. I suspect in our internet age, the emergence of unclassifiable work is going to become more and more common. You can already see it happening. The web isn’t divided into sections the way a bookstore is; instead, it’s more like a spider’s web—you can follow this thread or that, but somehow they’re all connected.
Markson had early success writing traditional novels (one was even made into a movie starring Frank Sinatra) but his real body of work came after when he started writing novels that were criticized for not being novels. The first of these, This is Not a Novel, is narrated by a writer who asks whether it is possible to have a novel with no plot, no main character etc. In a form that visually resembles about 150 pages of tweets (but written before Twitter existed), Markson takes a spirited, enjoyable romp through the history of art, literature, and philosophy, with a sharp eye focused on how various creative people lived and loved, but especially on how they died.
David Markson was a writer like no other. In his novels, which have been called "hypnotic," "stunning," and "exhilarating" and earned him praise from the likes of Kurt Vonnegut and David Foster Wallace, Ann Beattie and Zadie Smith. Markson created his own personal genre. With crackling wit distilled into incantatory streams of thought on art, life, and death, Markson's work has delighted and astonished readers for decades.
Now for the first time, three of Markson's masterpieces are compiled into one page–turning volume: This Is Not a Novel, Vanishing Point, and The Last Novel. In This Is Not a Novel, readers…
By ten years old, I had lived in four countries and endured the repercussions of revolution, exile, military coup d’état, and emigration. That explains my life-long passion for history. I pursued a Ph.D. in Latin American history to make sense of the forces that shaped my and my family’s lives. My seven previous books explored diverse topics in Caribbean history within its broader Atlantic context. Momentous domestic and global events, starting with the COVID-19 pandemic and an explosion of racial and political violence in the U.S. pushed me to broaden my scholarly attention and become a Creators Syndicate’s weekly columnist, and publish a collection of columns with the title When the World Turned Upside Down.
American readers and news watchers are deeply segregated: those on the left reading and watching news produced by liberals, and those on the right consuming words and images from conservative authors and broadcasts. And then there is Washington Post columnist George Will, a conservative, who reads voraciously across the political spectrum and offers commentary that reasonable Americans must recognize as honest and insightful. American Happiness and Its Discontents is a collection of thoroughly researched, thought-provoking, exquisitely-written columns written by Will from 2008 to 2020. He offers insightful commentary on a wide range of political, social, and cultural topics and tackles subjects deemed taboo by the left such as the wave of nonsense that has flooded higher education.
George F. Will has been one of this country's leading columnists since 1974. He won the Pulitzer Prize for it in 1977. The Wall Street Journal once called him "perhaps the most powerful journalist in America." In this new collection, he examines a remarkably unsettling thirteen years in our nation's experience, from 2008 to 2020. Included are a number of columns about court cases, mostly from the Supreme Court, that illuminate why the composition of the federal judiciary has become such a contentious subject.
Other topics addressed include the American Revolutionary War, historical figures from Frederick Douglass to JFK, as…
Having spent seven years researching and writing about Prince (and another year updating the book), I spoke to as many people who worked and lived with him as I could. While my book is rich with information gleaned from interviews, alongside my own analysis, there were a few people who didn’t talk to me. Of the above, I did talk to Dez Dickerson, but the others were holding off (presumably because their own books were in the works). All the books below work as perfect compliments to mine and are all must-haves for any Prince fan’s purple library.
It was one of the great strokes of good fortune in Prince’s career that one of his earliest engineers was a brilliant musicologist.
Of course, the reverse is true too, and Rogers’ extraordinary knowledge of music is brought to life (at least in part) by the time she spent alone in the studio with Prince, in the middle of the night, at Christmas, whenever he called.
This Is What It Sounds Like is a journey into the science and soul of music that reveals the secrets of why your favorite songs move you. But it's also a story of a musical trailblazer who began as a humble audio tech in Los Angeles, rose to become Prince's chief engineer for Purple Rain, and then created other No. 1 hits ,including Barenaked Ladies' "One Week," as one of the most successful female record producers of all time.
Now an award-winning professor of cognitive neuroscience, Susan Rogers leads readers to musical self-awareness. She explains that we each possess a…
When I was a kid, my biggest escape was my father’s record collection. Growing up in 1990s NJ, music was a huge part of my experience. Springsteen was from a few miles south, Bon Jovi was from the town next to mine, and Whitney Houston was from the same state but a different county. Music told stories. Inspired my the music of my youth, I now make my living as a storyteller— I tell stories onstage, write books about storytelling and teach others how to tell stories effectively. I have no musical gifts except for the mass consumption of any book with juicy tales about the world of music. Here are a few of my favorites.
Levon Helm’s unflappable integrity makes him such a likable protagonist you’ll root for him as he rises up from small-town Arkansas boy to A list musician. You’ll see the salt of the Earth underdog that he was as he recounts what happened behind the scenes at “The Last Waltz.” This Wheel’s on Fire reads like a director’s cut commentary you can’t believe you’re privy to hearing.
The singer and drummer of the Band details, in this book, the history of one of the most influential groups of the 1960s. While their music evoked a Southern mythology with their beautifully crafted, image-rich songs, only their Arkansan drummer, Levon Helm, was the genuine article. This updated edition of his life story includes a new epilogue that covers the last dozen years of his life. From the cotton fields to Woodstock and from seeing Sonny Boy Williamson and Elvis Presley to playing for President Clinton, This Wheel's on Fire replays the tumultuous life of Levon Helm in his own…
