As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
This book, which appeared in English translation in 2010, is the tender love story of Tokiko, a married woman, and her lover Itakura.
The story is told from the perspective of Taki, the devoted attendant who cares for the house and the family who lives there. In this respect, the reader is dealing with the gaze of a marginal figure, and it is this which makes the book so great: Taki’s gaze is intimate, taking into account everything that happens within the home’s four walls, but is at the same time the cool gaze of an observer on the periphery of all the action.
The book plays out in the pre-war years, but it also depicts the war and the years following. Over the course of this long period, the reader learns that this isn’t just about the love that exists between Tokiko and Itakura. It is also about Taki’s love for the house – the book’s secret protagonist – and about her never-uttered-aloud love for the woman of the house, who embodies the soul of the house.
The Little House is set in the early years of the Showa era (1926-89), when Japan's situation is becoming increasingly tense but has not yet fully immersed in a wartime footing. On the outskirts of Tokyo, near a station on a private train line, stands a modest European style house with a red, triangular shaped roof. There a woman named Taki has worked as a maidservant in the house and lived with its owners, the Hirai family. Now, near the end of her life, Taki is writing down in a notebook her nostalgic memories of the time spent living in…
From the start, the reader can’t help but notice a tower looming in the distance.
The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.
For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.
In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone who reads his other works, The Boy in the Earth for instance, or The Gun, you will soon have a hard time forgetting what makes his writing his own – the dark, the lonesome, the guilt-ridden. An author who crawls under your skin.
Nishimura is a seasoned pickpocket, weaving through Tokyo's crowded streets, in search of potential targets. He has no family, no friends, no connections ...But he does have a past, which finally catches up with him when his old partner-in-crime reappears and offers him a job he can't refuse. Suddenly, Nishimura finds himself caught in a web so tangled and intricate that even he might not be able to escape. Taut, atmospheric and cool, The Thief will steal your breath away.
Now, I am no friend to graphic novels. As a novelist I prefer a story told in long strokes. For Taniguchi Jiro, however, I make an exception.
When I stumbled across A Journal of My Father, I was initially skeptical. Page after page, however, with an almost cinematic panorama laid out before me, I found myself in complete awe of the fine power of observation that Taniguchi brings to the small things in life. The simple and still finds artistic expression in his work, the every day suddenly seems notable, and anyone who – like me – often finds themselves reaching for a handkerchief, consider yourself warned: this touches you, though without a show of sentimentality.
After the death of his father, a man travels to his hometown and, through various conversations and encounters, pursues memories that have stayed with him since childhood. That doesn’t sound all that exciting. But it is. Great cinema doesn’t require a lot of drama. It lets us participate in an inner landscape. It lies there quietly, like a lake over which a gentle breeze blows every now and again.
KNOW THY FATHER The book opens with some childhood thoughts of Yoichi Yamashita spurred by a phone call at work informing him of his father’s death. So, he journeys back to his hometown after an absence of well over a decade during which time he has not seen his father. But as the relatives gather for the funeral and the stories start to flow, Yoichi’s childhood starts to resurface. The Spring afternoons playing on the floor of his father’s barber shop, the fire that ravaged the city and his family home, his parents’ divorce and a new ‘mother’. Through confidences…
It doesn’t happen often, but it does happen sometimes: you start a book only to find you simply can’t put it down. This was the case for me with Lonely Castle in the Mirror, a coming-of-age story.
At first glance the book seems like an entertainment novel with a fantasy element. Six teenagers slip through their respective bedroom mirrors and find themselves in a surreal castle with a mission to complete. Only at second glance does it become clear what this book is really about.
It is about loneliness and friendship, and about the painful process of growing up. None of the teenagers are really any good at forming relationships. And yet: by taking the risk and accepting commitments, the sense of responsibility within them grows, and they surpass themselves.
A magical parable. And who actually says that good literature can’t also be entertaining? It’s ideal when both happen at the same time: a profoundly told text and a pleasure to read. The book is an absolute page turner.
