100 books like Not All of Us Were Brave

Why two books instead of one. Well, because the two are equally excellent accounts that taken together span the combat service of a young Canadian artillery forward observation officer (FOO). The life span of many FOOs was short, the long antennas of the wireless sets they carried out front with the advancing infantry to call in artillery support were magnets for Germans snipers. But Blackburn beat the odds and survived to write this remarkably frank and honest memoir of eleven months of almost constant battlefield action. Over this course of a journey from Normandy through Belgium, the Netherlands, and into northwestern Germans in the final push, the reader feels literally by Blackburn’s side and inside his thoughts and emotions. From early confidence in his abilities and training to a slow descent toward fatalism and a simple grim determination to survive, Blackburn’s journey is both highly individualistic and simultaneously an epic… show more.

As a pilot with Bomber Command, Murray Peden flew thirty combat missions and was awarded the Distinguished Flying Cross. While many bomber veterans have written solid memoirs to their experiences, this book is also a fine examination of the Bomber Command Campaign. To my knowledge, no other memoir of Bomber Command garnered the praise of its British Commander, Royal Air Force Marshal, Sir Arthur (Bomber) Harris. “I consider it not only the best and most true to life ‘war’ book I’ve ever read about this war, but the best about all the wars of my lifetime,” Harris wrote. Not only does it relate the story of Bomber Command operations, but it authentically captures the flavour of life experienced by its aircrews both during missions and in the downtime between. Peden was a gifted writer with a mastery of language that combined with a keen ability as a witness to war… show more.

On June 6, 1944, Charles (Charlie) Martin was twenty-four and one of the youngest Company Sergeant Majors in the Queen’s Own Rifles. He was also one of the first Canadian soldiers to pile out of a landing craft onto Juno Beach in the face of heavy German machine-gun fire. From that day on the beach to when he was finally wounded for the first time on April 16, 1945, Martin was always at the forefront of the battle. While an excellent account of his combat experience, Martin also deeply examines the role of a Company Sergeant Major in leading and running an infantry company during the war. And he provides detailed descriptions of how such a company conducted itself during specific types of combat from patrols, to set-piece assaults, to setting up defensive positions. For anyone wanting to understand the experience of soldiers in World War II, Battle Diary is… show more.

Robin Robertson’s noir narrative The Long Take might seem like an unusual choice for this list.

Essentially a long noir poem, The Long Take concerns Walker, a Canadian veteran of D-Day with acute PTSD who finds life unraveling in the urban landscapes he inhabits after the war.

With a poet’s precision, Robertson follows Walker as he moves from city to city, taking it all in. Homelessness, crime, race—nothing is spared.

Why, you’d think you were in a 40s film noir, reading about it all, and then you find Walker on the streets of LA in 1948 seeing some of those very films being shot, films like Act of Violence and Criss Cross.

An outstanding achievement, The Long Take is a wholly original work of art.

Hidden from the English-speaking world for more than 50 years, this panoramic novel begins with the Red Army invasion of Belarus in 1939. Ivan Kulik has just become headmaster of school number 7 in Hlaby, a rural village in the Marsh of Pinsk. Through his eyes, I witnessed the tragedy of Stalinist domination where people are oppressed, randomly deported to labor camps, or tortured in Zovty Prison in Pinsk.

The author’s individual gift that sets him apart from his contemporaries is the range of his sympathies and his unromantic, unsentimental approach to the sensual lives of women. His debt to Chekhov is obvious in his ability to capture the internal drama of his characters with psychological conciseness.

This historical novel serves as a stern warning against adopting socialism in America.

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

I love books that cover two time periods, and this one did not disappoint.

The WW2 story showed me the importance of ‘last letters’ soldiers wrote home in case they died in action. I found myself immersed not just in the character, Ellie, but the wartime background in which she worked.

It was an emotional read. The present-day half of the book is equally engaging, where we learn about Stephanie’s difficult childhood. Reading it, I was fully engaged in her struggles and rooting for her to succeed.

Cairo in the War, 1939–1945 is a brilliant, fast-moving, narrative-driven piece of historical writing focussed on the British ruling elite in Egypt, before they won the war and subsequently lost this once vital North African imperial land-holding. The cast of characters reads like a Who’s Who of mid-century literary heavyweights, political operators, and military strategists, including everyone from Lawrence Durrell (whose Alexandria Quartet is also set in this period), Evelyn Waugh, Fitzroy Maclean, Olivia Manning, the brilliant Alexandrian Greek poet C.P. Cavafy, and Paddy Leigh Fermor. While much of the rest of the world burned, the British elite in Cairo partied, and in the process managed to annoy many American, Australian, and New Zealand allies and Egyptian foes alike, while sowing the seeds of an anti-monarchical feeling that eventually saw King Farouk toppled in 1952.