How do rural areas fail young women? Monica Potts relentlessly pursues
this question in The Forgotten Girls because, while she escaped
this particular kind of failure, her best friend did not.
This is an uncompromising
look at the challenges of growing up in Clinton, AR, a typical small southern
town that soaks its young people in a particular and complex bath of religiosity
and rural politics with a generous handful of toxic sexism thrown in. I felt like Pott's burning questions had become my
own. How did we get here? How do we stop this and enable young women to pursue their goals and dreams? Why does this happen and what can we do about it? It didn't hurt that I have lived about 39 miles south of Clinton—I have met and taught these
women. I know what they're up against.
Even though anyone who reads the reviews knows how…
NEW YORK TIMES BESTSELLER • An acclaimed journalist tries to understand how she escaped her small town in Arkansas while her brilliant friend could not, and, in the process, illuminates the unemployment, drug abuse, sexism, and evangelicalism killing poor, rural white women all over America.
“The Forgotten Girls is much more than a memoir; it’s the unflinching story of rural women trying to live in the most rugged, ultra-religious, and left-behind places in America.”—Beth Macy, author of Dopesick
Growing up gifted and working-class poor in the foothills of the Ozarks, Monica and Darci became fast friends. The girls bonded over…
I am an award-winning author of two five-star rated memoirs: “My Whorizontal Life: An Escort’s Tale” and “A Someday Courtesan,” and the creator/performer of the 90-minute solo show: “My Whorizontal Life: The Show!” I co-host the podcast My Index to Sex. and I am a Juilliard Drama Graduate and the former #1 escort in the country. Thinking about how I grew up in a safe, typical suburb in the middle of America made me wonder if the things that happened to me with men as a girl happened to many women as we came of age in the 70s.
We all know the incomparable poet, writer, and speaker she became, but before that was her coming-of-age story. Raw and painful yet written with Maya Angelou's lyrical and insightful eye, this too was a book I started and could not put down.
Drawn into her world as a girl feeling imprisoned inside herself for terrible reasons, she finds that self-love and kindness and the world of words, books, poetry, and writing unlock the cage she was in.
As a woman, as a girl, I would never know the cruel racism she experienced, but her journey into art and its ability to heal and set one free was something I felt kin to.
Maya Angelou's seven volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination and extreme poverty, but also hope, joy,achievement and celebration. In this first volume of her six books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. She learns the power of the white folks at the other end of town and suffers the terrible trauma of rape by her mother's lover.
I’ve always been drawn to artists who expose their lives in a way that makes you feel you know them. The best of them have a raw honesty that shows their flaws, their wounds and struggles and hopefully the lessons they learned. Nobody likes bragging, but we’re captivated by accounts that echo our own secrets, embarrassments, and darker emotions, especially if told with a sense of humor. For decades, I’ve been addicted to the confessional lyrics of Joni Mitchell and have always been drawn to the unguarded openness of certain memoirs and the roman-à-clef or thinly disguised autobiography. In showing us their vulnerabilities, these authors have been heroic.
If I have to pick one of David’s books, it’s Arkansas - Three Novellas.
The first of them, Saturn Street, came out of the time he volunteered at Project Angel Food, a nonprofit where I worked as a chef. David described us chefs as “fussy” (we were) in his intimate account of a driver who delivers meals to a client homebound with AIDS, a man the driver falls in love with. David also alludes to one of my favorite episodes of Star Trek.
In The Term-Paper Artist, we get an even more confessional novella in which a writer by the name of David Leavitt trades the writing of term papers for the sexual favors of attractive college boys. Whether a true story or a fictionalized one, it doesn’t get more emotionally honest than this and it’s a novella as funny as it is outrageous.
Here are three novellas of escape and exile, touching and funny and at times calculatedly outrageous. In "Saturn Street," a disaffected L.A. screenwriter delivers lunches to homebound AIDS patients, only to find himself falling in love with one of them. In "The Wooden Anniversary," Nathan and Celia - familiar characters from Leavitt's story collections - reunite after a five-year separation. And in "The Term-Paper Artist," a writer named David Leavitt, hiding out at his father's house in the aftermath of a publishing scandal, experiences literary rejuvenation when he agrees to write term papers for UCLA undergraduates in exchange for sex.
