Here are 100 books that Slaughterhouse-Five fans have personally recommended if you like
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I’ve always had a longstanding interest in space, and particularly in aliens. In researching my breakthrough novel Not Alone, I extensively read as much nonfiction content on the topic as I could find, including governmental-backed scenario analyses of how things might actually play out in a contact or invasion scenario. Naturally, I have also read widely in the sci-fi genre for my own pleasure, with most of my interest in this specific topic.
I see this book as the greatest alien-related story of all time.
Carl Sagan’s humanity and philosophy make it so much more than a tale of alien contact. This is a human story about how alien contact would affect us and the world around us, from the personal to the political and on all levels from micro to macro.
The breadth of the story’s scope opened my mind in countless ways.
I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.
I read this book quickly. Its historically informative and inspirational quality caught my interest immediately. From the first chapters, the author brings us into World War II France, which will become a tangled web of occupation by the Nazis.
I discovered in this powerful story a relationship between two sisters that weaves secrets of the heart and key decisions. The characters are caught in a difficult situation: a predicament that reflects the struggle experienced by many people in France during the war years. The story stimulates a sense of empathy and curiosity about what will come next.
The historical setting is drawn colorfully. This novel is valuable both for gaining a broader historical sense and for the sheer you-are-there experience. The narrative skill with which the author weaves this tale and its inherent drama should sustain the reader’s interest, as it did mine. This story touches the core of human…
Soon to be a major motion picture, The Nightingale is a multi-million copy bestseller across the world. It is a heart-breakingly beautiful novel that celebrates the resilience of the human spirit and the endurance of women.
This story is about what it was like to be a woman during World War II when women's stories were all too often forgotten or overlooked . . . Vianne and Isabelle Mauriac are two sisters, separated by years and experience, by ideals and passion and circumstance, each embarking on her own dangerous path towards survival, love and freedom in war-torn France.
Research Professor of Psychology at Bryn Mawr College. Since the 9/11 attacks I have tried to understand how normal individuals, people like you and me, can move to terrorism in particular and political violence more generally. I retired from teaching in 2015 to have more time to write. I’ve written about genocide (Why Not Kill Them All? The Logic and Prevention of Mass Political Murder), about self-sacrifice (The Marvel of Martyrdom: The Power of Self Sacrifice in a Selfish World), and about terrorism (Friction: How Conflict Radicalizes Them and Us).
Mowat’s title is taken from John Keats’ poem La Belle Dame Sans Merci: “O what can ail thee, Knight in arms, Alone and palely loitering? The sedge has withered from the Lake, And no birds sing!”
Best known for his books People of the Deer and Never Cry Wolf, Farley Mowat here turns his naturalist’s eye to the experience of war. His brief memoir describes joining, training, and fighting as part of Canadian forces in WWII. He led a rifle platoon in the invasion of Sicily and up the spine of Italy against fierce German resistance. From humorous to horrible, from youthful fervor to enormous weariness, Mowat takes us with him. He was relieved of combat duty after crying over the unconscious body of a friend brought in with an enemy bullet in his head. I love this book for its vivid observations of men before, during, and after…
Turned away from the Royal Canadian Air Force for his apparent youth and frailty, Farley Mowat joined the infantry in 1940. The young second lieutenant soon earned the trust of the soldiers under his command, and was known to bend army rules to secure a stout drink, or find warm -- if nonregulation -- clothing. But when Mowat and his regiment engaged with elite German forces in the mountains of Sicily, the optimism of their early days as soldiers was replaced by despair. With a naturalist's eyes and ears, Mowat takes in the full dark depths of war; his moving…
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s the only human being who can prevent the end of the world, and not just on his planet! In the multiverse, infinite Earths will be destroyed.
★★★★★ "Funny, yet deep, this is definitely worth venturing into the multiverse for."
Amazing Stories says: "Snarky as Pratchet, insightful as Stephenson, as full of scathing social commentary as Swift or Voltaire, and weirdly reminiscent of LeGuin, Alpha Max is the only multiverse novel you need this month, or maybe ever."
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers…
I’m most drawn to stories of overcoming. My own childhood was about exactly that-overcoming a multi-generational inheritance of family separation and orphaned children. When I wrote my first book about that story, A Chance in the World, an unanticipated magic unfolded: I began to receive stories of strangers from all across the world who wrote to tell me their own story of overcoming. Each and every day I hear from someone and the steady stream of those stories of overcoming affirms something I have to come to learn: we all have a story and none of us look like that story.
If it’s possible to have lived multiple lives in a single lifetime, then Louis Zamperini did it.
I am a big fan of The Greatest Generation and Unbroken is the story of that generation, the deep beliefs they held, and the many sacrifices they made, not for themselves but for the generations that would follow them. You can’t miss the examples of selflessness, perseverance, and faith that jump out at you from the very first chapter.
From the author of the bestselling and much-loved Seabiscuit, an unforgettable story of one man's journey into extremity. On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane's bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War. The lieutenant's name was Louis Zamperini. In boyhood,…
For twenty years, I have worked with the data dungeons of large corporations. A synergy of people, systems, and IT. An organism that no one designed but grew haphazardly over the years. A cybernetic system. I have been a database admin, analyst, and data visualizer, and most recently, I was employed as a data scientist for a large Fortune 500 corporation. There, I am currently researching how to use large language models and which business questions can tolerate the fuzzy answers and hallucinations they bring. Despite loving these mindbenders, most of my writing features strong themes of Exploration, Technology, and Optimism (ETO).
For a novel on the list, I have only read once, and a long time ago, I still keep thinking about this. It asks: Can we learn about the universe without first learning about ourselves?
