Here are 100 books that And No Birds Sang fans have personally recommended if you like
And No Birds Sang.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Since the mid-1990s, I’ve written thirteen volumes in The Canadian Battles Series—more than a million words on the battles, campaigns, and experiences of my nation’s army during World War II. I started this because Canadians were usually no more than a footnote in the WWII histories written by American and British historians, despite having been the third-largest army serving alongside their armies in Italy and Northwest Europe. Realizing that the Canadian story would only be told if we wrote it ourselves, I embraced the task and continue to do so thirty years later.
Why two books instead of one. Well, because the two are equally excellent accounts that taken together span the combat service of a young Canadian artillery forward observation officer (FOO). The life span of many FOOs was short, the long antennas of the wireless sets they carried out front with the advancing infantry to call in artillery support were magnets for Germans snipers. But Blackburn beat the odds and survived to write this remarkably frank and honest memoir of eleven months of almost constant battlefield action. Over this course of a journey from Normandy through Belgium, the Netherlands, and into northwestern Germans in the final push, the reader feels literally by Blackburn’s side and inside his thoughts and emotions. From early confidence in his abilities and training to a slow descent toward fatalism and a simple grim determination to survive, Blackburn’s journey is both highly individualistic and simultaneously an epic…
In the weeks after D-Day, the level of artillery action in Normandy was unprecedented. In what was a relatively small area, both sides bombarded each other relentlessly for three months, each trying to overwhelm the other by sheer fire power.
The Guns of Normandy puts the reader in the front lines of this horrific battle. In the most graphic and authentic detail, it brings to life every aspect of a soldier’s existence, from the mortal terror of impending destruction, to the unending fatigue, to the giddy exhilaration at finding oneself still, inexplicably, alive.
Since the mid-1990s, I’ve written thirteen volumes in The Canadian Battles Series—more than a million words on the battles, campaigns, and experiences of my nation’s army during World War II. I started this because Canadians were usually no more than a footnote in the WWII histories written by American and British historians, despite having been the third-largest army serving alongside their armies in Italy and Northwest Europe. Realizing that the Canadian story would only be told if we wrote it ourselves, I embraced the task and continue to do so thirty years later.
As a pilot with Bomber Command, Murray Peden flew thirty combat missions and was awarded the Distinguished Flying Cross. While many bomber veterans have written solid memoirs to their experiences, this book is also a fine examination of the Bomber Command Campaign. To my knowledge, no other memoir of Bomber Command garnered the praise of its British Commander, Royal Air Force Marshal, Sir Arthur (Bomber) Harris. “I consider it not only the best and most true to life ‘war’ book I’ve ever read about this war, but the best about all the wars of my lifetime,” Harris wrote. Not only does it relate the story of Bomber Command operations, but it authentically captures the flavour of life experienced by its aircrews both during missions and in the downtime between. Peden was a gifted writer with a mastery of language that combined with a keen ability as a witness to war…
During World War II, Canada trained tens of thousands of airmen under the British Commonwealth Air Training Plan. Those selected for Bomber Command operations went on to rain devastation upon the Third Reich in the great air battles over Europe, but their losses were high. German fighters and anti-aircraft guns took a terrifying toll. The chances of surviving a tour of duty as a bomber crew were almost nil.
Murray Peden's story of his training in Canada and England, and his crew's operations on Stirlings and Flying Fortresses with 214 Squadron, has…
Since the mid-1990s, I’ve written thirteen volumes in The Canadian Battles Series—more than a million words on the battles, campaigns, and experiences of my nation’s army during World War II. I started this because Canadians were usually no more than a footnote in the WWII histories written by American and British historians, despite having been the third-largest army serving alongside their armies in Italy and Northwest Europe. Realizing that the Canadian story would only be told if we wrote it ourselves, I embraced the task and continue to do so thirty years later.
Stan Scislowski’s Not All of Us Were Brave is a deeply honest portrayal of war from the perspective of a private soldier. Serving with the Perth Regiment, Scislowski was in the thick of virtually every battle that I Canadian Corps fought from January 1944 to January 1945. His masterful recounting of combat and the grind of military life when not on the sharp end if unforgettable. There are moments of remarkable courage intermingled with numbing fear and despair wherein it is never certain how Scislowski or his comrades are going to respond to the latest danger and usually chaotic mission. Mere chance determines those who live and those who die. Scislowski survives, but not before descending into post-traumatic stress disorder that takes him from the field. As with battle, Scislowski is brutally honest about this experience as well. In my Canadian Battle Series books about the Italian Campaign, many passages…
Wonderfully insightful guidance on the crucial issue of change in our lives, which explains both how to handle change and how to create it - from the bestselling author of The Purpose of Your Life and The Celestine Experiential Guide.