I can’t say that I was even conscious of having grown up in the Ozarks until stumbling upon a regional geography book in college. Once I learned that the rural community of my childhood was part of a hill country stretching from the outskirts of St. Louis into the Cherokee Nation of Oklahoma, I dedicated my life’s work to explaining (and demystifying) the Ozarkers – a people not quite southern, not quite midwestern, and not quite western.
It may be pure fiction, but Harington’s saga of the remote community of Stay More (home, of course, to the Stay Morons) is still the best, most entertaining history of the Ozarks in existence. Beneath the postmodern devices and 1970s-era subversiveness, Harington’s abiding love for the Ozarks and its people shines through. From the backcountry dialect to the intricacies of a century and a half of regional history, it remains – for my money – the best thing ever written about the Ozarks.
Jacob and Noah Ingledew trudge 600 miles from their native Tennessee to found Stay More, a small town nestled in a narrow valley that winds among the Arkansas Ozarks and into the reader's imagination. The Ingledew saga-which follows six generations of 'Stay Morons' through 140 years of abundant living and prodigal loving-is the heart of Harington's jubilant, picaresque novel. Praised as one of the year's ten best novels by the American Library Association when first published, this tale continues to captivate readers with its winning fusion of lyricism and comedy.
There are places one feels at home, even though not from there. The South does that to me. I'm drawn to its exotic beauty—the magnolias and moss. It's deep porches and melodic accents. There is a degree of tranquility that hangs over it, veiling the repulsive scars of years of master-slave culture. The South is the perfect backdrop for the themes that appeal to me—coming-of-age, political unrest, and social activism. These excellent Southern novels below all place the reader deep in the culture.
I know the words poignant and Shakespearean are almost cliché when describing stories, but I say, "If the cliché fits, use it."
I love good vs. evil stories, especially if they're set in the South. This one delivers. Forbidden love in the 1950's Jim Crow South is fertile soil for missteps and trouble. During a summer visit to her grandmother's, Catherine's naiveté about the way things were in the South back then made me anxious for her and Jimmy. Their mixed-race attraction for each other was doomed from the start. Part romance, part thriller, I found the suspense in this book powerful.
Arkansas Summer is a powerful novel about love and racial terror in the Jim Crow South. It's 1955, and Catherine has joined her father in Arkansas after her grandfather's death. She's a California college student, and it's her first visit to her grandparents' farm since the summer she was nine. When she is reunited with Jimmy, whom she'd played with as a child, the two are immediately drawn to one another. They understand the dangers of their interracial attraction, but could never have imagined the far-reaching consequences of their untimely love. Arkansas Summer takes readers on an emotional journey of…
When I was a kid, my biggest escape was my father’s record collection. Growing up in 1990s NJ, music was a huge part of my experience. Springsteen was from a few miles south, Bon Jovi was from the town next to mine, and Whitney Houston was from the same state but a different county. Music told stories. Inspired my the music of my youth, I now make my living as a storyteller— I tell stories onstage, write books about storytelling and teach others how to tell stories effectively. I have no musical gifts except for the mass consumption of any book with juicy tales about the world of music. Here are a few of my favorites.
Levon Helm’s unflappable integrity makes him such a likable protagonist you’ll root for him as he rises up from small-town Arkansas boy to A list musician. You’ll see the salt of the Earth underdog that he was as he recounts what happened behind the scenes at “The Last Waltz.” This Wheel’s on Fire reads like a director’s cut commentary you can’t believe you’re privy to hearing.
The singer and drummer of the Band details, in this book, the history of one of the most influential groups of the 1960s. While their music evoked a Southern mythology with their beautifully crafted, image-rich songs, only their Arkansan drummer, Levon Helm, was the genuine article. This updated edition of his life story includes a new epilogue that covers the last dozen years of his life. From the cotton fields to Woodstock and from seeing Sonny Boy Williamson and Elvis Presley to playing for President Clinton, This Wheel's on Fire replays the tumultuous life of Levon Helm in his own…
I can’t say that I was even conscious of having grown up in the Ozarks until stumbling upon a regional geography book in college. Once I learned that the rural community of my childhood was part of a hill country stretching from the outskirts of St. Louis into the Cherokee Nation of Oklahoma, I dedicated my life’s work to explaining (and demystifying) the Ozarkers – a people not quite southern, not quite midwestern, and not quite western.
