I can’t say that I was even conscious of having grown up in the Ozarks until stumbling upon a regional geography book in college. Once I learned that the rural community of my childhood was part of a hill country stretching from the outskirts of St. Louis into the Cherokee Nation of Oklahoma, I dedicated my life’s work to explaining (and demystifying) the Ozarkers – a people not quite southern, not quite midwestern, and not quite western.
The Ozarks reflect the epic of the American people—natives and would-be colonial conquerors, the determined settlers and on-the-make speculators, the endless labors of hardscrabble farmers, and capitalism of visionary entrepreneurs. The Old Ozarks is the first volume of a monumental three-part history of the region.
Brooks Blevins charts how these highlands of granite, dolomite, and limestone came to exist. From there he turns to the motivations behind the eagerness of many peoples to possess the Ozarks. Blevins places these settlers within the context of broader American history. But he also tells the varied and colorful human stories that fill the region's storied past—and contribute to the powerful myths that even today distort our views of the Ozarks. A sweeping history in the grand tradition, A History of the Ozarks, Volume 1: The Old Ozarks is essential reading for anyone who cares about the highland heart of America.
It may be pure fiction, but Harington’s saga of the remote community of Stay More (home, of course, to the Stay Morons) is still the best, most entertaining history of the Ozarks in existence. Beneath the postmodern devices and 1970s-era subversiveness, Harington’s abiding love for the Ozarks and its people shines through. From the backcountry dialect to the intricacies of a century and a half of regional history, it remains – for my money – the best thing ever written about the Ozarks.
Jacob and Noah Ingledew trudge 600 miles from their native Tennessee to found Stay More, a small town nestled in a narrow valley that winds among the Arkansas Ozarks and into the reader's imagination. The Ingledew saga-which follows six generations of 'Stay Morons' through 140 years of abundant living and prodigal loving-is the heart of Harington's jubilant, picaresque novel. Praised as one of the year's ten best novels by the American Library Association when first published, this tale continues to captivate readers with its winning fusion of lyricism and comedy.
Henry Rowe Schoolcraft may have been a condescending, greenhorn Easterner when he ventured through the sparsely settled Ozarks more than two centuries ago, but his descriptions of the terrain he traversed and the frontier settlements he saw are an invaluable resource for anyone interested in the history and geography of the region. Cultural geographer Milt Rafferty’s maps and annotations put us in the woods and on the streams with Schoolcraft every step of the way.
In the winter of 1818, Henry Rowe Schoolcraft set out from Potosi, Missouri, to document lead mines in the interior of the Ozarks. Intending only to make his fortune by publishing an account of the area's mineral resources, he became the first skilled observer to witness and record frontier life in the Ozarks.
The journal kept by Schoolcraft as he traveled ninety days in the rugged terrain of southern Missouri and northern Arkansas was originally published in 1821 and has become an essential record of Ozark territorial society and natural history documenting some of the earliest American settlers in the…
If you want to understand the Ozarks, you need to understand the generations of people who leapfrogged from Appalachia to the Ozarks – and sometimes on to the Texas hill country. This underappreciated little book by a top-notch geographer uses a variety of cultural markers to explore the roots and branches of Upland Southerners. It’s a rare thing for a scholar to do, and Jordan-Bychkov did it efficiently and expertly.
The Upland South is a regional band of natural beauty that runs from Virginia and North Carolina west through Kentucky, Tennessee, Arkansas, Oklahoma, Texas and their bordering states. This book explores the region's character through an analysis of its traditional cultural landscape.
Woodrell is best known for the ominous, lyrical Winter’s Bone, but I’m such a fan that my favorite Woodrell novel is always the most recent one I’ve re-read. So here’s Give Us a Kiss, his first foray into the wild and rural Ozarks of West Table and Howl County. The novel is also a hard-charging, nuanced look into the life of a mostly unsuccessful writer facing an inner struggle over just how far, if at all, he should get above his raising. It’s a concern for anyone caught between different worlds, and we are fortunate that the autobiographical sinews between author and protagonist were severed before Doyle Redmond spun out of control.
"My imagination is always skulking about in a wrong place." And now Doyle Redmond, thirty-five-year-old nowhere writer, has crossed the line between imagination and real live trouble. On the lam in his soon-to-be ex-wife's Volvo, he's running a family errand back in his boyhood home of West Table, Missouri -- the heart of the red-dirt Ozarks. The law wants his big brother, Smoke, on a felony warrant, and Doyle's supposed to talk him into giving up. But Smoke is hunkered down in the hills with his partner, Big Annie, and her nineteen-year-old daughter, Niagra, making other plans: they're about to…
It is doubtful that anyone has been more associated with an American region than Vance Randolph is with the Ozarks. Ornery and darkly romantic, Randolph was always attracted to people on the margins. Few were more marginal than the Ozarkers in the early twentieth century. While we must take a lot of Randolph’s “nonfiction” with a dose of salt, The Ozarks, originally published in 1931, was the first book-length documentary take on the region and its people. It set the stage for generations of Ozarks observations to come.
Vance Randolph was perfectly constituted for his role as the chronicler of Ozark folkways. As a self-described "hack writer," he was as much a figure of the margins as his chosen subjects, even as his essentially romantic identification with the region he first visited as the vacationing child of mainstream parents was encouraged by editors and tempered by his scientific training. In The Ozarks, originally published in 1931, we have Randolph's first book-length portrait of the people he would spend the next half-century studying. The full range of Randolph's interests - in language, in hunting and fishing, in folksongs and…
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
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