100 books like Tokyo, Form and Spirit

Vaporis’ Breaking Barriers gave me the background knowledge to understand how developed the system of travel was in Edo Japan. Both in relation to the infrastructure and the regulations imposed by the Bakufu under the Tokugawa regime. I was particularly impressed to learn about the sankin kotai, which is the travel expeditions of the regional lords (the daimyo) for their mandatory alternate residency in Tokyo, and the different protocols and checks across the roads.

Despite the harsh laws of the Tokugawa’s system of roads, barriers, relays, and permits, I was surprised to discover the social reality of the roads and how travelers managed to overcome the regulations and escape from social restrictions. I also enjoyed the multiplicity of sources that Vaporis is using to describe the culture of the road beyond the official records: from diaries and literary sources to woodblock prints.  

Tokyo by Jinnai Hidenobu was influential for me both as a source of information about the history of Tokyo and for its methodology of research. The author discovers the city via walking and traveling across its water routes, an experiential methodology which he first developed in his study of Venice. With the assistance of visuals, both historical and newly drawn based on his field observations, Jinnai explores modern-day Tokyo. His starting point is that Tokyo seems an anomaly when compared with other world cities in its lack of historical structures which is attributed to a series of wars and disasters that radically transformed the city’s physical environment.  

The impressive discovery of this inquiry however is that despite the perceived newness of Tokyo, the spirit of Edo (Tokyo’s name during the Tokugawa period, 1600-1868) has not vanished in today’s modern city. Through this book, we learn that the differences between the… show more.

I was extremely lucky to conduct my PhD research on Tokaido road in the 1990s. Books by scholars of Japanese Studies like Marily Ivy were extremely influential and opened my eyes to aspects that would not have been visible to me otherwise. 

The Discourses of the Vanishing was one such book that dispelled deeply rooted myths of Japan, especially the belief that Japan is a fully modernized country, that Japanese society is monolithic, and that Japan’s most noteworthy locales are its highly urbanized areas. What brought me to the book was Ivy’s examination of the Exotic Japan campaign of Japan’s railways in the late 1980s. This campaign was woven with powerful notions of furusato (nostalgia for one’s native place), neo-Japonesque exoticism, and other imaginary references of post-bubble Japan meant to appeal to women as new targets of Japan’s consumption campaigns.

Across the book’s six chapters, Ivy also takes us to… show more.

Laura Nenzi’s book discusses the role of travel in the formation of identity, using primary sources that derive from travel accounts of Edo Japan. Nenzi looks at personal travel diaries and brings an anthropological view on the subject seeing travel as a self-discovery process, while also paying attention to differences in the experience of the literati travelers and the less educated commoners for whom, with the rise of the market economy, the roads and their pleasures became more accessible. This brings to life the changes in the earlier literati tradition of the meisho (famous places) with the rise of commodification of both products (meibutsu) and religious practices.

Nenzi’s most unique contribution is shining a light on the travels of women, which still remain an elusive subject in historical narratives of Japan. Nenzi shows that the hierarchies of Edo Japan were defied by the transgressive potential of travel, as the roads… show more.

This expertly translated novel draws from the prolific Japanese writer Mizumura Minae’s experiences caring for her aging parents and eloquently exposes the vulnerability of women whose elderly family members require substantial care. To be sure, financial security mitigates precarity as does having professional caregivers who respect the family’s wishes concerning the medical treatment of their ailing loved ones. At the same time, Inheritance emphasizes that with so many younger individuals already overextended – whether because of their own health concerns, spousal conflicts, childcare responsibilities, employment challenges, and other factors – there are few reserves with which to compassionately care for others.

From the start, the reader can’t help but notice a tower looming in the distance.

The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.

For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.

In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone… show more.

Like other traditional guidebooks, Essential Japan, aims for almost encyclopedic coverage of its topic, and it successfully manages this without seeming overwhelming—not an easy task judging by other major guidebooks.

In the edition I read, most (but not all) of its “how to” instructions are up to date, but where it really excels is in helping visitors choose what kinds of experiences they would like to have in Japan. For instance, I found its suggested itineraries for Tokyo to be spot-on, and the entire book is rich with recommendations.

Because the book is heavy, I suggest using it to map out your trip itinerary—and then take a lighter reference guide and use online sources for your actual trip.

Three Assassins almost feels like the movie Bullet Train with Brad Pitt.

It’s a series of seemingly unrelated events that connect a network of assassins together and pit them against one another, knowingly or unknowingly. The novel itself is less about the action and pace and unfurls like a twisted puzzle, making every piece lean into a seemingly surreal universe.

We see all the characters, good and bad, their flaws, good and bad, and the ones we can stand up for, good and bad. “All the knowledge and science that human beings have, it only helps humans.” But even when we’re cheering, I didn’t necessarily know what to believe until I reached the end. Even then, I walked away holding doubts and a smile. 

The mother of all otaku guides was published by current Otaku USA magazine’s honcho Macias and famous otaku writer Machiyama and reflects their tastes and idiosyncratic approach to the subject. Admittedly, you can find better, more complete, and updated otaku travel guides now (e.g. my book… wink wink) but this colorful book has a funky turn-of-the-century design and features things that you will hardly find elsewhere, like interviews with Mandarake owner Masuzo Furukawa, magazine editor Hisanori Nukata (about action figures), past cosplay queen Jan Kurotaki and Japan’s most notorious plastic model kit collector Chimatsuri. It’s a wonderful blast from the past.

The fascinating tale of Tsuneno’s journey from respectable daughter and sister in a family of Buddhist priests to a hand-to-mouth existence in Edo—now Tokyo—could well have been titled “down and out in the city.” And she chose her fate. A fiery, headstrong woman, she endured three marriages that all ended in divorce, and when confronted with the possibility of a fourth, she ran away from her home in the storied snow country region along the Japan Sea to try her luck working as a maid. She detailed her adventures and her demands for money and clothes in letters to her brother, letters that Stanley has used to wonderful effect in recreating not only Tsuneo as an individual but also the world of people on the margin among whom she lived.