Here are 100 books that Candy Story fans have personally recommended if you like
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I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
I revere writing that doesn't cling to the ridiculously sacrosanct principle that conflict is essential to stories—especially conflict between good and evil. If any writer’s work completely sidesteps the convention of plot, it’s Lutz, who also publishes under the name Garielle Lutz. These voice-driven stories—of nameless folk seeking small comforts where they can find them—are nearly undescribable. Stomach-dropping little language surprises abound, and Lutz has a penchant for preserving American English heirloom words and phrases such as “Car-coat,” “shoehorn,” and “frankfurter shack". Many of the stories describe transient, uneasy relationships, yet laugh-out-loud humor is present, too. Some of the stories seem less to move forward narratively than to rock to and fro. Those interested in pure language-forward narratives by a master of sentences should read Lutz.
Even as a chapbook, it was one of Time Out New York’s Ten Best Books of 2007, and now we're proud to publish an expanded paperback edition of Partial List of People to Bleach, with six previously uncollected pieces, including the provocative and now-classic essay “The Sentence Is a Lonely Place,” and a foreword by Gordon Lish.
"Partial List of People to Bleach is at once cruelly honest, precisely painful, and beautifully rendered." —Brian Evenson
"Gary Lutz is a master—living proof that, even in our cliché-ridden, denial-drenched, hype-driven age, true originality is still an American possibility." —George Saunders
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
This is one of my all-time favorite books. It is so darkly funny and strange that I laugh and shiver right through it every time. It begins in the middle of a flood in a small English town, where ducks are swimming and quacking in the drawing room, and I am also a big duck fan. Strange deaths follow. You can’t beat that.
“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus
This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
Constructed nonlinearly, this funny, playful, and complex novel concerns our culture’s pressure on men to “be” something; it’s also about the human sense of self in general. It has no conventional plot, though Kalich has created a perfectly workable structure: a kind of index that builds in intensity. Without giving particulars as to geography, age, family, or employment, the paragraph-length descriptions of Charlie P reveal him as hyperbolically great or defeated. Charlie P has accomplished both everything and nothing.
The character is an iconographic blank, perhaps an engineer or former bitcoin-seeker who, for all his striving, suffers an inability to engage with the world; perversely, he views that as “giving in.” It’s no understatement to say that readers of Charlie P, sometime in their lives, will have met a Charlie P.
“Charlie P is energetic, delightfully sardonic, dark without being oppressive, playful and very readable.”—Sven Birkerts
In Charlie P, New York author Richard Kalich offers us a singularly unique, comic, and outlandish everyman. Akin to other great American icons such as Sinclair Lewis’ Babbitt and Ring Lardner’s Al, Charlie P plumbs the relation between fantasy and reality to offer us a character both asocial and alienated and, at the same time, at the heart of the American dream.
Born and raised in Ohio, the “First West,” I was trained by top historians of the American West at the University of Toledo where I received my doctorate in American History. I’ve worked as a university and research fellow, a writer in the business world, and a professor of history and department chair at Lourdes University. I left my teaching and administrative career to become a full-time writer. Along with Unlikely General, my recent books have included The Other Trail of Tears: The Removal of the Ohio Indians and Interrupted Odyssey: Ulysses S. Grant and the American Indians. Currently, I’m writing a dual biography of William Henry Harrison and Tecumseh.
In Westward Expansion, Ray Allen Billington takes up the story of the American West where Morison left off. This is a sweeping narrative with Billington acting as a travel guide across the successively moving frontiers beyond the Atlantic Coast. He leads us to the crest of the Appalachians, and then over Ohio and down to Tennessee toward the Mississippi. Next, we race to the Pacific and then come back over the Rockies before finally heading onto the Great Plains west of the Mississippi. Yet Westward Expansion is more than a travelogue. In its pages, we travel with everyone who ever lived on these many frontiers: farmers, workers, soldiers, Indians, immigrants, townspeople. The list goes on and on. It’s America’s story with every triumph and tragedy bound up in constant motion.
