100 books like And No Birds Sang

Why two books instead of one. Well, because the two are equally excellent accounts that taken together span the combat service of a young Canadian artillery forward observation officer (FOO). The life span of many FOOs was short, the long antennas of the wireless sets they carried out front with the advancing infantry to call in artillery support were magnets for Germans snipers. But Blackburn beat the odds and survived to write this remarkably frank and honest memoir of eleven months of almost constant battlefield action. Over this course of a journey from Normandy through Belgium, the Netherlands, and into northwestern Germans in the final push, the reader feels literally by Blackburn’s side and inside his thoughts and emotions. From early confidence in his abilities and training to a slow descent toward fatalism and a simple grim determination to survive, Blackburn’s journey is both highly individualistic and simultaneously an epic… show more.

As a pilot with Bomber Command, Murray Peden flew thirty combat missions and was awarded the Distinguished Flying Cross. While many bomber veterans have written solid memoirs to their experiences, this book is also a fine examination of the Bomber Command Campaign. To my knowledge, no other memoir of Bomber Command garnered the praise of its British Commander, Royal Air Force Marshal, Sir Arthur (Bomber) Harris. “I consider it not only the best and most true to life ‘war’ book I’ve ever read about this war, but the best about all the wars of my lifetime,” Harris wrote. Not only does it relate the story of Bomber Command operations, but it authentically captures the flavour of life experienced by its aircrews both during missions and in the downtime between. Peden was a gifted writer with a mastery of language that combined with a keen ability as a witness to war… show more.

Stan Scislowski’s Not All of Us Were Brave is a deeply honest portrayal of war from the perspective of a private soldier. Serving with the Perth Regiment, Scislowski was in the thick of virtually every battle that I Canadian Corps fought from January 1944 to January 1945. His masterful recounting of combat and the grind of military life when not on the sharp end if unforgettable. There are moments of remarkable courage intermingled with numbing fear and despair wherein it is never certain how Scislowski or his comrades are going to respond to the latest danger and usually chaotic mission. Mere chance determines those who live and those who die. Scislowski survives, but not before descending into post-traumatic stress disorder that takes him from the field. As with battle, Scislowski is brutally honest about this experience as well. In my Canadian Battle Series books about the Italian Campaign, many passages… show more.

On June 6, 1944, Charles (Charlie) Martin was twenty-four and one of the youngest Company Sergeant Majors in the Queen’s Own Rifles. He was also one of the first Canadian soldiers to pile out of a landing craft onto Juno Beach in the face of heavy German machine-gun fire. From that day on the beach to when he was finally wounded for the first time on April 16, 1945, Martin was always at the forefront of the battle. While an excellent account of his combat experience, Martin also deeply examines the role of a Company Sergeant Major in leading and running an infantry company during the war. And he provides detailed descriptions of how such a company conducted itself during specific types of combat from patrols, to set-piece assaults, to setting up defensive positions. For anyone wanting to understand the experience of soldiers in World War II, Battle Diary is… show more.

Reading Graves’ biography, I get the sense of not just his wry humour but of his enduring pain. When he covers his First World War service, his jokes are cracked out of exasperation at the orders he receives that led to a succession of “bloody balls-ups,” and retold through a wince.

Graves’ biography has been described as “a version of events that told the poetic truth about his experiences…rather than being primarily fact-driven.” I believe all biographies are a form of fiction as our own memories are more often a product of our imagination than photographic recall.

Graves’ poetic retelling allows a more universal resonance beyond the trenches of the Somme than if he just stuck to the facts of that time and place, and resonated more for me because of this. 

A stone-cold classic in war writing, I studied this short novel at university and loved it. Crane never actually went to war and yet his depiction of men fighting in the American Civil War felt so real, that it gave me the confidence to write historical fiction, knowing I’d never experienced these things but my research and imagination could be brought to bear and hopefully transport the reader in the same way Crane did. It also began a lifelong obsession for me with the American Civil War. When I first started writing historical novels I knew I wanted to write about other combat arenas than the two C20th world wars, choosing the Boer War and The Seven Years’ War respectively. 

When I say Slaughterhouse-Five is funny, people eye me like I’m a monster. But it is. The New York Times even has my back on this.

Is the novel also gut-wrenchingly tragic and horrifying? Of course. It’s one of the most potent stories ever written, and I’m not sure I’ve encountered anything whose biting satire eviscerates the absurdity of war (and of existence) so well.

Vonnegut balances humor and grief on the head of a pin: “Billy turned on the Magic Fingers, and he was jiggled as he wept.” 

Keegan popularized a new kind of military history, history focused on the experience of those “at the sharp end” of battle. Generals may as individuals have the most influence on the course of battle, but Keegan argues that, taken together, the men doing the fighting have more influence than the generals. He describes the experiences of men in three famous battles, and shows how tactics evolved but the demands of facing death remained all too familiar. I love this book for using history to find the psychology of men in combat.

The book is a perfect work of art and undeniable truth.

It is the most important German novel about the First World War. It is the book for the Oscar-winning Netflix movie. With this novel, Erich Maria Remarque established his worldwide fame and created a timeless image of the horrors of modern war.

The story of nineteen-year-old Paul Bäumer, who goes from his school desk to the front lines as an unsuspecting war volunteer, is now common knowledge.

Re-reading it, however, is still shocking: how Bäumer, instead of the hoped-for excitement of war and a brief adventure, experiences the full brutality of slaughter and the senseless deaths of his comrades is both touching and outrageous.

This is the first Vietnam War book I read. For almost ten years I remained silent about my military service—many coworkers did not know I had served, let alone two tours and wounded in action. Caputo’s voice and sense of loss and waste and rage touched so close to my feelings. His gift of words made me live again the countless hours of boredom punctuated by moments of terror—for me, ambushes, mines, incoming artillery, and mortar rounds. Twenty years in the future, when I began writing my stories, I read Caputo’s book again because I hoped to emulate his sense of angst.