Here are 100 books that Who Was Changed and Who Was Dead fans have personally recommended if you like
Who Was Changed and Who Was Dead.
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I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Everyone should read this book right now which features hurricanes and flooding in Florida. The flood scene in this book still stays with me, years after I read it. The waters are not just terrifying, but contain horrors such as a rabid dog clinging to a piece of debris.
That scene still keeps me up at night, and I think about it often now with all the flooding in the south. It’s not just the water, it’s what’s in the water.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
Among many wonderful things about this book, I consider it a climate novel and a climate justice story in particular. Hurricane Katrina wipes out a Black working-class family who are flooded out of their house. I was deeply attached to the narrator, the teen daughter in the story, and I loved her even more for having hope that things could change.
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'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times
'Fresh and urgent' - New York Times
'There's something of Faulkner to Ward's grand diction' - Guardian
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WINNER OF THE NATIONAL BOOK AWARD
Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family.
Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets;…
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
I love classic books because they still have something to tell us in our times, and the ominous presence of the river throughout the book kept my heart racing. It feels like our own dangerous climate crisis waiting to sweep us away.
All sorts of things flood in this book, along with the water, most notably Maggie’s emotions and her forbidden passions. I think this flood is based on a historical event as well. Again, this book is English. I love the Brit books.
With precise plotting underpinned by a wise understanding of human nature, George Eliot's most autobiographical novel gives a wonderful evocation of rural life and the complicated relationship between siblings.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of The Mill on the Floss features an introduction by Professor Kathryn Hughes.
Maggie Tulliver and her brother Tom enjoy a rural childhood on the banks of the river Floss. But the approach of adulthood…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
I revere writing that doesn't cling to the ridiculously sacrosanct principle that conflict is essential to stories—especially conflict between good and evil. If any writer’s work completely sidesteps the convention of plot, it’s Lutz, who also publishes under the name Garielle Lutz. These voice-driven stories—of nameless folk seeking small comforts where they can find them—are nearly undescribable. Stomach-dropping little language surprises abound, and Lutz has a penchant for preserving American English heirloom words and phrases such as “Car-coat,” “shoehorn,” and “frankfurter shack". Many of the stories describe transient, uneasy relationships, yet laugh-out-loud humor is present, too. Some of the stories seem less to move forward narratively than to rock to and fro. Those interested in pure language-forward narratives by a master of sentences should read Lutz.
Even as a chapbook, it was one of Time Out New York’s Ten Best Books of 2007, and now we're proud to publish an expanded paperback edition of Partial List of People to Bleach, with six previously uncollected pieces, including the provocative and now-classic essay “The Sentence Is a Lonely Place,” and a foreword by Gordon Lish.
"Partial List of People to Bleach is at once cruelly honest, precisely painful, and beautifully rendered." —Brian Evenson
"Gary Lutz is a master—living proof that, even in our cliché-ridden, denial-drenched, hype-driven age, true originality is still an American possibility." —George Saunders
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
Constructed nonlinearly, this funny, playful, and complex novel concerns our culture’s pressure on men to “be” something; it’s also about the human sense of self in general. It has no conventional plot, though Kalich has created a perfectly workable structure: a kind of index that builds in intensity. Without giving particulars as to geography, age, family, or employment, the paragraph-length descriptions of Charlie P reveal him as hyperbolically great or defeated. Charlie P has accomplished both everything and nothing.
The character is an iconographic blank, perhaps an engineer or former bitcoin-seeker who, for all his striving, suffers an inability to engage with the world; perversely, he views that as “giving in.” It’s no understatement to say that readers of Charlie P, sometime in their lives, will have met a Charlie P.
“Charlie P is energetic, delightfully sardonic, dark without being oppressive, playful and very readable.”—Sven Birkerts
In Charlie P, New York author Richard Kalich offers us a singularly unique, comic, and outlandish everyman. Akin to other great American icons such as Sinclair Lewis’ Babbitt and Ring Lardner’s Al, Charlie P plumbs the relation between fantasy and reality to offer us a character both asocial and alienated and, at the same time, at the heart of the American dream.
