Here are 100 books that The Thief fans have personally recommended if you like
The Thief.
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As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
This book, which appeared in English translation in 2010, is the tender love story of Tokiko, a married woman, and her lover Itakura.
The story is told from the perspective of Taki, the devoted attendant who cares for the house and the family who lives there. In this respect, the reader is dealing with the gaze of a marginal figure, and it is this which makes the book so great: Taki’s gaze is intimate, taking into account everything that happens within the home’s four walls, but is at the same time the cool gaze of an observer on the periphery of all the action.
The book plays out in the pre-war years, but it also depicts the war and the years following. Over the course of this long period, the reader learns that this isn’t just about the love that exists between Tokiko and Itakura. It is also about Taki’s…
The Little House is set in the early years of the Showa era (1926-89), when Japan's situation is becoming increasingly tense but has not yet fully immersed in a wartime footing. On the outskirts of Tokyo, near a station on a private train line, stands a modest European style house with a red, triangular shaped roof. There a woman named Taki has worked as a maidservant in the house and lived with its owners, the Hirai family. Now, near the end of her life, Taki is writing down in a notebook her nostalgic memories of the time spent living in…
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
Now, I am no friend to graphic novels. As a novelist I prefer a story told in long strokes. For Taniguchi Jiro, however, I make an exception.
When I stumbled across A Journal of My Father, I was initially skeptical. Page after page, however, with an almost cinematic panorama laid out before me, I found myself in complete awe of the fine power of observation that Taniguchi brings to the small things in life. The simple and still finds artistic expression in his work, the every day suddenly seems notable, and anyone who – like me – often finds themselves reaching for a handkerchief, consider yourself warned: this touches you, though without a show of sentimentality.
After the death of his father, a man travels to his hometown and, through various conversations and encounters, pursues memories that have stayed with him since childhood. That doesn’t sound all that exciting. But…
KNOW THY FATHER The book opens with some childhood thoughts of Yoichi Yamashita spurred by a phone call at work informing him of his father’s death. So, he journeys back to his hometown after an absence of well over a decade during which time he has not seen his father. But as the relatives gather for the funeral and the stories start to flow, Yoichi’s childhood starts to resurface. The Spring afternoons playing on the floor of his father’s barber shop, the fire that ravaged the city and his family home, his parents’ divorce and a new ‘mother’. Through confidences…
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
It doesn’t happen often, but it does happen sometimes: you start a book only to find you simply can’t put it down. This was the case for me with Lonely Castle in the Mirror, a coming-of-age story.
At first glance the book seems like an entertainment novel with a fantasy element. Six teenagers slip through their respective bedroom mirrors and find themselves in a surreal castle with a mission to complete. Only at second glance does it become clear what this book is really about.
It is about loneliness and friendship, and about the painful process of growing up. None of the teenagers are really any good at forming relationships. And yet: by taking the risk and accepting commitments, the sense of responsibility within them grows, and they surpass themselves.
A magical parable. And who actually says that good literature can’t also be entertaining? It’s ideal when both happen at…
For fans of BEFORE THE COFFEE GETS COLD, fairy tale and magic are weaved together in sparse language that belies a flooring emotional punch.
'Strange and beautiful. Imagine the offspring of The Wind-up Bird Chronicle with The Virgin Suicides' GUARDIAN 'Genuinely affecting. A story of empathy, collaboration and sharing truths' FINANCIAL TIMES
Translated by Philip Gabriel, a translator of Murakami _______________________________
Would you share your deepest secrets to save a friend?
In a tranquil neighbourhood of Tokyo, seven teenagers wake to find their bedroom mirrors are shining.
At a single touch, they are pulled from their lonely lives to a…
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
This is a fast-paced story about a young man named Sugehara.
He is a so-called Zainichi Chosenjin who falls in love with a Japanese woman. Through him, the North Korean minority is given a face and a voice, and what the reader learns, namely, that every step he takes is a step against an invisible wall of racism and marginalization, is more evident here than practically anywhere else.
“Go!” you want to scream at him. “Run up against the wall! Knock it down!” The weight of the subject matter goes hand in hand with language that masterfully expresses the hunted but determined nature of the main character and his closest circle.
Not a book that can be put lightly aside after reading. It stays with you for a long time, and its reverberations – of Sugehara’s running, of his footsteps – remain in the ether for a long time, like…
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A Freeman Award Winner for Young Adult Literature
For two teens, falling in love is going to make a world of difference in this beautifully translated, bold, and endearing novel about love, loss, and the pain of racial discrimination.
