Fans pick 100 books like Abandon the Old in Tokyo

A key cliche which comic book writers like myself are trying to get over is that comic books and manga are just for kids. That has never been true. This Showa book is an excellent example of that, as the four volumes range over a 63 year period (1926 to 1989) in Japanese history in which we learn about the war, Japanese society, the changes over time, and Mizuki’s personal story. Such comic books and manga, or graphic novels to give them their fancy modern term, are an excellent way to learn about a wide variety of topics with both text and visual working together in an engaging dance. Mizuki was one of the key figures in Japanese manga but for me, this book on history and culture, told in a personal way is his most impressive work.

Tsuge is another of the early gekiga greats, who only recently allowed English translation of his classic work from the 1960s and 70s. Tsuge pushed the boundaries of what manga stories were about, into more abstract and surreal areas and visual presentation. This book is, like Tatsumi’s books, a glimpse of a little-known Japan beneath the common stereotypes. Its stories are told in an understated and sophisticated fashion. Literary manga indeed. Wonderful stuff, personally I love it.

This is another of the early gekiga greats coming out in a big English edition for the first time. Matsumoto worked alongside Tsuge and Tatsumi in the late 50s, to push manga into more mature territory of what I’m calling literary manga. This book is from early 70s strips which show how people relate to each other in a big city in a simple, understated style. Again, it’s a balance to the image of manga being all about exaggeration. He considers alienation, longing, aimlessness, but with humour and a lightness of touch. It also shows various onomatopoeia which Matsumoto was careful to create, and he made many originals ones.   

Very few books have affected me more than this autobiographical Japanese manga. The book's author, artist, and protagonist is a young woman navigating her family relationships, mental health, and sexuality. In the grips of depression, desperate to be touched, the protagonist goes to an escort agency—but the plot is not the point.

Nagata’s willingness to “go there” feels so fresh, and is so vulnerable and heartfelt. As a queer person there was a lot to identify with, as a writer I took away a determination to try and be even half as vulnerable in my writing, and as a young woman I felt seen in a new way. 

This is an autobiographical tale by an American journalist on the crime beat in Tokyo.

It’s not only a riveting tour of the underbelly of Japanese society – hostess bars, yakuza gangs, murder, and mayhem – it’s a fascinating cultural journey.

The author, Jake Adelstein, studied at a Japanese university and fell into journalism almost as an afterthought.

His description of the stringent procedures for getting hired, the brutally hierarchical nature of working for a major Japanese daily, and his growth as an intrepid investigative reporter is a must-read for anyone interested in Japanese culture, society, media, and crime.

Transience and the importance of tiny details are two important underpinnings of Japanese culture, and this book captured them beautifully. I love books that use personal stories to tell an overarching epic, and the rise of Tokyo from a little fishing village to one of the biggest cities in the world is just that.

The author’s poetic style also aligns with how thoughts and phrases would evolve in Japanese, making it very evocative. It is a love letter to this city of contradictions and gives a look into the deeper sides that most visitors would simply not think to ask about. 

Tokyo Year Zero follows detective Minami on the hunt for a serial killer in the immediate post-war period. It is a haunting and addictive journey inside the underbelly of Japan’s shattered capital city in the glaring light of defeat. There is crime, gang warfare, desolation, corruption, and decay. But Peace is above all a master of language, and his prose – fragmentary, truncated, hallucinatory – produces an idiosyncratic rhythm that mirrors the mental disintegration of a man and the convulsions of an entire city. A novel that will stick to your skin years after reading it.

Three Assassins almost feels like the movie Bullet Train with Brad Pitt.

It’s a series of seemingly unrelated events that connect a network of assassins together and pit them against one another, knowingly or unknowingly. The novel itself is less about the action and pace and unfurls like a twisted puzzle, making every piece lean into a seemingly surreal universe.

We see all the characters, good and bad, their flaws, good and bad, and the ones we can stand up for, good and bad. “All the knowledge and science that human beings have, it only helps humans.” But even when we’re cheering, I didn’t necessarily know what to believe until I reached the end. Even then, I walked away holding doubts and a smile. 

Tokyo, Form and Spirit was the catalogue for an exhibition at the Walker Center in 1986 with contributions of the most important Japanese urban writers of the 1990s: Henry Smith, Kenneth Frampton, Donald Richie, Marc Treib, Chris Fawcett to name but a few. While I never saw the exhibition, the perspective of the authors created a mental scaffolding that shaped my understanding of the transition from the feudal to modern Japan. Henry

Smith is reading the city of Edo through a bipartite scheme characterized by the sky and the water, or how the city was viewed differently from above, as incarnated by the gaze of the samurai and other authorities, and from below, typically by the commoners who enjoyed life across the city’s waterways. He then searches for this structure in today’s Tokyo where the city’s skyline is dominated by wirescape and high-rise edifices, and the water has almost evaded.… show more.

This pared-back and intense analysis of female isolation in a modern city breaks all the rules of ‘good writing.’ Telling not showing; unrelievedly inward; arguably solipsistic; it charts the descent of a conscientious copywriter into drunken depression. Could an off-beat relationship with a man who seems to care about her, for what she is, possibly haul her back into a functioning life?

In its totally absorbing dramatization of our hopes, desires, disappointments, and perennial insecurities, this book shows our flawed and fragile human selves in remorseless clarity. At the same time, it gives hope in the value of human affection and the kindness of friends.