The best books about Nebraska

On the other end of the spectrum is a light and funny, extremely well-written, and poignant middle grade novel about a boy growing up with his mother inside prison walls. (Full disclosure, I cried at the end of the book.)

While it’s not realism, it brings attention to its readers, that the law is not perfect, and often the wrong people are in prison. The happy ending helps make this realization palpable for young readers, who nonetheless will get the message about criminal justice and being quick to judge. 

Another good small-town mystery, I recommend Lazarus if you prefer your whodunits full of heart and humor. Margo and Hank are the sweetest teen detective couple since Nancy Drew and Ned Nickerson. Only problem is Hank’s dead. 

The book is a dual POV, and their love for each other comes out of the pages as they grapple with what haunts them. In Margo's situation, the cold case death of her mother, and in Hank's, his accidental murderers plotting something nefarious, and wondering what's best for Margo--stay with her to protect her, or move on so she can too.

Every time I thought I figured out who the killer could be, Hank or Margo brought another neighbor’s secrets to light. The cornfield-filled, rural Nebraska setting lent creepy vibes.

This is the story that inspired my novel. It takes place in a small Nebraska railroad town in the bitterly cold winter of 1898. My novel takes place in the bitterly cold winter of 1947, shortly after WW2, mostly in the same blue hotel in the same snowbound town as in Crane’s story.

Crane’s story “is one of the most well-known of the short stories in the collection The Monsters and Other Stories. Although it appears to be a reasonably simple tale about a man who encounters trouble following a stay at the Palace Hotel, several complex themes underpin the story and define many of the overarching themes in novels like Maggie: A Girl of the Streets and more generally, Crane’s corpus. Stylistically, the story breaks free from the norms of the period, often entering the realms of Expressionism, an unusual style to encounter in American literature.”

I liked this story so much that I read it a second time. Author Mary Connealy took me to the Nebraska Sandhills and showed me the beauty of the country while painting the beauty of the woman who lived there. Such a sweet love story of a mother who gives all she has for her sons—and the man who surprisingly gives back to her something she never dreamed she'd have again. 

Horse stealing was more than theft of valuable and essential property. Matthew Luckett explains that on the Great Plains horse stealing “destabilized communities, institutions, nations, diplomatic relations, and cross-cultural exchange.” Luckett challenges many popular notions about horse thieves (for starters, they were not hung).  There were different kinds of horse theft and horse thieves. Don’t be misled by “Nebraska” in the title—this book shows that horse stealing had regional and national repercussions.   Luckett is an engaging writer, and this book is extremely readable and filled with compelling stories. I particularly recommend the chapter “The Horse Wars” about the role of horses in the war the U.S. Army waged against the Indians. 

In a world with superpowers, two abilities mean you’re a Super and none means you’re Normal.

The Twist? Merrin Grey has a single power, meaning she’s half a Super called a One. And when she’s forced to transfer to a normal high school she meets Elias who is also a One. When they combine their powers, they can fly! 

One is a love letter to superheroes and comics and plays with the idea of what makes someone a superhero vs a less than. I loved all the sci-fi tropes stood on their heads in this book. And Merrin and Elias are the cutest. This was one of the first indie-published novels I read. It showed me the art of possible, and how fantastic the world of indie publishing is.

Every discussion about the evolution of writing in ‘the West’ has to start with Willa Cather, who was the first writer from the west to be awarded a major literary award when she won the Pulitzer Prize for One of Ours, which isn’t even one of her five best novels. Cather wrote openly about alcoholism, domestic violence, and other painful topics, transforming western writing from cardboard cutout characters to real people. My Ántonia has become an American classic, not just in western literature but in all literature. My Ántonia is told from the point of view of a young farm boy who falls in love with the enchanting Ántonia, and it’s beautifully written, taking us into the emotional heart of youth and idealism in the West.

I thought Love & Terror was a book about a killing in Chadron, Nebraska, which was correct. . . sort of. Ballantine’s sparkling prose and grim compassion hooked me immediately. The book does examine a death—suicide? murder?—but we don’t meet the victim, Steven Haataja, until page 62. 

Ballantine drives past the shuffling Haataja the night before his death and tells us Haataja “limped slightly from a recently broken hip. If I’d known what was going to happen to him, I would have run him over . . . hard enough to break his other hip, put him back in his wheelchair,” in order to prevent his death. 

When I first read Love & Terror, I learned crime doesn’t need to be the center of a true crime.

It is impossible to separate Cather’s heroine Alexandra Bergson from the Nebraska prairie she farms.

Alexandra’s character mirrors the land she, as the eldest child, inherited from her father and which she devotes her life to working. When other families give up, sell off, and move on, she doggedly remains through harsh winters and, against all likelihood, prospers as an unmarried woman managing a vast expanse of land.

Like the land, she remains both knowable and unknowable, at once harsh and majestic.

Possessing an external manner that is reticent, internally hers is an indomitable spirit. She is among the most inimitable of women to have ever appeared in print.

The premise of this book gets big points for originality: Lexington Willow is orphaned as a toddler by a tornado, literally blowing into the life of elephant Nyah, who protects and comforts the little girl in the storm and forms a mysterious connection with her. The wind is also a character in the book, hanging around long after the tornado. It knows things Lex doesn’t, and sometimes whispers to her.

The Elephant’s Girl portrays friendship, secrets, and a family’s pain in search of healing. Toss in a ghost for good measure, and what’s not to love?