As a Korean student in a Japanese high school, Sugihara has had to defend himself against all kinds of bullies. But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer.…
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
This pared-back and intense analysis of female isolation in a modern city breaks all the rules of ‘good writing.’ Telling not showing; unrelievedly inward; arguably solipsistic; it charts the descent of a conscientious copywriter into drunken depression. Could an off-beat relationship with a man who seems to care about her, for what she is, possibly haul her back into a functioning life?
In its totally absorbing dramatization of our hopes, desires, disappointments, and perennial insecurities, this book shows our flawed and fragile human selves in remorseless clarity. At the same time, it gives hope in the value of human affection and the kindness of friends.
From literary sensation and International Booker Prize-shortlisted author Mieko Kawakami, the bestelling author of Breasts and Eggs and Heaven comes All the Lovers in the Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo.
'A brief, compelling study of alienation and friendship; I binge-read it in one sitting.' - Rebecca F Kuang, bestselling author of Babel
Fuyuko Irie is a freelance proofreader in her thirties. Living alone in an overwhelming city and unable to form meaningful relationships, she has little contact with anyone other than her colleague, Hijiri. But a chance encounter with a man named Mitsutsuka…
Japan has been my home for many decades. I know the world of business and finance inside out, and have an obsessive interest in art, film, and literature. I’ve written several books, fiction and non-fiction, and countless articles on Japan-related subjects, as you can see on my blog. I think I may have actually been Japanese in a previous life…
Imagine you are a respected member of the literary establishment, a prize-winning novelist, and, a rare thing in Japan, a devout Christian. A man like the real Shusaku Endo, in fact. Suddenly, rumors start circulating that you have been seen frequently in a raunchy part of town, partying into the wee wee hours with hookers and taking women to love hotels. You catch glimpses of a strange face at various events. It is your own face but wearing a horrible lewd sneer. Who is this person? What is going on? Endo has come up with a taut psychological thriller that explores the deep contradictions of the human heart. As well as being a Christian, Endo is a leading expert on the Marquis de Sade.
Suguro is an eminent Catholic novelist who is about to receive a major literary award. When a drunk woman he has never met before approaches him at the award ceremony, claiming she knows him well from his regular visits to Tokyo’s red-light district, he assumes she must surely be mistaken. But with a scurrilous press campaign damaging Suguro’s reputation, his sleazy doppelgänger appears more and more, as if deliberately trying to discredit him. He is sighted touring the love hotels and brothels of Shinjuku; a leering portrait of him appears in an exhibition—and Suguro is forced to undertake a journey…
I have been studying Japanese since 2008, studied in the country twice, and then finally made my home here in 2011. Over the years, I have been to 43 of Japan’s 47 prefectures, writing articles about my experiences and constantly searching for new, hidden places where I could still find a touch of the Japan of yore. With so many people visiting the country, I want to do my part to give folks options that are off the beaten path and away from the crowds.
Transience and the importance of tiny details are two important underpinnings of Japanese culture, and this book captured them beautifully. I love books that use personal stories to tell an overarching epic, and the rise of Tokyo from a little fishing village to one of the biggest cities in the world is just that.
The author’s poetic style also aligns with how thoughts and phrases would evolve in Japanese, making it very evocative. It is a love letter to this city of contradictions and gives a look into the deeper sides that most visitors would simply not think to ask about.
As read on BBC Radio 4 'Book of the Week' Shortlisted for the Stanford Dolman Travel Book of the Year Award Longlisted for the RSL Ondaatje Prize
'Sherman's is a special book. Every sentence, every thought she has, every question she asks, every detail she notices, offers something. The Bells of Old Tokyo is a gift . . . It is a masterpiece.' - The Spectator
For over 300 years, Japan closed itself to outsiders, developing a remarkable and unique culture. During its period of isolation, the inhabitants of the city of Edo, later known as Tokyo, relied on its…
I am an architect from Greece who
traveled to Japan in the 1990s as an exchange student. Visiting Japan in the
early 1990s was a transformative experience. It led me to a career at
the intersection of Japanese studies and spatial inquiry and expanded my
architectural professional background. I did my PhD on the
Tokaido road and published it as a book in 2004. Since then I have written several other books on subjects
that vary from the Olympic Games to social movements. In the last 16 years, I've taught at Parsons School of Design in New York where I am a professor of
architecture and urbanism. My current project is researching the role of space
and design in prefigurative political movements.
