100 books like A Visit from the Goon Squad

Slaughterhouse-Five is my favourite book of all time, and the book I would most like to have written myself (if only I had Vonnegut’s skill and didn’t have to live through the fire-bombing of Dresden).

Dealing with the atrocities of war while throwing in a mix of aliens and time travel, and regularly breaking the ‘fourth wall’, it’s a novel that shouldn’t work... but works superbly because of that.

Hilarious and tragically sad, mind-bending but soundly logical, the story of Billy Pilgrim and how he is kidnapped by Tralfamadorians to be mated in a zoo with a beautiful movie star on the other side of the universe, and how he survives World War II, is one of the most entertaining and thought-provoking stories ever.

Every discussion about the evolution of writing in ‘the West’ has to start with Willa Cather, who was the first writer from the west to be awarded a major literary award when she won the Pulitzer Prize for One of Ours, which isn’t even one of her five best novels. Cather wrote openly about alcoholism, domestic violence, and other painful topics, transforming western writing from cardboard cutout characters to real people. My Ántonia has become an American classic, not just in western literature but in all literature. My Ántonia is told from the point of view of a young farm boy who falls in love with the enchanting Ántonia, and it’s beautifully written, taking us into the emotional heart of youth and idealism in the West.

This is probably the most famous book on my list, but I first read it just a couple years ago. I was so engrossed in it that I gave my husband almost scene-by-scene updates on our vacation. The story Butler weaves is so compelling that he even started asking for them. 

Books about time travel abound, but few of them make the past come alive like this one. Butler takes the modern reader back to the antebellum South when her protagonist, a Black writer living in Los Angeles in the 1970s, is transported over a century back to Maryland’s Eastern Shore during the time of slavery.

While there, Diana grapples with the personal connections and moral dilemmas she finds in this foreign world. As she returns over succeeding years, her story, and that of her white husband who also time jumps with her, makes the impossible truths of American slavery… show more.

While no one would call Faulkner’s 1929 masterpiece “a surprisingly accessible read,” it remains a landmark of modernism and one of the finest examples of stream of consciousness prose. Faulkner takes readers deep into the minds of his perspective characters, showing the ways they think in real-time as they navigate a day while consumed by past traumas, unstable identities, and inherited historical burdens.

Such a rule breaker. A complete disregard for the laws of nature. That can’t happen! I shouldn’t feel so for those characters! And yet, and yet! The characters that people these pages are real and convincing. Nana Kwame Adjei-Brenyah takes us in and out of realities. His world is dark sibling to our everyday world, but even his most flawed characters resonate with dignity, and through skillful well-crafted revelation, the reader comes to understand why these characters struggle—often against societal forces larger/older/engrained—and even when his characters make bad decisions (lord knows a misbehaving character is what good fiction is about) a glimmer of the potential for human goodness is exposed. This a contemporary voice, fierce and fresh, and worth paying attention to.

Christie’s stories are set in downtown eastside Vancouver, a neighbourhood notorious for junkies and homelessness. Of course, the realities are much more diverse. 

These stories focus not only on the down-and-out but also on shop owners and others trying to make a go there, the traumatic things they witness and experience, and the guilt of surviving there. In prose that is sharp and witty, yet evocative and illuminating, he shows every character to be struggling, regardless of their situation. 

It is a very real look at completely believable characters. And he sees them very clearly, shows their humanity, and finds compassion for all of them.

Kerry Lee Powell writes some of the best sentences I’ve ever read. A lot of her opening lines (“Today's the day Mitchell Burnhope gets the royal shit kicked out of him” ... “I took my kung fu instructor off speed-dial today” ... “A dozen of us were dressed up as low-budget ghosts outside Earl’s Court tube station”) are arresting, instantly grabbing my attention, while hinting at something more, posing a question and inviting me to read on. 

What was happening was usually much deeper than first expected. She's economic with her words, but in a few pages I came to care about the characters and I miss them now, feel like they're still out there somewhere wheeling and dealing to keep their head above water.

The long titular story from Peninsula Sinking is about three phases in a young man’s life, and his maturation from a guy who does crazy stunts to get attention from the cool kids to someone who, full of regrets and hopes, grapples with highly evolved intellectual and ethical conundrums and finds safety only in love. Its final third opens with this enticement: “Imagine it’s you facing the loss of the still-ripening cherries between your legs.” Throughout the book, Huebert proves himself a wizard with figurative, sensual writing, layering bizarre images with tricky turns of phrase. We are reminded that “there were palm trees on Antarctica once.” Anything can happen.

This collection is filled with great energy, stunning images, and overall great stories—all of them prominently featuring non-human animals, and their interactions with humans, in some cases tackling complex ethical dilemmas with considerable insight.

Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.

The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.

The popularity of The Prime of Miss Jean Brodie may have obscured its structural genius.

Never have I read a book so comfortable drifting between present and future within a single paragraph, even a single sentence. The short novel simultaneously exists inside a classroom in the 1930s and throughout the lives the students will later have as women.

If the Scottish author Muriel Spark had a literary model for this design, I’ve yet to discover it. Sometimes an artist creates something entirely new.