Henry Rowe Schoolcraft may have been a condescending, greenhorn Easterner when he ventured through the sparsely settled Ozarks more than two centuries ago, but his descriptions of the terrain he traversed and the frontier settlements he saw are an invaluable resource for anyone interested in the history and geography of the region. Cultural geographer Milt Rafferty’s maps and annotations put us in the woods and on the streams with Schoolcraft every step of the way.
In the winter of 1818, Henry Rowe Schoolcraft set out from Potosi, Missouri, to document lead mines in the interior of the Ozarks. Intending only to make his fortune by publishing an account of the area's mineral resources, he became the first skilled observer to witness and record frontier life in the Ozarks.
The journal kept by Schoolcraft as he traveled ninety days in the rugged terrain of southern Missouri and northern Arkansas was originally published in 1821 and has become an essential record of Ozark territorial society and natural history documenting some of the earliest American settlers in the…
I came of age reading Mary Stewart, Daphne du Maurier, and Phyllis Whitney by flashlight after my school night bedtimes. Their plots mingled romance and murder so elegantly, heightening the already incredible stakes of whether they would physically survive intertwined with the anxiety over the couple’s relationship surviving. All these years later, I still love a good story that makes me wonder how in the world the pair will make it through danger—and if there’ll be a kiss at the end.
It’s hard to go home again after you’ve lived outside the state for several years, but coming home knowing everyone thinks you’ve killed a man after his body turns up? Well, that’s a great way to open a book, and it just gets better.
Kelly Ford always paints a nuanced picture of Arkansas, juxtaposing the region’s beauty and potential with the poverty and reality of actually growing up there. The relationship between Janie and her high school love interest, Gloria, builds beautifully with a plot twist I didn’t see coming.
From the author of Cottonmouths, a Los Angeles Review Best Book of 2017, comes an evocative suspense about the cost of keeping secrets and the dangers of coming home.
Beneath the roiling waters of the Arkansas River lie dead men and buried secrets.
When Jane Mooney's violent stepfather, Warren, disappeared, most folks in Maud Bottoms, Arkansas, assumed he got drunk and drowned. After all, the river had claimed its share over the years.
When Jane confessed to his murder, she should have gone to jail. That's what she wanted. But without a body, the police didn't charge her with the…
I’ve written and published one hundred very short ghost stories, plus a handful of longer ones, and have spent a lifetime reading and watching and thinking about stories of ghosts and the afterlife. My expertise, such as it is, involves ghosts as beings of narrative and metaphor. I’ve encountered great numbers of them on the page and on the screen—nowhere else—but I confess that I would love someday (though don’t expect) to encounter them in the flesh. My flesh, that is to say; their fleshlessness.
Harington was one of the great unheralded—or at least under heralded—novelists of the last fifty years, bursting with stories and whole populations of flawlessly captured human voices, and With was one of his highest achievements. It follows the fortunes of a kidnapped girl in the Arkansas Ozarks who befriends the woods’ menagerie of animals, as well as the ghost (or, as Harington would style it, the “in-habit”) of a twelve-year-old boy whose body did not die but moved away and abandoned him. Recommended if you like your ghosts warm-hearted and aching for home.
With is the sensual, suspenseful and irresistible tale of Robin Kerr, a young girl abducted from her family and brought to a remote Ozark mountaintop, where she is left to fend for herself. Over the course of a decade, Robin grows up without human relationship, but with the company of animals and an inhabit, the half-living ghost of a young boy. In this magical novel in the Stay More series, Harington gives us one of the most original survival, coming-of-age, and love stories ever told.
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
This is by far my favorite novel by John Grisham. I loved that he delivered a sensational narrative of Luke Chandler, the son of a poor cotton farmer. The boy must learn to deal with life faster than a seven-year-old should ever have to, as life on the farm comes with many obstacles and plenty of secrets he must manage to juggle.
It is masterfully told, and the life as Luke sees it is well depicted. I recommend this highly.
#1 NEW YORK TIMES BESTSELLER • Until that September of 1952, Luke Chandler had never kept a secret or told a single lie. But in the long, hot summer of his seventh year, two groups of migrant workers — and two very dangerous men — came through the Arkansas Delta to work the Chandler cotton farm. And suddenly mysteries are flooding Luke’s world.
A brutal murder leaves the town seething in gossip and suspicion. A beautiful young woman ignites forbidden passions. A fatherless baby is born ... and someone has begun furtively painting the bare clapboards of the Chandler farmhouse,…
