Here are 87 books that Charlie P fans have personally recommended if you like
Charlie P.
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As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
While more of an anthology than a book, this still encapsulates the theme quite well. Perhaps more suited to a mini episodic format than a feature-length film, Carter still imbues many of her short stories with striking and unforgettable imagery.
I think of the titular story and its ancient castle by the sea or The Erl-King and its inescapable labyrinth of a forest and am left dumbfounded that I have not seen it rendered anywhere other than my own mind’s eye.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
I revere writing that doesn't cling to the ridiculously sacrosanct principle that conflict is essential to stories—especially conflict between good and evil. If any writer’s work completely sidesteps the convention of plot, it’s Lutz, who also publishes under the name Garielle Lutz. These voice-driven stories—of nameless folk seeking small comforts where they can find them—are nearly undescribable. Stomach-dropping little language surprises abound, and Lutz has a penchant for preserving American English heirloom words and phrases such as “Car-coat,” “shoehorn,” and “frankfurter shack". Many of the stories describe transient, uneasy relationships, yet laugh-out-loud humor is present, too. Some of the stories seem less to move forward narratively than to rock to and fro. Those interested in pure language-forward narratives by a master of sentences should read Lutz.
Even as a chapbook, it was one of Time Out New York’s Ten Best Books of 2007, and now we're proud to publish an expanded paperback edition of Partial List of People to Bleach, with six previously uncollected pieces, including the provocative and now-classic essay “The Sentence Is a Lonely Place,” and a foreword by Gordon Lish.
"Partial List of People to Bleach is at once cruelly honest, precisely painful, and beautifully rendered." —Brian Evenson
"Gary Lutz is a master—living proof that, even in our cliché-ridden, denial-drenched, hype-driven age, true originality is still an American possibility." —George Saunders
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
Just like life, this supple narrative about a village in Warwickshire, England is full of beauty, gruesomeness, and sudden death. Without manifest plot points as such, the narrative seems to float past the range of eccentric townspeople after a destructive flood and later an epidemic of poisonings. Comically, none of the characters seem to take that death seriously. Comyns’ tender gift for describing humans in intimate communion with nature will make you long for flowers, forests, and abounding nature-amid-towns which we no longer experience in today’s world. This writer is neither optimistic nor pessimistic about humanity--but observationally brilliant. In their wild, hilarious ranges of behaviors, her characters too are lovely specimens living at the marshy banks of an omnipresent river.
“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus
This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues…
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
I am a comic book writer from Scotland now living in Japan. I have had more than 40 books published with a variety of US, UK, and Japanese publishers. I am the only professional manga writer from Britain who lives in Japan. In 2016 my book The Faceless Ghost was nominated for the prestigious Eisner Book Awards, and received a medal in the 2016 'Independent Publisher Book Awards'. In 2017, my book Secrets of the Ninja won an International Manga Award from the Japanese government – I was the first British person to receive this. In 2020 I received the ‘Scottish Samurai Award’ from an association linking Japan and Scotland.
This book is a classic 1960s/1970s style gekiga book, which means more sophisticated literary manga. These are wonderful moving and funny stories from the street, about everyday people dealing with the pain and disappointment that we all must face throughout life. If you have never read any comic books beyond superhero ones this book will open your eyes to how subtle and intelligent comic books can be. I was lucky enough to meet and work with Tatsumi before he died.
Abandon the Old in Tokyo continues to delve into the urban underbelly of 1960s Tokyo, exposing not only the seedy dealings of the Japanese everyman but Yoshihiro Tatsumi's maturation as a storyteller. Many of the stories deal with the economic hardships of the time and the strained relationships between men and women, but do so by means of dark allegorical twists and turns. A young sewer cleaner's girlfriend has a miscarriage and leaves him when he proves incapable of finding higher-paying work. When a factory worker loses his hand on the job, the parallels between him and his pet monkey…
I’ve been an avid psychological suspense reader since I was at school, but have only recently begun to write in the genre myself. I’m not sure why it took me so long. If it was my most favourite genre to read, then why not write in it? When I came up with the idea for The Weekend Alone, I knew I had to write it, and I finally discovered what other suspense authors already knew: that playing with a reader’s perception can be the most amazing fun! My next psychological suspense book will be out with HQ Digital in summer 2023. Here’s hoping my own thrillers will keep readers gripped long past lights out!
As soon as I read the premise for this book, I knew I wanted to read it, not to mention wishing I’d thought of it myself! Sitting opposite a flustered young woman on a train, Ellen helps her out by holding her baby. A few moments later, she is stunned to see the woman getting off at the next station, apparently having abandoned her child. Trust Me, this twisty-turny thriller will have you staying up late to find out what happens!
The intensely gripping Sunday Times bestseller, from the author of Richard & Judy pick and NETFLIX drama The Holiday
'Thriller of the year? This is the thriller of the decade' My Weekly
'Everything you want from a thriller, and more' Lesley Kara ____________________________________________
TWO STRANGERS. A CHILD. AND A SPLIT SECOND CHOICE THAT WILL CHANGE EVERYTHING.
