In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
Wright Morris believed that we are “inhabited” by the places where we have lived.
The Home Place is set on the plains of Nebraska where Morris was born.The text is combined with his photographs of farm buildings, farmhouse interiors, farming implements, cooking utensils, and furniture. Narrator Clyde Muncy returns from New York to the farm in Nebraska where he grew up, bringing his own family. He re-experiences the farm through the eyes, ears, and especially noses of his city wife and children. When his son sniffs a croquet ball and says it smells like the subway, Muncy observes, “Two thousand miles from New York a city boy turns up something in a farmyard, it smells damp and earthy, like a storm cave, so he calls it the subway smell.” Morris eschews sentimentality. His plain prose and black-and-white photographs are austere, like the farm itself. “Home is where you hang…
Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers.
This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man's shoes, well-used kitchen utensils, and weathered siding. Muncy's journey of discovery takes the measure of the man he has become and…
I grew up with a fascination for space and things that fly. I always wanted to be an astronaut. That didn’t exactly pan out (I have bad eyesight and I hate to run), but I was able to turn that passion into a career as an aerospace engineer. I’ve also been drawn to Young Adult books because they're able to take a seemingly mundane concept and twist it on its head. I start my stories with the question of ‘what if’? What if we could access infinite knowledge in the blink of an eye, but everything we did was constantly monitored? That is the basis for my YA sci-fi Tracker220 and my love of the genre.
In a world with superpowers, two abilities mean you’re a Super and none means you’re Normal.
The Twist? Merrin Grey has a single power, meaning she’s half a Super called a One. And when she’s forced to transfer to a normal high school she meets Elias who is also a One. When they combine their powers, they can fly!
One is a love letter to superheroes and comics and plays with the idea of what makes someone a superhero vs a less than. I loved all the sci-fi tropes stood on their heads in this book. And Merrin and Elias are the cutest. This was one of the first indie-published novels I read. It showed me the art of possible, and how fantastic the world of indie publishing is.
When having two powers makes you a Super and having none makes you a Normal, having only one makes you a sad half-superpowered freak. It makes you a One. Sixteen-year-old Merrin Grey would love to be able to fly – too bad all she can do is hover. If she could just land an internship at the Biotech Hub, she might finally figure out how to fix herself. She busts her butt in AP Chem and salivates over the Hub’s research on the manifestation of superpowers, all in hopes of boosting her chances. Then she meets Elias VanDyne, another One,…
As the fourth “oldest daughter” in my motherline, and my interest in genealogy and family history, my trajectory was set decades ago to become the keeper of the family letters, telegrams, photos, pilot logbooks, and stories. After researching
what happened to the three brothers lost during WWII, I also have casualty, missions reports, and more. Before publishing the first book, I had bylines in newspapers and magazines, and I’ve blogged regularly for several years. Because of the wealth of historic photos and stories, I began history Facebook pages for three Iowa counties, as well as one for cousins to share memories and photos. If you enjoy family stories, you’ll enjoy the books on this list.
My Grandma Leora's family "went bust" in NE Nebraska during the 1890s drought. The McCance family stuck it out in central Nebraska during the same time. Grace McCance remembered so many dear details, like making horses from tumbleweeds, Indians learning German as a second language, the battle over wearing a bonnet, a pet rooster that liked to visit while feasting on grasshoppers. Grace was the second daughter in a family of seven girls and two boys. She hoped one day to make the most beautiful quilts and to marry a cowboy, which she did. They camped out the first night, then had their wedding portrait taken the next day.
Decades ago, I did a lot of quilting, so was familiar with the remarkable Flower Basket Petit Pointe quilt, which was designated as one of the top 100 quilts of the 20th Century by Quilters Newsletter Magazine in 1999. Grace McCance…
Pioneer Girl is the true story of Grace McCance Snyder. In 1885, when Grace was three, she and her family became homesteaders on the windswept prairie of central Nebraska. They settled into a small sod house and hauled their water in barrels. Together they endured violent storms, drought, blizzards, and prairie fires. Despite the hardships and dangers, Grace loved her life on the prairie. Weaving Grace's story into the history of America's heartland, award-winning author Andrea Warren writes not just of one spirited girl but of all the children who homesteaded with their families in the late 1800s, sharing the…
I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
Every discussion about the evolution of writing in ‘the West’ has to start with Willa Cather, who was the first writer from the west to be awarded a major literary award when she won the Pulitzer Prize for One of Ours, which isn’t even one of her five best novels. Cather wrote openly about alcoholism, domestic violence, and other painful topics, transforming western writing from cardboard cutout characters to real people. My Ántonia has become an American classic, not just in western literature but in all literature. My Ántonia is told from the point of view of a young farm boy who falls in love with the enchanting Ántonia, and it’s beautifully written, taking us into the emotional heart of youth and idealism in the West.
Set in rural Nebraska, Willa Cather's My Antonia is both the intricate story of a powerful friendship and a brilliant portrayal of the lives of rural pioneers in the late-nineteenth century.
Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an afterword by Bridget Bennett and original illustrations by W. T. Benda.