When it appeared in 1949, the first edition of Ray Allen Billington's 'Westward Expansion' set a new standard for scholarship in western American history, and the book's reputation among historians, scholars, and students grew through four subsequent editions. This abridgment and revision of Billington and Martin Ridge's fifth edition, with a new introduction and additional scholarship by Ridge, as well as an updated bibliography, focuses on the Trans-Mississippi frontier. Although the text sets out the remarkable story of the American frontier, which became, almost from the beginning, an archetypal narrative of the new American nation's successful expansion, the authors do…
I’m a retired English prof with a lifelong interest in history. My father fostered my fascination with Civil War battlefields, and growing up in Florida, I studied the Seminole wars in school and later at FSU. While teaching at the University of Idaho (nearly 50 years), I pursued my interest in the Indian wars of the mid-19th century and developed a curiosity about tribes in the inland Northwest, notably the Coeur d’Alene, Spokane, and Nez Perce. My critical biography of Blackfeet novelist James Welch occasioned reading and research on the Plains tribes. I recommend his nonfiction book,Killing Custer: The Battle of Little Bighorn and the Fate the Plains Indians.
Aside from the Colorado landmark, Pike’s Peak, most of us know little of Zebulon Pike. A relative passed along the tee-shirt, but that’s as close as I got before reading Jared Orsi’s account of Lieutenant Pike’s 1805-07 fascinating expeditions to the headwaters of the Mississippi and to the Rockies. Pike strives to establish friendly relations among the Ojibway and Dakotah and later among the Osage and Pawnee while introducing the tribes to their new landlords, the U.S. government under President Jefferson. In attempting to ascend the peak, Pike and his men suffer near starvation and death in bitter cold and waist-deep snow, only to be rescued and arrested by the forces of New Spain. Orsi approaches the expeditions from an environmental perspective.
Today Zebulon Pike's name is immortalized at Pikes Peak, the second most visited mountain in the world after Japan's Mount Fuji. It overlooks the town of Colorado Springs, where historian Jared Orsi teaches. Orsi was inspired to take up this biography not just by geography but also because there has been no modern interpretation of the life of this key explorer in American history. His life sheds considerable life on the early national period and on the American frontier.
Born during the Revolution Zebulon, Pike came of age with the nation. Trained as a soldier and stationed at various frontier…
Since I was old enough to read and watch screens, I’ve been fascinated by the promise of adventurous journeys. Twenty Thousand Leagues Under the Sea, Huckleberry Finn, the Starship Enterprise, Star Wars – all occupied valuable real estate in my consciousness. That thirst for journey took me to Eastern Europe after college, where I worked as a freelancer, and to Baghdad and other Middle East cities, where I was a correspondent during and after the Iraq War. My sense of adventure continues today in my writing, drawing me to stories in colorful places, such as the U.S.-Mexico border, to try to make sense of the world and our place in it.
This book was a frolicking gallop through 19th-century New Mexico and points west–places I know well. Based in Austin, me and my family often go skiing in Santa Fe and Taos, oblivious to the history lurking there. Reading Sides’ description of the frontier during that era transported me to those places from an entirely different perspective. And few people in American history have had more vivid adventures than Kit Carson, whether fending off warring parties of Comanches and Utes or leading military expeditions across the Sierras.
I loved how Hides writes with empathy about the final free days of Indians before they’re rounded into destitute reservations. Gave me an entirely new perspective on this gorgeous corner of the world.
NATIONAL BESTSELLER • From the author of Ghost Soldiers comes an eye-opening history of the American conquest of the West—"a story full of authority and color, truth and prophecy" (The New York Times Book Review).
In the summer of 1846, the Army of the West marched through Santa Fe, en route to invade and occupy the Western territories claimed by Mexico. Fueled by the new ideology of “Manifest Destiny,” this land grab would lead to a decades-long battle between the United States and the Navajos, the fiercely resistant rulers of a huge swath of mountainous desert wilderness.
I've been writing for decades, as one genre evolved into another. Local Colorado history led to the identification of "Boulder Jane Doe," a murder victim. During that journey I learned a lot about criminal investigations and forensics. I devoured old movies (especially film noir), and I focused on social history including mysterious and intriguing women. Midwest Book Review (see author book links) credits In Search of the Blonde Tigress as "rescuing" Eleanor Jarman "from obscurity." So true! Despite Eleanor's notoriety as "the most dangerous woman alive," she actually was a very ordinary woman. I've now found my niche pulling mysterious and intriguing women out of the shadows.
Mollie was 18 years old and a new bride in 1860 when she and her husband left eastern Nebraska for the gold diggings of Colorado.