In her previous books, noted intuitive counsellor Dr Carol Adrienne helped readers use intuition and the power of synchronicity to identify their purpose in life. Now, in this time of social and economic turbulence, she helps them take the next step: staying true to one's purpose and moving forward rather than staying stuck.
Since the mid-1990s, I’ve written thirteen volumes in The Canadian Battles Series—more than a million words on the battles, campaigns, and experiences of my nation’s army during World War II. I started this because Canadians were usually no more than a footnote in the WWII histories written by American and British historians, despite having been the third-largest army serving alongside their armies in Italy and Northwest Europe. Realizing that the Canadian story would only be told if we wrote it ourselves, I embraced the task and continue to do so thirty years later.
On June 6, 1944, Charles (Charlie) Martin was twenty-four and one of the youngest Company Sergeant Majors in the Queen’s Own Rifles. He was also one of the first Canadian soldiers to pile out of a landing craft onto Juno Beach in the face of heavy German machine-gun fire. From that day on the beach to when he was finally wounded for the first time on April 16, 1945, Martin was always at the forefront of the battle. While an excellent account of his combat experience, Martin also deeply examines the role of a Company Sergeant Major in leading and running an infantry company during the war. And he provides detailed descriptions of how such a company conducted itself during specific types of combat from patrols, to set-piece assaults, to setting up defensive positions. For anyone wanting to understand the experience of soldiers in World War II, Battle Diary is…
A fast-paced account by a soldier who was twice decorated. Charlie Martin, company sergeant-major in the Queen's Own, was with his beloved A Company in all of the significant Normandy actions.
War is perhaps the most extreme human activity. I have seen firsthand some of these extremes in Iraq and Afghanistan. I now write about the philosophy and ethics of war and geopolitics, exploring some of the impacts and enduring truths that war and its conduct tell us about ourselves that might be hidden under the surface of our everyday lives. The books I have chosen here explore, with elegance, sensitivity, and sometimes brutal and unflinching honesty, what the battlefield exposes, showing us that there is both tragedy and comedy at the extremities of human nature, and without one, you cannot really truly appreciate the other.
Reading Graves’ biography, I get the sense of not just his wry humour but of his enduring pain. When he covers his First World War service, his jokes are cracked out of exasperation at the orders he receives that led to a succession of “bloody balls-ups,” and retold through a wince.
Graves’ biography has been described as “a version of events that told the poetic truth about his experiences…rather than being primarily fact-driven.” I believe all biographies are a form of fiction as our own memories are more often a product of our imagination than photographic recall.
Graves’ poetic retelling allows a more universal resonance beyond the trenches of the Somme than if he just stuck to the facts of that time and place, and resonated more for me because of this.
On the hundredth anniversary of the end of World War I: a hardcover edition of one of the best and most famous memoirs of the conflict.
Good-bye to All That was published a decade after the end of the first World War, as the poet and novelist Robert Graves was preparing to leave England for good. The memoir documents not only his own personal experience, as a patriotic young officer, of the horrors and disillusionment of battle, but also the wider loss of innocence the Great War brought about. By the time of his writing, a way of life had…
I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
A stone-cold classic in war writing, I studied this short novel at university and loved it. Crane never actually went to war and yet his depiction of men fighting in the American Civil War felt so real, that it gave me the confidence to write historical fiction, knowing I’d never experienced these things but my research and imagination could be brought to bear and hopefully transport the reader in the same way Crane did. It also began a lifelong obsession for me with the American Civil War. When I first started writing historical novels I knew I wanted to write about other combat arenas than the two C20th world wars, choosing the Boer War and The Seven Years’ War respectively.
Here is Stephen Crane's masterpiece, The Red Badge of Courage, together with four of his most famous short stories. Outstanding in their portrayal of violent emotion and quiet tension, these texts led the way for great American writers such as Ernest Hemingway.
Each of these novels, in their own way, forces us to confront the realities of war and power, showing how fragile humanity truly is. They’ve inspired me to reflect on how interconnected we are, especially regarding the scars of conflict. I am reminded of the John Donne poem that inspired Hemingway’s title, For Whom the Bell Tolls (1940)–which begins: “No man is an island, intire of its selfe; every man is a piece of the continent, a part of the maine.” War doesn’t just affect the soldiers: war has its hooks in us all.