The chance encounter
Ellen was just trying to help a stranger. Giving a few minutes respite to a flustered young mother sitting opposite her on the train. A few minutes holding her baby while the woman makes an urgent call.
I’m Steve Sheppard and I’m arguably the best person in the UK to create this list as I am myself the archetypal funny author whom nobody has heard of, having written three comedy spy thrillers, two out (A Very Important Teapot and Bored to Death in the Baltics) and one on the way (Poor Table Manners), all published by a genuine indie publisher, Claret Press. I would have loved to include a funny thriller in my list, but sadly, they are not to be found–not without resorting to farce and slapstick anyway.
This is another fictional diary but different again. To say I enjoyed it is an understatement. This is a witty, engaging, satirical romp of a journal with laugh-out-loud moments, an empathetic everyman protagonist, a full cast of colourful supporting characters, and a rich background, mainly in Amsterdam.
I whipped through the book in a couple of days and was left hoping that we might find out what happens to Gerard "next year." All in all, thoroughly entertaining.
I grew up in a house of books. Bookcases in almost every room. At an early age, I discovered some great ones that were usually recommended by my dad. The Odyssey. Tarzan of the Apes. Princess of Mars. It is a long, long list, and I won’t give you all my faves—but one thing about it: I was drawn to books with heroes, particularly when those heroes were clearly good. There are no shades of gray for me. I like my heroes to have honor and humility and to always strive to do the right thing.
If you haven’t read any of Piers Anthony's amazing works, then you’re missing out. His Xanth fantasy series is amazing, but I’m still partial to his Apprentice Adept series. It’s the perfect amalgamation of great sci-fi and fantasy all in one package. This, the first book of the series, has our hero, Stile, living in Proton as a serf. Everyone in Proton, except for citizens, walks around naked.
Yeah, that’s a little crazy, but go with it. You’ll be glad you did. This is a fun read. Stile is an expert gamer and happens to be quite short (just shy of five feet), but he’ll defy everyone and show he’s a giant in this world and in the other world, a parallel dimension called Phaze, where magic exists.
The arc of this series and the cast of characters are what I loved most. Stile has a gift for making friends,…
On the technological, decadent world of Proton, someone was trying to destroy Stile, serf and master Gamesman. His only escape lay through a mysterious “curtain” revealed by a loving robot.
Beyond the curtain lay Phaze—a world totally ruled by magic. There, his first encounter was with an amulet that turned into a demon determined to choke him to death. And there, he soon learned, his alternate self had already been murdered by sorcery, and he was due to be the next victim.
“Know thyself!” the infallible Oracle told him. But first he must save himself as he shuttled between worlds.…
I grew up in a house of books. Bookcases in almost every room. At an early age, I discovered some great ones that were usually recommended by my dad. The Odyssey. Tarzan of the Apes. Princess of Mars. It is a long, long list, and I won’t give you all my faves—but one thing about it: I was drawn to books with heroes, particularly when those heroes were clearly good. There are no shades of gray for me. I like my heroes to have honor and humility and to always strive to do the right thing.
Okay, I’ve only read this book once, but I can tell you I’ll be reading it again. It’s that good.
It's a classic amnesia story. The hero wakes up from a coma and has no recollection of who he is. Over the course of the story, he discovers he’s a middle school science teacher. And he’s in a spaceship. Alone. And he may happen to be humanity’s only hope to survive.
Wow! Talk about a new spin on the amnesia trope. I’m rooting for Ryland Grace from the jump. No matter how crazy bad it gets, and it gets bad, our hero never loses his sense of humor. I laughed out loud many times. I loved the science, and I dug the author’s writing style.
Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish.
Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it.
All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company.
His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through…
Hello. My name’s Austin Dragon, and I’m the author of over 30 books in science fiction, fantasy, and classic horror. My works include the sci-fi noir detective Liquid Cool series, the epic fantasy Fabled Quest Chronicles, the international futuristic epic After Eden series, the classic Sleepy Hollow Horrors, and the upcoming military sci-fi Planet Tamers series. Sci-fi and mystery thrillers drew me into writing and I’m passionate about creating great stories with amazing characters in many my different worlds of fantastic fiction.
Matthew and I were on an author panel in the past. I’m all into supporting fellow authors, especially those in a similar sub-genre.
In this story, the orphaned protagonist, Moss, has finally found his place in the world with his employer. But everything is turned upside down when a mysterious woman breaks into his apartment and hands him a data chip from his dead parents. All is not as he believed, and to find the truth, he must venture out into the dangerous megacity streets filled with outcasts and criminals. Here, he meets a rebel group intent on exposing their corrupt oppressors, including his old boss, who now wants him dead.
When a corporate lacky discovers a terrible secret that exposes his illusions, will his hidden fire dwindle or ignite a rebellion?
Orphaned and alone, Moss is happy to have found a place in the world. But his humdrum working routines take a terrifying turn when a mysterious woman breaks into his apartment and hands him a data chip from his dead parents. Suddenly hearing messages revealing his benevolent employer has a far darker side, he braves the dangerous megacity streets in search of the truth.
Surrounded by outcasts and criminals and running on instinct, Moss stumbles onto a rebel group…