The 7-week journey across the plains tested her strength and endurance, but Mollie battled the hardships and isolation of pioneer life with humor, intelligence, and honesty. She never intended her journal to be published, but it was, and I found it inspirational.
Mollie is a vivid, high-spirited, and intensely feminine account of city people homesteading in the raw, new land west of the Missouri. More particularly, it is the story of Mollie herself - just turned eighteen when the Dorseys left Indianapolis for Nebraska Territory - of her reaction to the transplantation and to her new life which included rattlesnakes, blizzards, Indians, and the hardships of pioneer life. Mollie describes her nearly three-year engagement to Byron Sanford, during which time she worked as a seamstress, teacher, and cook. Following her wedding Mollie's life took a new turn. Catching "Pike's Peak Fever," the…
I’ve been writing about my explorations in the wilderness for over 20 years starting with the first edition of my Tahoe Rim Trail guidebook. I’ve always been fascinated by writers who embark on solo journeys into nature, or just traveling in general, and in so doing discover themselves and what they really want from their lives. While I’ve read my share (and written a few) stories about super feats of human endurance, I find the most satisfaction from reading about ordinary people experiencing life at a scale that makes sense to all of us.
Published 50 years after Desert Solitaire, seventh-generation Utah resident Amy Irvine talks about her respect for Abbey’s impact on her life and writing, while also not holding back on lambasting Abbey for his behavior and hypocrisy. Irvine told Orion magazine, “My goal was not to take Abbey down, but rather to make space for other voices and relationships to the natural world.” While Abbey might be the context for the book, Irvine goes on to deliver a fascinating exploration into her own take on the wonders of wilderness. She can be as hard on herself as she is on Abbey. This book is a great contemporary look at a key question for those of us who explore the wilds: How do we keep from loving it to death?
"A grief–stricken, heart–hopeful, soul song to the American Desert."
—PAM HOUSTON, author of Deep Creek
As Ed Abbey’s Desert Solitaire: A Season in the Wilderness turns fifty, its iconic author, who has inspired generations of rebel–rousing advocacy on behalf of the American West, is due for a tribute as well as a talking to. In Desert Cabal: A New Season in the Wilderness, Amy Irvine admires the man who influenced her life and work while challenging all that is dated—offensive, even—between the covers of Abbey's environmental classic. Irvine names and questions the "lone male" narrative—white and privileged as it is—that…
My first favorite food was a mushroom and as a budding young chef, my first dish, made at 6, was a terrible take on mushrooms on toast points made with Wonder Bread, margarine, and a sad can of mushrooms. My father pretended to eat it. For his sake, I’m glad he didn’t. Things have improved for me since then and I turned my passion for mushrooms into a lifelong love of cooking them which led to my book Shroom, a cookbook for both mushroom lovers and avowed fungiphobes. Mushrooms have distinct culinary personalities and the diversity in edible mushrooms is as vast as that between a salinic, ocean-kissed oyster and a smoky, meaty grilled ribeye.
For starters, what’s not to like with a poetic title and a quirky, nerdy, tux-beclad mushroom expert on the front holding a trumpet (the horn, not the mushroom) and a mushroom haul? David Aurora is the mushroom god’s mushroom god and has cheerfully guided thousands if not millions of fungiphiles on their forest quests in search of both edible and nonedible mushrooms. His larger book Mushrooms Demystified is truly the bible, but this smaller Western guide which easily fits in a back pocket is the one I’ve carried with me for years. It’s where I cut my teeth when I first ventured out as a new forager, but it’s continued to guide me as I learn new mushrooms to add to my basket. Color photos, key features, notes on where to find the mushroom, and notes on edibility are listed for each type of mushroom in the book such as:…
“[All That the Rain Promises and More] is certainly the best guide to fungi, and may in fact be a long lasting masterpiece in guide writing for all subjects.”—Roger McKnight, The New York Times
Mushrooms appeal to all kinds of people—and so will this handy pocket guide, which includes key information for more than 200 Western mushrooms
Over 200 edible and poisonous mushrooms are depicted with simple checklists of their identifying features, as David Arora celebrates the fun in fungi with the same engaging bend of wit and wisdom, fact and fancy, that has made his comprehensive guide, Mushrooms Demystified,…