Tokyo by Jinnai Hidenobu was
influential for me both as a source of information about the history of Tokyo and for its methodology of research. The author discovers the city via walking
and traveling across its water routes, an experiential methodology which he
first developed in his study of Venice. With the assistance of visuals, both
historical and newly drawn based on his field observations, Jinnai explores
modern-day Tokyo. His starting point is that Tokyo seems an anomaly when
compared with other world cities in its lack of historical structures which is
attributed to a series of wars and disasters that radically transformed the
city’s physical environment.
The impressive discovery of this inquiry
however is that despite the perceived newness of Tokyo, the spirit of Edo
(Tokyo’s name during the Tokugawa period, 1600-1868) has not vanished in
today’s modern city. Through this book, we learn that the differences between
the…
Tokyo: destroyed by the earthquake of 1923 and again by the firebombing of World War II. Does anything remain of the old city? The internationally known Japanese architectural historian Jinnai Hidenobu set out on foot to rediscover the city of Tokyo. Armed with old maps, he wandered through back alleys and lanes, trying to experience the city's space as it had been lived by earlier residents. He found that, despite an almost completely new cityscape, present-day inhabitants divide Tokyo's space in much the same way that their ancestors did two hundred years before. Jinnai's holistic perspective is enhanced by his…
Although my travels had taken me to Asia numerous times, Japan eluded me until my teen daughter and I spent three weeks there following the country’s re-opening from covid. The trip exceeded all of our expectations, but facing the country’s impenetrable language and complex transportation system felt intimidating. To prepare, I devoured a shelf full of guidebooks. I learned that each has its strengths and weaknesses, but these books and our own adventures greatly informed my decision to write First-Time Japan. I was especially fortunate to collaborate with Japan tour guide Roy Ozaki, who contributed greatly to the book and gave me essential insights into Japan’s people, places, and culture.
Like other traditional guidebooks, Essential Japan, aims for almost encyclopedic coverage of its topic, and it successfully manages this without seeming overwhelming—not an easy task judging by other major guidebooks.
In the edition I read, most (but not all) of its “how to” instructions are up to date, but where it really excels is in helping visitors choose what kinds of experiences they would like to have in Japan. For instance, I found its suggested itineraries for Tokyo to be spot-on, and the entire book is rich with recommendations.
Because the book is heavy, I suggest using it to map out your trip itinerary—and then take a lighter reference guide and use online sources for your actual trip.
Whether you want to have sushi in a top Tokyo restaurant, visit the shrines of historic Kyoto, or head to the beaches of Okinawa, the local Fodor's travel experts in Japan are here to help! Fodor's Essential Japan guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor's "Essential" guides have been named by Booklist as the Best Travel Guide Series of 2020!
Karen Thornber is Harry Tuchman Levin Professor in Literature and Professor of East Asian Languages and Civilizations at Harvard. Her work brings humanistic insights to global challenges. Thornber is the author of the award-winning scholarly books Empire of Texts in Motion and Ecoambiguity as well as most recently Global Healing: Literature, Advocacy, Care. Current projects include books on gender justice in Asia, mental health, inequality/injustice, sustainability/climate change, and indigeneity.
This expertly translated novel draws from the prolific Japanese writer Mizumura Minae’s experiences caring for her aging parents and eloquently exposes the vulnerability of women whose elderly family members require substantial care. To be sure, financial security mitigates precarity as does having professional caregivers who respect the family’s wishes concerning the medical treatment of their ailing loved ones. At the same time, Inheritance emphasizes that with so many younger individuals already overextended – whether because of their own health concerns, spousal conflicts, childcare responsibilities, employment challenges, and other factors – there are few reserves with which to compassionately care for others.
Now in paperback, this Osaragi Jiro Award-winning novel demystifies the notion of the selfless Japanese mother and the adult daughter honor-bound to care for her.
Mitsuki Katsura, a Japanese woman in her mid-fifties, is a French-language instructor at a private university in Tokyo. Her husband, whom she met in Paris, is a professor at another private university. He is having an affair with a much younger woman.
In addition to her husband's infidelity, Mitsuki must deal with her ailing eighty-something mother, a demanding, self-absorbed woman who is far from the image of the patient, self-sacrificing Japanese matriarch. Mitsuki finds herself…