For fans of BEFORE THE COFFEE GETS COLD, fairy tale and magic are weaved together in sparse language that belies a flooring emotional punch.
'Strange and beautiful. Imagine the offspring of The Wind-up Bird Chronicle with The Virgin Suicides' GUARDIAN 'Genuinely affecting. A story of empathy, collaboration and sharing truths' FINANCIAL TIMES
Translated by Philip Gabriel, a translator of Murakami _______________________________
Would you share your deepest secrets to save a friend?
In a tranquil neighbourhood of Tokyo, seven teenagers wake to find their bedroom mirrors are shining.
At a single touch, they are pulled from their lonely lives to a…
This is a fast-paced story about a young man named Sugehara.
He is a so-called Zainichi Chosenjin who falls in love with a Japanese woman. Through him, the North Korean minority is given a face and a voice, and what the reader learns, namely, that every step he takes is a step against an invisible wall of racism and marginalization, is more evident here than practically anywhere else.
“Go!” you want to scream at him. “Run up against the wall! Knock it down!” The weight of the subject matter goes hand in hand with language that masterfully expresses the hunted but determined nature of the main character and his closest circle.
Not a book that can be put lightly aside after reading. It stays with you for a long time, and its reverberations – of Sugehara’s running, of his footsteps – remain in the ether for a long time, like a heartbeat. I would love to read more from this author. Translators – get to work! ;)
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A Freeman Award Winner for Young Adult Literature
For two teens, falling in love is going to make a world of difference in this beautifully translated, bold, and endearing novel about love, loss, and the pain of racial discrimination.
As a Korean student in a Japanese high school, Sugihara has had to defend himself against all kinds of bullies. But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer.…
Mr Katō―a curmudgeon and recent retiree―finds his only solace during his daily walks, where he wonders how his life went wrong and daydreams about getting a dog (which his wife won’t allow). During a walk, he's approached by a young woman. She calls herself Mie, and invites him to join her business Happy Family, where employees act as part-time relatives or acquaintances for clients in need.
He takes the job without telling his wife or adult children. Through the many roles he takes on, Mr Katō rediscovers the excitement and spontaneity of life, and re-examines his role in his own family. Using lessons learned with his “play families,” he strives to reconnect with his loved ones, to become the father and husband they deserve, and to live the life he’s always wanted.
I’ve become passionate about telling parents how to raise happy, resilient, creative, confident, entrepreneurial children who are doing something that gives them joy. So many young people are unhappy; parents don’t understand how to help. They think their children should follow their path, but that no longer works for many. For the last 10 years, I’ve been speaking to parent groups; I was an Advisor to EQ Generation, an after-school program that gives children the skills to succeed; on the Advisory Board of MUSE School, preparing young people with passion-based learning; and on the Board of Spark the Journey, mentoring low-income high school students to achieve college and career success.
This book shakes longstanding assumptions of parenting.
Through 99 stories of people who are now changing the world, it shows how to raise creative, confident, resilient children who are filled with joy and purpose. Based on interviews with top entrepreneurs and their parents, it guides you to help your children identify their passion and figure out how they can spend their professional lives doing something they love.
Parents' well-intentioned efforts often boomerang. By ignoring their children’s skills and interests, parents can inadvertently create pressure and anxiety, thwarting their children's ability to excel and find happiness. Too often, following your heart…
Raising an Entrepreneur: How to Help Your Children Achieve Their Dreams - 99 Stories from Families Who Did
Learn how successful entrepreneurs were raised! Could your children start a company that disrupts existing industries? Or a non-profit that helps people around the world? Or follow their passion as an artist or activist? And most important, lead a life of joy and purpose, to be happy and fulfilled? Margot Machol Bisnow, mother of two thriving entrepreneurs, reveals how to raise creative, confident, resilient, fearless kids who achieve their dreams, through 99 stories of families who did it.
Read stories from 70 families who raised true game changers. See family photos of these thriving entrepreneurs, both when they were young…
