I grew up watching my mother suffer under a strict patriarchal religion. She never felt she had a choice in her life, and yet she always remained a dreamer, collecting newspaper articles about events in history that interested her. They piled up in a box and I’ve no idea what she thought to do with them. She would thumb through them between bouts of standing over a ringer washer or hanging wet clothing outside in freezing weather. There were 15 of us, you can imagine the laundry. I never saw her cry…despite working like a mule. I admire her and women like her for getting through.
The title says a lot about why this book moved me. Susan La Flesche was a warrior for her people, and what greater reason do any of us have for our existence? La Flesche overcame impossible odds and gave up a great deal to become a doctor. Time and again she risked her life to travel to homes in the dead of night or through snowstorms to reach someone who needed her. That dedication and drive inspire me. Reading the book makes me roll my eyes at my own short list of accomplishments. Also, I was raised close to the famous Indian School in Genoa, Nebraska. I grew up fascinated by the buildings and the haunted feelings in the classrooms. Starita’s lyrical descriptions of the land also transported me back.
"An important and riveting story of a 19th-century feminist and change agent. Starita successfully balances the many facts with vivid narrative passages that put the reader inside the very thoughts and emotions of La Flesche." —Chicago Tribune
On March 14, 1889, Susan La Flesche Picotte received her medical degree—becoming the first Native American doctor in U.S. history. She earned her degree thirty-one years before women could vote and thirty-five years before Indians could become citizens in their own country.
By age twenty-six, this fragile but indomitable Native woman became the doctor to her tribe. Overnight, she acquired 1,244 patients scattered…
I am deeply passionate about human resilience. From Louis Zamperini's unwavering spirit in the face of war and captivity to Santiago's quiet determination against nature's harsh realities to Michael Jordan's relentless drive to overcome setbacks, these narratives resonate with me on a profound level. I'm particularly drawn to how these stories explore not just physical resilience but emotional and psychological strength as well. They serve as a powerful reminder that true victory lies not in the outcome but in the unwavering spirit we bring to life's struggles.
Jim Harrison's book is a masterpiece. I love how Harrison crafts Dalva's character; she's simultaneously tender and tough, with a complexity that resonated deeply with me. I found myself completely immersed in her world. The bold narrative structure, especially the contrasting voice of Michael, thrilled me as a reader. I love how Harrison fearlessly explores themes of loss, resilience, and self-discovery through Dalva's journey.
The vivid portrayal of the American West and its history added layers that I found fascinating. What I appreciate most is Harrison's prose—it's so powerful that I often find myself rereading passages just to savor the language. This book touched me profoundly.
From her home on the California coast, Dalva hears the broad silence of the Nebraska prairie where she was born and longs for the son she gave up for adoption years before. Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil…
The older I get, the more fascinated I am with family history and the way certain traits or talents get passed down – or not. Unfortunately, we don’t always know much about our own ancestors. Maybe that’s why I appreciate a multigenerational story that shows all the forms a young person’s “inheritance” can take, whether money, looks, a special skill or talent, or even a disease. And because I’ve always loved a good mystery, I enjoy books where a young person seeks to uncover a family secret. Finally, now that I’m on the older side of the generations, I appreciate a book that portrays older family members realistically and with respect.
The premise of this book gets big points for originality: Lexington Willow is orphaned as a toddler by a tornado, literally blowing into the life of elephant Nyah, who protects and comforts the little girl in the storm and forms a mysterious connection with her. The wind is also a character in the book, hanging around long after the tornado. It knows things Lex doesn’t, and sometimes whispers to her.
The Elephant’s Girl portrays friendship, secrets, and a family’s pain in search of healing. Toss in a ghost for good measure, and what’s not to love?
A magical adventure for fans of Katherine Applegate and Jennifer Holm about a girl with a mysterious connection to the elephant who saved her life.
An elephant never forgets, but Lexington Willow can't remember her past. Swept away by a tornado as a toddler, she was dropped in a nearby Nebraska zoo, where an elephant named Nyah protected her from the storm. With no trace of her family, Lex grew up at the zoo with her foster father, Roger; her best friend, Fisher; and the wind whispering in her ear.
Years later, Nyah sends Lex a telepathic image of the…
While I generally am not pulled to short story collections, this one grabbed me from the beginning. Each story is a gem, focusing on an individual life (or lives) in very particular contexts, moving seamlessly between late 20th century China and the U.S., between parents and children, and among the ambiguities of tradition, religion, communism, capitalism and love in all the characters’ lives.
Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.
“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the…
I grew up with a fascination for space and things that fly. I always wanted to be an astronaut. That didn’t exactly pan out (I have bad eyesight and I hate to run), but I was able to turn that passion into a career as an aerospace engineer. I’ve also been drawn to Young Adult books because they're able to take a seemingly mundane concept and twist it on its head. I start my stories with the question of ‘what if’? What if we could access infinite knowledge in the blink of an eye, but everything we did was constantly monitored? That is the basis for my YA sci-fi Tracker220 and my love of the genre.
In a world with superpowers, two abilities mean you’re a Super and none means you’re Normal.
The Twist? Merrin Grey has a single power, meaning she’s half a Super called a One. And when she’s forced to transfer to a normal high school she meets Elias who is also a One. When they combine their powers, they can fly!
One is a love letter to superheroes and comics and plays with the idea of what makes someone a superhero vs a less than. I loved all the sci-fi tropes stood on their heads in this book. And Merrin and Elias are the cutest. This was one of the first indie-published novels I read. It showed me the art of possible, and how fantastic the world of indie publishing is.
When having two powers makes you a Super and having none makes you a Normal, having only one makes you a sad half-superpowered freak. It makes you a One. Sixteen-year-old Merrin Grey would love to be able to fly – too bad all she can do is hover. If she could just land an internship at the Biotech Hub, she might finally figure out how to fix herself. She busts her butt in AP Chem and salivates over the Hub’s research on the manifestation of superpowers, all in hopes of boosting her chances. Then she meets Elias VanDyne, another One,…
As a creative writer, I think it is important for me to put myself into the bodies and minds of people, unlike myself, and imagine how they move about in the world. In my book, I write about Blind Tom, a person from the nineteenth century who has little in common with me. However, there are some affinities and connections between Tom and myself. Although I am not blind, I suffer from a disability. Also, I like writing about music and musicians. I chose to write about Tom in part because he was a great musician who has never received the proper credit he deserves from musicologists and historians.
I love this book because it is the only other novel, besides my own, that I know of that features pianist Blind Tom. or at least a character based on Blind. In Cather’s novel, he is called the Blind d’Arnault. Cather is a fine writer who knows how to tell a story. It is a novel that I go back to for inspiration and ideas. I often write about music in my fiction and appreciate other authors who take up this challenge.
Packaged in handsome, affordable trade editions, Clydesdale Classics is a new series of essential literary works. It features literary phenomena with influence and themes so great that, after their publication, they changed literature forever. From the musings of literary geniuses like Mark Twain in The Adventures of Huckleberry Finn to the striking personal narrative of Solomon Northup in Twelve Years a Slave, this new series is a comprehensive collection of our history through the words of the exceptional few.
My Antonia, a novel by Willa Cather, tells the story of friendship between Antonia Shimerda a young woman who moves to…
As the fourth “oldest daughter” in my motherline, and my interest in genealogy and family history, my trajectory was set decades ago to become the keeper of the family letters, telegrams, photos, pilot logbooks, and stories. After researching
what happened to the three brothers lost during WWII, I also have casualty, missions reports, and more. Before publishing the first book, I had bylines in newspapers and magazines, and I’ve blogged regularly for several years. Because of the wealth of historic photos and stories, I began history Facebook pages for three Iowa counties, as well as one for cousins to share memories and photos. If you enjoy family stories, you’ll enjoy the books on this list.
My Grandma Leora's family "went bust" in NE Nebraska during the 1890s drought. The McCance family stuck it out in central Nebraska during the same time. Grace McCance remembered so many dear details, like making horses from tumbleweeds, Indians learning German as a second language, the battle over wearing a bonnet, a pet rooster that liked to visit while feasting on grasshoppers. Grace was the second daughter in a family of seven girls and two boys. She hoped one day to make the most beautiful quilts and to marry a cowboy, which she did. They camped out the first night, then had their wedding portrait taken the next day.
Decades ago, I did a lot of quilting, so was familiar with the remarkable Flower Basket Petit Pointe quilt, which was designated as one of the top 100 quilts of the 20th Century by Quilters Newsletter Magazine in 1999. Grace McCance…
Pioneer Girl is the true story of Grace McCance Snyder. In 1885, when Grace was three, she and her family became homesteaders on the windswept prairie of central Nebraska. They settled into a small sod house and hauled their water in barrels. Together they endured violent storms, drought, blizzards, and prairie fires. Despite the hardships and dangers, Grace loved her life on the prairie. Weaving Grace's story into the history of America's heartland, award-winning author Andrea Warren writes not just of one spirited girl but of all the children who homesteaded with their families in the late 1800s, sharing the…
I love these books because they hold thinking as the highest virtue, and they value the rights of the individual. I like to challenge the norm. These stories seek to preserve and enhance human life through art and science.
