When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
I first became aware of Dexter through the TV show. I fell in love with the whole mythology behind the character and wanted a deeper dive into his life and the upbringing that led him to where he was when we first met him, and I got that from this book.
This first novel in the series shares a lot of DNA with the show's first season, but it also has enough extra content that the TV show either didn’t include or rewrote to make this fanboy enjoy every blood-soaked page.
Meet Dexter Morgan, a polite wolf in sheep’s clothing. He’s handsome and charming, but something in his past has made him abide by a different set of rules. He’s a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. • The Killer Character That Inspired the Hit Showtime Series Dexter
And his job as a blood splatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught…
If there was one criticism I had of Interview With The Vampire, it was that there wasn’t enough Lestat. I can’t have been the only one because when Anne Rice decided to do a sequel, she didn’t keep following Louis, the tortured hero of the first book, but instead told us the story of his Maker.
I love that this book doesn’t try to repeat what the first part did and tell us another story of a vampire at odds with what he is. Lestat embraces the (after)life that is forced upon him. I admire the purity of his acceptance of what he is and having no regrets about what he must do to survive.
#1 New York Times Bestselling author - Surrender to fiction's greatest creature of the night - Book II of the Vampire Chronicles
The vampire hero of Anne Rice’s enthralling novel is a creature of the darkest and richest imagination. Once an aristocrat in the heady days of pre-revolutionary France, now a rock star in the demonic, shimmering 1980s, he rushes through the centuries in search of others like him, seeking answers to the mystery of his eternal, terrifying exsitence. His is a mesmerizing story—passionate, complex, and thrilling.
I had no idea what I was getting into with this book, and the experience was so much richer for that blindfold. That title alone was enough to intrigue me–what on earth could it mean? This is one of the most interesting and shocking coming-of-age stories I have ever read.
The island world the author creates made me think of Lord of the Flies and what can happen when youth is allowed to go unsupervised. This is deliciously dark and twisted stuff. It’s a short book, but you won’t forget it.
The polarizing literary debut by Scottish author Ian Banks, The Wasp Factory is the bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath.
Meet Frank Cauldhame. Just sixteen, and unconventional to say the least:
Two years after I killed Blyth I murdered my young brother Paul, for quite different and more fundamental reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim.
That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again.…
This is another book that I discovered after seeing the TV show. The Netflix adaptation is fairly faithful to the text, but I still really enjoyed the novel because the writing is witty, clever, and beautifully paced in a way that makes you want to keep reading when you know you should turn out the light and go to sleep.
The little character quirks add realism and some much-needed light relief to a pretty dark story. For me, the scariest thing about this book is, even though our lead character goes to extreme lengths most of us would never even consider, the roots of his actions come from thoughts we’ve probably all had.
*** NOW A MAJOR NETFLIX SERIES *** 'Thriller of the Year' Daily Mail 'Hypnotic and scary' Stephen King 'Examines the fine line between seduction and stalking . . . Ludicrously readable' Guardian
When aspiring writer Guinevere Beck strides into the bookstore where Joe works, he is instantly smitten.
But there's more to Joe than Beck realises and much more to Beck than her perfect facade. And the obsessive relationship quickly spirals into a whirlwind of deadly consequences...
A chilling account of unrelenting, terrifying deceit, Caroline Kepnes' You is a thriller more perversely clever and dangerously twisted than any YOU have…
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
After being the standout talent of his class, Sean Black finds the acting world hard to break into on a professional level. Then, a chance meeting with another actor convinces him that if he wants to play a part, he has to live that part.
As his career begins to take off, Sean doesn’t shy away from experiencing everything his character would to find the truth in his performance. But who is he when he’s not in character? Does he even know anymore? As the roles get bigger and the parts get darker, the risks he must take get greater. Sean won’t stop, but he must be stopped because there’s madness in his method.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