Antonia and her family are from Bohemia and they must endure real hardship and loss to establish a new home in America.…
I first read and fell in love with Jane Austen's novels at the age of thirteen, and thus began a lifelong enthusiasm for nineteenth-century and early twentieth-century literature. Though I studied English Literature and Art History at university, I embarked on a professional career working in an entirely unrelated field. I never lost my childhood desire to write fiction. Inspiration came, as it will, unexpectedly. I sat down one day in the grand Reading Room of the New York Public Library, pad and pen in hand, and began to write. I happened to be suffering a spell of insomnia at the time, and before I knew it, I had a draft of my first novel.
It is impossible to separate Cather’s heroine Alexandra Bergson from the Nebraska prairie she farms.
Alexandra’s character mirrors the land she, as the eldest child, inherited from her father and which she devotes her life to working. When other families give up, sell off, and move on, she doggedly remains through harsh winters and, against all likelihood, prospers as an unmarried woman managing a vast expanse of land.
Like the land, she remains both knowable and unknowable, at once harsh and majestic.
Possessing an external manner that is reticent, internally hers is an indomitable spirit. She is among the most inimitable of women to have ever appeared in print.
At the turn of the twentieth century. When their father dies young, exhausted by the failure of his attempts at agriculture, it is left to the visionary Alexandra to guide the family to prosperity and safeguard the fortune of her brothers. Strong-willed and fiercely independent, she succeeds against all odds, but only at the cost of her own fulfilment as a woman. Central to the novel's action is the Nebraskan landscape it describes, by turns unyielding and fruitful, bitter and ecstatic.O Pioneers! joins Cather's My Antonia in Everyman's Library.
I am deeply passionate about human resilience. From Louis Zamperini's unwavering spirit in the face of war and captivity to Santiago's quiet determination against nature's harsh realities to Michael Jordan's relentless drive to overcome setbacks, these narratives resonate with me on a profound level. I'm particularly drawn to how these stories explore not just physical resilience but emotional and psychological strength as well. They serve as a powerful reminder that true victory lies not in the outcome but in the unwavering spirit we bring to life's struggles.
Jim Harrison's book is a masterpiece. I love how Harrison crafts Dalva's character; she's simultaneously tender and tough, with a complexity that resonated deeply with me. I found myself completely immersed in her world. The bold narrative structure, especially the contrasting voice of Michael, thrilled me as a reader. I love how Harrison fearlessly explores themes of loss, resilience, and self-discovery through Dalva's journey.
The vivid portrayal of the American West and its history added layers that I found fascinating. What I appreciate most is Harrison's prose—it's so powerful that I often find myself rereading passages just to savor the language. This book touched me profoundly.
From her home on the California coast, Dalva hears the broad silence of the Nebraska prairie where she was born and longs for the son she gave up for adoption years before. Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
As a child, I fell in love with horses. As a teen, I fell in love with a cowboy. That’s how I became the wife and mother of professional rodeo bullfighters and wrote for rodeo magazines. Today I write historical cowboy romances. The Western way of life is down-to-earth, honest, and God-fearing—even in our contemporary world, and I’ve written several of those stories as well. But my favorite challenge takes me back to the 1800s when life was simpler. Not easier, just simpler even though people faced the same emotional challenges we face today. I love writing about their journeys and encouraging readers that there is hope.
I liked this story so much that I read it a second time. Author Mary Connealy took me to the Nebraska Sandhills and showed me the beauty of the country while painting the beauty of the woman who lived there. Such a sweet love story of a mother who gives all she has for her sons—and the man who surprisingly gives back to her something she never dreamed she'd have again.
Tom MacKinnon rides up driving a wagon with a second wagon trailing him. He and his sister builds windmills. They’ll ask for very little money and, in exchange heroine, Lauren Drummond, newly widowed mother of four nearly grown sons, will help them learn to survive in the Sandhills of Nebraska. What to grow, what to hunt, how to build a sod house. Tom’s windmills will save her ranch. Lauren needs three windmills on this drought year or her growing herd of cattle is going to die of thirst. She eagerly agrees to teach him the ways of the Sandhills. She’s…
When I finished this book, I immediately told all my close friends to read it so we could discuss. At year’s end, it’s the book I’ve recommended most. This is a quick, juicy, sometimes infuriating read, and I could not put it down.
Jess is a Black liberal from Nebraska, starting her first post-college job at Goldman Sachs. Josh is her white, conservative coworker from Connecticut and a former thorn in her side from undergrad.
Watching these two opposites attract during the Obama-Trump transition was the most fun I ever had (the banter is top-notch) and had me squirming with its hyper-realistic portrayal of America’s political polarization. Will Jess and Josh’s love survive, or will it suffer death by a thousand microaggressions? Everything’s Fine is a romance wrapped in an enigma.
While I generally am not pulled to short story collections, this one grabbed me from the beginning. Each story is a gem, focusing on an individual life (or lives) in very particular contexts, moving seamlessly between late 20th century China and the U.S., between parents and children, and among the ambiguities of tradition, religion, communism, capitalism and love in all the characters’ lives.
Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.
“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the…