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
I like a good fiction anthology, and this one, which focuses on the future if we do nothing to stop human-caused climate change, is really good. It focuses on the rising seas, looking at the future in a drowned world, both good and bad. There are a number of excellent speculative fiction writers here, including my favorites, Ken Liu and Stanley Robinson.
As bad as things are getting and will get, I like to be reminded of human resilience, and most of these stories do that. Some are apocalyptic, but I need to be reminded of that as well; what happens if we’re not resilient?
We stand on the brink of one of the greatest ecological disasters of our time - the world is warming and seas are rising, and yet water is life; it brings change. Where one thing is wiped away, another rises.
Drowned Worlds looks at the future we might have if the oceans rise - good or bad. Here you'll find stories of action, adventure, romance and, yes, warning and apocalypse. Stories inspired by Ballard's The Drowned World, Sterling's Islands in the Net, and Ryman's The Child Garden; stories that allow that things may get worse, but remembers that such times…
I have long been fascinated by how personal and singular the experience of grief is. There is something soothing and relatable about reading others’ experiences—the more strange, nonsensical, or even supernatural the better. My own novel, The Secret Garden of Yanagi Inn, is a retelling of The Secret Garden, but with an adult protagonist moving through grief over the death of her complicated mother, striving to see a bright ray of hope on the other side. Each of the books on my list about unusual manifestations of grief tackles this same concept in new and surprising ways, and I hope they touch you as they have touched me.
Rouge is at its heart an exploration of a daughter’s grief for her troubled mother and the bizarre turns that grief can take.
Rouge tells the story of a young woman obsessed with cult-like beauty culture. When her mother mysteriously dies, she is forced to return home and confront the complicated relationship she had with her also beauty-obsessed mother. Fairy tale surreal and viscerally disturbing, Rouge delves into obsession, grief, and the dangers of beauty culture taken to the extreme.
Like all of Awad’s books, this is a story that will stick with me a very long time.
From the critically acclaimed author of Bunny comes a horror-tinted, gothic fairy tale about a lonely dress shop clerk whose mother's unexpected death sends her down a treacherous path in pursuit of youth and beauty.
Can she escape her mother's fate and find a connection that is more than skin deep?
A Most Anticipated Book of 2023 in The Guardian, i newspaper, The New York Times, Time, Globe and Mail, Bustle, The Millions, LitHub, TOR, Good Housekeeping, Our Culture Mag, and more!
'You think, "She's not going to go there...yes, she is.' Margaret Atwood
'The trancelike, rhapsodic language and deepening…
During my MFA, I learned to write family dramas and character-driven fiction, but I wanted more comfort, joy, and… romance! I knew the swoony and funny aspects of rom-coms could lift heavier emotional subjects like grief and loss, allowing readers to explore these resonant aspects of life safely, with a guaranteed Happily Ever After. All the books on this list explore a full emotional range of the human experience through extraordinary, utterly magical love stories about otherwise ordinary, flawed people. I hope they make you laugh, swoon, maybe shed a few cathartic tears, and come out the other side feeling better than when you turned the first page.
Noelle is grieving the recent loss of her grandmother and finds herself recreating a honeymoon trip her grandmother once planned with a former love, Paul. It’s the trip of a lifetime… except along for the ride is Paul’s grandson, Theo, who happens to be Noelle’s former high school rival.
Over the course of the trip, Noelle achieves real emotional healing, both in working through her grief and in finding herself again. She also comes to see that the guy she thought was always competing with her just might have been driving her to be better and vice versa.
Noelle and Theo’s romance is so tender and sexy, with snappy dialogue, intense chemistry, and heart-rending emotional moments. I laughed and cried and loved every page.