“You ought to write inspirationals.” Every time a reader told me that, I’d shake my head and reply, “They’re too preachy.” But then a dear friend’s death made me reconsider the direction of my writing, and I began to research the inspirational market. One of the first books I read was Secrets on the Wind, the first of Whitson’s Pine Ridge Portraits trilogy. To my delight, she combined meticulous research, sprinkling her story with “telling” details that brought the Nebraska prairie and Fort Robinson to life, and unforgettable characters to create a story that’s lingered in my memory for more than a decade. Best of all, she demonstrated that faith-friendly fiction doesn’t need to be preachy. I’m deeply grateful to her because Secrets on the Wind convinced me that this was the right market for me. 

The title says a lot about why this book moved me. Susan La Flesche was a warrior for her people, and what greater reason do any of us have for our existence? La Flesche overcame impossible odds and gave up a great deal to become a doctor. Time and again she risked her life to travel to homes in the dead of night or through snowstorms to reach someone who needed her. That dedication and drive inspire me. Reading the book makes me roll my eyes at my own short list of accomplishments. Also, I was raised close to the famous Indian School in Genoa, Nebraska. I grew up fascinated by the buildings and the haunted feelings in the classrooms. Starita’s lyrical descriptions of the land also transported me back.

Slogum House is a fairly brutal account of the dynamics between a gentle patriarch who married a shifty woman and the influence her brutality had on the family. Parts of this novel are disturbing and hard to read, but this is an interesting tale of a desperate and driven woman who will literally stop at nothing to get what she wants, and how that ruthlessness colors her family and children’s lives. The setting is the remote western sand-hills of Nebraska. Brilliant writing.

Of all twenty-some books (and counting) in Child’s Jack Reacher series, this one stands out. In an interview, Lee once said, "I just wrote this one by the numbers." To me his final solo effort feels like he finally figured out how to say what he always wanted. It’s personal, yet geopolitical. Empathetic, yet very tough. In this tale of two half-cities run by rival gangs, the Armenians and the Ukrainians, he does so simply and brilliantly.

The story’s government is corrupt, as so many are, full of bribe-taking politicians who are unable to protect the citizenry from organized crime. To fill that void, in steps Jack Reacher with some intuitive detecting, a little romance, and a lot of bad-guy killing.

My Grandma Leora's family "went bust" in NE Nebraska during the 1890s drought. The McCance family stuck it out in central Nebraska during the same time. Grace McCance remembered so many dear details, like making horses from tumbleweeds, Indians learning German as a second language, the battle over wearing a bonnet, a pet rooster that liked to visit while feasting on grasshoppers. Grace was the second daughter in a family of seven girls and two boys. She hoped one day to make the most beautiful quilts and to marry a cowboy, which she did. They camped out the first night, then had their wedding portrait taken the next day.

Decades ago, I did a lot of quilting, so was familiar with the remarkable Flower Basket Petit Pointe quilt, which was designated as one of the top 100 quilts of the 20th Century by Quilters Newsletter Magazine in 1999. Grace McCance… show more.

Wright Morris believed that we are “inhabited” by the places where we have lived.

The Home Place is set on the plains of Nebraska where Morris was born. The text is combined with his photographs of farm buildings, farmhouse interiors, farming implements, cooking utensils, and furniture. Narrator Clyde Muncy returns from New York to the farm in Nebraska where he grew up, bringing his own family. He re-experiences the farm through the eyes, ears, and especially noses of his city wife and children. When his son sniffs a croquet ball and says it smells like the subway, Muncy observes, “Two thousand miles from New York a city boy turns up something in a farmyard, it smells damp and earthy, like a storm cave, so he calls it the subway smell.” Morris eschews sentimentality. His plain prose and black-and-white photographs are austere, like the farm itself. “Home is where you hang… show more.

Gary E. Moulton is a history professor who spent twenty years editing the 13-volume journals of the Lewis and Clark Expedition, written by the captains and four of their men, describing in amazing detail the three years and one month they spent together. Moulton and his team not only transcribed all of these accounts—they offer informative footnotes that explain everything—from the Indians encountered to the plants and animals seen on the journey to the mountains and rivers traveled. So, it is no surprise that Moulton is the expert on the Expedition. Us Lewis and Clark afficionados own and love all 13 volumes, but this single volume is perfect for anyone interested in reading—and understanding—what the men themselves experienced.

This is a portrait of Nebraska (and Nebraskans) where most of my own book takes place. It’s also the state where I went to high school. I like Hansen’s spare and precise writing style because it perfectly fits the time and place, as well as the characters themselves who are presented stripped of the conceits and pretensions. For me, it’s a style, though different from McCarthy’s, that creates the illusion of actual direct experience as opposed to something I happen to be reading about. His story “Wickedness” creates a powerful image of winter on the Great Plains and its effect on people.

Dalva (and the sequel The Road Home) is a literary fiction classic.

A story of generations and places with memorable characters. Poetic prose describes the landscape. Philosophy abounds. Make no mistake, Dalva and The Road Home are set in the wide open west – the plains and Sandhills of Nebraska. Harrison’s rebellious characters become one with their environment. The storylines are never lost even though Harrison often muses about the past and mixes his thoughts into the present without skipping a beat. 

This book covers a serious subject matter with levity and warmth. Ruffin and Lamar take the reader on a tour of racist incidents in their lives. While the severity is clear, it’s also clear they want the reader to learn. I found the book eye-opening and insightful, and I’d recommend it to anyone.