It also goes into the limits of science. There are simply things science cannot tell us. The planet’s colloid sea is nonlinear, the math unsolvable, and the alien is potentially hostile. I choose to believe the planet is attempting to heal some deep-forgotten hurt of the narrator. What is the purpose of bringing up a disastrous relationship? To heal or learn? Or perhaps the alien is simply toying with them?
I read it soon after changing my life's trajectory and attempting to be more peaceful, creative, contemplative, and less frantic or consumptive. I need to read this again.
When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface he is forced to confront a painful, hitherto unconscious memory embodied in the physical likeness of a long-dead lover. Others suffer from the same affliction and speculation rises among scientists that the Solaris ocean may be a massive brain that creates incarnate memories, but its purpose in doing so remains a mystery . . .
Solaris raises a question that has been at the heart of human experience and literature for centuries: can we truly understand the universe around us without first understanding what…
I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines.
A classic must-read for anyone who is satiated by oxygen. I love the psychology of the main character. His decline after committing an atrocity is notable for its detail. The concern shown for him by his friends and family, who do not know the truth, feels natural and warranted in spite of the reader's knowledge.
Is it possible to feel empathy for someone who commits such an act? In a strange way, I found myself questioning my own biases on the topics of crime and punishment after reading this classic.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
My father, John Bradley, was a veteran and fought on Iwo Jima in World War 2 in 1945. Later I walked in the sands of Iwo Jima and eventually wrote four books about war. I am a New York Times best-selling author and Steven Spielberg and Clint Eastwood made my first book into a movie, Flags of Our Fathers. I've been traveling in and learning about Asia since 1974, when I attended Sophia University in Tokyo. I am also the host of a podcast called Untold Pacific that mines 40 years of my life to create historical travelogues about the American experience on the other side of the Pacific.
David Halberstam documents how fools go to war. This book is about the whiz kids that got us into the Vietnam war and ran it under the JFK and the Johnson administrations. The same ones who got us into the Iraq War, the Spanish American War, and so on. There is a quote that I love from this book that effectively says, "they used brilliant policies that defied common sense." And, that sums this all up. These whiz kids ran a war as if it was part of American politics and from thousands of miles away with memos and meetings in DC. They completely screwed it up.
David Halberstam was a correspondent in Saigon and knew these insiders. He wrote about the decision-making that was happening behind closed doors that led to one of our greatest follies. He is a master storyteller and I strongly recommend this book.
David Halberstam’s masterpiece, the defining history of the making of the Vietnam tragedy, with a new Foreword by Senator John McCain.
"A rich, entertaining, and profound reading experience.”—The New York Times
Using portraits of America’s flawed policy makers and accounts of the forces that drove them, The Best and the Brightest reckons magnificently with the most important abiding question of our country’s recent history: Why did America become mired in Vietnam, and why did we lose? As the definitive single-volume answer to that question, this enthralling book has never been superseded. It is an American classic.
War is perhaps the most extreme human activity. I have seen firsthand some of these extremes in Iraq and Afghanistan. I now write about the philosophy and ethics of war and geopolitics, exploring some of the impacts and enduring truths that war and its conduct tell us about ourselves that might be hidden under the surface of our everyday lives. The books I have chosen here explore, with elegance, sensitivity, and sometimes brutal and unflinching honesty, what the battlefield exposes, showing us that there is both tragedy and comedy at the extremities of human nature, and without one, you cannot really truly appreciate the other.
Reading Graves’ biography, I get the sense of not just his wry humour but of his enduring pain. When he covers his First World War service, his jokes are cracked out of exasperation at the orders he receives that led to a succession of “bloody balls-ups,” and retold through a wince.
Graves’ biography has been described as “a version of events that told the poetic truth about his experiences…rather than being primarily fact-driven.” I believe all biographies are a form of fiction as our own memories are more often a product of our imagination than photographic recall.
Graves’ poetic retelling allows a more universal resonance beyond the trenches of the Somme than if he just stuck to the facts of that time and place, and resonated more for me because of this.
On the hundredth anniversary of the end of World War I: a hardcover edition of one of the best and most famous memoirs of the conflict.
Good-bye to All That was published a decade after the end of the first World War, as the poet and novelist Robert Graves was preparing to leave England for good. The memoir documents not only his own personal experience, as a patriotic young officer, of the horrors and disillusionment of battle, but also the wider loss of innocence the Great War brought about. By the time of his writing, a way of life had…
I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
I read this book relatively recently, not at school or when I was in my twenties, but when I was in my late thirties. I had heard of the novel, and the concept of burning books was all-too familiar as I studied a module on Holocaust literature at university. However, the premise of Ray Bradbury’s novel, written in 1953, was so simple yet so powerful.
It echoes with our own reality today, as although books are not being burned, we are seeing the art of writing itself being "burned" or minimized by tools such as AI or social media. The virtual burning of honest reportage or poetry for opinionated views and algorithms is one symptom of today’s fast-paced society.
There were some great quotes in Fahrenheit 451, too; the one that really stuck out was, “Everyone must leave something behind when he dies… A child or a book or a…
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
I’m a huge fan of paranormal and dark romance, and these books definitely check all my boxes. Great world-building, plots that engage, and in most cases, a heavy dollop of smut. They also explore the unexpected and take into account real-world concerns in a fashion where you can absolutely justify the decisions the main characters are making.
This book is probably the quintessential book of mayhem, in my opinion.
Yep, it’s super dated, and the dialect can be difficult to get into, but I thought it was worth it, especially if you read the European version, which has an additional chapter the US publisher cut out. Abruptly it goes from a novel of unrepentant chaos to one of redemption.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
