10 books like Not All of Us Were Brave

Why two books instead of one. Well, because the two are equally excellent accounts that taken together span the combat service of a young Canadian artillery forward observation officer (FOO). The life span of many FOOs was short, the long antennas of the wireless sets they carried out front with the advancing infantry to call in artillery support were magnets for Germans snipers. But Blackburn beat the odds and survived to write this remarkably frank and honest memoir of eleven months of almost constant battlefield action. Over this course of a journey from Normandy through Belgium, the Netherlands, and into northwestern Germans in the final push, the reader feels literally by Blackburn’s side and inside his thoughts and emotions. From early confidence in his abilities and training to a slow descent toward fatalism and a simple grim determination to survive, Blackburn’s journey is both highly individualistic and simultaneously an epic… show more.

As a pilot with Bomber Command, Murray Peden flew thirty combat missions and was awarded the Distinguished Flying Cross. While many bomber veterans have written solid memoirs to their experiences, this book is also a fine examination of the Bomber Command Campaign. To my knowledge, no other memoir of Bomber Command garnered the praise of its British Commander, Royal Air Force Marshal, Sir Arthur (Bomber) Harris. “I consider it not only the best and most true to life ‘war’ book I’ve ever read about this war, but the best about all the wars of my lifetime,” Harris wrote. Not only does it relate the story of Bomber Command operations, but it authentically captures the flavour of life experienced by its aircrews both during missions and in the downtime between. Peden was a gifted writer with a mastery of language that combined with a keen ability as a witness to war… show more.

On June 6, 1944, Charles (Charlie) Martin was twenty-four and one of the youngest Company Sergeant Majors in the Queen’s Own Rifles. He was also one of the first Canadian soldiers to pile out of a landing craft onto Juno Beach in the face of heavy German machine-gun fire. From that day on the beach to when he was finally wounded for the first time on April 16, 1945, Martin was always at the forefront of the battle. While an excellent account of his combat experience, Martin also deeply examines the role of a Company Sergeant Major in leading and running an infantry company during the war. And he provides detailed descriptions of how such a company conducted itself during specific types of combat from patrols, to set-piece assaults, to setting up defensive positions. For anyone wanting to understand the experience of soldiers in World War II, Battle Diary is… show more.

Of course, the guilt that exists after wars isn’t relegated to those who commit horrific crimes. It exists on the level of the individual, too, one who’s asked to take part in violence, a changing act, and who then must go back to wherever they have left. Robertson’s The Long Take is only one (particularly good) example of this type of narrative, set in post-war San Francisco, Los Angeles, and New York. It’s a gorgeous book and feels utterly coherent.

Hidden from the English-speaking world for more than 50 years, this panoramic novel begins with the Red Army invasion of Belarus in 1939. Ivan Kulik has just become headmaster of school number 7 in Hlaby, a rural village in the Marsh of Pinsk. Through his eyes, I witnessed the tragedy of Stalinist domination where people are oppressed, randomly deported to labor camps, or tortured in Zovty Prison in Pinsk.

The author’s individual gift that sets him apart from his contemporaries is the range of his sympathies and his unromantic, unsentimental approach to the sensual lives of women. His debt to Chekhov is obvious in his ability to capture the internal drama of his characters with psychological conciseness.

This historical novel serves as a stern warning against adopting socialism in America.

Cairo in the War, 1939–1945 is a brilliant, fast-moving, narrative-driven piece of historical writing focussed on the British ruling elite in Egypt, before they won the war and subsequently lost this once vital North African imperial land-holding. The cast of characters reads like a Who’s Who of mid-century literary heavyweights, political operators, and military strategists, including everyone from Lawrence Durrell (whose Alexandria Quartet is also set in this period), Evelyn Waugh, Fitzroy Maclean, Olivia Manning, the brilliant Alexandrian Greek poet C.P. Cavafy, and Paddy Leigh Fermor. While much of the rest of the world burned, the British elite in Cairo partied, and in the process managed to annoy many American, Australian, and New Zealand allies and Egyptian foes alike, while sowing the seeds of an anti-monarchical feeling that eventually saw King Farouk toppled in 1952.

Lee Miller was the most unlikely of war correspondents. As a fashion model for Condé Nast, a surrealist collaborator of Man Ray, and a celebrity New York photographer, world events never impacted much on her work. But when she moved to London to become a photojournalist for Vogue, she found her own special subject in the war. Among the highlights of this handsome collection is Miller’s vivid report of the battle for St Malo where, as the darling of the US 83rd Division, she and her camera were given unfettered access. No less compelling are her accounts of liberated Paris, her haunting photographs and descriptions of concentrations camps; and one of the most iconic images in this book is the photograph taken of Lee sitting naked in Hitler’s own bathtub as she scrubs off the filth and stink of Dachau. 

This book is the catalog of a 2019 exhibition of the same name. It’s a collection of 440 images that cover all facets of Jewish life in the Netherlands during the German occupation. What’s most interesting and compelling are the rare, so-called bystander photos that show what life under Nazi rule looked like for ordinary people going about their lives, both those who were persecuted and those who committed genocide, as well as those who witnessed it. While we can look into the faces of people knowing the horrors that were to come, seeing these images—weddings, dinners, strolls in the park—as a preface to the more familiar images of round-ups, transports, and concentration camps provides deeper insight into history. I revisit the photos in this book often.

You’ve heard of Hitler, Goebbels, Göring, Eichmann, and Himmler, but what about Heydrich? One of the masterminds of the terrible “final solution,” he was installed as Protector of Bohemia and Moravia under Nazi occupation and was assassinated in 1942 by two Czech patriots parachuted in by the British. I have visited the church in Prague where they were eventually hunted down and killed, so I knew I had to read this novel, and it is a delightful read. Written in short, snappy chapters, the seriousness of the underlying story is lightened by a playful double narrative with the author’s account of his own struggles while writing the book and reflections on the treatment of historical characters in fiction.