Of all twenty-some books (and counting) in Child’s Jack Reacher series, this one stands out. In an interview, Lee once said, "I just wrote this one by the numbers." To me his final solo effort feels like he finally figured out how to say what he always wanted. It’s personal, yet geopolitical. Empathetic, yet very tough. In this tale of two half-cities run by rival gangs, the Armenians and the Ukrainians, he does so simply and brilliantly.
The story’s government is corrupt, as so many are, full of bribe-taking politicians who are unable to protect the citizenry from organized crime. To fill that void, in steps Jack Reacher with some intuitive detecting, a little romance, and a lot of bad-guy killing.
There's trouble in the deadly wilds of Nebraska . . . and Reacher walks right into it. He falls foul of the Duncans, a local clan that has terrified an entire country into submission.
But it's the unsolved case of a missing eight-year-old girl that Reacher can't let go.
Reacher - bruised and battered - should have just kept going. But for Reacher, that was impossible.
What, in this fearful county, would be worth dying for?
_________
Although the Jack Reacher novels can be read in any order, Worth Dying For follows on directly from the end of 61 Hours.…
I’m always intrigued by certain kinds of crime stories, but usually not by the crimes themselves. Straightforward whodunits bore me, and simplistic retellings of the hero myth just strike me as wrong. About thirty years ago, I began to wonder why—which crime stories intrigue me and which seem more like exercises in voyeurism. Turns out the stories I really get into wrap me in previously unseen worlds. They offer a fresh take, bring up unexpected considerations, present a new way to view the crime, or demonstrate why what I’d always thought was mistaken or insufficient. Such books present the crime, but contain much more than the crime.
I thought Love & Terror was a book about a killing in Chadron, Nebraska, which was correct. . . sort of. Ballantine’s sparkling prose and grim compassion hooked me immediately. The book does examine a death—suicide? murder?—but we don’t meet the victim, Steven Haataja, until page 62.
Ballantine drives past the shuffling Haataja the night before his death and tells us Haataja “limped slightly from a recently broken hip. If I’d known what was going to happen to him, I would have run him over . . . hard enough to break his other hip, put him back in his wheelchair,” in order to prevent his death.
When I first read Love & Terror, I learned crime doesn’t need to be the center of a true crime.
Fans of Truman Capote's In Cold Blood and John Berendt's Midnight in the Garden of Good and Evil will embrace Poe Ballantine's Love and Terror on the Howling Plains of Nowhere.
Poe Ballantine's "Free Rent at the Totalitarian Hotel" included in Best American Essays 2013, and for well over twenty years, Poe Ballantine traveled America, taking odd jobs, living in small rooms, trying to make a living as a writer. At age 46, he finally settled with his Mexican immigrant wife in Chadron, Nebraska, where they had a son who was red-flagged as autistic. Poe published four books about his…
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
This
is the story that inspired my novel. It takes place in a small Nebraska
railroad town in the bitterly cold winter of 1898. My novel takes place in the bitterly
cold winter of 1947, shortly after WW2, mostly in the same blue hotel in the
same snowbound town as in Crane’s story.
Crane’s
story “is one of the most well-known of the short stories in the collection The
Monsters and Other Stories. Although it appears to be a reasonably simple
tale about a man who encounters trouble following a stay at the Palace Hotel,
several complex themes underpin the story and define many of the overarching
themes in novels like Maggie: A Girl of the Streets and more generally,
Crane’s corpus. Stylistically, the story breaks free from the norms of the
period, often entering the realms of Expressionism, an unusual style to
encounter in American literature.”
This carefully crafted ebook: “The Blue Hotel” is formatted for your eReader with a functional and detailed table of contents.
"The Blue Hotel" is a short story by American author Stephen Crane. The story first appeared in the 1899 collection entitled The Monster and Other Stories. It is a story about a man who gets in trouble after a stay at the Palace Hotel.
Stephen Crane (1871-1900) was an American novelist, short-story writer, and poet who is often called the first modern American writer. The Blue Hotel (1899) is considered one of Crane ́s finest short stories.