Vonnegut’s book is a unique combination of satire, science fiction, and raw war critique. Billy Pilgrim, the protagonist, lives out the trauma of surviving the Dresden bombing by becoming "unstuck in time," drifting through different moments of his life, from past to future. This strange, nonlinear structure mirrors how we process trauma in fragments and waves, never in a neat, chronological order. The randomness of death, the meaninglessness of war—all these themes come together in a way that’s both absurd and deeply moving. As we witness terror and violence continually unfold across the globe, the echoes of Slaughterhouse-Five feel ever-present.
The phrase “So it goes” serves as a refrain throughout the novel, after every death—reminding us of the inevitability of loss in wartime, no matter the scale. This book hit me hard with its dark humor and cynical commentary on the glorification of war. Vonnegut forces you to laugh in…
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
Research Professor of Psychology at Bryn Mawr College. Since the 9/11 attacks I have tried to understand how normal individuals, people like you and me, can move to terrorism in particular and political violence more generally. I retired from teaching in 2015 to have more time to write. I’ve written about genocide (Why Not Kill Them All? The Logic and Prevention of Mass Political Murder), about self-sacrifice (The Marvel of Martyrdom: The Power of Self Sacrifice in a Selfish World), and about terrorism (Friction: How Conflict Radicalizes Them and Us).
Keegan popularized a new kind of military history, history focused on the experience of those “at the sharp end” of battle. Generals may as individuals have the most influence on the course of battle, but Keegan argues that, taken together, the men doing the fighting have more influence than the generals. He describes the experiences of men in three famous battles, and shows how tactics evolved but the demands of facing death remained all too familiar. I love this book for using history to find the psychology of men in combat.
John Keegan's groundbreaking portrayal of the common soldier in the heat of battle -- a masterpiece that explores the physical and mental aspects of warfare
The Face of Battle is military history from the battlefield: a look at the direct experience of individuals at the "point of maximum danger." Without the myth-making elements of rhetoric and xenophobia, and breaking away from the stylized format of battle descriptions, John Keegan has written what is probably the definitive model for military historians. And in his scrupulous reassessment of three battles representative of three different time periods, he manages to convey what the…
The night before my dear friend Gina faced a delicate surgery that could have left her paralyzed from the waist down, she handed me a ziplock bag containing yellowed letters dating back to World War II. “No matter what happens to me, I want you to tell Bud’s story,” she said. “Promise me!” And so I did. What followed was a deep dive into what had happened to Gina’s uncle, Sergeant Bud Richardville, a young man drafted into the Army as the U.S. prepared to enter the war in Europe.
Once upon a time, war was portrayed as glorious. Smartly-dressed soldiers strutted off to battle as admiring crowds cheered their departure. But then came Erich Maria Remarque’s stunning semi-autographical rebuke. Remarque was conscripted into the Imperial German Army at 18 and was wounded in the poisonous trenches of World War I. While he survived, like many, he did not return home unscathed.
This book centers around young Paul Bäumer, an idealistic German boy raised in a picturesque village where patriotic speeches in school romanticize war and urge young men to sign up and fight for the Fatherland. He and his friends do just that and soon find themselves mired in the horrific conditions of trench warfare, a new kind of battle where little ground is ever made, and men die in all sorts of miserable ways.
As Paul and his peers struggle to do their duty, they succumb physically and…
The story is told by a young 'unknown soldier' in the trenches of Flanders during the First World War. Through his eyes we see all the realities of war; under fire, on patrol, waiting in the trenches, at home on leave, and in hospitals and dressing stations. Although there are vividly described incidents which remain in mind, there is no sense of adventure here, only the feeling of youth betrayed and a deceptively simple indictment of war - of any war - told for a whole generation of victims.
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
This is the first Vietnam War book I read. For almost ten years I remained silent about my military service—many coworkers did not know I had served, let alone two tours and wounded in action. Caputo’s voice and sense of loss and waste and rage touched so close to my feelings. His gift of words made me live again the countless hours of boredom punctuated by moments of terror—for me, ambushes, mines, incoming artillery, and mortar rounds. Twenty years in the future, when I began writing my stories, I read Caputo’s book again because I hoped to emulate his sense of angst.
The 40th anniversary edition of the classic Vietnam memoir―featured in the PBS documentary series The Vietnam War by Ken Burns and Lynn Novick―with a new foreword by Kevin Powers
In March of 1965, Lieutenant Philip J. Caputo landed at Danang with the first ground combat unit deployed to Vietnam. Sixteen months later, having served on the line in one of modern history’s ugliest wars, he returned home―physically whole but emotionally wasted, his youthful idealism forever gone.
A Rumor of War is far more than one soldier’s story. Upon its publication in 1977, it shattered America’s indifference to the fate of…
