The most recommended books about censorship

Claire Fox is the founder of the Academy of Ideas, a think tank that has produced the annual Battle of Ideas Festival for over a decade and a half. Fox is passionate about freedom and speech and debate. This short polemical book begins and ends with how young people have adapted to victim culture. It begins with an example of how genuinely hurt young people are when hearing views that they found offensive. This book is said to have been responsible for the introduction of the concept of the ’snowflake generation’ into the UK. But Fox is nuanced in her approach, and she ends her book with a ‘Letter to the Snowflake Generation’ and a ‘Letter to the Anti-Snowflake Generation’. Her book should be mandatory reading for anyone beginning university.

When Iris Carpenter was reporting on the war she, like all journalists, was subject to the rules of the military censors. But once the conflict was over she was free to publish the truth of all that she’d seen, and her 1946 memoir is an extraordinarily candid, occasionally harrowing read. As her title suggests, Carpenter’s principal objective was to expose the prejudice and stupidity against which she and her female colleagues had to battle, simply to get to the front—her account was one of the primary sources for my book. But she was also a fearless eyewitness and her memoir provides rare insights into the conditions of war, both its camaraderie and its horror.

Along with Kathryn Montgomery’s book Target: Primetime, this book is a fascinating peek into the furious fights over sex and violence on television.

It shines a light on a mostly-invisible struggle between creators, executives, censors, and the public. I love how vividly this book is written; it really feels like you’re right there on the front lines.

And the fact that it was published in 1978 means that it’s possible now to see the repercussions of this fight, nearly fifty years later.

Another powerful collection of photographs, this book shows us the images by the famous photographer Dorothea Lange.

The War Relocation Authority (a civilian agency that ran the 10 civilian incarceration camps) hired Lange to “document” life in the camps. They were expecting to receive material that would be useful as propaganda, that would prove to the outside world that the conditions were decent and inmates happy. What they got instead were depictions of harsh conditions and institutionalization. Therefore, many of Lange’s photos were never published until this volume.

Where Billy Manbo’s photos showed us an inmate’s perspective, Lange’s photos can be read as a wordless attempt to criticize the government.

I enjoyed the silly and irreverent humor in this book and was happy to hitch a ride along with protagonist Thursday Next, a literary detective for an English government agency that safeguards literary masterpieces against time travelers.

Having majored in English literature myself, I was delighted by the characters’ discussions on literature, including the evergreen debate on the true author of Shakespearean plays. I also relished the setting–an alternative England in the 1980’s. All in all, this novel is a classic and well worth the read.

I read this book relatively recently, not at school or when I was in my twenties, but when I was in my late thirties. I had heard of the novel, and the concept of burning books was all-too familiar as I studied a module on Holocaust literature at university. However, the premise of Ray Bradbury’s novel, written in 1953, was so simple yet so powerful.

It echoes with our own reality today, as although books are not being burned, we are seeing the art of writing itself being "burned" or minimized by tools such as AI or social media. The virtual burning of honest reportage or poetry for opinionated views and algorithms is one symptom of today’s fast-paced society. 

There were some great quotes in Fahrenheit 451, too; the one that really stuck out was, “Everyone must leave something behind when he dies… A child or a book or a… show more.

This book offers delightful details about Judy Blume, from her time growing up in New Jersey to the purchase of her first electric typewriter.

With the publication of Are You There God, It’s Me, Margaret in 1970, Judy made history with a unique book about a 12-year-old girl exploring religion and friendship.

I appreciate how Kathleen Krull takes us on the rollercoaster of Judy’s life, showing us her heartbreak when facing rejection letters, her steadfast determination to keep writing, and her joy when she finally achieved her goals. Judy Blume never gave up!

At a time when new technology has delivered us to a world of misinformation, disinformation, and malinformation, we have lost our shared understanding of just what facts and truth are.

Jonathan Rauch helps us recall the importance of facts and truth to the liberal democratic process. He challenges us to reinstate knowledge and truth. 

I love this subversive, touching, and weird picture book biography about the author of Goodnight, Moon (and more than 100 other books). In 42 pages, Mac has managed to question the whole concept of biography and traditional notions about what children’s books (and all books) should be like—both sentiments reflected in Margaret life and work—while at the same time providing a perfect portrait of the aspects of the author’s life most relevant to her writing, and probing questions of censorship and tastemaking. Among other things, Mac shows young creators how to live in a celebratory manner even if the world seems to have turned its back on their work. He does all this while keeping the reader curious (there’s tension!), engaged (there’s storytelling!), and happy (it’s funny!)—but not too happy (the ending is tragic and philosophical!). This might be my favorite picture book biography of all time.

I love that Alan Gratz, a skillful storyteller, takes the important topic of banning and censoring books for children, and shows its dangerous side effects from a child’s point of view. We meet a well-meaning mother who wants to protect her child from, what she feels, are unsuited books in the school library. But one of those is Amy Anne’s most beloved book. She is not going to let these books disappear without a fight. In a respectful but effective manner she ends up showing the adults the importance of letting children make their own choices.