The best books to dive into modern Japan from someone who is half Japanese

This book, which appeared in English translation in 2010, is the tender love story of Tokiko, a married woman, and her lover Itakura.

The story is told from the perspective of Taki, the devoted attendant who cares for the house and the family who lives there. In this respect, the reader is dealing with the gaze of a marginal figure, and it is this which makes the book so great: Taki’s gaze is intimate, taking into account everything that happens within the home’s four walls, but is at the same time the cool gaze of an observer on the periphery of all the action.

The book plays out in the pre-war years, but it also depicts the war and the years following. Over the course of this long period, the reader learns that this isn’t just about the love that exists between Tokiko and Itakura. It is also about Taki’s love for the house – the book’s secret protagonist – and about her never-uttered-aloud love for the woman of the house, who embodies the soul of the house.

Thrillingly told. A magnificent chamber piece.

From the start, the reader can’t help but notice a tower looming in the distance.

The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.

For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.

In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone who reads his other works, The Boy in the Earth for instance, or The Gun, you will soon have a hard time forgetting what makes his writing his own – the dark, the lonesome, the guilt-ridden. An author who crawls under your skin.

Now, I am no friend to graphic novels. As a novelist I prefer a story told in long strokes. For Taniguchi Jiro, however, I make an exception.

When I stumbled across A Journal of My Father, I was initially skeptical. Page after page, however, with an almost cinematic panorama laid out before me, I found myself in complete awe of the fine power of observation that Taniguchi brings to the small things in life. The simple and still finds artistic expression in his work, the every day suddenly seems notable, and anyone who – like me – often finds themselves reaching for a handkerchief, consider yourself warned: this touches you, though without a show of sentimentality.

After the death of his father, a man travels to his hometown and, through various conversations and encounters, pursues memories that have stayed with him since childhood. That doesn’t sound all that exciting. But it is. Great cinema doesn’t require a lot of drama. It lets us participate in an inner landscape. It lies there quietly, like a lake over which a gentle breeze blows every now and again.

It doesn’t happen often, but it does happen sometimes: you start a book only to find you simply can’t put it down. This was the case for me with Lonely Castle in the Mirror, a coming-of-age story.

At first glance the book seems like an entertainment novel with a fantasy element. Six teenagers slip through their respective bedroom mirrors and find themselves in a surreal castle with a mission to complete. Only at second glance does it become clear what this book is really about.

It is about loneliness and friendship, and about the painful process of growing up. None of the teenagers are really any good at forming relationships. And yet: by taking the risk and accepting commitments, the sense of responsibility within them grows, and they surpass themselves.

A magical parable. And who actually says that good literature can’t also be entertaining? It’s ideal when both happen at the same time: a profoundly told text and a pleasure to read. The book is an absolute page turner.

This is a fast-paced story about a young man named Sugehara.

He is a so-called Zainichi Chosenjin who falls in love with a Japanese woman. Through him, the North Korean minority is given a face and a voice, and what the reader learns, namely, that every step he takes is a step against an invisible wall of racism and marginalization, is more evident here than practically anywhere else.

“Go!” you want to scream at him. “Run up against the wall! Knock it down!” The weight of the subject matter goes hand in hand with language that masterfully expresses the hunted but determined nature of the main character and his closest circle.

Not a book that can be put lightly aside after reading. It stays with you for a long time, and its reverberations – of Sugehara’s running, of his footsteps – remain in the ether for a long time, like a heartbeat. I would love to read more from this author. Translators – get to work! ;)