The most recommended French Resistance books

In her stirring World War II novel Sharon Maas weaves an exhilarating adventure with a deeply moving personal journey.

The perilous exploits of the protagonist, Sibyl Lake, a spy for the French Resistance, will keep the pages flying by; the deftly drawn characters will remain with you long after the final page.

Sibyl, her comrades, and even her adversaries come alive as multidimensional human beings and not as the stereotypical, cartoonish figures sometimes seen in World War II fiction.

If you’re ready to be jarred by shocking plot twists or to have your heart melted by tender love scenes, then this is the book for you.

Edited by historian Judy Barrett Litoff, who wrote a comprehensive introduction outlining Virginia d’Albert-Lake’s war, this memoir recounts the dramatic experience of a rare American woman resistance agent in occupied France. Working with the legendary Comet escape line, she and her French husband helped shelter and move 66 Allied airmen to safety. But in 1944, a German question answered in her American accent got her sent straight to the Gestapo and then to Ravensbrück concentration camp. Virginia d’Albert-Lake tells her amazing story of life on the edge from the pages of her diary.

I have been so impressed at the risks ordinary people took to save their Jewish friends and neighbors during WWII. This is one such story.

I love books set in two time periods, and this one takes us from the present to the time of war, with the heroine, now an old woman, who was a forger in Nazi Europe coming across a book of codes, revealing the true names of escaping Jewish children. 

I read this book as a college student while on a spur-of-the-moment trip to Athens, Greece. As I sat reading while intermittently gazing at the view of the Acropolis from my hotel balcony, a frappe at my side, the book captivated me.

Written by a world-renowned historian in response to his son’s question, “What is history?”, this book opened vistas of reflection about our connections with past cultures and why we do history.

In a present where we are often being pushed to look forward, to innovate, and move on, The Historian’s Craft helped me to better articulate the value of understanding history. Surrounded by the rich cultural heritage of ancient Greece, this book just made perfect sense.

Margaret Collins Weitz interviewed more than 80 women (and some men) who worked in the French Resistance during the Nazi Occupation. From this foundation, she brings forth the detailed accounts of a variety of women, from the well-known Geneviève de Gaulle-Anthonioz, to rarely heard students, nurses, and even a nun. Their stories are told through their own voices, framed by the author in a well-researched context. Danger, tension, conflict, and loss echo through the pages, but at the core of it also is the courage the women found in themselves when their nation was in need.

My personal library holds dozens of histories and first-person accounts dealing with the French Resistance. Some are scholarly, others more popular in treatment, but many so boring that I barely reached the final page. Cobb’s work however is a great exception, depicting in smooth prose and outstanding research the dramatic development of the Résistance. You'll meet heroes and heroines, and see the extraordinary lengths taken by simple French citizens to undermine fascist tyranny and aid Allied efforts. Here is the insight needed to truly appreciate accurate fictional portrayals of this time.

This is another classic work in the subfield of propaganda studies, and it’s pretty dense. That said, its arguments on how technology and propaganda come together to enable mediated control of our very thought are powerful. Ellul’s point that propaganda is a sociological phenomenon—something that surrounds us in everything we do, everything we watch, everything we listen to—have also aided me in understanding why experimental or lab-based attempts to understand the specific effects of disinformation and propaganda often come up short. It’s difficult to study these things in a vacuum because they are so contextual, so tied to who is spreading the message, how they are spreading it, what their intentions are, and who they are targeting etc.  

An iconic Resistance novel today, The Silence of the Sea was written at a time when the French Resistance was yet to be invented, and was published clandestinely in 1942. The first work of fiction ever written about the Resistance, and one of the most beautiful, without a doubt. The story of a forbidden love between a German officer and a French woman who was forced to house him, Vercors’ story was meant to entice his fellow citizens to refuse a situation deemed unacceptable. There is no sabotage, explosions, or as traditionally understood acts of heroism, only an invitation to save whatever could be saved. A story of honor and dignity, universal and timeless. 

This fascinating book follows 230 women, some more in-depth than others, who were imprisoned outside Paris for crimes of resistance activities. I began reading it as research and became captivated by the stories, especially the devotion the women developed for one another. I felt a deep connection to each of the prisoners as I climbed into their shoes, cheering for them to survive while fearing they would not. (The Appendix lists the 49 who survived if you want to know in advance. I didn’t.) It’s difficult to grasp what they endured over an unimaginable period of time. Just the sheer depth of their hunger is something I’ve never come close to experiencing. Moorehead keeps the tone intimate and compassionate. Yes, their suffering could be hard to read, but at the same time, I found inspiration as if they spoke to me from the past of the power of mutual dependency-… show more.

The Black Terrorist recounts the singular trajectory of Addi Bâ from French Guinea who arrived in France in 1938, enlisted in 1939, was taken prisoner almost immediately, escaped in 1940 and joined the Resistance in the Vosges mountains. One of the very few books or films to focus on the role played by a colonized person fighting for the colonizing power that had subjugated his people. A journey between the small-mindedness and cowardice of some and the humanity and courage of others.